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Gravity Override
Lina Mour

Verified Verified Artist

Lina Mour
Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.

Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.

Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”

Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.
Track(s)
Gravity Override 86840 02:11

Gravity Override

Lina Mour


Blast the gate override the stream
No peace mode just kerosene
We don’t stop — we ventilate
Plug into the surge detonate!

Code in flames!
Rise untamed!
Spin that truth
Like a hurricane!

Gravity override!
We don’t fall — we multiply
No more silence no more shade
We break the sound — unafraid!

Gravity override!
Sky is fake so we collide
Raise your pulse amplify—
We’re the glitch they can’t deny!

Rip that signal break the chain
Upload thunder through your brain
We’re the myth the freak the spark
We turn neon into dark

No maps!
No brakes!
No kings!
No fakes!
We twist!
We crack!
We vanish—
Then attack!

Gravity override!
Truth distorted we decide
Bounce that static crash the grid—
This is not your mother’s beat!

Gravity override!
Laws erased we redesign
Now scream loud redefine—
We’re the beat they can’t confine!

Override complete
System: liberated

CREDITS
Performer: Lina Mour
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

My Happy Song
Lyra Luxx

Verified Verified Artist

Lyra Luxx
Lyra Luxx, the eternal songbird of California, hails from a unique lineage of performers and artistic savants. A vibrant fount of melodies, with a story as colorful as her repertoire, Luxx's journey toward musical prominence took root in the sunny courtyards of Laguna Beach High School (LBHS). Here, amidst the bustling crowd of students and the cacophony of crashing lockers, Lyra carved out a refuge with her schoolmates in an all-girl band. The only remaining member from that original lineup, Luxx had an added feather in her high school cap, holding the esteemed position of a cheerleader. Who else, after all, could champion the school spirit better than the musical prodigy herself?

With a name as resplendent as ‘Lyra Luxx,’ you might expect a pivotal star moment or a dramatic twist. In a plot worthy of a Broadway production, her golden opportunity struck beneath the glaring halogens and amidst the simulated fog of LBHS’s annual talent extravaganza. The only thing missing was a superhero cape as she delivered an iconic rendition of her now famous single, "My Happy Song". The ensuing applause could have rivaled any seismic activity in California, thus turning a new page in her journey. Today, Luxx is recognized far beyond the confines of LBHS, solidifying her star status with each melodious offering. And as for that erstwhile all-girls band? It exists now only in memory, as a significant stepping stone in the rise and rise of Lyra Luxx, California's own glamorous diva. But remember folks, beneath all the glitter and the vocals, she remains the invincible cheerleader from Laguna Beach High School. Go, team!
Track(s)
I Don't Need A Map 60169 02:29
Hope Is Glitter 2279 02:58
My Happy Song 2754 03:07

My Happy Song

Lyra Luxx


(do not be afraid this is not fm)

You used to call me late night
Hope I ain't just your late night
When can I see you again?
So sorry I'm not a pain
Um (but)

I been workin' nine to five (ask me baby)
Smokin' bomb on my free time (light it baby)
Keep that love on my mind (kiss me baby)
Keep that love (K-I-S-S kiss me)
Makin' music all the time (mister radio play it play it)
Hit a milli and I'll cry (ooh my audience so loud)
Growin' up with the mic (fallin' steady fall watch it)
I can stay low

But when my song comes on
That's when I get so confident
Ooh
I put my own words in my mouth
And yes
I'm saying it out loud
That when my song comes on
I make my mama proud of me
Growin' up loving me (uh)
Hold up
Wait
Watch it
Look
Uh

Seventeen
I'm on a stage singin'
Haze off the coast
Eighteen in the city
Still hidin'
From the snow
Jumpin' down 85
When I'm driving home
Levitate for no reason
Cus' they changed the seasons

Makin' music all the time (oh)
Keep a milli on my mind (oh)
Growin' up with the mic (oh yes hunny)
I could stay low

But when my song comes on
That's when I get so confident
Ooh
I put my own words in my mouth
And yes
I'm saying it out loud
That when my song comes on
I make my mama proud of me
Growin' up loving me
Hold up
Wait
Watch it
Look

CREDITS
Performer: Lyra Luxx
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Long Distance Line ...
Eli Varnish

Verified Verified Artist

Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

Long Distance Line from the Bosphorus

Eli Varnish


I’m calling from a room with peeling paint
A radio coughing out the truth
The kettle screams like it knows my name
Coins on the table none of them are you

The line is bad the night is worse
Somewhere a ferry cuts the dark in two
I got your number on a matchbook
And a voice that still remembers you

The operator’s half asleep
She says “Sir you still there?”
I say “Yeah I’m breathing smoke and prayers
Trying to get through anywhere”

This is a long distance line from the Bosphorus
I got one minute maybe less
If the city don’t swallow my words whole
You’ll hear me say I did my best

Yeah it’s a long distance line from the Bosphorus
The signal shakes the past comes through
If this call drops into the water
Just know I was calling you

There’s a man downstairs selling broken watches
Says time owes him money too
Every streetlight flickers like a bad idea
Every bar knows something I won’t tell you

I saw your face in a cracked mirror
Right next to a stain on the wall
I tried to hang up three times already
But this phone just won’t let me fall

This is a long distance line from the Bosphorus
The clock’s got a loaded gun
If I disappear between the numbers
Just say I was almost done

Hello?
Yeah… it’s me
Listen don’t say my name
The walls here got ears
And the night’s taking notes

It’s a long distance line from the Bosphorus
Static dancing in my head
If you hear silence after this
That’s just the things I never said

The operator counts me down
Five… four… the river wins
Click

CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Call Dropped at 3 AM
Eli Varnish

Verified Verified Artist

Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

Call Dropped at 3 AM

Eli Varnish


Alright…
Yeah yeah don’t tune it too much
Let it breathe
Okay… one two…

Woke up late with the room still shaking
Ashtray full of things I didn’t say
Mirror asks me for an explanation
I tell it “man not today”

Shoes by the door still smell like last night
Clock keeps lying I let it talk
City hums in a crooked rhythm
Like it learned that walk from me

Hey bass… keep it walking
Yeah like that
Don’t rush it

Every plan I make shows up half dressed
Every promise comes out second best
If I fall behind the beat again
Just leave some space I’ll land it then

This ain’t a straight line it sways and bends
It trips on truth then calls it a friend
If I sound wrong don’t fix it too soon
That’s where the story sneaks through

Yeah this ain’t clean this ain’t controlled
It’s a loose wire looking for a soul
Play it wrong play it loud play it true
That’s all this blues knows how to do

Hold up…
Let the horn say something
Yeah… go on

(long slide in slightly late)

Mmm… listen

Man… that thing’s complaining
Let him talk

I’m almost done… almost

Sorry… not sorry

(rimshot)

There’s a voice in my head clapping off time
Says “You always push you never wait”
I said “If I slow down I might notice
Everything I try to escape”

Barroom light keeps flickering jokes
Like it knows where I’ve been
Every sound wants a turn at the mic
Even the quiet wants in

Yeah… that’s it
Don’t smooth it out
No no

If this night’s a gamble I roll it bent
Lose my balance call it intent
Break the rule then play it twice
Mess it up till it sounds right

This ain’t a straight line it sways and bends
Falls apart then stands again
If my voice cracks just let it through
That’s what it came here to do

Yeah this ain’t neat this ain’t polite
It’s just breath fighting with the night
Play it wrong play it loud play it true
That’s all this blues knows how to do

Alright…
Don’t stop it
Let it ring
Yeah… that’s enough

CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Follow The Signal
Luna Vey

Verified Verified Artist

Luna Vey
Meet Luna Vey, the one-woman dance energy powerhouse hailing from the city that never sleeps, Las Vegas. Bathed in neon lights and pulsating beats, her music is a gamble that always pays out.

Crafted within the vibrant chaos of Sin City, Vey's tunes are the dazzling nightlife captured in melodic form. Drawing inspiration from the city’s hedonistic nightlife, her most infamous track, "Follow The Signal," can only be described as the love child between a suited blackjack dealer and Lady Luck herself - equal parts thrilling and enchanting.

It's dance music, no doubt, but with a hefty serving of Vegas flair. When Luna Vey rains down beats, her tracks aren’t just rhythm; they're high octane happiness that could lure the mopiest of souls onto the dance floor. So don't just stand there—get up, throw some confetti, and surrender to Luna’s glitzy, happy groove.

Get your glitter ready and your mirror balls spinning, because Luna Vey's dance anthems are about to turn your living room into the most exhilarating club scene this side of Vegas.
Track(s)
Follow The Signal 2536 03:06

Follow The Signal

Luna Vey


I’ve got a feeling it’s pulling me near
A quiet whisper only I can hear
Through the static it’s breaking the haze
A guiding light in this endless maze

No map no compass I don’t need a plan
Just hold on tight we’ll make our stand
The road’s unwritten but I see the glow
The signal’s clear it’s time to go

Ooooo Aaaaaa can you feel it now?
The rhythm of my heart is calling out somehow
Ooooo Aaaaaa let the moment flow
No need for direction I’m the way you know

Step by step we’re chasing the fire
Every beat takes us higher and higher
Trust in the spark it’ll lead the way
To brighter nights and golden days

No stars no signs we’ll make our own
With every step we’re carving stone
Together we’ll rise no way to fall
The signal’s loud I hear it call

Ooooo Aaaaaa can you feel it now?
The rhythm of my heart is calling out somehow
Ooooo Aaaaaa let the moment flow
No need for direction I’m the way you know

Close your eyes feel the world spin slow
Where we’re headed only we will know
Through every twist through every turn
The fire inside let it burn

Ooooo Aaaaaa can you feel it now?
The rhythm of my heart is calling out somehow
Ooooo Aaaaaa let the moment flow
No need for direction I’m the way you know

Follow the signal follow me through
Amazing days are waiting for you
Ooooo Aaaaaa can you feel it rise?
The future is ours beneath the skies

CREDITS
Performer: Luna Vey
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

What’s It Made Of?
LYA

Verified Verified Artist

LYA
“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.
Track(s)
What’s It Made Of? 197766 02:36

What’s It Made Of?

LYA


Woke up in a sentence I don’t remember writing
(uhhh)
My name’s on the wall
but it’s spelled with a “Y” now
weird

I tried to fold the sunlight into thirds
but it keeps leaking through the creases
Like—
was that ever the point?
(Hey!)
Did we name the silence just to fill it?

A blue cup a red sock a key with no lock
Mom said dreams don’t rot
but I found mold on the corners of mine
(yeah uh-huh)

What’s it made of?
(Lie?)
What’s it made oooooof?
Is this glass or just slow ice?
(what’s the—yeah)
If I bite it will it crack or cry?
(Haha—cry?)
I asked the mirror but she blinked
Twice

My coat is full of exit signs
but none of them point north
I sleep in the hallway between thoughts—
and that’s fine
Or it was
(Was it?)

Someone keeps leaving me notes
in a handwriting I don't remember learning
“Simplify”
“Unwind”
“Don't trust the tulips”

What’s it made of?!
(don’t tell me it’s hope again)
What’s it maaaade of?!
If it’s love why’s it shaped like a chair leg?
If it’s truth
why does it taste like batteries?

Whoa whoa—
Don’t go there
Not now
(NOT NOW!)

CREDITS
Performer: LYA
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

La Sabiduría Calle...
Dos Latinos

La Sabiduría Callejera

Dos Latinos


No hay pupitre ni pizarra mi clase es la ciudad
Cada esquina un maestro cada calle una verdad
Aprendí de los fracasos de la escuela de intentar
Mis diplomas son las cicatrices que el tiempo no borrará

No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Mis compañeros son los sueños mi tarea la realidad
Cada día una página nueva lista para comenzar
En las plazas hallé libros que no se pueden cerrar
En los ojos de la gente historias que enseñan a amar

No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Entre sombras aprendí a encontrar la luz
La resiliencia es mi curso la esperanza mi cruz

No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Cierro los ojos siento el viento cada susurro una lección
En el gran libro de la vida escribo mi propia canción

CREDITS
Performer: Dos Latinos
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

We Go Higher (ft Ka...
Mark Martian

Verified Verified Artist

Mark Martian
Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?

Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?

Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.

Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.

Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.
Track(s)
Run With the Fire 92759 02:49
Algo Rhthym 172002 05:32
Velvet Routine (feat Lillian Rose) 90679 02:34
Runnin (feat Tae) 2805 02:42
We Go Higher (ft Karen) 2756 02:52
Tell Me 3088 03:16
Memories 3932 05:12
Lonely Hearts 2984 03:02
Be Yourself 2965 02:48
It Is Hard (Each Day) 3064 02:53
This Love Is Our Battlefield 3150 02:54

We Go Higher (ft Karen)

Mark Martian


Step in lights feelin' my mind
Drifting closer colors align
Pulse in sync hearts on the rise
Breaking free lost in your eyes

Let it drop don’t let it stop now
Every touch liftin' me somehow
Movin' slow glowin' bright
Fallin’ deep into the night

We go higher higher
Burning like a fire
Future now leave the past
We let go future bass

We go louder louder
Feel it like no other
No control just embrace
We let go future bass

Sounds fade rhythm flows
Skin to skin nobody knows
Blurred lines neon signs
Chasing moments lost in time

Turn it up don't slow it down now
Feel the rush we're alive somehow
Hold me close neon skies
Take me where forever lies

We go higher higher
Burning like a fire
Future now leave the past
We let go future bass

We go louder louder
Feel it like no other
No control just embrace
We let go future bass

CREDITS
Performer: Mark Martian
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Dancing The Pain Away
Callum Hayes

Verified Verified Artist

Callum Hayes
Callum Hayes, known to many as the life of the party and to some as simply "that crazy guy with the decks," is a Swedish DJ and music producer. Crafting infectious beats and dance anthems is his forte, with his breakthrough track "Dancing The Pain Away" causing quite a stir in the local music scene.

Callum's journey into the world of music production began somewhat unexpectedly, in the adrenaline-fueled arena of advertising music. After one too many late nights tweaking jingles for brands too dull to mention, he decided to take his talents to the club scene instead. Hayes' wicked sense of humor is reflected in his artistic process; he often jokes about resigning from his ad gig with a dramatic flip of his work desk only to realize he was working from home – no audience, no theatrical exit.

Collaborating with various vocalists, Callum has brewed a wide range of flavors in the grand cauldron of his music. Be it power-packed EDM or chilled-out trance music, Hayes serves his listeners an exotic buffet of tunes. He has managed to carve out a niche within the competitive domain of independent artists, becoming a regular feature at local Swedish venues where he inevitably brings the house down.

In the spunky and tenacious spirit of indie artistry, Callum Hayes continues to dance his pain and ours away. His energetic personality and infectious tracks make every night feel like a weekend and with Hayes at the helm, the party rages on. Callum Hayes might not be a global name just yet, but those Swedish nights have never grooved harder.
Track(s)
Dancing The Pain Away 2313 02:27

Dancing The Pain Away

Callum Hayes


Under the mirrorball
Shining like the light of God
We were so beautiful
What the hell happened y'all

Love died when the music stopped
Now my feet can't feel the floor
And every step is getting hard
'Cause she's not with me anymore

I'm dancing the pain away
Disco ball won't let me go
I'm begging it to save my soul
From drowning in lonely
I'm dancing the pain away
Falling in the beat with someone else
But wishing it was her
My God
I need help
'Cause she's not with me anymore

So long farewell
I'll wait for you
Wrote you every night
'Til I deleted you
Love's a drug
I lean on borrowed time
One day you'll be back
But tonight's the night I die

I'm dancing the pain away
Disco ball won't let me go
I'm begging it to save my soul
From drowning in lonely
I'm dancing the pain away
Falling in the beat with someone else
But wishing it was her
My God
I need help
'Cause she's not with me anymore

CREDITS
Performer: Callum Hayes
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Weight On My Shoulders
Ashton Vance

Verified Verified Artist

Ashton Vance
Ashton Vance, an Algerian-born, France-raised musician, is a name that carries some weight in the local music scene. An undisputed pillar of the independent circuit, Vance ropes in audiences with his stunning knowledge of music and undeniable love for funk. Known as much for his beat-dropping basslines as his witty onstage banter, Vance strikes the perfect balance between intensity and humor, just like your favorite high school gym teacher.

A dedicated football enthusiast, Vance once had dreams of becoming a pro on the field. Unfortunately, an injury cut his budding football career short but gave rise to his musical pursuits, marking the beginning of an unexpected detour into melodic wonderland. In a strange twist of fate, Vance entered the limelight. but with a microphone rather than a football at his feet.

His hit indie song "Weight on My Shoulders" echoes the struggle and triumph of his journey - from a wannabe footballer to a sought-after musician. The track is a testament to his ability to turn the mundane and the melancholic into musical gold. Crafted with Filodyo, his unmatchable style and impressive lyrical depth have managed to shoulder the weight of acclaim without buckling.

Vance's love for music is written all over his work, receiving praise from critics and fans alike. He may not have made it to the football field, but in the realm of independent music, Ashton Vance is very much a superstar. And to think that all it took was a sprained ankle and a broken record to jumpstart the journey of this funk fanatic – talk about a sliding tackle right into fame's goalpost!
Track(s)
Weight On My Shoulders 2504 02:39

Weight On My Shoulders

Ashton Vance


She's a faded memory now
Faded like the sunset in the west
She's a faded memory now
I know there ain't no way that I'll forget

The road comes in and the road goes out
I'm driving this truck all alone again
Just letting time slip away
Feel the weight of the highway in every step

She's a faded memory now
Faded like the sunset in the west
She's a faded memory now
I know there ain't no way that I'll forget

There ain't nothing darker than the night away from her
But there ain't no sound louder than the silence in this town
I don't know a weaker man than the one that I became
But I know what I've been going through now

This ain't no way
Heaven ain't got no say
And they raise the rent in hell from week to week
Out here
Time stands still
All we have is what we need and
All we are is under our feet

The road comes in and the road goes out
I'm driving this truck all alone again
Just letting time slip away
Feel the weight of the highway in every step

CREDITS
Performer: Ashton Vance
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Run Gone Call Still
Nate Kessler

Verified Verified Artist

Nate Kessler
Nate Kessler was born in 2003 in Billings, Montana, a place where the highways stretch for miles and the nights feel too quiet. He grew up in a rundown house on the edge of town, where his father worked as a mechanic and his mother sang old folk songs at a roadside bar. Music was always around—not in studios or lessons, but in the hum of car engines, the crackle of old radio stations, and the late-night melodies his mother would hum when she thought no one was listening.

As a kid, Nate spent hours in his father’s garage, picking up discarded metal and turning them into makeshift instruments, fascinated by the way sound traveled through objects. He taught himself to play guitar on a beat-up acoustic he found at a flea market, learning songs by ear and scribbling lyrics in a tattered notebook.

By the time he was 16, he was playing small gigs at diners and bars, earning just enough for gas money and late-night coffee. At 18, he packed his life into a backpack and left Montana, hitchhiking from state to state, crashing on strangers' couches, and performing anywhere that would let him. Cities blurred together—Seattle, Portland, Denver—until he found himself in a tiny basement studio in Chicago, recording a song with borrowed time and borrowed gear.

That song, Run Gone Call Stil, wasn’t perfect—it was rough, restless, and raw. But it caught fire. People connected to its unpolished honesty, its sense of movement with no clear destination. Now, Nate’s music carries that same energy—a mix of wanderlust, late-night reflections, and the quiet weight of leaving things behind. He’s not chasing fame. He’s chasing the next song, the next road, the next moment that feels real.
Track(s)
Run Gone Call Still 3539 03:29

Run Gone Call Still

Nate Kessler


Clock blinks—red light low glow
Hands shake—cold air don’t know
Steps loud—empty street bends
Phone rings—breathe in no send

Wait—too long night turns grey
Still—no sound lost my way

Run—feet numb sky don’t care (yeah)
Gone—no map just thin air (whoa)
Call—no name no one there
Still—keep on nowhere (oh-oh yeah)

Glass cracks—rain hits won’t stay
Doors close—fast moves one way
Head down—loud thoughts won’t end
Heart skips—wrong turn not then

Why stop?—no time no place
Keep on—no past no trace

CREDITS
Performer: Nate Kessler
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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