Brooklyn-born duo Riko & Tay are here to shake up the music scene with their infectious blend of funk, afrobeat, and modern dance-pop. Combining bold charisma with undeniable chemistry, these two childhood friends grew up surrounded by the rhythms of the city, and their music is a reflection of that vibrant, multicultural energy.

Their debut single, "Da Da Dara (Move Your Body)," released under Filodyo Records, is a high-octane anthem designed to get people on their feet. Featuring a driving beat, playful call-and-response vocals, and an irresistible chorus packed with their signature “da da dara” hook, the song became an instant crowd favorite. Critics have called it a “party-starter for a new generation,” and fans can’t get enough of the duo’s electrifying energy.

Riko brings a bold, fiery edge with his commanding vocals and lively stage presence, while Tay balances it with smooth harmonies and a magnetic charm. Together, they create music that’s all about joy, movement, and connection, celebrating the power of rhythm to bring people together.

With their debut EP on the way, Riko & Tay are set to take their place as the new kings of dancefloor funk, proving that when they say “move your body,” you really can’t resist.

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Brimming with techno energy and crispy beats, Sandra Johanson will make even the stiffest wallflower sway. She is not just your next-door DJ, but rather the queen of EDM who knows how to heal souls through rhythm.

With a backstory as intricate as her synth lines, Sandra hails from a tiny town in North Dakota, where cornfields outnumber dance clubs. Just when her life was about to be earmarked by an inevitable career in poultry farming, destiny gifted her an antique turntable. It's said that turkeys ran wild with delight in her mix of The Chicken Dance, and Sandra knew she had found her calling. Trading hens for headphones, she burst onto the underground scene with distinctive fresh sounds, uplifting energy, and a disquieting affinity for bird-themed track titles.

Over time, Sandra has built a loyal following with her spirited mixes. Her quintessential creation "My Soul Is Healed" masterfully marries muted basslines, playful rhythms, and ethereal vocals, delivering pure ecstasy to every dance floor it touches. A mash-up of disco, house and electronica elements, it sways, it soars, and it heals- just as the title promises.

Sandra Johanson is more than a name; she is your everyday superhero with a mixer, who graces the dance scene with joyous vibrance. Keeping it casual with a cap and oversized sweater, and a personality full of wit that shines brighter than any disco ball, Sandra highlights that happy beats don’t necessitate flashy clobbers and ostentatious attitudes. Just press play, let the groove take over, and feel your soul heal at the hands of this musical maestro.

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**Theo Kingsley** is a spirited, independent artist hailing from the colorfully eclectic streets of Manhattan. Known for his vibrant soundscapes and captivating lyrical prowess, Kingsley stands as a fresh beacon of musical innovation in the often repetitive sound waves of the modern music industry.

Kingsley's journey into the pulsating heart of music began at a tender age when he traded the traditional toys of childhood for a small, hand-me-down guitar. His fingers found their voice on that six-string stage, and soon, Kingsley, much like his favorite pair of black, worn-out jeans, fit comfortably and inextricably into the music world. His knack for crafting heart-stirring melodies and witty bars eventually culminated in his most well-recognized piece yet, "Gentle Whisper", a deeply evocative track that tackles complexity concealed in simplicity.

Over the years, Kingsley continually defies the boundaries of genre by fusing alternative rock, pop, and velvety hints of blues into his sonic concoctions. His music, much like the delicious bagel at a corner bodega, offers something for every taste. A regular performer at local Manhattan venues, Kingsley utilizes the intimate settings as a canvas to refine his musical flair and keep his connection with his audience personal. He may not be a superstar (yet), but to underestimate Theo Kingsley would be like dismissing a New York slice - a regrettably big mistake.

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Hallmarked for their infectious dance floor anthems and vivid aural landscapes, Pop Art Dreamers is a nonconformist trio with a penchant for creativity. Hailing from the beating heart of Germany's club scene - Berlin, these multi-talented disk jockeys paint melodious masterpieces with their musical palettes.

Like three fairy tale brothers, bound by their shared love for bass beats and synth-pop, Pop Art Dreamers carved a niche for themselves amidst Berlin’s thumping underground EDM circuit. Their auditory ilk is a euphoric carnival blend that you can't help but surrender your gyrating hips to. Their sprawling pedigrees in music manifest themselves in every catchy hook and intoxicatingly groovy bassline.

Their most notable track, “Love’s Labyrinth," is a labyrinthine exploration into the ecstasy and heartache of romance, spun out through entrancing electronic beats, which manages to not only tug at your heartstrings but get your feet tapping faster than a Berliner's bratwurst on a grill. Each high-energy performance of Pop Art Dreamers delivers a joyous rave, leaving fans sweaty, satisfied, and calling for an encore.

An odyssey of happy vibes, fizzy spot-on humor, and remarkable tunes, Pop Art Dreamers is your go-to DJ outfit for a night of irresistible dance and indomitable frolic. Passionate, irreverent, and fiercely unique - they are the prolific pop art dream we didn't know we needed.

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For those whose hearts beat a little faster after dark, meet Paint the Moon Slow, the genre-defying trio lighting up the dance floor with rhythmically pulsating songs brimming with late-night sparkle. The group draws its moniker from a whimsical mix of cosmic awe and the unhurried charm from their native city, the lunar-graced town of Slowville.

Even though their name might lead you to believe they're about slow, soul-crushing tunes, don't be fooled; they're far from a slowcore. Instead, they intertwine cosmic shimmers into their globally influenced, mid-tempo funk-pop. Frontwoman Cleo Maren delivers vocals both gruff and rosy, a blend of smoky lounge and roller-rink diva, backed by synth maestro Rhea Dax and rhythm fanatic Jo "Kicks" Tanaka, creating anthems that twinkle with retro beats and lyrical audacity under neon lights.

Their most notable song, "All That Shine", is a dashing number that perfectly embodies their sonic aesthetic, brimming with upbeat rhythms that evoke a cheeky, happy-go-lucky mood. As contract artists with Filodyo, Paint the Moon Slow are aligning the stars for a new era of dance music. Stay tuned for more luminous offerings from these maestros of mirth, groove, and exceptional starlit tunes. Welcome to the Paint the Moon Slow universe – it’s a happy place.

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Born in Florence, Italy, and raised in the cultural melting pot of Berlin, Elena Rivelle is an artist who effortlessly blends European sophistication with a universal emotional depth. With a voice that’s as haunting as it is powerful, Elena’s music fuses atmospheric pop with cinematic storytelling, creating an ethereal yet relatable sound.

Elena’s journey into music began with a childhood steeped in art and literature. Growing up in a family of writers and visual artists, she found her own form of expression through singing and songwriting. Her unique perspective is shaped by her love of poetry and her fascination with human connection, themes that run deep in her lyrics.

Her breakout single, "When The Sky Turns Grey," released through a collaboration with indie powerhouse Filodyo Records, showcases her ability to capture raw, unfiltered emotion. The track combines delicate melodies with Elena’s striking vocal range, drawing comparisons to artists like Aurora and Florence Welch. Critics have praised the song as a "masterpiece of atmospheric pop" and a "stunning debut that demands attention."

Known for her electrifying live performances, Elena’s shows are immersive experiences where visuals, lighting, and soundscapes merge into one. She has already captivated audiences at festivals across Europe and is set to embark on her first international tour following the release of her upcoming debut album.

With her mesmerizing voice, poetic lyricism, and magnetic stage presence, Elena Rivelle is poised to become one of the most exciting voices in contemporary music.

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Hailing straight from the heart of Harlem, the notorious quintet, Brick Lords, has been serving up a potent cocktail of old school rap since their genesis.

An assemblage teeming with character, within this unique ensemble, we find Biggie Bricks (real name, Jamal Thompson), the de-facto leader and lyricist; Lil' Grout (born Angel Martinez), the charismatic hype man; Bricksy Ross (truly known as Desmond Jones), the mysterious trap-lord; Mortar Mike (Mike Johnson in the real world), the laid-back beat master, and Cinder "the Block" Parker (dubbed Clara Parker at birth), the feisty and soulful female vocalist who adds a unique twist to the group's sound.

The Brick Lords was born out of a shared love for rhythm, rhymes, and the raw, gritty atmosphere of their native Harlem streets, baptizing themselves Brick Lords because, well, they were originally just some kids slamming beats and rhymes on brick walls. And just as bricks fit one on top of the other, building something substantial, so too did the Brick Lords build something substantial out of their close-knit group dynamic.

Their music, a delightful blend of old school rap with a hint of modern-day flair, is lauded for its authenticity and palpable energy, resonating with audiences worldwide. Notably, their signature song "What's Going On (Clean)" quickly escalated to become an anthem for their generation, showcasing their genuine artistry while divulging the realities of life in Harlem.

Amidst punchy beats, witty lyricism, and a touch of brick-and-mortar realness, the story of the Brick Lords is as engaging as their music. Resolute in their ambitious deliverance of old school rap, these urban poets have cemented themselves into the solid foundation of Harlem's music scene, and dare we say it, they're brickin' amazing!

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Born from the concrete veins of New York City’s underground, The 5th Exit is not just a band — it's a warning siren echoing through the alleys of Brooklyn. Blending the unapologetic grit of East Coast punk with the swagger of early-2000s hip-hop, their music punches through the noise like a subway train in a blackout.

The band was formed in late 2023 in a condemned warehouse turned DIY venue in Bushwick, after a street brawl-turned-jam-session between strangers. The result? Five misfits who had no plan — just noise, energy, and something to scream.

Members:
🎤 Jayno Blakk (Lead Vocals / Chaos Designer)
A former graffiti artist with a voice like broken glass in a hurricane. Born in Flatbush, Jayno spits lyrics like they’re Molotovs, laced with rage and raw truth. Known for performing barefoot and bleeding by the end of every show.

🎸 Noelle "Nox" Vega (Lead Guitar / FX Wizard)
Puerto Rican shredder with a physics degree and a pedalboard built from junkyard parts. She speaks three languages — four if you count distortion. Her solos? They don’t melt faces; they dissolve them.

🥁 Koda Rinz (Drums / Street Philosopher)
Half-poet, half-brawler. Raised by subway dancers and vinyl collectors, Koda’s beats sound like trash cans getting kicked down tenement stairwells — in perfect time. Always drumming, even in his sleep.

🎹 Echo Rowe (Synths / Scream Textures / Visuals)
The silent one. Echo doesn’t talk much, but his synth work sounds like a riot at 3AM. Also responsible for their chaotic visuals and the recurring raven motif in their shows. Rumor has it he lives in an abandoned radio tower in Queens.

🎸 Twitchy Lex (Bass / Vibe Damage Control)
Lex is the glue, or maybe the duct tape. Raised on R&B but corrupted by noise rock, he brings the groove — the dangerous kind that gets under your skin and sets off car alarms.

Their Breakout Track: "Get Out My Way"
A sonic punch to the throat, "Get Out My Way" is a war cry against complacency, gentrification, and anyone walking slow on a New York sidewalk. With a chorus that hits like a riot chant and verses that spit pure venom, it’s already being banned from small-town radio — which only makes it louder.

The 5th Exit isn’t asking for your attention. They’re taking it.
You can either move... or get run over.

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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Meet Sophie Weak, the daintier and infinitely more coordinated cousin of the beloved Weeble Wobble. Hailing from the cultural cauldron that is London, indie dance maven Weak has a knack for composing euphorically buoyant tracks that'll get your feet tapping and heart thumping.

She first made waves in the indie scene with the high-voltage hit, "Dancing It All Off". Weak's signature style effortlessly blends cheeky, tongue-in-cheek lyrics with electric rhythms and synthed-up beats that are sure to ignite even the most lead-footed listener's lust for dance. She's a bit like the Mary Poppins of the music world; if Mary Poppins swapped her umbrella for a sequined leotard and developed an insatiable appetite for disco balls, that is.

Sophie's sound is no mere illusion of joy, but genuine, unadulterated happiness put to a beat. Often, her tracks can be found playing in hipster cafes across the city, causing spontaneous, caffeinated dance-offs amongst bearded barristers and laptop warriors. So, brace yourself, your Bluetooth speakers, and possibly your pets (because they have sensitive ears); Sophie Weak is here to shake up your playlists with her infectious beats and infectious spirit!

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Ian Merrow is an alternative singer-songwriter from the misty shores of Brighton, UK, whose music lives quietly but powerfully—exclusively on Filodyo. Blending melancholic guitar textures with intimate, confessional lyrics, Ian crafts songs that feel like late-night thoughts you were never meant to say out loud. His sound walks the line between indie rock and cinematic pop, echoing the raw sensitivity of artists like Jeff Buckley and the atmospheric pull of early Radiohead.

Rather than chasing the mainstream, Ian chose to remain deliberately off-grid. He records in his small seaside flat, using second-hand gear and a notebook full of scribbled lines. For him, imperfection is part of the truth. His debut track "Runaway Light" introduced listeners to a world of quiet emotional urgency, where love, regret, and longing flicker like headlights in the fog.

Ian’s connection to Filodyo wasn’t just a distribution decision—it was an artistic choice. “It’s the only platform that lets me stay invisible and be heard at the same time,” he says. No social media, no interviews, no labels. Just music. And for those who find him, it's like stumbling upon a secret worth keeping.

With each release, Ian continues to prove that volume isn’t necessary to make an impact. His songs don’t shout — they haunt.

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