Born in Florence, Italy, and raised in the cultural melting pot of Berlin, Elena Rivelle is an artist who effortlessly blends European sophistication with a universal emotional depth. With a voice that’s as haunting as it is powerful, Elena’s music fuses atmospheric pop with cinematic storytelling, creating an ethereal yet relatable sound.

Elena’s journey into music began with a childhood steeped in art and literature. Growing up in a family of writers and visual artists, she found her own form of expression through singing and songwriting. Her unique perspective is shaped by her love of poetry and her fascination with human connection, themes that run deep in her lyrics.

Her breakout single, "When The Sky Turns Grey," released through a collaboration with indie powerhouse Filodyo Records, showcases her ability to capture raw, unfiltered emotion. The track combines delicate melodies with Elena’s striking vocal range, drawing comparisons to artists like Aurora and Florence Welch. Critics have praised the song as a "masterpiece of atmospheric pop" and a "stunning debut that demands attention."

Known for her electrifying live performances, Elena’s shows are immersive experiences where visuals, lighting, and soundscapes merge into one. She has already captivated audiences at festivals across Europe and is set to embark on her first international tour following the release of her upcoming debut album.

With her mesmerizing voice, poetic lyricism, and magnetic stage presence, Elena Rivelle is poised to become one of the most exciting voices in contemporary music.

---

With a sound as vibrant and electric as the city skyline, Emberlight sparkles atop the New York music scene like a well-placed disco ball. This dazzling fem duo is crafting dance-centric eargasms in a city that never sleeps, and admirers say the afterbuzz is real.

Maybe it's the infectious charm of Jade and Sapphire, the synth-crafting mavens behind Emberlight - a happy byproduct of insomnia spent pumping out beats and laughing into the eternity of the early dawn. Or perhaps it's the uncanny ability to paint every corner of your brain with catchy hooks and foot-shaking rhythms, the kind that leaves you humming in the bathroom mirror, hours after the party ends.

"The secret?" Jade says, turning a knob on her mixer, before glancing up with twinkling eyes of mischief, "is pizza slices at 3am. New York's finest greased cardboard cuisine. That's where the magic happens." Sapphire rolls her eyes, fiddling with a tangled synth cable, "It's synesthesia," she corrects, "Our music tastes like a pepperoni pizza."

Their standout track "Afterglow" is proof enough - drenched in sunlight, the dance anthem bounces around your heart like a cute kick-ass kangaroo playing jump rope. It glistens and pops with precisely the kind of joy-sparking energy we need in these seriously grey times. Emberlight crafts electronic music that ignites the dancefloor, and keeps the embers burning long after last call. And isn't that a delicious nightcap to sip on?

---

**Theo Kingsley** is a spirited, independent artist hailing from the colorfully eclectic streets of Manhattan. Known for his vibrant soundscapes and captivating lyrical prowess, Kingsley stands as a fresh beacon of musical innovation in the often repetitive sound waves of the modern music industry.

Kingsley's journey into the pulsating heart of music began at a tender age when he traded the traditional toys of childhood for a small, hand-me-down guitar. His fingers found their voice on that six-string stage, and soon, Kingsley, much like his favorite pair of black, worn-out jeans, fit comfortably and inextricably into the music world. His knack for crafting heart-stirring melodies and witty bars eventually culminated in his most well-recognized piece yet, "Gentle Whisper", a deeply evocative track that tackles complexity concealed in simplicity.

Over the years, Kingsley continually defies the boundaries of genre by fusing alternative rock, pop, and velvety hints of blues into his sonic concoctions. His music, much like the delicious bagel at a corner bodega, offers something for every taste. A regular performer at local Manhattan venues, Kingsley utilizes the intimate settings as a canvas to refine his musical flair and keep his connection with his audience personal. He may not be a superstar (yet), but to underestimate Theo Kingsley would be like dismissing a New York slice - a regrettably big mistake.

---

Ryder James is a rising pop-soul artist whose warm vocals and timeless style bridge the gap between classic soul storytelling and modern pop production. With a voice that carries both grit and grace, he creates songs that feel instantly familiar yet refreshingly new.

His debut single, Static on the Line, is a captivating blend of heartfelt lyricism and smooth, groove-driven instrumentation. Produced by Filodyo and released exclusively on NOT FM, the track showcases Ryder’s ability to turn everyday moments into powerful musical narratives.

Raised on a steady diet of soul legends and contemporary pop innovators, Ryder brings authenticity and emotional depth to every performance. Static on the Line is more than just a song—it’s an introduction to an artist who is here to connect, move, and inspire listeners worldwide.

---

Nate Kessler was born in 2003 in Billings, Montana, a place where the highways stretch for miles and the nights feel too quiet. He grew up in a rundown house on the edge of town, where his father worked as a mechanic and his mother sang old folk songs at a roadside bar. Music was always around—not in studios or lessons, but in the hum of car engines, the crackle of old radio stations, and the late-night melodies his mother would hum when she thought no one was listening.

As a kid, Nate spent hours in his father’s garage, picking up discarded metal and turning them into makeshift instruments, fascinated by the way sound traveled through objects. He taught himself to play guitar on a beat-up acoustic he found at a flea market, learning songs by ear and scribbling lyrics in a tattered notebook.

By the time he was 16, he was playing small gigs at diners and bars, earning just enough for gas money and late-night coffee. At 18, he packed his life into a backpack and left Montana, hitchhiking from state to state, crashing on strangers' couches, and performing anywhere that would let him. Cities blurred together—Seattle, Portland, Denver—until he found himself in a tiny basement studio in Chicago, recording a song with borrowed time and borrowed gear.

That song, Run Gone Call Stil, wasn’t perfect—it was rough, restless, and raw. But it caught fire. People connected to its unpolished honesty, its sense of movement with no clear destination. Now, Nate’s music carries that same energy—a mix of wanderlust, late-night reflections, and the quiet weight of leaving things behind. He’s not chasing fame. He’s chasing the next song, the next road, the next moment that feels real.

---

Meet Dylan West, a pop maestro who understands the beauty of contrasting emotions, hailing from the city of Westwood, California. His punchy pop beats can turn any retail shop into a spontaneous dance floor.

Primarily a photographer by day and crooner by night, Dylan captures life's dizzying spectrum, both through his lens and his soothing melodies. Enter "Love and Hate", one of his standout tracks. A tune as contradictory as its title, it dances on the tightrope of joy and heartbreak, proving that happiness can emerge out of chaos - much like a successfully planned family photo at a rowdy wedding.

Dylan's journey saw a fruitful twist when he signed up with Filodyo, a company known for producing refreshing store music. There, Dylan found the perfect fit, an idyllic backdrop to his boundless melodies that even the grumpiest of retail staff find their feet inadvertently shuffling to.

You might have guessed it; Dylan West is not your typical pop artist. Always ready with a camera and a heart full of beats, he captures the world in raw, vibrant colors, and turns it into feel-good pop music. If you're ever in Westwood, listen closely, because your morning latte might come with a side of Dylan West's enthralling tunes.

---

Miles Rennick is an electro-pop singer and songwriter whose music blends playful irony with slick, club-ready production. With a cheeky, half-sung and half-spoken vocal style, he brings a unique personality to the modern indie-pop scene.

His debut track “Cooler Than My Tears” captures this spirit perfectly — a quirky yet infectious anthem built on groovy basslines, crisp synth riffs, and a sarcastic lyrical edge. Both tongue-in-cheek and danceable, the track reflects Rennick’s ability to turn irony into a hook.

Dedicated to staying independent and unconventional, Miles Rennick has chosen to release his music exclusively through Filodyo and NOT FM, highlighting his close collaboration with platforms that value originality and artistic freedom.

---

Rosa Medina was born in 2001 in Porto, Portugal, to a family that carried both Iberian and Brazilian heritage. Her father, a fisherman from Aveiro, filled the house with fado records, while her Brazilian mother played MPB classics and samba on lazy Sunday mornings. Rosa grew up between two shores of the Portuguese-speaking world — absorbing the saudade of Amália Rodrigues and the sunny, syncopated joy of Gal Costa in equal measure.

At fourteen, she began performing small sets in riverside cafés, her voice effortlessly gliding between soft whispers and soaring notes. The intimacy of fado was her foundation, but Rosa was restless — she wanted her songs to dance. By blending Portuguese folk melodies with bossa nova chords, urban beats, and lush pop arrangements, she began to shape a style that felt both nostalgic and forward-looking.

In 2025, Rosa released her debut single "Fica no Quase" in collaboration with Filodyo, the independent music producer known for shaping fresh, original sounds for global audiences. The track — a bittersweet, mid-tempo anthem about love suspended in uncertainty — gained instant traction on streaming platforms. Its hypnotic chorus, sung entirely in Portuguese, became a signature moment in her live performances.

Today, Rosa Medina is part of a new generation redefining Lusophone pop, performing sold-out shows from Lisbon to São Paulo. Despite her growing fame, she keeps her songwriting process deeply personal — scribbling lyrics on napkins in Lisbon cafés, recording demos on her phone while walking along the Douro River. For Rosa, every performance is a bridge connecting continents, carrying the language and emotion of Portuguese music to the world stage.

---

Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

---

Scoot over, Marley, there’s a new reggae sheriff in town. Straight from the sunny sidewalks of Kingston, Jamaica, the Dreadlock Boys are laying down fresh beats in the reggae scene.

This pair of plaited prodigies isn't your grandma's reggae. Combining traditional roots rhythms with just a hint of ska spice and a not-so-subtle sprinkle of dancehall energy, these boys aren't just playing by the book – they’re writing their own. And don't let that laid-back island vibe fool you; these guys are as serious about making you laugh as they are about perfecting the offbeat.

Their standout single "Riddim of Peace" might just be the happiest jam this side of Montego Bay. With its earworm melody and bouncy bassline, it’s as infectious as a belly laugh in a silent library. It's the kind of track that leaves the grumpiest of gurners grinning like a Cheshire cat at an all-you-can-eat fish buffet.

So come, sit, and sway to the soothing sounds of the Dreadlock Boys. They'll be your pint-sized purveyors of peace, your lyrical lifesavers when the going gets tough. After all, joy does come in the morning and the Dreadlock Boys are here to serve it up with a side of reggae, none of those nasty grimaces, thank you very much.

---

Sit back, close your eyes, and let Nadia Petrova's dancy beats stir your soul. Heralding from the land of vodka and chilly winters, this indie dance titan is brewing storms with her ethereal vibes and boogie-powered anthems.

Gymnast by day and club sensation by night, Nadia's life is as rhythmic as her pulsating dance tracks. Originally intending to represent her motherland in a sporting event, the rhythmic allure of the synthesizer provided a detour, and she hasn't looked back since. A sucker for routine, she realized that there is intrinsic beauty in repetition—thus was born the mega-hit "There is Power in Routine."

Her music is a paradox, as comforting as the predictable tick-tock of a clock, and as thrilling as a train ride through strobe-lit tunnels. Nadia brings cheer disco-jumping out of her turntable, crafting happy dance tunes that are as infectious as the common cold.

Nadia Petrova is certainly not your average Russian spy. Injecting the world of dance music with a hearty dose of happiness, her infectious and playful beats revive the spirit of an ancient Russian proverb: "Who does not jump, is not Russian." Dance on, comrades!

---