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Burnin' Like A Fire
Dave Martin
Verified Artist
Dave Martin
Dave Martin was born in Toronto to a Dutch family, growing up with a deep appreciation for both his cultural roots and the vibrant city around him.
A passionate activist, Dave uses his platform to advocate for social and environmental causes, often organizing community events and rallies. Alongside his activism, he found his calling in music, becoming a well-known DJ in the local club scene.
His sets are a dynamic blend of electronic beats and world music, reflecting his diverse background and global outlook.
Dave Martin's dual roles as a DJ and activist make him a unique and influential figure in both the music and social justice communities.
Burnin' Like A Fire
Dave Martin
I walked the path with shadows near
Promises broken whispers clear
They said the sun would always rise
But now the truth is in their lies
But I won’t cry no I won’t fade
I’ll find the light in the shade
Hopes hangin' on a wire (yeah yeah)
Burnin' like a fire (ooh ooh)
I'll rise from the ash (oh)
Turn pain into cash (hey)
The rain keeps fallin' drownin' me
But I’ll swim hard to break the sea
Each tear a stone a lesson learned
Each bridge I’ve crossed has now been burned
A phoenix rises wings of gold
Disappointments they make you bold
In the night I found my way
Through the storm I’m here to stay
But I won’t cry no I won’t fade
I’ll find the light in the shade
Hopes hangin' on a wire (yeah yeah)
Burnin' like a fire (ooh ooh)
I'll rise from the ash (oh)
Turn pain into cash (hey)
In the night I found my way
Through the storm I’m here to stay
Hopes hangin' on a wire (yeah yeah)
Burnin' like a fire (ooh ooh)
I'll rise from the ash (oh)
Turn pain into cash (hey)
CREDITS
Performer: Dave Martin
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Tuesday Night Code
Fever Pilots
Verified Artist
Fever Pilots
Meet the Fever Pilots, a dynamic pop duo with a penchant for the unconventional, a self-styled outfit carving an adventurous path in the frenetic heart of the UK music scene. Their sound, a sonic cocktail soaked in audacious innovation and spice, attracts as much as it defies description.
Forged in the industrial heat and flames of Birmingham, these two troubadours took the raw materials of their working-class background and fashioned them into a sonic boom. They're a hard-edged, heavy beat force, punctuated with lighthearted lyrics echoing the humdrum of everyday life, yet imbuing it with a shimmering musical alchemy. Artists? Yes, but these guys are more like mad scientists toiling away in a pop lab, conjuring up infectious tunes.
Their track "Tuesday Night Code" deserves more than a footnote here. Imagine the most vivid dream you've ever had, now combine that with a chorus catchier than a fisherman's hook and you've got the gist of it. It's a song that fills every corner with a tumbling digital soundscape and hooks a plenty. Bottom line: Fever Pilots aren't just on auto-pilot, they're aiming for the stratosphere and we ought to be strapping in for the ride!
Tuesday Night Code
Fever Pilots
[Intro]
(Ooh)
Yeah yeah
Uh-huh
Look at that
Look at that
You said forever on a Tuesday night
By Thursday you were outta sight
Had your name all over my screen
Now it’s just a memory machine
Funny how the silence got loud
Funny how you’re nowhere around
Used to know the code to my heart
Now you couldn’t find where to start
I was waitin’ by the telephone
Every little buzz had me gone
Now I let it ring all night long
You can’t call me back
Too late for that
I already packed up all the feelings that I had
You can’t call me back
No turnin’ back
Found a better rhythm when you slipped right through my hands
Oh-oh-oh
I’m good like that
Oh-oh-oh
You can’t call me back
Saw your picture through a friend’s friend’s post
Thought I’d feel somethin’ almost
But the room kept spinnin’ just fine
Guess the sun still knows how to shine
Every promise got a price tag now
Every “sorry” sounds the same somehow
You can send another late-night text
But I ain’t the one that’s next
I was waitin’ by the telephone
Every little buzz had me gone
Now I let it ring all night long
You can’t call me back
Too late for that
I already packed up all the feelings that I had
You can’t call me back
No turnin’ back
Found a better rhythm when you slipped right through my hands
Oh-oh-oh
I’m good like that
Oh-oh-oh
You can’t call me back
Na-na-na
Look who’s lonely now
Na-na-na
Tryna figure it out
Ha!
That’s funny somehow
[Final Chorus]
You can’t call me back
Too late for that
I already packed up all the feelings that I had
You can’t call me back
No turnin’ back
Found a better rhythm when you slipped right through my hands
Oh-oh-oh
I’m good like that
Oh-oh-oh
You can’t call me back
Yeah yeah
Too late now
(Ooh)
You can’t call me back… 🎵
CREDITS
Performer: Fever Pilots
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Pieces Of Tomorrow
Glass Orchard
Verified Artist
Glass Orchard
Glass Orchard: underdogs from Iceland's burgeoning musical arena, who've taken indie beats and songwriting to a whole new Frosty level. Headed by a commanding male lead supported by a dynamic duo of keyboardists, they're melting all sorts of icy musical conventions.
Born under the northern lights of Reykjavik, they're often joked as the "fruity version" of Sigur Rós. Our main man pulls emotional threads like a seasoned weaver, belting out raw, hearty verses that contrast blissfully against the soft twinkling of the keyboards, played by our male-female dynamic duo. And boy, do they peel back the layers!
Their most noteworthy track, "Pieces of Tomorrow", tantalizingly teeters between radio-friendly pop and their native avant-garde sound. It’s like biting into an enchanted apple; filled with textured layers of auditory delight. Get ready to chomp down to get a taste of the future through their fresh, clairvoyant tunes.
Once you've had a bite of Glass Orchard, you'll understand why Iceland's not just famous for their geysers and quirky mayor. Much like their namesake, they reflect a myriad of perspectives under one musical roof. Sweet, tangy, and reliably crisp, Glass Orchard’s music serves us delicious pieces of tomorrow, today.
Pieces Of Tomorrow
Glass Orchard
I remember
Little pieces
Little pieces
Of tomorrow
I woke up in a moving city
With your message on my phone
Saying nothing lasts forever
But I hate the word alone
There were faces in the window
There were names I couldn’t place
I was dancing through the morning
Trying not to see your face
I don’t wanna fall back
I don’t wanna fade out
I don’t wanna stand still
Waiting for the same sound
If the night is broken
Let the beat repair it
If my heart is open
I’m not scared to wear it
Piece by piece
I come alive
Little lights
Inside my mind
Beat by beat
I feel the fire
You were gone
But I got higher
Piece by piece
I’m not the same
I lost you once
But found my name
Oh-oh-oh
I come alive
Piece by piece
I come alive
Come alive
Come alive
Piece by piece
I come alive
Come alive
Come alive
Little pieces
Of tomorrow
I kept walking through the static
With my shadow next to me
Every heartbreak has a rhythm
If you let the body breathe
I was more than what you left with
More than tears on bathroom tiles
Now the bassline pulls me forward
And I’m learning how to smile
I don’t wanna fall back
I don’t wanna fade out
I don’t wanna stand still
Waiting for the same sound
If the night is broken
Let the beat repair it
If my heart is open
I’m not scared to wear it
Piece by piece
I come alive
Little lights
Inside my mind
Beat by beat
I feel the fire
You were gone
But I got higher
Piece by piece
I’m not the same
I lost you once
But found my name
Oh-oh-oh
I come alive
Piece by piece
I come alive
Maybe love is not a place
Maybe home can change its shape
Maybe all the things we lose
Turn into another way
I don’t need the past to call
I don’t need the door unlocked
I can be the one who breaks
And still becomes the song
Piece by piece
I come alive
Little lights
Inside my mind
Beat by beat
I feel the fire
You were gone
But I got higher
Piece by piece
I’m not the same
I lost you once
But found my name
Oh-oh-oh
I come alive
Piece by piece
I come alive
I remember
Little pieces
Little pieces
Of tomorrow
Piece by piece
I come alive
CREDITS
Performer: Glass Orchard
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Waves Don’t Ask Why
Wires and Petals
Verified Artist
Wires and Petals
Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.
Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.
Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.
Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.
Waves Don’t Ask Why
Wires and Petals
I walked too far to start again
But too close to turn away
The sky didn't open —
But I moved anyway
Heartbeat aligned with the sound
Footsteps lost never found
I don’t speak to the wind anymore
It never stayed to listen
But you —
You stayed quiet…
And I heard everything
Time doesn’t fold like a map
We stretch with every turn
The world spins without asking
But we — we learn
And if the tide forgets my name
Let it
I only needed the pull
CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Follow The Signal
Luna Vey
Verified Artist
Luna Vey
Meet Luna Vey, the one-woman dance energy powerhouse hailing from the city that never sleeps, Las Vegas. Bathed in neon lights and pulsating beats, her music is a gamble that always pays out.
Crafted within the vibrant chaos of Sin City, Vey's tunes are the dazzling nightlife captured in melodic form. Drawing inspiration from the city’s hedonistic nightlife, her most infamous track, "Follow The Signal," can only be described as the love child between a suited blackjack dealer and Lady Luck herself - equal parts thrilling and enchanting.
It's dance music, no doubt, but with a hefty serving of Vegas flair. When Luna Vey rains down beats, her tracks aren’t just rhythm; they're high octane happiness that could lure the mopiest of souls onto the dance floor. So don't just stand there—get up, throw some confetti, and surrender to Luna’s glitzy, happy groove.
Get your glitter ready and your mirror balls spinning, because Luna Vey's dance anthems are about to turn your living room into the most exhilarating club scene this side of Vegas.
Follow The Signal
Luna Vey
I’ve got a feeling it’s pulling me near
A quiet whisper only I can hear
Through the static it’s breaking the haze
A guiding light in this endless maze
No map no compass I don’t need a plan
Just hold on tight we’ll make our stand
The road’s unwritten but I see the glow
The signal’s clear it’s time to go
Ooooo Aaaaaa can you feel it now?
The rhythm of my heart is calling out somehow
Ooooo Aaaaaa let the moment flow
No need for direction I’m the way you know
Step by step we’re chasing the fire
Every beat takes us higher and higher
Trust in the spark it’ll lead the way
To brighter nights and golden days
No stars no signs we’ll make our own
With every step we’re carving stone
Together we’ll rise no way to fall
The signal’s loud I hear it call
Ooooo Aaaaaa can you feel it now?
The rhythm of my heart is calling out somehow
Ooooo Aaaaaa let the moment flow
No need for direction I’m the way you know
Close your eyes feel the world spin slow
Where we’re headed only we will know
Through every twist through every turn
The fire inside let it burn
Ooooo Aaaaaa can you feel it now?
The rhythm of my heart is calling out somehow
Ooooo Aaaaaa let the moment flow
No need for direction I’m the way you know
Follow the signal follow me through
Amazing days are waiting for you
Ooooo Aaaaaa can you feel it rise?
The future is ours beneath the skies
CREDITS
Performer: Luna Vey
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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What’s It Made Of?
LYA
Verified Artist
LYA
“If it doesn’t ask questions, it’s not music.”
LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.
Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.
LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.
LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.
What’s It Made Of?
LYA
Woke up in a sentence I don’t remember writing
(uhhh)
My name’s on the wall
but it’s spelled with a “Y” now
weird
I tried to fold the sunlight into thirds
but it keeps leaking through the creases
Like—
was that ever the point?
(Hey!)
Did we name the silence just to fill it?
A blue cup a red sock a key with no lock
Mom said dreams don’t rot
but I found mold on the corners of mine
(yeah uh-huh)
What’s it made of?
(Lie?)
What’s it made oooooof?
Is this glass or just slow ice?
(what’s the—yeah)
If I bite it will it crack or cry?
(Haha—cry?)
I asked the mirror but she blinked
Twice
My coat is full of exit signs
but none of them point north
I sleep in the hallway between thoughts—
and that’s fine
Or it was
(Was it?)
Someone keeps leaving me notes
in a handwriting I don't remember learning
“Simplify”
“Unwind”
“Don't trust the tulips”
What’s it made of?!
(don’t tell me it’s hope again)
What’s it maaaade of?!
If it’s love why’s it shaped like a chair leg?
If it’s truth
why does it taste like batteries?
Whoa whoa—
Don’t go there
Not now
(NOT NOW!)
CREDITS
Performer: LYA
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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After the Signal
Apollo Frequency
Verified Artist
Apollo Frequency
Apollo Frequency is a dynamic UK-based vocal trio bringing infectious grooves and bold stage energy to the modern disco-pop scene. The group consists of vocalists Marcus King and Devon Cole—both London-born with roots in gospel, soul, and street performance—and Brighton native Chloe Hart, whose bright, powerful voice adds a radiant pop edge to the group’s sound.
Formed in Manchester, Apollo Frequency quickly built a reputation for their electrifying live shows, blending tight harmonies with high-energy beats reminiscent of classic funk and disco, yet reimagined for today’s dancefloors. Their music celebrates unity, rhythm, and the thrill of collective movement, turning every performance into a celebration.
Their debut single, After the Signal, is available exclusively on Filodyo, showcasing the trio’s signature mix of soulful hooks, driving basslines, and euphoric choruses. With undeniable chemistry both on and off stage, Apollo Frequency is poised to become one of the UK’s most exciting live acts—proving that when the signal hits, the dancefloor answers.
After the Signal
Apollo Frequency
Yeah… signal’s live
Mmm… ah-ah-ah
Let it roll
Oh-oh-oh…
Frequency’s pulling us through the crowd
Pulse in the air it’s beating loud
Every turn you make cuts through the noise
Drawn to the tone in your voice
Step in closer rhythm on my side
Closer closer nothing left to hide
Can’t slow down we’re on this ride
This is the signal locked inside
After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
After the signal (oh)
We keep it in motion (no no)
Time’s in a circle (mmm)
Under devotion
Lines keep crossing code runs deep
Every beat we share’s a vow we keep
Gravity shifts when you’re in the frame
Nothing tonight will be the same
Step in closer rhythm on my side
Closer closer nothing left to hide
Can’t slow down we’re on this ride
This is the signal locked inside
After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
After the signal (oh)
We keep it in motion (no no)
Time’s in a circle (mmm)
Under devotion
Transmission’s clear — stay on the line
Stay on the line stay on the line
Turn it around — keep it aligned
Keep it aligned keep it aligned
After the signal
We don’t let go
After the signal
We take control
After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
CREDITS
Performer: Apollo Frequency
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Never Barefoot
The Syrphids
Verified Artist
The Syrphids
The Syrphids’ journey began in the vibrant streets of Birmingham, where their distinct sound emerged from a collision of personal influences and bold experimentation.
Each member brings a unique flavor to the band's overall dynamic—blending raw, emotive vocals with intricate guitar riffs, rhythmic basslines, and atmospheric synth layers. Their music strikes a balance between the unpredictability of alternative rock and the infectious melodies of indie pop, creating an eclectic sound that is both challenging and accessible.
What sets The Syrphids apart is their ability to navigate complex emotional themes, delivering lyrics that resonate deeply while still maintaining an undeniably catchy, crowd-pleasing vibe.
Their live performances are a spectacle of energy and emotion, where their chemistry as a band shines brightest. The Syrphids have a knack for turning intimate venues into electrifying spaces, with each song building on the momentum of the last.
Their setlists are carefully curated to take listeners on a journey—whether it's through soulful ballads that tug at heartstrings or high-octane anthems that ignite the crowd. This ability to command the stage has earned them a growing fanbase, not just in Birmingham but across the UK, with audiences captivated by their authenticity and musical craftsmanship.
As The Syrphids look toward the future, their ambitions are clear: to continue evolving their sound while staying true to the experimental roots that first brought them together. With several EPs already under their belt and plans for a full-length album on the horizon, the band is poised to break through to even broader audiences.
Their commitment to innovation, coupled with their undeniable talent, ensures that The Syrphids will continue to be a force in the indie music scene, challenging conventions and capturing the hearts of listeners around the world.
Never Barefoot
The Syrphids
I was barefoot in the silence
dreaming of laces I could never tie
They told me “Leave your shoes behind”
but my feet were burning on holy ground
Back then the glass windows whispered
shops were cathedrals I couldn’t enter
Every sneaker a forbidden scripture
every boot a sermon I couldn’t keep
I walked with shadows on the pavement
carrying blisters instead of crowns
Now every aisle feels like confession
plastic bags my rosaries
boxes stacked like psalms unspoken
I kneel but I never pray
I can’t walk barefoot anymore
the echoes of my hunger follow me
God once said “Take off your shoes”
but He never felt these cracks in me
So I buy another pair I’ll never wear
just to silence the ghost of that child staring
at the glass at the glass at the glass
Leather tongues speak louder than my own
rubber soles drown out my guilt
Every purchase is a broken hymn
every closet a confessional built
I don’t wear them I collect my scars
like trophies of battles I never fought
The past still laces up my ankles
pulling tight with phantom strings
No barefoot freedom in the morning
just a graveyard made of things
I can’t walk barefoot anymore
the echoes of my hunger follow me
God once said “Take off your shoes”
but He never felt these cracks in me
So I buy another pair I’ll never wear
just to silence the ghost of that child staring
at the glass at the glass at the glass
Empty shoes like empty prayers
lining up my hallway shrine
I am both thief and worshipper
stealing time wasting time
I can’t walk barefoot anymore
the pavement bleeds the silence roars
God once said “Take off your shoes”
but He never stood in this hunger before
So I’ll keep on buying keep on binding
never fitting never finding…
and the child in the glass walks with me still
CREDITS
Performer: The Syrphids
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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I’m The Lighter
Elira Vayne
Verified Artist
Elira Vayne
With a name synonymous with the hauntingly beautiful waters of Ohrid, North Macedonia, Elira Vayne is your go-to dance diva with a twist. Part French, part Albanian, and 100% maverick, Vayne gives dance music a refreshing Balkan edge.
Born to the lullaby of a mandolin on Ohrid's shores, Elira was raised with the zest of Albania and the charm of France running through her veins. As if algae-ridden waters and sun-lit picnic spots out of posters whispered into her ears, everyone wondered, "Does Ohrid govern the sounds she creates?" And in a quaint voice, she would almost always blush and say, "Mais oui, and a bit of Marseille jazz too."
By the time teenage took over, the rhythm of the mandolin turned to jazz in the pulsating heart of Marseille. There, in a music sklearnamediciabacked alley bistro turned vocal studio, she trained some more in the gallant art of French jazz vocals. Little did she know that her cultural potpourri would give birth to a new music sensation: the vivacious tones of French Electronica blended with raw Balkan folklore.
Never leaving her roots far behind, each album cover of Elira's embroiders a rich tapestry of Balkan texture. In contrast, her songs hum with the vibe of French electronic dance music, mostly with her biggest hit yet, "I'm The Lighter". You can feel the happy energy as potent as the Ohrid sun, making her music a cocktail of infectious melodies under the umbrella contract of Filodyo. And quite frankly, it's this sun-soaked, high spirited party in the Byzantines' backyard that sets Elira Vayne on a league above your usual dance floor DJs.
I’m The Lighter
Elira Vayne
Cracked screen no calls today
Left the charger on the train
They said time would wash it out
But my clock’s been playing games
Can’t decode your morse-like moods
Every tone’s a sharp excuse
I lit fires you never saw
Guess it’s time to cut it loose
Let me breathe without your shadow (ah)
Every step I’m climbing higher (yeah)
Didn’t fold didn’t borrow
I’m the spark I’m the lighter
(wooh ay-ay let it burn)
Calendar full of crossed-out plans
Turned the silence into stance
No parade no grand goodbyes
But I danced inside the crash
Used to bend till I dissolved
Now I sculpt from where I broke
This new world don’t need your laws
I evolve and I revoke
Let me breathe without your shadow (mmm)
Every step I’m climbing higher (uh)
Didn’t fold didn’t borrow
I’m the spark I’m the lighter
(yeah-yeah wooh let it burn)
Ooh-ohh ohh
No more codes to crack
I’m off this map
CREDITS
Performer: Elira Vayne
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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New York, I Loved You
Asha Monroex
Verified Artist
Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.
A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.
Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.
Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
New York, I Loved You
Asha Monroex
Seventh Avenue 2 AM
You had your jacket on I had nowhere to be then
Yellow cabs blurring past the rain
You said my name like it was something you wanted to keep
Rooftop views and corner store wine
You made this city feel like it was only mine
But New York doesn't stop for anyone
And neither did you when you were done
I still hear the subway underground
Every time I'm trying not to think about
The way you laughed when the lights went out
New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
Brooklyn bridge on a Saturday
You took my picture like you planned to stay
I framed it hung it on the wall
Took it down in November when the leaves would fall
You were Harlem jazz at midnight
I was trying to be your home
But some men love a city
More than they'll ever love you alone
I still walk the same blocks we used to share
Turn the corner half-expecting you'd be there
(yeah…)
But the city just stares
(just stares…)
New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
(most beautiful…)
This city taught me everything I know
How to hold on
(hold on)
How to let go
(let go)
How to stand in the middle of a million souls
And still feel whole
(feel whole…)
New York didn't break me
He just set the scene
(mm)
And I was never really lost
I just hadn't found me
(found me…)
(ohhhh)
New York I loved you
(loved you)
And I love me now
(now)
Traded in the heartbreak
For my own vow
(yeah)
Still got the skyline
Still got the rain
(the rain…)
And baby — that pain
Made me everything
(everything…)
mmmh…
CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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We Had A Better Tim...
Max Donovan
Verified Artist
Max Donovan
Max Donovan is a Los Angeles-based singer-songwriter known for his soulful melodies and evocative storytelling. Born into the heart of Hollywood, Max was surrounded by the entertainment industry from a young age. His father, a dedicated sound and lighting technician named Michael Donovan, spent his life behind the scenes, setting up the intricate systems that brought movies to life. His mother, Elena Pierce, is a seasoned actress who has appeared in several supporting roles in both film and television, adding a touch of on-screen magic to his upbringing.
Growing up amidst the hustle and bustle of film sets, Max developed a deep appreciation for the arts. While his father's tales of the golden days of Hollywood fascinated him, it was the emotional resonance of music that truly captured his heart.
Encouraged by his parents, he began exploring various instruments and writing songs during his teenage years. His family's blend of technical expertise and artistic flair inspired Max to create music that is both thoughtfully composed and deeply personal.
Max's debut single, "We Had A Better Time," is a heartfelt homage to the stories his father shared about the past. The song blends nostalgic lyrics with contemporary acoustic sounds, reflecting on simpler times and the enduring bonds of family.
The track has garnered attention for its sincerity and relatability, marking Max as a promising new voice in the music scene. When he's not in the studio, you might catch Max performing at local venues across LA, carrying on his family's legacy in the entertainment world.
We Had A Better Time (ft Jason Harper)
Max Donovan
I remember LA streets
Cruisin' down Sunset in the haze
Back when life was so sweet
Golden days living through a craze
Music played through the night
We were young felt so right
Those years were gold
Bright and bold
Now stories told
Hearts grown cold
We had a better time (yeah better time!)
When the world was free (world was free)
Now they’ve crossed the line (crossed the line)
What do we see? (do we see)
A city lost in misery (misery)
Neon signs and wild dreams
We were kings we ruled the scene
Now it’s not what it seems
Lost the spark the soul the sheen
People now chase empty gold
Trade their hearts lose their hold
Those years were gold
Bright and bold
Now stories told
Hearts grown cold
We had a better time (yeah better time!)
When the world was free (world was free)
Now they’ve crossed the line (crossed the line)
What do we see? (do we see)
A city lost in misery (misery)
Yearning for the
Golden days
Those years were gold
Bright and bold
Now stories told
Hearts grown cold
Back then the city had a pulse
a rhythm and a beat
Fast cars big dreams
livin' life on repeat
From the Walk of Fame
to the Venice Beach sands
Every corner every block
magic in our hands
Skateboards on the boulevard
neon lights aglow
Fashion trends music bends
the energy would flow
We were rebels in the night
no chains could hold us back
Now it's shadows of the past
memories we lack
Chasing paper losing soul
where did passion go?
Grit and glory now just stories
lost in hollow glow
Once a city full of life
now it's just a ghost
Echoes of the laughter
it's the past we miss the most
We had a better time (yeah better time!)
When the world was free (world was free)
Now they’ve crossed the line (crossed the line)
What do we see? (do we see)
A city lost in misery (misery)
We had a better time (yeah better time!)
When the world was free (world was free)
Now they’ve crossed the line (crossed the line)
What do we see? (do we see)
A city lost in misery (misery)
CREDITS
Performer: Max Donovan
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
