Meet Luna Vey, the one-woman dance energy powerhouse hailing from the city that never sleeps, Las Vegas. Bathed in neon lights and pulsating beats, her music is a gamble that always pays out.

Crafted within the vibrant chaos of Sin City, Vey's tunes are the dazzling nightlife captured in melodic form. Drawing inspiration from the city’s hedonistic nightlife, her most infamous track, "Follow The Signal," can only be described as the love child between a suited blackjack dealer and Lady Luck herself - equal parts thrilling and enchanting.

It's dance music, no doubt, but with a hefty serving of Vegas flair. When Luna Vey rains down beats, her tracks aren’t just rhythm; they're high octane happiness that could lure the mopiest of souls onto the dance floor. So don't just stand there—get up, throw some confetti, and surrender to Luna’s glitzy, happy groove.

Get your glitter ready and your mirror balls spinning, because Luna Vey's dance anthems are about to turn your living room into the most exhilarating club scene this side of Vegas.

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Hailing from the sprawling city of Chicago, known for its gusty winds and hearty deep-dish pizzas, the one and only Nico Laurent has been making waves in the musical landscape with his undeniable talent and contagious energy. Born to an imaginative mother who weaved narratives that enchanted Nico's world and a meticulous father whose precision for constructing circuit boards was only matched by his love for the blues. You could say Nico was born to rhythm, melody, and a healthy dose of storytelling. He began his magical sonic journey right there, in the sweet-spot between abstraction and engineering, affectionately known as creativity.

That journey led Nico to pen one of his most notable songs, "I'm Not The One," a tune that dances delightfully between heartbreak and hope, two relatable sides for many of his listeners. His songs mirror his life - filled with textures and nuances - which are as electrifyingly real as the Chicago skyline during a lightning storm. Perhaps it's his mother's storytelling gift that makes his lyrics so compelling, or his father's keen sense for balance that keeps his melodies ringing in your ear long after the song ends. Or maybe, just maybe, it's that cheeky grin of his that makes you think he might know a secret or two about life's grand design. Whatever the case, it's hard to resist the magnetic pull of Nico Laurent and his ever-evolving sound.

Equal parts witty word-spinner and evocative tunesmith, Nico proves that the apple doesn't fall far from the metaphoric tree (and by the sound of it, this apple picked up a guitar on its way down). Nico remembers sitting between piles of books and heaps of cables as a kid, writing stories about robot musicians or sketching out designs for flying guitars, and that imaginative spirit still fuels his music today. So, buckle in and hold onto your hat (the wind in Chicago doesn’t mess around, you know), because Nico Laurent is just getting started, and this is one ride you won't want to miss.

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Meet Sophie Weak, the daintier and infinitely more coordinated cousin of the beloved Weeble Wobble. Hailing from the cultural cauldron that is London, indie dance maven Weak has a knack for composing euphorically buoyant tracks that'll get your feet tapping and heart thumping.

She first made waves in the indie scene with the high-voltage hit, "Dancing It All Off". Weak's signature style effortlessly blends cheeky, tongue-in-cheek lyrics with electric rhythms and synthed-up beats that are sure to ignite even the most lead-footed listener's lust for dance. She's a bit like the Mary Poppins of the music world; if Mary Poppins swapped her umbrella for a sequined leotard and developed an insatiable appetite for disco balls, that is.

Sophie's sound is no mere illusion of joy, but genuine, unadulterated happiness put to a beat. Often, her tracks can be found playing in hipster cafes across the city, causing spontaneous, caffeinated dance-offs amongst bearded barristers and laptop warriors. So, brace yourself, your Bluetooth speakers, and possibly your pets (because they have sensitive ears); Sophie Weak is here to shake up your playlists with her infectious beats and infectious spirit!

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Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.

She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.

After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.

Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.

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Romi Sage doesn't chase the spotlight — he teases it. With a smirk behind every lyric and a groove under every syllable, Romi walks the fine line between smooth and subversive. Born in Lisbon and raised between record shops and rooftop parties, he grew up idolizing the effortless cool of Prince, the rhythmic swagger of George Michael, and the punchy charm of early 2000s pop.

His voice slides — not in haste, but in style. It dances over slap basslines and syncopated guitar licks like it’s dodging commitment. Romi doesn’t just sing about love; he dissects it with irony, flirts with it, then leaves it on read. His stage presence is magnetic — not because he demands attention, but because he never asks for it.

Beneath the glam and glitter, though, there’s always a crack. That’s where Romi shines the most — in the clever melancholy, the playful ache, the smile that knows better. His performances are less about perfection, more about pulse.

Plastic Skies & Paper Towns isn’t a love song. It’s a stylish spiral — romantic delusion in disco heels. It's funk with a wink. And with Romi Sage at the mic, it’s impossible to ignore.

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Danny De Star: the name sounds like a headline right out of those glitzy Hollywood tabloids, but the origin story of this dance maestro is planted firmly in the heartland. This homebred celestial body hails from a place people rather unlikely expect: the good, ole city of Nashville, Tennessee.

Forget what you thought you knew about the Nashville. Forget about the banjos, the country laments, and the cowboy boots. Danny De Star spins a different tale, and that tale takes rhythm. Keeping the city's core of boundless energy, but rather lighting it up with electronic vibes and killer beats, he's not your typical country bumpkin. He's got his own flavor of star quality.

No track speaks to the De Star spirit more than "A Second Sun". It's a dance crescendo that has you spiralling into a vortex of good vibes. It shines with all the brightness of, well, a second sun. It's all so dramatic and yet so bouncy, enough to catapult your mood into absolute buoyancy.

Endearing, inventive and cheerful as a confetti burst, Danny De Star takes the dance music scene not with a storm, but with a happy beam of light. As that second sun sets on your playlists, remember: the best stars twinkle from unexpected corners—sometimes they're even summoned from a little city in Tennessee.

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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Turn up the volume, kids, 'cause we're about to delve into the sonic world of Junai Elen, the independent dance music artist with an unmistakably Eastern flare to her beats that'll have you both bobbing your head and searching for the meaning of life. With the name Elen bouncing off from the concrete heart of Tokyo, Japan, it's no surprise her sound is as energetically charged as the city's pulsating nightlife.

Junai exploded onto the indie dance scene like a sushi roll on a 5-alarm fire. Her tunes, a dynamite mix of insistent beats and whimsical lyrical narratives; imagine Walt Whitman having a dance-off with Avicii. The lighthearted "Wish You Well" is a prime cut of this intoxicating blend, a melodic chicane that leads you straight to Hope Avenue, her music's quintessential street.

Dont be fooled, Junai might not have the star-studded mansion or the paparazzi onslaught, yet. But she's sculpted a career from making her followers dance, dream and dare to hope through music. As unpredictable as Tokyo rush hour, and just as exhilarating, Junai Elen is the independent dance music artist who's whipping up a storm one beat at a time.

Get your smart shoes on and join Junai's journey. It's a ride interspersed with humor, your heart pounding to the beat, and at every turn, there's an insistent hopefulness that says, it's going to be okay. After all, you're in the party with Junai Elen - and she wishes you well.

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Dora Corr is an EDM vocalist and songwriter born and raised in Dublin, Ireland. Before her debut single, she worked at a small, weathered music shop tucked away in Rathmines — a place where synths came in half-broken and left humming again, usually thanks to her.

By day, she tuned old keyboards and restocked trance CDs. By night, she recorded vocal sketches on her cracked laptop, blending soft-spoken Irish melancholy with pulsing beats she never planned to share.

That changed in early 2025, when renowned electronic producer Mark Martian visited Dublin for a creative summit. While killing time between panels, he wandered into Dora’s shop — and found her quietly looping vocal takes in the back room.

Struck by the raw emotion and unusual cadence of her sound, Mark simply asked, “Have you ever thought about making something bigger?” She shrugged. “Not really. But I’d like to.” Energized, Mark immediately called Hakan E., the creative force behind Filodyo.

“I just found someone. We need to get into a studio, fast,” he said. Intrigued, Hakan asked to hear her demos. Mark sent over a few scratch recordings that same night.

Within days, Dora was in a temporary studio above the River Liffey, recording "Paper Moon" — a haunting, minimalist debut that floats somewhere between whispered confession and late-night dance floor, co-produced by Mark Martian for a new Filodyo project.

Dora Corr isn’t chasing pop formulas or peak-hour builds. She’s carving a lane where fragility can still make you move — and where “na na na na” says more than a chorus ever could.

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Get your dancing shoes on and your party hats ready–here comes Party Starters, Canada's dynamite DJ duo primed to kick-start your weekend. Sending electronic pulses through the Maple Leaf country's veins, these two lads have nailed the happy-go-round ride of the dance genre.

The duo, known for their contagious beats, hail from the frosty yet fiery streets of Toronto. Putting the 'art' in 'party', they're no strangers to the late-night club scene, often seen spinning grooves till the break of dawn like caffeine-fuelled squirrels on a workout wheel. And while these gents are the core of the group, they also collaborate with several vocalists, adding that sprinkle of pizzazz on top. One such partnership gifted the world with their touted masterstroke, "Last Chance"—a euphoric anthem that would make even the gloomiest Gus tap his foot.

With "Last Chance," and its soul-stirring female vocals, Party Starters remind us that every party, every moment is a 'last chance' to let loose and celebrate life. And they aren't about to let us forget it. Their music is a shot of happiness delivered straight to your eager eardrums, wrapped in a rhythm too intoxicating to resist. So, next time you're looking for a good time, remember, Party Starters is always ready to hit 'play' on your fun.

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Ready for a riveting journey in the ethereal world of tune? Strap in and meet Azure Dreamer, the dance music duo from Holland that's churning out happy vibes faster than a Dutch windmill spins. They're the synergetic alchemists, transforming varied vocals into The Netherland's answer to dance enlightenment – all from their glorified garden shed, probably.

Talented beyond their years and quirky as a crate of tulips, these wunderkinder are the auditory architects behind the infectious hit "Glory". Churning out tracks that can turn a downpour into a disco, they've cornered the market on happiness, without a Prozac in sight.

Signed with Filodyo, you might not know their faces but you'll sure as hell recognize their sound; composing mood-lifting audio wizardry for stores, their earworms are for the everyman and loved by every woman. They're not just raising the bar, they're doing the friggin' conga around it.

For Azure Dreamer; life ain't all sunshine and rainbows, it's twister dials and untamed vocals. They're keeping the Dutch dance scene alive and well, one synth at a time. So, if you're in need of a happiness hit, skip the stroopwafels and plug into Azure Dreamer. We bet you'll be grinning from ear-to-ear before the first chorus drops.

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