Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.

Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.

Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.

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Meet Marco Bellini, the gleaming lone star of the independent dance scene, making you forget any sorrow with his upbeat tunes. Born and raised under the swaying palm trees of Naples, Italy, Bellini crafts sonic euphoria like no other.

Our man Bellini did not find his love in the stomping grounds of Naples’ electrifying night scene. Instead, the sun-soaked streets, vibrant markets, and the rhythmic cadence of the Mediterranean waves stirred something deep. This culminated in his irresistible brainchild—"The Land of No Tomorrow"—a track so hopelessly optimistic that it made the Billboard's 'Sad Songs' list for the sheer irony.

Marco, with his deft touch, keeps it simple—'Simple is the new sexy,' he once quipped, half-twirling his pencil-thin moustache. He convinces you there's always a dance party waiting around the corner, even in a world that often sounds like a broken record. His tunes are a sonic Piña Colada—sweet, refreshing, and leaving you high on life. As Marco himself proclaims, "a tempo that resonates with the heartbeat of joy, that's my journey's end."

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Apollo Frequency is a dynamic UK-based vocal trio bringing infectious grooves and bold stage energy to the modern disco-pop scene. The group consists of vocalists Marcus King and Devon Cole—both London-born with roots in gospel, soul, and street performance—and Brighton native Chloe Hart, whose bright, powerful voice adds a radiant pop edge to the group’s sound.

Formed in Manchester, Apollo Frequency quickly built a reputation for their electrifying live shows, blending tight harmonies with high-energy beats reminiscent of classic funk and disco, yet reimagined for today’s dancefloors. Their music celebrates unity, rhythm, and the thrill of collective movement, turning every performance into a celebration.

Their debut single, After the Signal, is available exclusively on Filodyo, showcasing the trio’s signature mix of soulful hooks, driving basslines, and euphoric choruses. With undeniable chemistry both on and off stage, Apollo Frequency is poised to become one of the UK’s most exciting live acts—proving that when the signal hits, the dancefloor answers.

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Emerging from the gritty depths of Detroit’s dance scene, brimming with talent and charisma, Dara Montel is the nervy answer to the city's hardcore techno thirst. Known best for her dance-devoted, melancholic twister "Plastic Crown," Dara's name has spun in the underground circles like a rogue vinyl tossed into a cyberspace jukebox.

Our Motor City minx entered the scene somewhat cagily, her piercing blue eyes full of stories almost as deep as the bass lines she commands. She distils raw emotions into dance-ready soundscapes, affirming that tears are permitted even on the most electrified dance floors. Like the mysterious femme fatale prowling through the ruins of a John Carpenter flick, Montel's music envelops you in its brooding embrace.

Dara's playful wit is just as intoxicating as her infectious grooves. With a knack for turning pain into art, she continues to defy Detroit's icy weather, radiating heat one tear-stained synth at a time. Her “Plastic Crown,” fittingly, feels neither plastic nor regal—it's pure, cathartic Dara Montel. You’d better get on this vibe train, 'cos it ain't stopping anytime soon.

The Dara Montel revolution won't be televised, it'll be danced. So go on, put on that Plastic Crown, let the sadness seep into your soul and boogie like it’s the end of the world. Detroit’s dark dance queen reigns supreme.

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Danny De Star: the name sounds like a headline right out of those glitzy Hollywood tabloids, but the origin story of this dance maestro is planted firmly in the heartland. This homebred celestial body hails from a place people rather unlikely expect: the good, ole city of Nashville, Tennessee.

Forget what you thought you knew about the Nashville. Forget about the banjos, the country laments, and the cowboy boots. Danny De Star spins a different tale, and that tale takes rhythm. Keeping the city's core of boundless energy, but rather lighting it up with electronic vibes and killer beats, he's not your typical country bumpkin. He's got his own flavor of star quality.

No track speaks to the De Star spirit more than "A Second Sun". It's a dance crescendo that has you spiralling into a vortex of good vibes. It shines with all the brightness of, well, a second sun. It's all so dramatic and yet so bouncy, enough to catapult your mood into absolute buoyancy.

Endearing, inventive and cheerful as a confetti burst, Danny De Star takes the dance music scene not with a storm, but with a happy beam of light. As that second sun sets on your playlists, remember: the best stars twinkle from unexpected corners—sometimes they're even summoned from a little city in Tennessee.

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Hailing from the sprawling city of Chicago, known for its gusty winds and hearty deep-dish pizzas, the one and only Nico Laurent has been making waves in the musical landscape with his undeniable talent and contagious energy. Born to an imaginative mother who weaved narratives that enchanted Nico's world and a meticulous father whose precision for constructing circuit boards was only matched by his love for the blues. You could say Nico was born to rhythm, melody, and a healthy dose of storytelling. He began his magical sonic journey right there, in the sweet-spot between abstraction and engineering, affectionately known as creativity.

That journey led Nico to pen one of his most notable songs, "I'm Not The One," a tune that dances delightfully between heartbreak and hope, two relatable sides for many of his listeners. His songs mirror his life - filled with textures and nuances - which are as electrifyingly real as the Chicago skyline during a lightning storm. Perhaps it's his mother's storytelling gift that makes his lyrics so compelling, or his father's keen sense for balance that keeps his melodies ringing in your ear long after the song ends. Or maybe, just maybe, it's that cheeky grin of his that makes you think he might know a secret or two about life's grand design. Whatever the case, it's hard to resist the magnetic pull of Nico Laurent and his ever-evolving sound.

Equal parts witty word-spinner and evocative tunesmith, Nico proves that the apple doesn't fall far from the metaphoric tree (and by the sound of it, this apple picked up a guitar on its way down). Nico remembers sitting between piles of books and heaps of cables as a kid, writing stories about robot musicians or sketching out designs for flying guitars, and that imaginative spirit still fuels his music today. So, buckle in and hold onto your hat (the wind in Chicago doesn’t mess around, you know), because Nico Laurent is just getting started, and this is one ride you won't want to miss.

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Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.

She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.

After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.

Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.

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Hailing straight from the heart of Harlem, the notorious quintet, Brick Lords, has been serving up a potent cocktail of old school rap since their genesis.

An assemblage teeming with character, within this unique ensemble, we find Biggie Bricks (real name, Jamal Thompson), the de-facto leader and lyricist; Lil' Grout (born Angel Martinez), the charismatic hype man; Bricksy Ross (truly known as Desmond Jones), the mysterious trap-lord; Mortar Mike (Mike Johnson in the real world), the laid-back beat master, and Cinder "the Block" Parker (dubbed Clara Parker at birth), the feisty and soulful female vocalist who adds a unique twist to the group's sound.

The Brick Lords was born out of a shared love for rhythm, rhymes, and the raw, gritty atmosphere of their native Harlem streets, baptizing themselves Brick Lords because, well, they were originally just some kids slamming beats and rhymes on brick walls. And just as bricks fit one on top of the other, building something substantial, so too did the Brick Lords build something substantial out of their close-knit group dynamic.

Their music, a delightful blend of old school rap with a hint of modern-day flair, is lauded for its authenticity and palpable energy, resonating with audiences worldwide. Notably, their signature song "What's Going On (Clean)" quickly escalated to become an anthem for their generation, showcasing their genuine artistry while divulging the realities of life in Harlem.

Amidst punchy beats, witty lyricism, and a touch of brick-and-mortar realness, the story of the Brick Lords is as engaging as their music. Resolute in their ambitious deliverance of old school rap, these urban poets have cemented themselves into the solid foundation of Harlem's music scene, and dare we say it, they're brickin' amazing!

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Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.

Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.

Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.

Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.

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Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

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Sara Durian is Germany’s undisputed disco queen, electrifying dance floors since the early 2000s with her glitter-drenched beats and futuristic soul. Born in Düsseldorf and raised on a steady diet of Kraftwerk, Donna Summer, and underground Berlin house parties, Sara blends retro grooves with neon-drenched modernity. Her signature sound? A cosmic fusion of French touch, Eurodisco, and synth-heavy pop—unmistakably hers, instantly addictive.

From smoky Berlin clubs to Tokyo fashion runways, Sara has turned every stage into a mirrorball-lit sanctuary. Her voice—sultry, robotic, divine—has been sampled by countless DJs but never duplicated. Whether she’s spinning vinyl or headlining queer festivals across Europe, Sara owns the night like a shimmering phantom of funk.

Still active and more radiant than ever, her legacy is not nostalgia—it’s now. With platinum blond curls and chrome stilettos, she struts through time with a wink and a bass drop.

Her mantra? “All drama, all disco.”

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