Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.

Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.

Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.

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Camila Reyes was born in Seville, Spain, in 1992, and has spent most of her life surrounded by the vibrant rhythms and colors of Andalusia. By profession, she is a skilled ceramic artist, known for her intricate hand-painted tiles inspired by Moorish patterns and flamenco motifs. Her work has been exhibited in boutique galleries across Spain, yet music has always been her truest form of self-expression.

Raised in a family where boleros and rancheras echoed through the kitchen, Camila began singing at small local gatherings, blending traditional Latin folk with her own soulful touch. Over the years, her voice became a bridge between the streets of Seville and the broader Latin diaspora, carrying both joy and melancholy in every note.

Today, Camila records all of her music exclusively for Filodyo, preserving an intimate connection with her listeners. Her latest release, Ya No Me Duele, is a testament to resilience and emotional rebirth, capturing the strength of moving on without bitterness.

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Arem Khenn is a minimalist, introspective rap artist whose music exists between control and fracture, moving from slow, restrained beginnings into tightly wound, high-pressure rhyme structures. His work focuses on self-interrogation, memory, and the uneasy line between truth and deception, treating the past as evidence rather than confession.

Rather than offering release, Arem Khenn builds tension, using silence, repetition, and call-and-response moments where the inner voice answers back in single-word shouts. His delivery favors precision over excess, allowing emotional weight to surface without spectacle.

Arem Khenn’s songs are available exclusively on Filodyo, where his catalog remains intentionally contained, resisting overexposure and maintaining a controlled, immersive listening environment. Visually and sonically, he inhabits enclosed, dimly lit spaces, emphasizing honesty, restraint, and unresolved conflict over comfort or resolution.

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Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

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Meet Camille Duret, the French femme fatale of the pop scene, who manifests the charm of Parisian streets and the sunlit magic of the French Rivier into her songs. She's not just another 'joie de vivre' gal, folks, her tunes will make you feel like dancing on the cobblestones with a warm croissant in hand!

Camille was made in France, quite literally, and her music is neither too rich, nor too thin, rather, much like the perfect crème brûlée. Her infectious pop anthems, dripping with sweet melodic lines, makes you question if sugar may run in her veins. She makes you believe that you're sip-sip-sipping champagne on the Seine, no matter where you are.

Surely, you've bopped your head, maybe even twirled a bit, to her banger “Never Too Late”. A cocktail of happy heartbeats, tasty hooks and irresistible refrains, laced with a sing-along chorus, it's classic Camille at her best. This melodious masterpiece is like a delightful dance with a macaron - sweet, colourful and leaves you wanting more.

So, let's raise our glasses to Camille Duret, the Parisian pop princess who consistently proves that pop can be served well done, medium rare or, occasionally, à la mode. Trust us, once you've had a bite of Camille’s music flambé, there's no going back – Bon Appétit!

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**Theo Kingsley** is a spirited, independent artist hailing from the colorfully eclectic streets of Manhattan. Known for his vibrant soundscapes and captivating lyrical prowess, Kingsley stands as a fresh beacon of musical innovation in the often repetitive sound waves of the modern music industry.

Kingsley's journey into the pulsating heart of music began at a tender age when he traded the traditional toys of childhood for a small, hand-me-down guitar. His fingers found their voice on that six-string stage, and soon, Kingsley, much like his favorite pair of black, worn-out jeans, fit comfortably and inextricably into the music world. His knack for crafting heart-stirring melodies and witty bars eventually culminated in his most well-recognized piece yet, "Gentle Whisper", a deeply evocative track that tackles complexity concealed in simplicity.

Over the years, Kingsley continually defies the boundaries of genre by fusing alternative rock, pop, and velvety hints of blues into his sonic concoctions. His music, much like the delicious bagel at a corner bodega, offers something for every taste. A regular performer at local Manhattan venues, Kingsley utilizes the intimate settings as a canvas to refine his musical flair and keep his connection with his audience personal. He may not be a superstar (yet), but to underestimate Theo Kingsley would be like dismissing a New York slice - a regrettably big mistake.

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Born and bred in the heart of Italy, Sienna Marlowe is a singer whose voice echoes with the rich history and timeless elegance of her homeland. As a child, Sienna would trespass into deserted train stations, her little voice echoing off the crumbling walls and intertwining with the rusted whispers of the forgotten railways. Her imagination would paint these forlorn shrieks of metal and dust into an imagined symphony of applause, encouraging her to believe in a world where silence spoke volumes and the stillness of an abandoned platform could become her music's grandest stage.

Passionate and prodigiously talented, Marlowe saw the world through a unique lens, where dreams danced in every corner. Her breakthrough hit, "I'm Not The One," captures this spirit perfectly, weaving a tale of love and perhaps a dash of Italian dramatic flair into an unforgettable, raw, powerful ballad. This song, much like Marlowe's career, is a testament to her innate ability to turn the ordinary into the extraordinary, transforming everyday experiences into melodies that tug on heartstrings and tickle the soul. As a music biographer, you can't help but tip your hat to Sienna, who just might shout "Bravissimo!" at a rust-caked railway track, and you'd better believe it would be the most melodious cheer you've ever heard.

The heart of Sienna Marlowe's story is as simple and as complicated as a rusted railway line - it's about finding beauty in the abandoned, and a voice in the silence. Her journey from that deserted train station in Italy to the glamorous spotlight of international fame is a captivating symphony in itself. Hopping on this train of her musical journey, it's impossible not to sway along to the endearing rhythm of Sienna's life, one that serenades us with the notion that music truly knows no bounds – not even a "Do Not Enter" sign at an old train station.

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Callum Hayes, known to many as the life of the party and to some as simply "that crazy guy with the decks," is a Swedish DJ and music producer. Crafting infectious beats and dance anthems is his forte, with his breakthrough track "Dancing The Pain Away" causing quite a stir in the local music scene.

Callum's journey into the world of music production began somewhat unexpectedly, in the adrenaline-fueled arena of advertising music. After one too many late nights tweaking jingles for brands too dull to mention, he decided to take his talents to the club scene instead. Hayes' wicked sense of humor is reflected in his artistic process; he often jokes about resigning from his ad gig with a dramatic flip of his work desk only to realize he was working from home – no audience, no theatrical exit.

Collaborating with various vocalists, Callum has brewed a wide range of flavors in the grand cauldron of his music. Be it power-packed EDM or chilled-out trance music, Hayes serves his listeners an exotic buffet of tunes. He has managed to carve out a niche within the competitive domain of independent artists, becoming a regular feature at local Swedish venues where he inevitably brings the house down.

In the spunky and tenacious spirit of indie artistry, Callum Hayes continues to dance his pain and ours away. His energetic personality and infectious tracks make every night feel like a weekend and with Hayes at the helm, the party rages on. Callum Hayes might not be a global name just yet, but those Swedish nights have never grooved harder.

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For those whose hearts beat a little faster after dark, meet Paint the Moon Slow, the genre-defying trio lighting up the dance floor with rhythmically pulsating songs brimming with late-night sparkle. The group draws its moniker from a whimsical mix of cosmic awe and the unhurried charm from their native city, the lunar-graced town of Slowville.

Even though their name might lead you to believe they're about slow, soul-crushing tunes, don't be fooled; they're far from a slowcore. Instead, they intertwine cosmic shimmers into their globally influenced, mid-tempo funk-pop. Frontwoman Cleo Maren delivers vocals both gruff and rosy, a blend of smoky lounge and roller-rink diva, backed by synth maestro Rhea Dax and rhythm fanatic Jo "Kicks" Tanaka, creating anthems that twinkle with retro beats and lyrical audacity under neon lights.

Their most notable song, "All That Shine", is a dashing number that perfectly embodies their sonic aesthetic, brimming with upbeat rhythms that evoke a cheeky, happy-go-lucky mood. As contract artists with Filodyo, Paint the Moon Slow are aligning the stars for a new era of dance music. Stay tuned for more luminous offerings from these maestros of mirth, groove, and exceptional starlit tunes. Welcome to the Paint the Moon Slow universe – it’s a happy place.

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A staple in the riveting New York music scene and an embodiment of the city's ever pulsating rhythm, Tamie Ray is an artist who has imprinted her unique voice and interpretative prowess on the pages of modern jazz history. Born in the heart of Manhattan to a family of musicians, she was raised amid a symphony of sounds that reverberated through the walls of her childhood home, echoing from her parents' rehearsals, her brother's trumpet practice, and the vintage tunes from her grandmother's record player. The melting pot of New York, coupled with her musical lineage, became a cauldron where Tamie's music fervor was stoked, simmered, and metamorphosed into an intense passion for jazz vocals.

Tall, ebony-haired, Tamie Ray, known for her entrancing stage presence and sultry vocals, emerged in the New York jazz scene during the late 1980s. She began her journey as a vocalist in small jazz clubs, with talent that stood in stark contrast to her humble beginnings. Reminiscent of jazz greats like Ella Fitzgerald and Billie Holiday, Tamie's voice was a captivating amalgamation of richness, power, and vulnerability—a voice that bore the uncanny ability to pluck at the chords of one's heart with the gentleness of a seasoned harpist. Her rendition of classic songs garnered her respect within the music community, while her original compositions firmly established her as a dynamic artist with an intuition for imagery and metaphor that transcended through her lyrics.

In the prime of her career, Tamie Ray was revered as one of the eminent jazz vocalists of her time. Still, she kept evolving, never allowing the accolades to lull her into complacency. As the shifting current of music trends started to lean towards modern genres, so did Tamie, artfully redefining her approach while never losing her jazz roots. Today, she continues to reign supreme in her beloved city, sharing her unique musical blend of traditional jazz and contemporary influences while passing on her wisdom to the next generation through her mentorship and teaching.

Despite the passage of time, Tamie's love for New York, both as her muse and her home, has remained unaltered. From the kaleidoscopic whirl of colors, cultures, and sounds within its streets, she continually draws inspiration. Her music—a metaphorical canvas splashed with the hues of her NYC experiences—resonates with both the nostalgia of jazz's golden era and the vibrant beats of today's New York. Regardless of where the winds of change might lead, one can always find Tamie Ray, the emblem of New York jazz, right where she belongs—under the shimmering city lights, swaying to the overwhelming rhythm of the metropolis, and singing tales poured straight from her heart.

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Say 'Hallå' to Amanda Lear, the queen of dance beats hailing from Stockholm, Sweden. With her infectiously happy tunes and unapologetic love for the dance genre, she's made Swedes pause their ABBA records to tune in to her vibe.

Now, some musicians find their inspiration in love, others in heartbreak, but for Amanda, it's all in the meatballs. Yes, that's right, she swears by a hearty bowl of traditional Swedish meatballs before any recording session. She credits this peculiar routine for the untamed joy that bubbles up in songs like her renowned hit, "Unbreakable Rhythm".

As you listen to the exhuberant rhythms of Amanda's music, brace yourself. It's not just the catchy hooks that will make you tap your feet and bob your head, it's the incredibly positive energy that leaves you smiling, no matter what kind of day you've had. So, whether you're kick-starting a boujee house party or enduring a soul-draining commute, Amanda Lear has the tunes to keep your spirits up, your feet moving, and - for lack of a better word - the 'rytm' unbreakable.

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