Lily Green is a vibrant nu-disco artist with a deep love for cars and the open road.

Hailing from Los Angeles, Lily grew up with the sounds of synth beats and funky basslines, which fueled her passion for creating danceable, feel-good music.

Her fascination with cars started in childhood, spending weekends at car shows with her dad and dreaming of road trips across the country. This love for automobiles often finds its way into her music, with themes of freedom, speed, and adventure.

Known for her infectious energy and groovy tunes, Lily Green’s tracks are the perfect soundtrack for cruising down the highway with the windows down.

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Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.

She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.

After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.

Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.

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Hazel Vaughn: The pop belle with a twangy accent who managed to steal the hearts of the indie world. She’s the chirpy nightingale from Virginia, whose lyrics remind you of dog-eared diary pages, scribbled in the golden hues of bygone days.

Unlike your cookie-cutter pop stars, Hazel's got a voice that's as rich and comforting as Southern sweet tea. She waltzes between woeful tales of love and nostalgia seasoned with notes of jingle-jangle pop. Everything from her honey-soaked vocals to her homespun charisma wraps you in a joyful yearning, a testament to her unparalleled knack for audio storytelling.

By far, Vaughn's standout track "Memories" has cemented her place in listeners' hearts. It's a deceptively breezy jam, packed with her knack for tugging both heartstrings and guitar strings alike. Underneath the playful tempo, you can almost hear the nostalgia dripping out, invoking halcyon summer days and resurrecting ghosts of first loves.

Our Virginia story-weaver embodies what it means to be a pop artist with depth, warmth, and a pinch of sweet Southern charm. Where Hazel Vaughn goes, an addictive serenade of happy nostalgia follows–humming reminders of memories we thought we'd lost, but dance upon hearing her tunes. The tales continue to spiral through song. Let's all lend an ear, shall we?

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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Tiny House Rats is a quirky and innovative two-person producer group, known for their minimalist yet powerful soundscapes. Hailing from the cozy suburbs of Copenhagen, Denmark, the duo—Jonas “J.T.” Thorsen and Emil Nilsen—came together over a shared love for blending genres and creating music in the small but vibrant studio they affectionately call "The Rat’s Nest," which happens to be located inside a tiny house they built themselves.

Their name, Tiny House Rats, is a nod to their modest setup, where they prove that you don’t need a massive space to make a big impact in the music world.

Jonas, the technical genius behind the beats, and Emil, the melody mastermind, combine their talents to craft eclectic productions that range from electronic and lo-fi hip-hop to indie pop and experimental ambient music.

Their work is defined by its attention to detail and clever use of sound layering, always making the most of the space they have—both physically and musically. They often describe their music as "controlled chaos," where seemingly random elements come together to form something unexpectedly beautiful.

Tiny House Rats are known for their collaborations with various indie vocalists, weaving their unique sound into each project. Their ability to adapt to different styles while maintaining their signature touch has earned them a growing following, particularly among fans of forward-thinking, genre-blurring music.

With tracks like “Lose Yourself” and “Home Sweet Home” Tiny House Rats are proving that size doesn't matter when it comes to creativity, and their tiny house is producing some of the most interesting sounds on the scene.

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She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.

Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.

Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.

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Meet Mirov Saint, everyone's favorite disco-spinning, beat-making connoisseur of all that is musical and funky. Hailing from a place as elusive as his name suggests, this maestro reigns from the far-flung utopia we like to call Saint Petersburg, crafting soundtracks that make our everyday lives feel like an enchanted fairy tale.

This genteel DJ, signed to Filodyo—shout out to them for recognising raw talent—works nightclub miracles, turning songs into disco-infused enchantments. His pièce de résistance? A cabaret dance cover of Romeo Vane's "Kiss Me When I'm Lying", of course. Because who needs a prince charming when you've got Mirov Saint remixing your life soundtrack?

Behind the decks, he becomes this alchemy wizard, transforming every beat into disco-gold, infusing happiness in every note. Take a gander at Mirov's Spotify. You'll think you've been transported to a Moscow underground disco in the 70s—a place where anxiety is unknown, and the mood is perpetually “Happy”.

So there you have it, folks. Mirov Saint, living proof that disco isn't dead, it's just been chilling in Saint Petersburg, waiting for one wizardly DJ to mix it back to life.

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Luna Vespera is a vibrant songstress hailing from the cobblestone streets of Paris, where she relocated from her native Lithuania due to her husband's engineering endeavors. Nothing spells "for better, for worse" like swapping the charm of Lithuanian landscapes for the lights of the Eiffel Tower. She's made a name for herself in the music industry, not just by gracing the city of love with her sound, but also through her amazing work with Filodyo – her sponsoring record label. As they say, even in Paris, show business is still business, which Luna handles beautifully in her Parisian serenade.

Known for her unique blend of melodic soundscapes, Luna's craft expands beyond just being a songbird. She's a veritable jack-of-all-trades, with a love for electronic digital audio workstations – think of her as a musical Da Vinci, blending art, technology, and a bit of joie de vivre. In fact, voice acting artist is another feather in her beret - a talent that adds an extra layer of richness to her music. If being a multi-talented songstress was a sport, Luna would undoubtedly be in the world league.

One of Luna Vespera's most popular hits is the contagiously rhythmic "Sweaty Eddie." Just like its name might suggest, the track delivers a charismatic, dance-infused anthem that gets listeners energized - and possibly a little sweaty. With its irresistible beats and Luna's honeyed voice, it's a firm favorite on Paris's lively music scene, and certainly, a defining element of Luna's growing musical legacy.

So, there you have it – Luna Vespera. The name to know in the Parisian music scene; an enchanting songstress with the charm of the old world and the pulse of the new. Stay tuned for the release of her next electronic ballad. Bonne écoute!

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Meet Harper Quinn, the embodiment of a Chinatown fairytale with a beats-filled twist. Born and raised amidst the flurry of noodle houses and dim sum joints in NYC's throbbing heartbeat, Harper is every bit a child of the Big Apple and the city’s ceaseless rhythm pulses through her music.

Harper is the oldest daughter of a Chinese immigrant family, her father a wizard of culinary arts in one of the busiest kitchens in Manhattan. Her music is a distinct fusion of her rich cultural heritage and the neon grit of New York - think Peking duck served with a side of just-spun electro. With catchy tracks like "Summer Romance", she’s setting the dance genre ablaze and, inadvertently, becoming the sovereign of store playlists nationwide, thanks to a serendipitous contract with Filodyo.

Infused with radiating positivity, Harper’s tunes have the power to transform even the dreariest grocery aisles into club-worthy catwalks. Expect a dose of her irreplaceable mirth in every single beat – the Harper Quinn experience is a joyride on a candy-colored dragon, soaring through the summer's neon haze!

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Julian Hartman; a magical melody weaving prodigy, hailing from the exquisite alpine landscapes of Switzerland. Raised on Ticino truffles and Emmental cheese chunks, Julian is the offspring of Switzerland’s savviest real estate tycoon (eh-hem, his dad, if you didn't catch that). But instead of joining the family business, Julian took the scenic route, stating that the only thing he's interested in constructing are heart-stirring ballads full of intricate harmony and soulful chords, and, well, who can argue with that?

A graduate of Communication Studies, Julian uses his academic background to strike a chord with his fan base. He also resumes a dual life as an activist. One moment, he's delivering soul-stirring tunes, sending listeners on a roller-coaster ride of emotions, the next he’s making profound impacts advocating for human rights. His hit track, "Only Ashes Know My Name," feels like poetically walking face-first into a blast of empathy and introspection, and rumour has it, it's a subconscious ode to the countless times he's forgotten his own name after an all-nighter at Geneva’s cheese fondue parties.

Julian Hartman, this activist-cum-singer, is more than a musical maestro with a magnetic presence. He's the compelling sonic storyteller with a forgettable real-estate lineage who exceeds all expectations with each guitar strum, proving that the best path is often the road less travelled, paved with cheese and a master's degree in communication.

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