Tiny House Rats is a quirky and innovative two-person producer group, known for their minimalist yet powerful soundscapes. Hailing from the cozy suburbs of Copenhagen, Denmark, the duo—Jonas “J.T.” Thorsen and Emil Nilsen—came together over a shared love for blending genres and creating music in the small but vibrant studio they affectionately call "The Rat’s Nest," which happens to be located inside a tiny house they built themselves.

Their name, Tiny House Rats, is a nod to their modest setup, where they prove that you don’t need a massive space to make a big impact in the music world.

Jonas, the technical genius behind the beats, and Emil, the melody mastermind, combine their talents to craft eclectic productions that range from electronic and lo-fi hip-hop to indie pop and experimental ambient music.

Their work is defined by its attention to detail and clever use of sound layering, always making the most of the space they have—both physically and musically. They often describe their music as "controlled chaos," where seemingly random elements come together to form something unexpectedly beautiful.

Tiny House Rats are known for their collaborations with various indie vocalists, weaving their unique sound into each project. Their ability to adapt to different styles while maintaining their signature touch has earned them a growing following, particularly among fans of forward-thinking, genre-blurring music.

With tracks like “Lose Yourself” and “Home Sweet Home” Tiny House Rats are proving that size doesn't matter when it comes to creativity, and their tiny house is producing some of the most interesting sounds on the scene.

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Coral Harmony is a dynamic duo from Spain, formed by two young men who met by chance while performing on the streets of Madrid. Both were passionate about music and quickly realized their chemistry as performers.

Their unique blend of harmonies and energetic style caught the attention of passersby, and soon they moved from street performances to club stages across the country. Coral Harmony’s sound is a fusion of Spanish pop and electronic beats, creating a vibrant atmosphere wherever they perform.

Known for their engaging live shows, they’ve become regulars in Spain's nightlife scene, captivating audiences with their fresh, upbeat sound.

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Meet Zayn Rix, the infectiously happy dance artist you've been waiting for. Hailing from the eclectic music scenes of his native city, Zayn embodies vibrant rhythms and can sure make a crowd move!

Bursting onto the scene from the pulsating heart of Manhattan, Zayn brings to mind the twinkling city lights and the unmistakable rush of midnight subway rides. His music is the sort of infectious dance-pop that makes you daydream of cloudless summer days and impromptu dance-offs at house parties. With clever lines and a touch of humor, he's like a Tommy Hilfiger cologne ad come to life - stylish, breezy and ceaselessly optimistic.

One whiff of his breakout hit, "Let the Good Times Roll," and you'll know exactly what we mean. Like eating cotton candy on a Ferris wheel, Zayn's music evokes a blissful sense of joy, making it impossible not to smile. He's that charmingly spontaneous friend who convinces you to skip the tedious office lunch for an exciting roller-coaster ride instead. His melodies are as infectious as his personality - a perfect lovechild of infectious beats and sunny vibes.

So here's to the good times, the dance-inducing melodies, and the relentlessly cheerful Zayn Rix. In the dance-pop universe, he's a rising star - serving joy on a catchy beat and reminding us that life is indeed, a party. So let's turn up the volume, get that body moving, and as Zayn would say, let the good times roll!

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Aurora Finch is an independent singer-songwriter from Edinburgh, Scotland. She is contracted under Filodyo and whose work voraciously resonates with the vast local music scene.

Born and raised in the shadow of the UK's most mystical capital, Finch has evolved from singing in the rain-soaked alleyways of Edinburgh, a city globally recognized for its love for stirrings of creativity, to performing at local venues. Known for her deep-textured voice and unwavering dedication, she paints an ethereal sonic portrait that revolves around themes of love, life, and memories. Aurora plays guitar like she's ringing a bell and is able to stir up some pretty gnarly sound liveliness when she combines it with her husky vocals. There is, however, nothing 'cold' about this Finch, except perhaps her icy-blue guitar which has become her trademark.

One of her most notable tracks, "Hold Your Cross", showcases Aurora's ability to weave melodies that perfectly blend depth and lightheartedness. With lyrics that touch on the intricacies of human nature and tell a captivating story, the song is just one of many illustrations of her uncanny ability to resonate deeply with listeners. The song showcases Finch's gift - a knack for writing melodies as magnets for emotions, attracting both the reminiscent and visionary listeners from all around her hometown.

Whether it's on stage or off, Aurora Finch emanates warmth and wit in equal measure. She's the kind of artist you expect to find writing lyrics on a napkin in a quirky café or strumming her guitar from the comfort of a worn-out armchair. With a brilliant talent whose roots are firmly grounded, Aurora Finch is definitely a name to look out for in the increasingly eclectic world of independent music.

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Feeding off the neon pulse of Las Vegas, Adam Lamo has boogie-wired our hearts to irresistible dance beats like no one else. His music is more infectious than a hangover from an all-night disco party, and just as unforgettable.

Picture this: a youthful Adam, prowling the technicolor streets of Vegas, the city's rhythm flowing through his veins like liquid gold. With "Keep Me In That", Lamo masterfully bottled that dazzling, Frank Sinatra meets Calvin Harris vibe. The beats are sunnier than a Vegas summer heatwave and guaranteed to lift any moody blackjack player off their stool and onto the dancefloor.

Mr. Lamo whips up melodies that make choosing to sit out not an option, but a crime against fun itself. His music's joy factor hits harder than a final-round knockout; it's not just dance, it's happiness in audio form. Consider yourselves officially warned: surrender to the irresistible allure of Adam Lamo's beat, or risk a lifetime of being a total party pooper. Our lad from Vegas didn't just show up; he's here to make us dance 'til sunrise and beyond.

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“If you haven’t heard of Alexander before now, consider this your official 'invite to the party.' The secret weapon of the underground electronic scene is as enigmatic as he is dance-inducing. Born, bred and still sending good vibes out from Istanbul, the city poised between East and West, lending him unique influences to his crisp beats and bouncing synths.

Despite having a quiet life himself, Alexander’s sound is anything but; his music's happy mood is like a neon invitation to shake off your troubles and dance like no one's watching. His hit track, “This Is Our Time," suggests exuberance—a cascade of vibrant beats and irresistible rhythms that make you feel like everything's coming up roses.

Obscurity hits a lot of artists hard, but not our Alexander. He's the equivalent of the guy at the party that nobody knows, but everyone wants to be around—the center of the buzz, all while hanging back and enjoying the groove. Amidst the flashing lights and blaring speakers, Alexander is carving out a shiny niche for himself in the glittering world of electronica.

Always humble, mostly unseen but making waves big enough to surf on, Alexander is a true gem in the sprawling metropolis of electronic music. So here's to Alexander: Our low-key maestro, turning his quiet existence into a much-needed celebration of life, one electronic beat at a time.”

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Born from the concrete veins of New York City’s underground, The 5th Exit is not just a band — it's a warning siren echoing through the alleys of Brooklyn. Blending the unapologetic grit of East Coast punk with the swagger of early-2000s hip-hop, their music punches through the noise like a subway train in a blackout.

The band was formed in late 2023 in a condemned warehouse turned DIY venue in Bushwick, after a street brawl-turned-jam-session between strangers. The result? Five misfits who had no plan — just noise, energy, and something to scream.

Members:
🎤 Jayno Blakk (Lead Vocals / Chaos Designer)
A former graffiti artist with a voice like broken glass in a hurricane. Born in Flatbush, Jayno spits lyrics like they’re Molotovs, laced with rage and raw truth. Known for performing barefoot and bleeding by the end of every show.

🎸 Noelle "Nox" Vega (Lead Guitar / FX Wizard)
Puerto Rican shredder with a physics degree and a pedalboard built from junkyard parts. She speaks three languages — four if you count distortion. Her solos? They don’t melt faces; they dissolve them.

🥁 Koda Rinz (Drums / Street Philosopher)
Half-poet, half-brawler. Raised by subway dancers and vinyl collectors, Koda’s beats sound like trash cans getting kicked down tenement stairwells — in perfect time. Always drumming, even in his sleep.

🎹 Echo Rowe (Synths / Scream Textures / Visuals)
The silent one. Echo doesn’t talk much, but his synth work sounds like a riot at 3AM. Also responsible for their chaotic visuals and the recurring raven motif in their shows. Rumor has it he lives in an abandoned radio tower in Queens.

🎸 Twitchy Lex (Bass / Vibe Damage Control)
Lex is the glue, or maybe the duct tape. Raised on R&B but corrupted by noise rock, he brings the groove — the dangerous kind that gets under your skin and sets off car alarms.

Their Breakout Track: "Get Out My Way"
A sonic punch to the throat, "Get Out My Way" is a war cry against complacency, gentrification, and anyone walking slow on a New York sidewalk. With a chorus that hits like a riot chant and verses that spit pure venom, it’s already being banned from small-town radio — which only makes it louder.

The 5th Exit isn’t asking for your attention. They’re taking it.
You can either move... or get run over.

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Zuriq Stone is a rising Afrobeat pop artist blending African rhythmic heritage with modern global pop energy. Born into a city shaped by street music, dance, and late-night radio sounds, he developed a style rooted in groove and movement rather than trends. His music balances infectious dance rhythms with a confident vocal presence, carrying a natural African accent that feels raw, warm, and unmistakably authentic.

Drawing inspiration from everyday urban life, Zuriq Stone creates songs built for motion. Whether it is the pulse of a crowded street or the freedom of a packed dance floor, his sound focuses on connection and momentum. English lyrics form the core of his songwriting, often joined by short phrases in African languages that turn his choruses into shared chants rather than just hooks.

Zuriq Stone releases his music on Filodyo, where his tracks are curated as part of a new wave of global pop shaped by African rhythms and contemporary production. Designed for both digital platforms and real-world listening environments, his songs move seamlessly from playlists to dance floors, reflecting Filodyo’s vision of modern, forward-moving music culture.

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Where Parisian glamour meets electro-pop dance diva, you'll find the enchanting artist, Manon Vallois. Traipsing down a yellow brick road of pulsing beats and bold impressions, Vallois' irresistible tunes are the epitome of joy and joie de vivre.

This delightful, quirky Parisienne is the lovechild of the City of Love's rich artistry and throbbing nightlife, a lass always found a hop, skip, and pirouette away from the nearest beat drop. With her signature track, "My Dreaming Life", Vallois provides the escapism we all need from time to time. She takes listeners on a whimsical journey, backed by high-energy rhythms and melodies that would make even the Eiffel Tower shake its steel self, setting hearts aflutter quicker than you can say "Croissant".

Vallois' music is the couture of the dance genre—handcrafted, energetic, and unafraid to be avant-garde. Each beat an homage to Paris, the pulsing rhythm of her home injected into pulsating electro melodies. Yet, no matter how vivacious her bass line or infectious her hook, it's the inherent optimism in her music, the joy she infuses in every track that transforms listeners into undeniably happy dancers—a task only possible by someone as enchanting as Manon Vallois.

Afterall, Vallois is not just a sonic maven, she's essentially happiness personified. The dictionary people are just slackin' by not placing her picture beside the word 'happy' by now. So, if you're feeling downhearted, just press play on a Manon Vallois track and dance like a Parisian; it's the quickest route from gloom to groove central.

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Kessy is a France-born artist with African roots, shaped by a sound environment that blends urban pop, Afro-influenced rhythms and understated confidence. Raised between cultures, her music reflects a calm but assertive attitude, focusing on presence rather than excess. She is known for her controlled vocal delivery, minimal phrasing and lyrics that draw clear boundaries without dramatization.

With Parle Moins, Kessy joins forces with Malik Joon, whose sharp, rhythm-focused vocal style adds a contrasting edge to the track. Their collaboration is built on balance: restraint over intensity, clarity over noise. The song captures a modern, radio-friendly Afro-pop aesthetic while keeping a cool, grounded tone.

This release marks their meeting point on Filodyo and NOT FM, where both artists come together through a shared approach to contemporary sound and modern production values. Parle Moins stands as a confident introduction to Kessy’s artistic direction: direct, composed and unmistakably current.

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Dora Corr is an EDM vocalist and songwriter born and raised in Dublin, Ireland. Before her debut single, she worked at a small, weathered music shop tucked away in Rathmines — a place where synths came in half-broken and left humming again, usually thanks to her.

By day, she tuned old keyboards and restocked trance CDs. By night, she recorded vocal sketches on her cracked laptop, blending soft-spoken Irish melancholy with pulsing beats she never planned to share.

That changed in early 2025, when renowned electronic producer Mark Martian visited Dublin for a creative summit. While killing time between panels, he wandered into Dora’s shop — and found her quietly looping vocal takes in the back room.

Struck by the raw emotion and unusual cadence of her sound, Mark simply asked, “Have you ever thought about making something bigger?” She shrugged. “Not really. But I’d like to.” Energized, Mark immediately called Hakan E., the creative force behind Filodyo.

“I just found someone. We need to get into a studio, fast,” he said. Intrigued, Hakan asked to hear her demos. Mark sent over a few scratch recordings that same night.

Within days, Dora was in a temporary studio above the River Liffey, recording "Paper Moon" — a haunting, minimalist debut that floats somewhere between whispered confession and late-night dance floor, co-produced by Mark Martian for a new Filodyo project.

Dora Corr isn’t chasing pop formulas or peak-hour builds. She’s carving a lane where fragility can still make you move — and where “na na na na” says more than a chorus ever could.

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