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Plastic Crown
Dara Montel
Verified Artist
Dara Montel
Emerging from the gritty depths of Detroit’s dance scene, brimming with talent and charisma, Dara Montel is the nervy answer to the city's hardcore techno thirst. Known best for her dance-devoted, melancholic twister "Plastic Crown," Dara's name has spun in the underground circles like a rogue vinyl tossed into a cyberspace jukebox.
Our Motor City minx entered the scene somewhat cagily, her piercing blue eyes full of stories almost as deep as the bass lines she commands. She distils raw emotions into dance-ready soundscapes, affirming that tears are permitted even on the most electrified dance floors. Like the mysterious femme fatale prowling through the ruins of a John Carpenter flick, Montel's music envelops you in its brooding embrace.
Dara's playful wit is just as intoxicating as her infectious grooves. With a knack for turning pain into art, she continues to defy Detroit's icy weather, radiating heat one tear-stained synth at a time. Her “Plastic Crown,” fittingly, feels neither plastic nor regal—it's pure, cathartic Dara Montel. You’d better get on this vibe train, 'cos it ain't stopping anytime soon.
The Dara Montel revolution won't be televised, it'll be danced. So go on, put on that Plastic Crown, let the sadness seep into your soul and boogie like it’s the end of the world. Detroit’s dark dance queen reigns supreme.
Plastic Crown
Dara Montel
You walk in slow
Like you own the room
Cheap little grin
With a silver spoon
Say my name twice
Like it makes you tall
I don’t look up
I just let you fall
You talk too loud
For a little spark
I count your lies
Like cards in the dark
I don’t bite
I just smile real mean
Keep my hands clean
On the crime scene
You act tough
But you bow back down
I look cute
With a plastic crown
Yeah yeah
Plastic crown
Yeah yeah
[Vocal Tremolo Effect]
Bow back down
Don’t call me sweet
I’m a bad excuse
For the kind of girl
That would wait on you
Got red shoes on
And a bored little face
I don’t run fast
I just change the race
You talk too much
For a silent room
I cut the fuse
Then I blame the moon
I don’t bite
I just smile real mean
Keep my hands clean
On the crime scene
You act tough
But you bow back down
I look cute
With a plastic crown
Yeah yeah
Plastic crown
Yeah yeah
[Vocal Tremolo Effect]
Bow back down
Ha
Look at you
Trying hard
That’s adorable
Ha
Move along
You were never
That important
[Final Chorus]
I don’t bite
I just smile real mean
Keep my hands clean
On the crime scene
You act tough
But you bow back down
I look cute
With a plastic crown
Yeah yeah
Plastic crown
Yeah yeah
Bow back down
Tiny king
Tiny throne
Tiny crown
All alone
CREDITS
Performer: Dara Montel
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Better By Half
The Corner Clerks
Verified Artist
The Corner Clerks
The Corner Clerks are a lively three-member band hailing from England, blending elements of ska and rock to create a vibrant sound that resonates with joy and hope. Their music is characterized by playful melodies and upbeat rhythms, perfect for lifting spirits and inspiring listeners. With their debut track, "Better By Half," they set the tone for an engaging catalog that promises to be as uplifting as it is catchy. The Corner Clerks infuse their songs with an infectious energy, making their performances a celebration of life and positivity.
Each member brings a unique flavor to the group, crafting a collective identity that shines through in every track. The band's sound effortlessly fuses alternative rock and pop influences with ska rhythms, resulting in a style that is refreshing and accessible. Lyrically, they focus on themes of optimism and resilience, drawing listeners into a world where challenges are met with a hopeful spirit. Their upbeat tracks invite audiences to dance, sing along, and embrace the lighter side of life.
With plans for more releases on the horizon, The Corner Clerks are poised to carve out a distinct space in the music scene. Their dedication to creating feel-good music sets them apart, ensuring that each new track will carry forth their signature blend of uplifting vibes and catchy hooks. As they continue to develop their sound and expand their repertoire, fans can look forward to an ongoing celebration of happiness through music.
Better By Half
The Corner Clerks
You took the long way home again
Counted every coin you spent
Said the city had no manners
But you kept your Sunday sense
There’s a man at the station
With a paper and a grin
Says the world keeps turning
But nobody clocks in
You had plans on a napkin
Now they’re folded in your coat
You keep laughing at the timing
Like it’s some private joke
There’s a queue at the bakery
There’s a dog outside the bank
There’s a song from a taxi
That you almost want to thank
You don’t need a big answer
You don’t need a grand escape
You just need one decent Tuesday
And a bit less on your plate
So you straighten your collar
Let the bad news pass
Put your hands in your pockets
And you make it last
Not winning not losing
Just doing the math
Some days get better
Better by half
Better by half
That’s good enough
A little less worry
A little more luck
Better by half
No golden plan
Just one more joke
And a steady hand
You don’t need glory
You don’t need proof
Just somebody laughing
At the back of the room
Better by half
That’s good enough
A little less worry
A little more luck
Your cousin had a theory
About getting out clean
Then he bought a small van
And a coffee machine
Now he parks by the market
With his radio low
Says the secret is simple
Never let Monday know
You remember old trouble
With a smile on its face
How it sat beside your future
And took up all the space
But you made a little progress
On a very plain day
Paid one bill sent one message
Threw one bad thought away
So you straighten your collar
Let the bad news pass
Put your hands in your pockets
And you make it last
Not winning not losing
Just doing the math
Some days get better
Better by half
Better by half
That’s good enough
A little less worry
A little more luck
Better by half
No golden plan
Just one more joke
And a steady hand
You don’t need glory
You don’t need proof
Just somebody laughing
At the back of the room
Better by half
That’s good enough
A little less worry
A little more luck
No parade no headline
No speech to rehearse
Just a small kind of fortune
When it could have been worse
You can carry your worries
But loosen the strap
Life may not fix you
But it cuts you some slack
Better by half
That’s good enough
A little less worry
A little more luck
Better by half
No golden plan
Just one more joke
And a steady hand
You don’t need glory
You don’t need proof
Just somebody laughing
At the back of the room
Better by half
That’s good enough
A little less worry
A little more luck
You took the long way home again
Counted every coin you spent
Said the city had no manners
But you kept your Sunday sense
CREDITS
Performer: The Corner Clerks
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Borrowed Cutlery
Asha Monroex
Verified Artist
Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.
A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.
Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.
Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
Borrowed Cutlery
Asha Monroex
You came in late
With a theory about forks and fate
I kept my coat
You said my silence needed one more note
Your drink went warm
While you described your personal reform
I changed my mind
Halfway through a sentence you redesigned
Too neat
You make good manners sound incomplete
Too sure
You diagnose the waiter and the furniture
Give me the crooked part
The bit that never learned to behave
Skip the polished start
I’d rather hear what you forgot to save
Don’t make it beautiful
Make it useful for a minute or two
Something disputable
Something that could only come from you
The bass moved first
You called it elegant then called it cursed
I missed the beat
You drew a diagram across the receipt
Your mouth said “fine”
Your eyebrows filed an appeal against mine
The plates were cleared
But somehow your complaint just reappeared
One step
Then a paragraph with nothing left
Two sips
And now we’re arguing about eclipse
No script
Just brass behaving badly at the hip
Give me the crooked part
The bit that never learned to behave
Skip the polished start
I’d rather hear what you forgot to save
Don’t make it beautiful
Make it useful for a minute or two
Something disputable
Something that could only come from you
You want a verdict
I brought a question with no proper ending
You want precision
I brought a rhythm that resents explaining
Call it defective
Call it a habit with excellent shoes
Call it selective
I call it knowing what not to refuse
Stay odd
Let all the tidy couples blame the odds
Stay sharp
Keep one good insult hidden after dark
Give me the crooked part
The one you never put on display
No ceremonial heart
No careful phrase rehearsed on the way
Keep it improbable
Keep it a little too clever to prove
Almost impossible
But still with enough nerve left to move
You took the spoon
I took the story
Fair enough
You looked less boring
CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Glass of Love
Harper Quinn
Verified Artist
Harper Quinn
Meet Harper Quinn, the embodiment of a Chinatown fairytale with a beats-filled twist. Born and raised amidst the flurry of noodle houses and dim sum joints in NYC's throbbing heartbeat, Harper is every bit a child of the Big Apple and the city’s ceaseless rhythm pulses through her music.
Harper is the oldest daughter of a Chinese immigrant family, her father a wizard of culinary arts in one of the busiest kitchens in Manhattan. Her music is a distinct fusion of her rich cultural heritage and the neon grit of New York - think Peking duck served with a side of just-spun electro. With catchy tracks like "Summer Romance", she’s setting the dance genre ablaze and, inadvertently, becoming the sovereign of store playlists nationwide, thanks to a serendipitous contract with Filodyo.
Infused with radiating positivity, Harper’s tunes have the power to transform even the dreariest grocery aisles into club-worthy catwalks. Expect a dose of her irreplaceable mirth in every single beat – the Harper Quinn experience is a joyride on a candy-colored dragon, soaring through the summer's neon haze!
Glass of Love
Harper Quinn
I'm feeling selfish
Seeing myself through your wreckage
Chivalry forgetting its relics
It's only confusing
Such dramatic illusion
You've got me making like Cupid
Your eyes are aiming at me
Baby
We're an endangered species
I can't do this to you
I can't bring you down too when I fall down there
I can't bring you down
I can't bring you down too with me when I feel this way
I mean
I don't know what's wrong with me
Like
I just have to do this
I don't know why
I just have to
Lead filled glass of love
It's gotta go
It's gotta go
Go slow
Way down
It's gonna go
On muddy waters
Drip out-ter
Be water
Oh
Blood of my mother's tears
Make seas of love on this ground
Through overwater
Bears doubt and fog
Where do we go?
Get up
Lead filled glass of love
It's gotta go
It's gotta go
Go slow
Way down
It's gonna go
If you are companion
It's R
Not safe where you're standing with me
You are one of the mansions of Mars
In a bar through the stars that I see
If you are companion
It's R
Not safe where you're standing with me
You are one of the mansions of Mars
In a bar through the stars that I see
CREDITS
Performer: Harper Quinn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Fica no Quase
Rosa Medina
Verified Artist
Rosa Medina
Rosa Medina was born in 2001 in Porto, Portugal, to a family that carried both Iberian and Brazilian heritage. Her father, a fisherman from Aveiro, filled the house with fado records, while her Brazilian mother played MPB classics and samba on lazy Sunday mornings. Rosa grew up between two shores of the Portuguese-speaking world — absorbing the saudade of Amália Rodrigues and the sunny, syncopated joy of Gal Costa in equal measure.
At fourteen, she began performing small sets in riverside cafés, her voice effortlessly gliding between soft whispers and soaring notes. The intimacy of fado was her foundation, but Rosa was restless — she wanted her songs to dance. By blending Portuguese folk melodies with bossa nova chords, urban beats, and lush pop arrangements, she began to shape a style that felt both nostalgic and forward-looking.
In 2025, Rosa released her debut single "Fica no Quase" in collaboration with Filodyo, the independent music producer known for shaping fresh, original sounds for global audiences. The track — a bittersweet, mid-tempo anthem about love suspended in uncertainty — gained instant traction on streaming platforms. Its hypnotic chorus, sung entirely in Portuguese, became a signature moment in her live performances.
Today, Rosa Medina is part of a new generation redefining Lusophone pop, performing sold-out shows from Lisbon to São Paulo. Despite her growing fame, she keeps her songwriting process deeply personal — scribbling lyrics on napkins in Lisbon cafés, recording demos on her phone while walking along the Douro River. For Rosa, every performance is a bridge connecting continents, carrying the language and emotion of Portuguese music to the world stage.
Fica no Quase
Rosa Medina
Você fala devagar
Como quem quer ir embora
Mas deixa a porta entreaberta
E o perfume na demora
Se fosse pra ser já era
Mas ainda tem coisa no olhar
Fica no quase no meio
Nem céu nem chão inteiro
Fica no toque que não vem
Na saudade que não tem nome também
O silêncio entre a gente
É mais forte que um não
Você sorri com os lábios
Mas seus olhos dizem não
E eu finjo que entendo
Mas espero você ficar
Fica no quase no canto
Sem promessa sem pranto
Fica no gesto que não se dá
No abraço que não quer se fechar
Se um dia for tudo ou nada
Talvez eu escolha o nada
Mas até lá…
Fica no quase no meio
No tempo que é só receio
Fica no quase comigo
Mesmo que seja só perigo
CREDITS
Performer: Rosa Medina
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Rush
Zayne Archer
Verified Artist
Zayne Archer
Zayne Archer is a boundary-pushing alternative pop artist known for his electrifying soundscapes and cinematic storytelling. Blending pulsing synths, raw vocals, and immersive production, he crafts songs that feel like adrenaline-fueled journeys through neon-lit nights.
Born in a city that never sleeps, Zayne grew up surrounded by the hum of technology and the restless energy of the streets. His music reflects that tension—between chaos and control, between the past and the unknown future. With "Rush," his latest single, he captures the thrill of breaking free, a sonic dive into the moment where hesitation vanishes and the only way is forward.
Unapologetic, relentless, and charged with emotion, Zayne Archer is more than just a musician—he’s a force in motion.
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03:59 |
Rush
Zayne Archer
You ever feel like… everything’s just waiting to break?
Like the air is charged the ground is humming?
No map No guide Just the rush—
Frequencies twist through the air
Signals lost but we don’t care
Glass reflections shift and break
Every risk is ours to take
Wires hum beneath our skin
Circuits glow pull us in
No escape no rewind
(Oh-oh-oh)
Rush collide feel the spark
Running fast through the dark
No more doubts no more chains
We are fire in the rain—hey! (whoa-oh!)
Moving faster pulse in sync
Gravity’s a faded link
Rules dissolve like vapor trails
Every step rewrites the tale
Wires hum beneath our skin
Circuits glow pull us in
No escape no rewind
(Oh-oh-oh)
Rush collide feel the spark
Running fast through the dark
No more doubts no more chains
We are fire in the rain—hey! (whoa-oh!)
No echoes left to guide us home
We build the path we walk alone
No end in sight no need to know
Just let go—(oh-oh-oh!)
Falling forward hands untied
Diving deep into the night
No regrets no space no time
Just the sound of hearts aligned
CREDITS
Performer: Zayne Archer
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Les Petites Choses ...
Mina Cazal
Verified Artist
Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.
Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.
Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Les Petites Choses de Travers
Mina Cazal
Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses
Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »
Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades
J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre
La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite
La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout
À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous
À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »
Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique
J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille
La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite
La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout
Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication
Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local
Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration
On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner
D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu
La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie
La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment
Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin
CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
Never On The Line
Wrong Floor Cinema
Verified Artist
Wrong Floor Cinema
Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.
Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.
Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.
Never On The Line
Wrong Floor Cinema
I called your number
It learned my name
It said the same thing
Every day
You had a reason
Then you had two
Then you had nothing
Better to do
Ring ring
No sign
Good luck
Next time
You were never on the line
Never on the line
Always almost there
Never on the line
You were never on the line
Never on the line
I got tired of waiting
For a person made of signs
You sent a message
Without a dot
Said you were coming
Then you forgot
You had a system
You had a plan
You had a talent
For not being where I am
Ring ring
No sign
Good luck
Next time
You were never on the line
Never on the line
Always almost there
Never on the line
You were never on the line
Never on the line
I got tired of waiting
For a person made of signs
No big ending
No goodbye
Just your silence
Wearing a tie
You were never on the line
Never on the line
Always almost there
Never on the line
You were never on the line
Never on the line
I stopped calling
You stayed right on time
CREDITS
Performer: Wrong Floor Cinema
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
Corazón en la Calle
Zaharela B
Verified Artist
Zaharela B
Zaharela B is a vibrant Latin artist whose music radiates the energy of the dancefloor and the streets alike. Born in San Juan, Puerto Rico, and raised between the Caribbean and Miami, she blends the infectious grooves of reggaeton with the warmth of Latin pop and the bold flair of carnival rhythms. Her sound is a celebration of movement, culture, and joy—rooted in tradition yet unapologetically modern.
Her debut single, Corazón en la Calle, bursts with a reggaeton/dembow pulse, playful sound effects, and call-and-response hooks that pull listeners straight into the party. Switching effortlessly between Spanish and English, Zaharela B brings an unmistakable charisma to every lyric, making her performances feel like a shared celebration.
Available exclusively on Filodyo, Zaharela B’s music is more than just a soundtrack for dancing—it’s an invitation to let go, live in the moment, and move with the beat. With her magnetic presence and unstoppable energy, she’s poised to become a defining voice in the next wave of Latin dance music.
Corazón en la Calle
Zaharela B
Beep beep!
Vamos vamos!
Corazón en la calle woo!
Sun on the roof heat on the floor
Boots on the ground crowd wants more
Clap to the beat hips in time
Every little step feels so divine
Turn around bring it close
Hands up high let it show
Dale fuego dale ya
Move your body no se va
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
Drums in the air bass in my veins
Sweat in the night dance in the rain
Spin to the left slide to the right
Every little move feels like flight
Turn around bring it close
Hands up high let it show
Dale fuego dale ya
Move your body no se va
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
Beep beep!
Let’s go!
Clap clap!
Go low!
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
CREDITS
Performer: Zaharela B
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Bad Dreams
Miles Thorne
Verified Artist
Miles Thorne
Hailing from a quiet town in upstate New York, Miles Thorne is a soul artist with a voice that feels like a warm embrace on a cold night. Growing up in a family of classical musicians, Miles discovered his passion for storytelling through song at an early age. His sound blends the raw emotion of old-school soul with modern, minimalist production, creating a style that is both timeless and fresh.
Miles' debut single, "Bad Dreams," released under Filodyo Records, is a hauntingly beautiful ballad that explores the struggle of confronting inner fears while seeking redemption. With its poignant lyrics and his signature smooth, raspy vocal tone, the track quickly garnered attention, earning spots on several editorial playlists and praise from indie and soul music critics alike.
Drawing inspiration from legends like Bill Withers and James Blake, Miles crafts music that feels deeply personal, yet universally relatable. When he's not in the studio, you can find him performing in intimate venues across New York City, his magnetic stage presence captivating audiences night after night.
As he prepares for the release of his debut EP, Miles Thorne is undoubtedly carving out a space for himself as one of the most compelling new voices in the soul genre.
Bad Dreams
Miles Thorne
I wake to the hum of a restless moon
Curtains swaying like ghosts in the room
The walls are painted with shadows that creep
Whispering truths that I’d rather not keep
The clock’s stuck ticking in a crooked rhyme
And the air feels heavy thick with time
I try to shake the echoes but they pull me in
A carousel of faces where the dark begins
Bad dreams they’re crawling through my mind (oh no oh no)
Stealing the stillness I can’t seem to find (yeah yeah)
Bad dreams they’re tangled in my head (can’t escape it now)
Chasing the silence but it’s gone instead (it’s gone it’s gone)
Steps in the hallway but the floorboards don’t creak
A distant murmur but no one speaks
The mirror’s reflection isn’t quite my own
A fractured version I’ve never known
I turn the light on but it cuts too thin
The shadows grow deeper they’re pulling me in
I try to find the exit but the walls just bend
A labyrinth of longing with no end
Bad dreams they’re crawling through my mind (can’t get out can’t get out)
Stealing the stillness I can’t seem to find (oh I’m losing it now)
Bad dreams they’re tangled in my head (no way out no way out)
Chasing the silence but it’s gone instead (it’s gone it’s gone)
Lost in the haze where the night unfolds
Every corner hides a story untold
Fingers reach but they slip like smoke
And the weight of the dark wraps around my throat
If I could wake up would the room stay still?
Would the morning sun break this bitter chill?
But the curtains fall in the same slow dance
Caught in a fever I can’t outlast
Bad dreams they’re crawling through my mind (oh don’t let me go)
Stealing the stillness I can’t seem to find (somebody help me now)
Bad dreams they’re tangled in my head (no way out no way out)
Chasing the silence but it’s gone instead (it’s gone it’s gone)
CREDITS
Performer: Miles Thorne
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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New York, I Loved You
Asha Monroex
Verified Artist
Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.
A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.
Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.
Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
New York, I Loved You
Asha Monroex
Seventh Avenue 2 AM
You had your jacket on I had nowhere to be then
Yellow cabs blurring past the rain
You said my name like it was something you wanted to keep
Rooftop views and corner store wine
You made this city feel like it was only mine
But New York doesn't stop for anyone
And neither did you when you were done
I still hear the subway underground
Every time I'm trying not to think about
The way you laughed when the lights went out
New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
Brooklyn bridge on a Saturday
You took my picture like you planned to stay
I framed it hung it on the wall
Took it down in November when the leaves would fall
You were Harlem jazz at midnight
I was trying to be your home
But some men love a city
More than they'll ever love you alone
I still walk the same blocks we used to share
Turn the corner half-expecting you'd be there
(yeah…)
But the city just stares
(just stares…)
New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
(most beautiful…)
This city taught me everything I know
How to hold on
(hold on)
How to let go
(let go)
How to stand in the middle of a million souls
And still feel whole
(feel whole…)
New York didn't break me
He just set the scene
(mm)
And I was never really lost
I just hadn't found me
(found me…)
(ohhhh)
New York I loved you
(loved you)
And I love me now
(now)
Traded in the heartbreak
For my own vow
(yeah)
Still got the skyline
Still got the rain
(the rain…)
And baby — that pain
Made me everything
(everything…)
mmmh…
CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
