The Faded Ticket Booth is a four-piece Scottish acoustic group built around a warm, narrative-driven female vocal. Their music leans into everyday poetry rather than spectacle: upright bass, brushed drums, clean acoustic guitar, and voices that feel like shared conversation rather than performance. They sound like a street you’ve walked before but can’t quite place, a melody you remember without knowing when you heard it.

They formed on the quieter edges of Edinburgh’s busking circuits, shaping their sound in places where attention isn’t guaranteed — doorways, market corners, the brief hush that follows passing footsteps. That background taught them presence without volume; phrasing without force; sincerity without staging. Their arrangements remain intentionally uncluttered, preferring atmosphere over punch.

Influenced by the acoustic honesty of late-80s British folk-pop and the conversational phrasing of Eddi Reader, they record with a philosophy of leave the human parts in. Light string squeaks, the breath before a high note, the soft brush of a chord change — if it’s true, it stays. The result isn’t retro, but unhurried; not nostalgic, but familiar in a way that feels quietly earned.

Their recorded work is released in a deliberately limited way: not everywhere at once, not across every platform, but carried by NOT FM and Filodyo as their primary homes, where their catalog lives with the same intention as their songwriting. It isn’t framed as exclusivity for the sake of strategy — just a quieter kind of presence, placed where it feels understood.

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There’s a certain stillness in Celeste Raye’s voice — the kind that turns crowded rooms quiet and late-night drives cinematic. Born and raised in South London, she grew up mimicking the elegance of old soul singers and the cool detachment of ‘90s club divas. On stage, Celeste doesn’t reach for the spotlight — it finds her.

Her latest release, Velvet Switch, is a slow-burning club anthem soaked in longing. Produced by NOT FM and available exclusively on Filodyo, the track pulses with quiet intensity — as if it’s remembering something you forgot you missed. Celeste’s voice doesn’t cry out. It hovers, suspended above the beat, tracing the shape of absence with each note.

People don’t come to her sets just to dance. They come to feel understood — in dim lights, with their eyes closed, mouthing words they’ve never said out loud. Velvet Switch captures that moment between stillness and surrender, when the music takes over and you stop pretending you’re fine.

Celeste Raye isn’t trying to be timeless. She already is — not because she sounds like someone else, but because she sounds like a feeling you’ve had before, but never named.

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"You've probably never heard of Mira Jensen, but then again, who has?" says Mira Jensen in a witty repartee to obscurity. This indie-goddess, hailing from the ink-blotted margins of the music world, brandishes her raw talent like a broadsword, cutting through the monotony of manufactured pop.

Behind her calming blue eyes and spaghetti disaster of blonde curls spirals the complex mind of a poet, busily spinning threads of everyday life into lyrical gold. Her music is a veritable tonic for the soul, born from the bittersweet marriage of late-night introspections and forgotten childhood memories. And "A Song Left Unwritten", her pièce de résistance, seizes your heart only to turn it into an errant marionette, dancing to its heartrending symphony.

Yet, don't let her philosophical musings fool you. Mira is as unpredictable as a jack-in-the-box, as exemplified by her impromptu concert inside an empty fish tank in the heart of Hackney (that’s right, you heard it here first). Whether she's spinning out profound ballads or making magic in the most peculiar of venues, Mira Jensen's authenticity shines brighter than her neon pink Converse.

In the music industry, where mimicking the familiar often spells success, Mira's candidness is as refreshing as a summer breeze in the Sahara. Though her nom de guerre might not yet line the billboards, something tells us Mira Jensen's footnotes in the annuls of music are just a few jamming sessions away from becoming headline-worthy annotations. Watch this space!

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Scoot over, Marley, there’s a new reggae sheriff in town. Straight from the sunny sidewalks of Kingston, Jamaica, the Dreadlock Boys are laying down fresh beats in the reggae scene.

This pair of plaited prodigies isn't your grandma's reggae. Combining traditional roots rhythms with just a hint of ska spice and a not-so-subtle sprinkle of dancehall energy, these boys aren't just playing by the book – they’re writing their own. And don't let that laid-back island vibe fool you; these guys are as serious about making you laugh as they are about perfecting the offbeat.

Their standout single "Riddim of Peace" might just be the happiest jam this side of Montego Bay. With its earworm melody and bouncy bassline, it’s as infectious as a belly laugh in a silent library. It's the kind of track that leaves the grumpiest of gurners grinning like a Cheshire cat at an all-you-can-eat fish buffet.

So come, sit, and sway to the soothing sounds of the Dreadlock Boys. They'll be your pint-sized purveyors of peace, your lyrical lifesavers when the going gets tough. After all, joy does come in the morning and the Dreadlock Boys are here to serve it up with a side of reggae, none of those nasty grimaces, thank you very much.

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Lily Green is a vibrant nu-disco artist with a deep love for cars and the open road.

Hailing from Los Angeles, Lily grew up with the sounds of synth beats and funky basslines, which fueled her passion for creating danceable, feel-good music.

Her fascination with cars started in childhood, spending weekends at car shows with her dad and dreaming of road trips across the country. This love for automobiles often finds its way into her music, with themes of freedom, speed, and adventure.

Known for her infectious energy and groovy tunes, Lily Green’s tracks are the perfect soundtrack for cruising down the highway with the windows down.

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Get your dancing shoes on and your party hats ready–here comes Party Starters, Canada's dynamite DJ duo primed to kick-start your weekend. Sending electronic pulses through the Maple Leaf country's veins, these two lads have nailed the happy-go-round ride of the dance genre.

The duo, known for their contagious beats, hail from the frosty yet fiery streets of Toronto. Putting the 'art' in 'party', they're no strangers to the late-night club scene, often seen spinning grooves till the break of dawn like caffeine-fuelled squirrels on a workout wheel. And while these gents are the core of the group, they also collaborate with several vocalists, adding that sprinkle of pizzazz on top. One such partnership gifted the world with their touted masterstroke, "Last Chance"—a euphoric anthem that would make even the gloomiest Gus tap his foot.

With "Last Chance," and its soul-stirring female vocals, Party Starters remind us that every party, every moment is a 'last chance' to let loose and celebrate life. And they aren't about to let us forget it. Their music is a shot of happiness delivered straight to your eager eardrums, wrapped in a rhythm too intoxicating to resist. So, next time you're looking for a good time, remember, Party Starters is always ready to hit 'play' on your fun.

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Ready for a riveting journey in the ethereal world of tune? Strap in and meet Azure Dreamer, the dance music duo from Holland that's churning out happy vibes faster than a Dutch windmill spins. They're the synergetic alchemists, transforming varied vocals into The Netherland's answer to dance enlightenment – all from their glorified garden shed, probably.

Talented beyond their years and quirky as a crate of tulips, these wunderkinder are the auditory architects behind the infectious hit "Glory". Churning out tracks that can turn a downpour into a disco, they've cornered the market on happiness, without a Prozac in sight.

Signed with Filodyo, you might not know their faces but you'll sure as hell recognize their sound; composing mood-lifting audio wizardry for stores, their earworms are for the everyman and loved by every woman. They're not just raising the bar, they're doing the friggin' conga around it.

For Azure Dreamer; life ain't all sunshine and rainbows, it's twister dials and untamed vocals. They're keeping the Dutch dance scene alive and well, one synth at a time. So, if you're in need of a happiness hit, skip the stroopwafels and plug into Azure Dreamer. We bet you'll be grinning from ear-to-ear before the first chorus drops.

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Soleil Vega is the kind of artist who can turn a rainy Tuesday into a rooftop party. Born and raised in Brighton, UK, she grew up surrounded by her mother’s old soul records and the pulse of the underground dance scene. Her music lives at the intersection of deep house grooves, pop sparkle, and feel-good R&B touches, driven by radiant vocals and unapologetically joyful lyrics.

Her breakout track “My Kitchen Stage” is a celebration of everyday magic—the kind you find dancing alone at home with a spatula mic in hand. The track blends warm house rhythms with bouncy basslines and a shimmering vocal delivery that makes you want to throw open the windows and turn the volume all the way up. It’s infectious, playful, and deeply personal.

Soleil’s sound is sun-kissed but grounded. She writes about friendship, late-night cravings, heartbreak, and finding your light—in the club, in the kitchen, or in your own reflection. And when she performs, it’s not a show, it’s a shared moment. Always real, always radiant.

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Hailing from the sprawling city of Chicago, known for its gusty winds and hearty deep-dish pizzas, the one and only Nico Laurent has been making waves in the musical landscape with his undeniable talent and contagious energy. Born to an imaginative mother who weaved narratives that enchanted Nico's world and a meticulous father whose precision for constructing circuit boards was only matched by his love for the blues. You could say Nico was born to rhythm, melody, and a healthy dose of storytelling. He began his magical sonic journey right there, in the sweet-spot between abstraction and engineering, affectionately known as creativity.

That journey led Nico to pen one of his most notable songs, "I'm Not The One," a tune that dances delightfully between heartbreak and hope, two relatable sides for many of his listeners. His songs mirror his life - filled with textures and nuances - which are as electrifyingly real as the Chicago skyline during a lightning storm. Perhaps it's his mother's storytelling gift that makes his lyrics so compelling, or his father's keen sense for balance that keeps his melodies ringing in your ear long after the song ends. Or maybe, just maybe, it's that cheeky grin of his that makes you think he might know a secret or two about life's grand design. Whatever the case, it's hard to resist the magnetic pull of Nico Laurent and his ever-evolving sound.

Equal parts witty word-spinner and evocative tunesmith, Nico proves that the apple doesn't fall far from the metaphoric tree (and by the sound of it, this apple picked up a guitar on its way down). Nico remembers sitting between piles of books and heaps of cables as a kid, writing stories about robot musicians or sketching out designs for flying guitars, and that imaginative spirit still fuels his music today. So, buckle in and hold onto your hat (the wind in Chicago doesn’t mess around, you know), because Nico Laurent is just getting started, and this is one ride you won't want to miss.

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Julian Hartman; a magical melody weaving prodigy, hailing from the exquisite alpine landscapes of Switzerland. Raised on Ticino truffles and Emmental cheese chunks, Julian is the offspring of Switzerland’s savviest real estate tycoon (eh-hem, his dad, if you didn't catch that). But instead of joining the family business, Julian took the scenic route, stating that the only thing he's interested in constructing are heart-stirring ballads full of intricate harmony and soulful chords, and, well, who can argue with that?

A graduate of Communication Studies, Julian uses his academic background to strike a chord with his fan base. He also resumes a dual life as an activist. One moment, he's delivering soul-stirring tunes, sending listeners on a roller-coaster ride of emotions, the next he’s making profound impacts advocating for human rights. His hit track, "Only Ashes Know My Name," feels like poetically walking face-first into a blast of empathy and introspection, and rumour has it, it's a subconscious ode to the countless times he's forgotten his own name after an all-nighter at Geneva’s cheese fondue parties.

Julian Hartman, this activist-cum-singer, is more than a musical maestro with a magnetic presence. He's the compelling sonic storyteller with a forgettable real-estate lineage who exceeds all expectations with each guitar strum, proving that the best path is often the road less travelled, paved with cheese and a master's degree in communication.

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Alex Mercer isn't your run-of-the-mill, packaged, and primped pop star. He's that rare breed of true artist who moonlights as a philosopher in his spare time, equally quick to pick up an instrument as he is to spit-balling think pieces on existential woes. Born and bred in Ireland, Mercer’s music roots twist and twine through the romantic, rain-kissed streets of Dublin, soaking up influences from local legends like The Cranberries and U2. Imagine Bono and Dolores O'Riordan had a philosophical, multi-instrumentalist baby - that's our boy Alex for you.

Having been raised in a house where melodies danced intoxicated on Guinness, Mercer knows his way around an instrument or five. The man can coax sounds out of them that'll tear at your heartstrings and heal them in the same beat. His musical passion is only rivaled by his love for philosophy. One of his most famous songs "Beneath My Skin" is a perfect testament to this. It burrows deep into your psyche, tickles your existential dread, and leaves you in an introspective haze long after the last note fades. Mercer's music isn't just about foot-tapping tunes; it endeavors to pull out the guts of human experience, wrap it in a beautifully complex symphony and serve it back to you. Yummy, isn't it? We think so too.

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