Violette Stoem doesn’t just sing—she floats. Hailing from Rotterdam’s rainy streets and raised on a mix of French electronic minimalism and UK garage, her music exists in the space between dancefloor euphoria and solitary late-night reflection. With a voice that’s equal parts smoke and sunlight, she crafts tracks that pull you in slowly—then never let go.

Her breakout single “Meant To Be” is a hypnotic blend of deep house rhythms and shimmering pop clarity. Anchored by a driving low-end and crisp four-on-the-floor pulse, the track features syncopated synth stabs, airy pads, and a vocal hook that lands straight in your bloodstream. It’s the kind of track that feels equally at home in Berlin’s underground or a coastal sunset set in Ibiza.

Violette isn’t chasing trends. She’s building a sound world of her own—emotive, minimalist, and endlessly danceable. Her sets are known for their intimacy, her lyrics for their vulnerability, and her production for its razor-sharp elegance. Quiet by nature, loud by design.

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Miles Rennick is an electro-pop singer and songwriter whose music blends playful irony with slick, club-ready production. With a cheeky, half-sung and half-spoken vocal style, he brings a unique personality to the modern indie-pop scene.

His debut track “Cooler Than My Tears” captures this spirit perfectly — a quirky yet infectious anthem built on groovy basslines, crisp synth riffs, and a sarcastic lyrical edge. Both tongue-in-cheek and danceable, the track reflects Rennick’s ability to turn irony into a hook.

Dedicated to staying independent and unconventional, Miles Rennick has chosen to release his music exclusively through Filodyo and NOT FM, highlighting his close collaboration with platforms that value originality and artistic freedom.

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When the orb of the music industry introduces another jewel into its glittering galaxy, it isn't often you come across a gem like Aria Collins – an "Alternative" genre artist painting our auditory landscape with hues of hope. The artist who owns the spotlight of the Season’s Closure single is notorious for her upbeat, hopeful aura which she insists on weaving into all her melodies.

Collins hails from a cacophonic family of eight, each deciphering their own tune in the bustling soundscape of Las Vegas. It’s in this familial symphony that she picked up her love for music. Accidentally grabbing her brother’s guitar instead of the fireplace poker one winter, a flicker of rhythm flowed through her. Half a strum in, and Aria knew how to summon the smoky, soulful voice that would encapsulate her entire musical career. They always say art comes from chaos. With seven siblings, Aria had plenty to tap into.

Collins is as unpredictable as a shuffling playlist; the appealing paradox of straying from the status quo, yet seamlessly syncing with her audience's vibe. Expect everything from thought-provoking lyrics, a platter of chaotic, raw emotion delivered with such polish, it'll make the silver spoon look like a teaspoon. And dare we mention, her humor dances on the fine line between I-can't-breathe-laughing and appalling. She once staged a mini concert on a hitchhiker’s bus ride only to end it with a dramatic pantomime of “tactical falling”, much to the intrigue of the passengers. Aria Collins, ladies and gentlemen, a small package carrying a vast musical universe within her, promising a journey you won’t forget.

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Celeste Rowan is an emerging voice in the world of alternative pop, blending atmospheric synths with evocative storytelling. With a sound that merges dreamy electronic textures and raw emotion, Celeste crafts songs that feel both intimate and cinematic. Her latest release, "Gravity," explores the inescapable pull of connection—where love, fate, and desire intertwine in a hypnotic dance. Drawing inspiration from modern electronic influences and timeless melodies, she delivers a sound that lingers long after the music fades.

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Bruno Galvez was born to a working-class Spanish family in Valencia, where the scent of orange blossoms mixed with the sound of distant flamenco was part of everyday life. Raised in a modest apartment above a small tapas bar, Bruno’s earliest memories include the strum of his grandfather’s old guitar and the rhythm of heels tapping against the tiled floor. Music wasn't just tradition — it was identity.

To support himself through school, Bruno played guitar on the streets and metro stations of Madrid, his case open for coins, his eyes always scanning for inspiration. These years shaped both his sound and his soul. The rawness of performing for strangers taught him to listen deeply to people’s silence — and to fill it with something honest. His fingers spoke when words failed, and soon his name became familiar in the underground corners of the city.

He studied Anthropology at the Universidad Autónoma de Madrid, drawn to human stories, rituals, and rhythms — the same themes that echo in his music. By night he was a student of culture; by day, a transmitter of it, blending traditional flamenco with the urgency of the modern world. His academic lens gave new depth to his compositions, adding layers that resonated beyond melody.

Today, Bruno Galvez is no longer just a street performer. He’s a storyteller, a cultural bridge, and a reminder that music — especially flamenco — is not meant to be caged. It is meant to move, to cry, to celebrate, and most importantly, to survive.

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Elias Thoreau: the lesser known, wonderfully flamboyant cousin of Walden's man himself, who swapped the solitude of nature for the wild shenanigans of the indie music scene. Hailing from a small town in France where his famous relative lived, he's been spinning tales about love, loss, and large vegetable patches since the turn of the millennium in his own alternative style.

There's a certain brooding melancholy about his music that lingers long after the last note has been played – think Joy Division in a neverending existential crisis, only slightly offset by the enchanting sounds of accordion. His flagship hit, "We Built a World," still gives us Feels-a-go-go, as it paints a vivid storytelling frontier, each sad cadence wrapped in lush instrumentation and poignant lyrics about the construction and subsequent demolition of emotional walls.

Guided by a deep-rooted philosophy that in order to truly feel alive you need to swing from the heights of joy and dip into the dark valleys of sorrow, Elias Thoreau’s music truly embodies this. So next time you feel like embarking on a soul-touching flight of emotions, with a sidestep into the vegetable patch, grab a glass of fine wine, crank up the volume, and let Monsieur Thoreau serenade you. After all, who needs Prozac when there's the sweet, sweet melancholy of Elias Thoreau around?

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Lyra Luxx, the eternal songbird of California, hails from a unique lineage of performers and artistic savants. A vibrant fount of melodies, with a story as colorful as her repertoire, Luxx's journey toward musical prominence took root in the sunny courtyards of Laguna Beach High School (LBHS). Here, amidst the bustling crowd of students and the cacophony of crashing lockers, Lyra carved out a refuge with her schoolmates in an all-girl band. The only remaining member from that original lineup, Luxx had an added feather in her high school cap, holding the esteemed position of a cheerleader. Who else, after all, could champion the school spirit better than the musical prodigy herself?

With a name as resplendent as ‘Lyra Luxx,’ you might expect a pivotal star moment or a dramatic twist. In a plot worthy of a Broadway production, her golden opportunity struck beneath the glaring halogens and amidst the simulated fog of LBHS’s annual talent extravaganza. The only thing missing was a superhero cape as she delivered an iconic rendition of her now famous single, "My Happy Song". The ensuing applause could have rivaled any seismic activity in California, thus turning a new page in her journey. Today, Luxx is recognized far beyond the confines of LBHS, solidifying her star status with each melodious offering. And as for that erstwhile all-girls band? It exists now only in memory, as a significant stepping stone in the rise and rise of Lyra Luxx, California's own glamorous diva. But remember folks, beneath all the glitter and the vocals, she remains the invincible cheerleader from Laguna Beach High School. Go, team!

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Meet Zayn Rix, the infectiously happy dance artist you've been waiting for. Hailing from the eclectic music scenes of his native city, Zayn embodies vibrant rhythms and can sure make a crowd move!

Bursting onto the scene from the pulsating heart of Manhattan, Zayn brings to mind the twinkling city lights and the unmistakable rush of midnight subway rides. His music is the sort of infectious dance-pop that makes you daydream of cloudless summer days and impromptu dance-offs at house parties. With clever lines and a touch of humor, he's like a Tommy Hilfiger cologne ad come to life - stylish, breezy and ceaselessly optimistic.

One whiff of his breakout hit, "Let the Good Times Roll," and you'll know exactly what we mean. Like eating cotton candy on a Ferris wheel, Zayn's music evokes a blissful sense of joy, making it impossible not to smile. He's that charmingly spontaneous friend who convinces you to skip the tedious office lunch for an exciting roller-coaster ride instead. His melodies are as infectious as his personality - a perfect lovechild of infectious beats and sunny vibes.

So here's to the good times, the dance-inducing melodies, and the relentlessly cheerful Zayn Rix. In the dance-pop universe, he's a rising star - serving joy on a catchy beat and reminding us that life is indeed, a party. So let's turn up the volume, get that body moving, and as Zayn would say, let the good times roll!

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Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

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New York is the incubator of many dreamers, and for one Lena Wilder, it proved to be the perfect breeding ground. Lena wasn't always in the limelight; she was just another New Yorker making a living as a sales assistant in one of the city's bustling clothing stores. As she tended to racks of distressed denim and oversize knits, she wore her dreams like her favorite band tees - close to her heart but visible for the world to see. Little did her customers know that they were interacting with a voice that would someday weave an influential part of their city's sonic fabric. After all, the Big Apple isn't shy about tucking its future stars behind a discount rack, now is it?

Once her work shift ended, Lena would swap her clothing tag gun for a guitar pick and the sales floor for a stage, performing at local venues as a side gig. Here, she felt at home, strumming her guitar under the dim hue of stage lights, her soulful voice permeating the evening air with songs straight from the heart. One of her most notable songs being "No Right Time," which came as a result of a humorous debate with an ex-lover about the "right time" to eat a breakfast burrito (spoiler alert: Lena thinks it's anytime!). This feel-good declaration of burrito sovereignty soon became an anthem for heartache, nostalgia, and the taste of freedom, encapsulating her music's raw essence, which is a delicate balance between heartwarming relatability and the gritty reality.

Through all these, Lena Wilder has managed to remain notoriously elusive behind a veil of unassuming simplicity. She reminds us that the artist's journey isn't found in shiny CDs or platinum records, but in those quiet moments behind a store counter, under a spotlight in a dimly lit bar, or even in an argument over a breakfast burrito. Because in the end, the right time to chase your dreams – just like eating a breakfast burrito – is anytime!

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