Alex Mercer isn't your run-of-the-mill, packaged, and primped pop star. He's that rare breed of true artist who moonlights as a philosopher in his spare time, equally quick to pick up an instrument as he is to spit-balling think pieces on existential woes. Born and bred in Ireland, Mercer’s music roots twist and twine through the romantic, rain-kissed streets of Dublin, soaking up influences from local legends like The Cranberries and U2. Imagine Bono and Dolores O'Riordan had a philosophical, multi-instrumentalist baby - that's our boy Alex for you.

Having been raised in a house where melodies danced intoxicated on Guinness, Mercer knows his way around an instrument or five. The man can coax sounds out of them that'll tear at your heartstrings and heal them in the same beat. His musical passion is only rivaled by his love for philosophy. One of his most famous songs "Beneath My Skin" is a perfect testament to this. It burrows deep into your psyche, tickles your existential dread, and leaves you in an introspective haze long after the last note fades. Mercer's music isn't just about foot-tapping tunes; it endeavors to pull out the guts of human experience, wrap it in a beautifully complex symphony and serve it back to you. Yummy, isn't it? We think so too.

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The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.

Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.

In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.

Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.

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Enter Dionne, a maverick of the dance scene and purveyor of pop perfection hailing from the heart-thrum of Las Vegas, aptly nicknamed Sin City. Unsurprisingly, Dionne's music puts the heart back into the heartland of America's entertainment playground with every thumping beat.

A regular backstage presence at the glittering Strip casinos from a young age, Dionne honed her craft amid the mesmerizing hum of slot machines and the relentless energy of SinCity's pulsating nightlife. Now she's smashing the charts harder than a high roller on a lucky streak, with her notably infectious hit "Every Heartbeat."

Dionne has become synonymous with creating an ecstasy of sound you can’t help but move to, weaving happy harmonies like a nimble-fingered croupier dealing a hand of high-stakes poker. Her music doesn't just evoke a happy mood; no, it screws up happiness into a confetti ball and throws it high into the Nevada night sky – a neon rainbow explosion against the backdrop of the Vegas lights.

In Dionne, we found our music equivalent to a Vegas jackpot - always unexpected, always exhilarating. She's placing Dance back on the frontline and hitting the jackpot not with poker chips, but with every electrifying, happy heartbeat resonating in her tunes. And let's say this; she's just getting warmed up.

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Where Parisian glamour meets electro-pop dance diva, you'll find the enchanting artist, Manon Vallois. Traipsing down a yellow brick road of pulsing beats and bold impressions, Vallois' irresistible tunes are the epitome of joy and joie de vivre.

This delightful, quirky Parisienne is the lovechild of the City of Love's rich artistry and throbbing nightlife, a lass always found a hop, skip, and pirouette away from the nearest beat drop. With her signature track, "My Dreaming Life", Vallois provides the escapism we all need from time to time. She takes listeners on a whimsical journey, backed by high-energy rhythms and melodies that would make even the Eiffel Tower shake its steel self, setting hearts aflutter quicker than you can say "Croissant".

Vallois' music is the couture of the dance genre—handcrafted, energetic, and unafraid to be avant-garde. Each beat an homage to Paris, the pulsing rhythm of her home injected into pulsating electro melodies. Yet, no matter how vivacious her bass line or infectious her hook, it's the inherent optimism in her music, the joy she infuses in every track that transforms listeners into undeniably happy dancers—a task only possible by someone as enchanting as Manon Vallois.

Afterall, Vallois is not just a sonic maven, she's essentially happiness personified. The dictionary people are just slackin' by not placing her picture beside the word 'happy' by now. So, if you're feeling downhearted, just press play on a Manon Vallois track and dance like a Parisian; it's the quickest route from gloom to groove central.

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Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.

Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.

Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”

Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.

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Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.

She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.

After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.

Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.

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Trevor Knox, the hidden gem of Knoxville, is as much an enigma as he is a melody beast. Like a scrappy pop maestro, he's been serenading songbirds off their branches and sneaking symphonies into supermarket aisles.

Emerging from Knoxville's vibrant music scene like a rhinestone cowboy with a pop music bible, Trevor's zingy hooks and infectious melodies are said to make even the most mundane grocery shopping into an uplifting rom-com montage. An independent artist of many talents, he's in cahoots with the musical magicians of Filodyo - the innovative player that turns mundane shopping trips into musical escapades.

His most noted track, "Gone Too Soon (feat Lyla Grey)" is a tantalizing pop sensation, drenched in sun-kissed harmonies and happy vibes. It can lift the spirits even when you are lost among the maze of canned foods. It's a song Trevor insists was inspired by the sudden end to a two-for-one deal on his favorite crisps.

To hear Trevor Knox's music is to be handed a golden ticket into his quirky, joy-filled world - one where the beat is always thumping, the sun is perpetually shining, and the aisle music never, ever pauses. Be warned though: once you tune in, you might find yourself dancing down the dairy section!

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Ornella grew up in northern Italy, educated in a Catholic girls’ school where silence, discipline, and ritual shaped her early relationship with sound. Choir rehearsals, echoing halls, and the contrast between strict structure and private imagination became part of her musical memory. While others followed the rules, she listened for what existed between them. Her first melodies were written quietly, often late at night, more as reflections than performances.

Her music today carries that same restraint and emotional clarity. Minimal arrangements, warm harmonies, and a voice that never overreaches. Ornella does not chase drama; she lets it arrive on its own. There is a sense of intimacy in her work, as if the listener is allowed into something unfinished and honest. Her releases are available only on Filodyo and NOT FM, where her sound lives without interruption, expectation, or noise.

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Meet Greta Falk - a woman who writes letters to the world in the form of melody, one coffee cup at a time. Best known for her achingly beautiful duet, "Faded Picture of Us (Nova Grip)", Greta's music dares you not to feel.

Once a humble barista, Greta swapped her Americano for Allegros, her caramel macchiato for concertos. Working the espresso machine in a little café back in her hometown, she spent her spare time spinning a web of storytelling, uncovering the lyrical undercurrents in the daily grind of coffee beans. Vienna was just a faded picture on a postcard then, an elusive dream that seemed light years away.

Greta's big break came after an impromptu performance in the café, grabbing the heartstrings of a customer who happened to be a music producer on a caffeine kick. Next thing she knew, she was packing her passport alongside her piano sheet music. Soon after settling in Vienna, Greta would tie the knot with the city and her newfound love. So if you thought romance was only found in a Vienna coffee house with a slice of Sachertorte, allow “Faded Picture of Us (Nova Grip)” to change your mind.

In a world where pop music often relies on sugar-coated hooks, Greta Falk’s songwriting serves up a double espresso – unflinching, raw, and undeniably addictive. So here's to Greta, crafting symphonies one coffee bean — I mean note, at a time. This woman not only proves that it's never too latte to follow your dreams but also that behind every successful artist, there’s substantial amount of caffeine. Greta definitely knows her art just as well as her coffee art!

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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Straight out of Brooklyn, New York, Jaxon Bold is a modern funk sensation with an undeniable flair for rhythm and charisma. Growing up in the bustling city, Jaxon absorbed the sounds of funk, soul, and hip-hop that filled the streets, weaving them into a style that feels both nostalgic and refreshingly new. His music radiates energy, blending old-school grooves with contemporary beats to create infectious tracks that demand you hit the dance floor.

Jaxon’s debut single, "Groove It, Move It," released through Filodyo Records, is a high-energy celebration of music, movement, and freedom. With its slapping bassline, smooth brass hits, and Jaxon’s signature raspy-yet-powerful vocal delivery, the song immediately turned heads in the funk and dance music scenes. It’s a track that captures the essence of Jaxon Bold: unapologetically vibrant and impossible to ignore.

Jaxon cut his teeth performing in underground clubs across New York, refining his electrifying live presence. His shows are more than concerts—they’re experiences, complete with dazzling stage lights, live instrumentation, and choreography that feels like a throwback to funk’s golden era. Fans have dubbed him the “King of Brooklyn Groove,” a title he wears proudly as he continues to represent the city’s vibrant music scene.

With his debut album on the horizon, Jaxon Bold is leading the charge to bring funk back to the forefront, one irresistible groove at a time. From his magnetic stage presence to his chart-worthy tracks, Jaxon is proof that funk isn’t just alive—it’s thriving.

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