Toni Royale, aka "The Crown Jewel of Arkansas," is an artist who has gracefully stretched across genres, maintaining just enough mystery to keep us hooked. Born and bred in the land of deep-fried chicken and endless cornfields, her musical journey began beside the grand piano in her grandmother's parlor, a sanctuary of nostalgia and creativity that royally embarked her on the road to stardom. From plucking smoky blues licks on the guitar during high school to touring national stages with her iconic powerhouse vocals, her tale is as diverse as her robust discography.

Toni's signature blend of soulful blues, heart-wrenching ballads and toe-tapping pop tunes has made her an undeniable force in the music industry. She first captured our ears (and hearts) with the moving ballad, "Tell Me (ft Ali M)" – a track that fans and critics alike have deemed pure royal magic. The song climbed the charts with ease, testament to the undeniable magnetism of her voice, her talent and that sweet southern charm sprinkled all throughout her catalogue.

Like a musical chameleon, Toni Royale has an uncanny ability to adapt her sound and style to the times, fusing modern blues and cutting-edge pop with the rhythm and soul bred in her Arkansas roots. Her appeal extends beyond her extensive vocal prowess, firmly grounded in her eclectic personal style, her fierce dedication to her craft, and her adamant refusal to wear anything without a hint of sequin sparkle. One thing is certain about Toni Royale: she rules the stage with a mix of glitter and grit, reflecting the diverse flavors of her craft.

As we continue to track Toni's fascinating ascension in the music industry, one thing is crystal clear: the crown definitely fits. Whether leaving listeners awestruck with her deep, resonant voice, or entrancing audiences with her intense, sparkly onstage antics, the reign of Toni Royale is far from over. Long live the queen of Arkansas blues-pop!

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Hamartia, born Juliet Steiner, grew up in a strict Catholic family in Dublin, where expectations were high, and tradition ran deep. From an early age, Juliet knew she was different, but her family’s reaction to her sexual orientation was anything but supportive.

Feeling isolated and misunderstood, she sought solace in Greek mythology, where she discovered the concept of hamartia—a tragic flaw that often leads to downfall in ancient stories. Embracing the name Hamartia became her way of owning her identity and turning pain into strength, using it as a symbol of defiance against the societal norms that tried to suppress her.

Her move to Dublin’s vibrant underground music scene gave her the freedom to truly explore her voice. Hamartia quickly stood out for her unique vocal techniques, blending haunting tones with an emotive, almost ethereal quality that captivates listeners.

Her style, a mesmerizing fusion of Amplified Heart and pop dance, reflects both her inner turmoil and resilience. Each performance feels like a cathartic release, with her vocals carrying the weight of her past while moving toward something liberating and triumphant.

Hamartia's music doesn’t shy away from the complexities of love, loss, and self-discovery. Tracks like "I Don' Know" and "Eyes Wide Open" speak to the tension between vulnerability and empowerment, a delicate balance she has mastered through her songwriting.

Now a rising figure in Dublin’s pop dance scene, her unapologetic artistry resonates with fans who find strength in her journey. And as she continues to perform in venues across the city, Hamartia’s star keeps rising, proving that sometimes our flaws, real or perceived, are what make us truly extraordinary.

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Despite sounding like a comic book alter ego, Blake Felton is anything but fictitious. Sure, the moniker is a cheeky assent to his fervent admiration for Blake Shelton, but our guy Felton wears his alias with a tireless charm that’s just as compelling as his given name, Alex. Drawing inspiration and maybe even a little mischievous wit from his country idol, he weaves an intrinsic thread of twang into his unique sound, establishing an undeniable presence in the rootsy pop-rock arena.

Blake Felton stories often come with a touch of humor, just like his catchy, because-why-not song titles. Take, for example, his hit single "The Sweetest Tornado”. It's as if he baptizes every storm he crosses paths with in the sugariest syrup, then serenades it with an infectious melody until it becomes more pop-chart-whirlwind than natural disaster. But don't let that fool you; beneath his nimble storytelling and pun-laden lyrics, Blake showcases a robust, soulful voice that conveys a depth of emotion beyond the jovial exterior. Immensely captivating, a bit heartbreakingly sweet, and always full of unexpected fun - that's Blake Felton in a nutshell. He certainly isn't Blake Shelton, but in a twist of fate tinged with irony, he just might end up becoming more talked-about than his namesake.

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'''Anneliese Bauer''' is a vibrant independent artist renowned for her distinctive blend of thematic musical narratives. With a style as unique as her personality, she has been fascinating audiences across small town venues with her enchanting tunes and dynamic performances.

Raised in a household where music was a staple item alongside bread and butter, Bauer's affinity to music surfaced as naturally as her ability to provoke a hearty chuckle. Her folksy demeanor - a whimsical mix of unfiltered sarcasm and debonair charm - is flawlessly translated into her tunes that are both catchy and sometimes ambiguously profound. Similar to a good detective novel, Bauer's songs can keep the listeners guessing - and laughing - to the very end.

A native troubadour, her performances are a refreshing experience akin to drinking homemade lemonade on a sultry afternoon. But don't let her humble stages fool you; Bauer's music packs a formidable punch. One that's earned her a dedicated local following and is growing to include everyone who's had the chance to tap their feet to her tuneful narratives. ''In a Bottle'', one of her more notable songs, captures her musical prowess in a bottle, immersing the listener in a melodic journey of poignant storytelling punctuated with harmonies that ring long after the song ends.

Every decade witnesses a new wave of artists and Anneliese Bauer certainly makes her own waves. Bauer's craft is more than just making music; she creates memorable experiences woven into the very fabric of her artistry. She didn't crash the indie scene, she sauntered in, mandolin in hand, and smiled her way to the beat of her own drum. The passion, the zest, the talent: that's Anneliese Bauer!

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Meet River Mae, a musical maverick straight out of Norway. Originally a law student, she swapped the courtroom for the recording booth after much persuasive coaxing from friends who were evidently one part envious of her vocal chords, and two-parts tired of hearing her legal jargon. Like so many greats before her, River's journey began modestly, singing her heart out in local karaoke bars, where her renditions of beloved pop classics left many patrons wondering if they hadn't perhaps had one too many cocktails...or was that really just a law grad belting out tunes?

River's music career showcases a perfect blend of spontaneity and determination. Her life took an unexpected turn when she surrendered to her friends' pestering and stepped in front of the mic, exchanging her comfort zone for a world filled with rhythms and melodies. In the process, River managed to redefine karaoke nights everywhere, as her enchanting voice left audiences questioning whether they were in a cozy neighborhood bar or an illustrious music arena. Now when she's not sharing her tongue-in-cheek anecdotes about her journey from law books to lyric sheets, she's singing about it in her scintillating tunes.

Most notably, the song "Tied My Hands" brings all these elements together, much like the varying elements of a fine Norwegian herring platter. It conveys the struggles and hesitations of leaping from the predictable world of law to the exhilarating uncertainty of music, interlaced with her unmistakable charm and wit. And let's be real, who else besides River could make a metaphor about legal restraints sound so darn catchy? So here's a toast to River Mae, a law school dropout turned captivating songstress. Turn a blind eye to her lawsuits for now, as you will surely get tied up with her spellbinding music.

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Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.

She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.

After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.

Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.

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Getting your dance shoes on yet, you cheeky lot? Well, you better do, coz we're dialling up the groove with the effervescent Kara Vellin! Brimming with more electricity than that dodgy socket in your nan's garden shed, this dazzling diva hails from the pretend glitzy town of Vellinville.

You'll be hard-pushed to find a signpost to Vellinville on Google Maps, but trust us—it's right at the intersection of Powerhouse Avenue and Infectious Tune Terrace. This bustling burg pulses to Kara Vellin's contagiously upbeat rhythms, soundtracking back garden boogies, impromptu kitchen discos and wild dreams of freedom under the glittering disco ball.

"I'm Breaking Out" is Kara's iridescent calling card—close your peepers and watch her shimmy through your cerebrum like a day-glo dynamo. This dance floor princess's tracks are the aural equivalent of cracking open a neon piñata—there's a vibrant shower of happy in every beat. Is it confetti or synths raining down? Who cares, we’re all smiles here!

Throw a dart at a chart of dance music’s multiverse, and you'll hit something that Vellin has jubilantly commandeered for her own playground. So grab your glowsticks, drench yourself in biodegradable glitter and join our neon queen as she lights up the dance floor — Kara Vellin is in the house, and now, so are you.

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Dora Corr is an EDM vocalist and songwriter born and raised in Dublin, Ireland. Before her debut single, she worked at a small, weathered music shop tucked away in Rathmines — a place where synths came in half-broken and left humming again, usually thanks to her.

By day, she tuned old keyboards and restocked trance CDs. By night, she recorded vocal sketches on her cracked laptop, blending soft-spoken Irish melancholy with pulsing beats she never planned to share.

That changed in early 2025, when renowned electronic producer Mark Martian visited Dublin for a creative summit. While killing time between panels, he wandered into Dora’s shop — and found her quietly looping vocal takes in the back room.

Struck by the raw emotion and unusual cadence of her sound, Mark simply asked, “Have you ever thought about making something bigger?” She shrugged. “Not really. But I’d like to.” Energized, Mark immediately called Hakan E., the creative force behind Filodyo.

“I just found someone. We need to get into a studio, fast,” he said. Intrigued, Hakan asked to hear her demos. Mark sent over a few scratch recordings that same night.

Within days, Dora was in a temporary studio above the River Liffey, recording "Paper Moon" — a haunting, minimalist debut that floats somewhere between whispered confession and late-night dance floor, co-produced by Mark Martian for a new Filodyo project.

Dora Corr isn’t chasing pop formulas or peak-hour builds. She’s carving a lane where fragility can still make you move — and where “na na na na” says more than a chorus ever could.

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Leo Marlow, an artist whose music seems to philosophize the dew on the grass with his songs, began his journey amid the high-stakes intensity of Brit-pop. Launching his career initially as the luminary of a Brit-pop boy band that didn't reach the stratospheric heights intended, he managed to transform his career path in the most unexpected way. Rising from the ashes of a failed group, he learnt to echo his own feelings while showcasing vulnerability, thus crafting a musical legacy that was wholly his own.

Based in the enchanting city of Manchester, Marlow has certainly found his unique sound, a harmonious blend of classic and contemporary. The artist serves as a sonic architect, masterfully constructing retro-futuristic synth landscapes that capture the essence of loneliness universally felt, yet seldom depicted so eloquently in music. The wistful melancholy of his music, tinged by synths, creates an environment as expansive as the cosmos yet as intimate as a whispered secret. His power to convey emotions and experiences with profound depth sets him sincerely apart.

One of Marlow's most notable musical creations is the ode "Best Night Ever". The track serves as an entrancing journey through Marlow's sombre narratives to the sound of shimmering synth-pop. Even whilst conjuring the myriad of emotions embedded in personal loss, "Best Night Ever" paradoxically stands as an alluring anthem for unforgettable nights and the ephemeral moments that make life so magical. It's an apt testament to Marlow's extraordinary ability to portray the human condition through his music, and certainly highlights why his magnificent sound continues to resonate with audiences far beyond Manchester's confines.

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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Say hello to Erica, a gem unearthed from the misty fjords of Bergen, Norway, serenading the world with her dance tunes. This synth-swirling belter could make a sardine shimmy with her infectious energy.

Growing up with classical piano lessons under Norway's perpetual drizzle, Erica found her musical identity sandwiched between her mom's Edith Piaf records and the emotional pull of her dad's synth fascination. While most 16-year-olds are busy amassing Instagram followers, Erica channeled her teenage angst into penning down her first song. It never saw the light of day, but listen closely at her concerts and you might hear her hum those nostalgic notes.

Erica shifted her base to the bustling streets of Berlin at 23, transitioning from a street musician to minimalist stages with a poise that could make Madonna go green. Her biggest hit has to be "DNC", a song that will make your feet tap and heart flutter before you even realize. Ever seen a packed room fall silent? Attend an Erica gig, as her whispers hush the room, except for that one guy always clapping off-beat.

Straddling both cheerful and profound, Erica's music echoes her journey. Dancing through life, one synth-filled melody at a time, she's proving that you can take a Norwegian out of the rain, but you can't take the rhythm out of the girl.

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