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Mystery
Leo Kensington
Verified Artist
Leo Kensington
Leo Kensington, hailing from the sunflower fields of Kansas, has been lighting up local music stages as a pop-funk artist. This sprightly talent is especially known for his catchy tune, "Mystery," which has been described by fans as "a melodious enigma wrapped in quirkiness."
Kensington started his journey nimbly, strumming his makeshift cereal-box guitar while still in diapers (although not particularly in tune). His love for beats and rhythms was nurtured by the swaying wheat fields around his childhood home. Thus, bread was not the only good thing that came out of the humble Kansas wheat fields; they also gave us this ear-popping, funky melody maker.
In the local circuit, Kensington is revered for his dynamic performances which are akin to watching a tornado onstage - wildly exciting, immensely entertaining, yet always leaving you with a sense of awe. Ever the unpredictable, Kensington spiced up a rather bland Tuesday evening when he performed "Mystery" dressed as a unicorn. Yes, an actual unicorn. It was this sort of playful, eccentric ambiance that set Kensington apart.
Leo continues to electrify the local Kansas music scene, his songs resonating from every corner bar to county fair. His energy, stage presence, and charming charisma, accompanied by the unforgettable riff of "Mystery", ensures that one never forgets the name Leo Kensington. His exciting rise and the captivating persona undoubtedly make him one to watch. After all, who can resist a funktastic unicorn from Kansas?
Mystery
Leo Kensington
Why does it hurt
To hope? (Mmm ooh ooh ooh)
Why does it hurt?
(Let it out)
To hope? (Ayy ayy)
Why does it hurt
Why does it hurt?
(Ooh ooh ooh)
I love you like the segments
On the news
Cut between the stories of the hood
The heroes
And the glues
Seen and see-through
I could
Read the room
The sky turned red
The stage was vast
The moon took center view
And so did you
Why does it hurt
To hope? (Mmm ooh ooh ooh)
Why does it hurt?
(Let it out)
To hope?
(Ayy ayy)
Why does it hurt?
Why I'm supposed to hope
That things will change?
Keep thinkin' things will settle
As I get older with age
Huh but nothin's never been the same
So in the meantime
Might as well let 'em know my name
And I ain't gon' waste a second
So baby
Show me somethin' that I need for now
I don't mean to use you till I turn around
But maybe you might find you wanna stick
Around
Got so many skeletons inside my closet
That I don't go past October
'Cause if I start lookin' around
Might not come back till the fall is over
Like ooh ooh ooh
CREDITS
Performer: Leo Kensington
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Time to Get Loose
Martian Mark
Verified Artist
Martian Mark
Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?
Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?
Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.
Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.
Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.
Time to Get Loose
Martian Mark
It's been a long week
Time to get loose
Time to get loose
Time to get loose
It's been a long week
Time to get loose
Time to get loose
Time to get loose
Hit the floor
Drop it low
Raise the roof
Lose control
Time to go
Take it slow
Bring it back
Give me more
No need to run
Baby
Don't be scared
The night's still young
We can dance all night
When it gets to be too much
Let the bass kick in
When you're feeling out of touch
Let the bass kick in
It's been a long week
Time to get loose
Time to get loose
Time to get loose
It's been a long week
Time to get loose
Time to get loose
Time to get loose
Find a way
Take a chance
Turn around
Take my hand
We can go
Find a place
Move your body
Pick up the pace
No need to run
Baby
Don't be scared
The night's still young
We can dance all night
When it gets to be too much
Let the bass kick in
When you're feeling out of touch
Let the bass kick in
It's been a long week
Time to get loose
Time to get loose
Time to get loose
It's been a long week
Time to get loose
Time to get loose
Time to get loose
CREDITS
Performer: Martian Mark
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Love and Hate
Dylan West
Verified Artist
Dylan West
Meet Dylan West, a pop maestro who understands the beauty of contrasting emotions, hailing from the city of Westwood, California. His punchy pop beats can turn any retail shop into a spontaneous dance floor.
Primarily a photographer by day and crooner by night, Dylan captures life's dizzying spectrum, both through his lens and his soothing melodies. Enter "Love and Hate", one of his standout tracks. A tune as contradictory as its title, it dances on the tightrope of joy and heartbreak, proving that happiness can emerge out of chaos - much like a successfully planned family photo at a rowdy wedding.
Dylan's journey saw a fruitful twist when he signed up with Filodyo, a company known for producing refreshing store music. There, Dylan found the perfect fit, an idyllic backdrop to his boundless melodies that even the grumpiest of retail staff find their feet inadvertently shuffling to.
You might have guessed it; Dylan West is not your typical pop artist. Always ready with a camera and a heart full of beats, he captures the world in raw, vibrant colors, and turns it into feel-good pop music. If you're ever in Westwood, listen closely, because your morning latte might come with a side of Dylan West's enthralling tunes.
Love and Hate
Dylan West
It's a thin line
Between love and hate
Between the real and the fake
There ain't no switchin' sides
You know there ain't no in-between
With love and hate
The things I love
The things I hate
They can just irritate me until they motivate me
Hit the road and take me
Lift me up and elevate me
And curve some paths to navigate me to gold
The pears grow from the seed and the tree and the roots and the soul
You know the thicker the skin
The less mindful the fangs that unfold
Thin line grows thicker
Hearts don't make good mirrors
Seein' clearer
Know when it's love and hate
We gotta relocate away
Ain't no fakin'
The things I hate
The things I love
They can just lift me high as the clouds above me
Ain't a flaw in a dove's wings
Just needs a little bit of coseting
A dose of humanity
Or so I'm told
You see
The Hunger Games ain't never yet got old
Thin lines grows thicker and thicker
It's all them thick-thick girls
That's been my soldiers
And we patrolin'
You know it's love
It ain't hate
Thin line grows thicker
Hearts don't make good mirrors
Seein' clearer
Know when it's love and hate
We gotta relocate away
Ain't no fakin'
Thin line grows thicker
Hearts don't make good mirrors
Seein' clearer
Know when it's love and hate
We gotta relocate away
Ain't no fakin'
CREDITS
Performer: Dylan West
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Life Feels Like Mor...
The Faded Ticket Booth
Verified Artist
The Faded Ticket Booth
The Faded Ticket Booth is a four-piece Scottish acoustic group built around a warm, narrative-driven female vocal. Their music leans into everyday poetry rather than spectacle: upright bass, brushed drums, clean acoustic guitar, and voices that feel like shared conversation rather than performance. They sound like a street you’ve walked before but can’t quite place, a melody you remember without knowing when you heard it.
They formed on the quieter edges of Edinburgh’s busking circuits, shaping their sound in places where attention isn’t guaranteed — doorways, market corners, the brief hush that follows passing footsteps. That background taught them presence without volume; phrasing without force; sincerity without staging. Their arrangements remain intentionally uncluttered, preferring atmosphere over punch.
Influenced by the acoustic honesty of late-80s British folk-pop and the conversational phrasing of Eddi Reader, they record with a philosophy of leave the human parts in. Light string squeaks, the breath before a high note, the soft brush of a chord change — if it’s true, it stays. The result isn’t retro, but unhurried; not nostalgic, but familiar in a way that feels quietly earned.
Their recorded work is released in a deliberately limited way: not everywhere at once, not across every platform, but carried by NOT FM and Filodyo as their primary homes, where their catalog lives with the same intention as their songwriting. It isn’t framed as exclusivity for the sake of strategy — just a quieter kind of presence, placed where it feels understood.
Life Feels Like Morning
The Faded Ticket Booth
Sunlight pours like honey in my half-awake cup
Steps on the pavement keep lining me up
A soft little rhythm in the turn of the day
Like my heart learned the world had a kinder way
I don’t need a reason the reason found me
In the quiet of the doorway where the street meets the breeze
Life feels like morning like pages turning warm and slow
Love feels like timing like finding what you didn’t know
If the wind ever falters I’ll steady what I can
Life feels like morning again and again
There’s a stray-cat freedom in the corner of the lane
Windows with stories I can’t quite explain
Paper ships in puddles sailing nowhere grand
But isn’t that a voyage when the map’s in your hand?
I don’t need a reason the reason found me
In the hush before the chorus where the skyline agrees
Life feels like morning like pages turning warm and slow
Love feels like timing like finding what you didn’t know
If the wind ever falters I’ll steady what I can
Life feels like morning again and again
Maybe what we call “arrival” is just learning how to stand
Not to conquer every moment just to meet it where we land
Life feels like morning like chairs pulled out and waiting still
Love feels like timing like the echo of a windowsill
If the wind ever falters I’ll steady what I can
Life feels like morning… again and again
CREDITS
Performer: The Faded Ticket Booth
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Tied My Hands
River Mae
Verified Artist
River Mae
Meet River Mae, a musical maverick straight out of Norway. Originally a law student, she swapped the courtroom for the recording booth after much persuasive coaxing from friends who were evidently one part envious of her vocal chords, and two-parts tired of hearing her legal jargon. Like so many greats before her, River's journey began modestly, singing her heart out in local karaoke bars, where her renditions of beloved pop classics left many patrons wondering if they hadn't perhaps had one too many cocktails...or was that really just a law grad belting out tunes?
River's music career showcases a perfect blend of spontaneity and determination. Her life took an unexpected turn when she surrendered to her friends' pestering and stepped in front of the mic, exchanging her comfort zone for a world filled with rhythms and melodies. In the process, River managed to redefine karaoke nights everywhere, as her enchanting voice left audiences questioning whether they were in a cozy neighborhood bar or an illustrious music arena. Now when she's not sharing her tongue-in-cheek anecdotes about her journey from law books to lyric sheets, she's singing about it in her scintillating tunes.
Most notably, the song "Tied My Hands" brings all these elements together, much like the varying elements of a fine Norwegian herring platter. It conveys the struggles and hesitations of leaping from the predictable world of law to the exhilarating uncertainty of music, interlaced with her unmistakable charm and wit. And let's be real, who else besides River could make a metaphor about legal restraints sound so darn catchy? So here's a toast to River Mae, a law school dropout turned captivating songstress. Turn a blind eye to her lawsuits for now, as you will surely get tied up with her spellbinding music.
Tied My Hands
River Mae
[Intro]
Heat off the glass
You look through me fast
You speak in shrugs and sideways glances
I fill the silence with fake chances
You say nothing but I stay
Making futures you won’t play
Pulled tight I bend where you lean
Your touch says less than your leave
I don’t ask you what you mean
Guess I like to not believe
You tied my hands with your quiet fire (yeah yeah!)
I lit the match you walked right by (mmm ooh)
Tell me it’s just how you are
(I fall anyway)
Even cold can feel like stars
when you're the sky
Na-na oooh-ohh no-no…
Scratched your name on my old mirror
Smeared it out but you got clearer
Gave you pieces you forgot to ask for
Heard your plans still kept the back door
Left your coat out in the rain
Hoped you'd care enough to complain
You move like truth on rewind
Slow and sharp not ever mine
I gave up drawing the line
Then I crossed it every time
You tied my hands with your quiet fire (ahh yeah)
I lit the match you walked right by (ohhh)
Tell me it’s just how you are
(Still I stay)
Even cold can feel like stars
when you're the sky
Na-na mm-mm oh yeah…
I keep breaking in my own voice
Tried to leave like I had a choice
Words don’t reach you but I shout
Now my echo’s burning out
You tied my hands with your quiet fire (ahh yeah!)
I lit the match you walked right by (woo-ooh)
Tell me it’s just how you are
(but I play)
Even cold can feel like stars
when you're the sky
Oooh na-na-na
CREDITS
Performer: River Mae
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Nowhere Else to Be
Elias Carter
Verified Artist
Elias Carter
Elias Carter is an alternative pop singer-songwriter known for his cinematic soundscapes and introspective lyrics. Born in Amsterdam and raised between London and New York, his music blends urban melancholy with dreamy, atmospheric production. Drawing inspiration from late-night cityscapes and fleeting moments of connection, Elias crafts songs that feel both deeply personal and universally relatable.
His breakout single, "Nowhere Else to Be," captures the essence of restless nights and timeless emotions, blending smooth vocals with hypnotic synths and a nostalgic pulse. With a voice that resonates like a late-night confession, Elias Carter is quickly becoming a rising name in the modern alt-pop scene.
Nowhere Else to Be
Elias Carter
Shadows dance on midnight streets
Footsteps lost in faded beats
Silent stories in our eyes
Holding on like time defies
Hearts collide where the night won’t fade
Falling fast but we’re unafraid
We got nowhere else to be (yeah yeah)
Just you and me in the in-between (oh-oh)
It’s like déjà vu we’re on repeat (woah)
Running wild side by side (side by side)
City hums a quiet tune
Drifting under silver moons
Every second slips away
But we’re here we’re here to stay
Hearts collide where the night won’t fade
Falling fast but we’re unafraid
We got nowhere else to be (yeah yeah)
Just you and me in the in-between (oh-oh)
It’s like déjà vu we’re on repeat (woah)
Running wild side by side (side by side)
No past no future just this moment’s heat
Moving through a dream we don’t repeat
Let the night take what it needs
We got nowhere else to be
CREDITS
Performer: Elias Carter
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Call Dropped at 3 AM
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Call Dropped at 3 AM
Eli Varnish
Alright…
Yeah yeah don’t tune it too much
Let it breathe
Okay… one two…
Woke up late with the room still shaking
Ashtray full of things I didn’t say
Mirror asks me for an explanation
I tell it “man not today”
Shoes by the door still smell like last night
Clock keeps lying I let it talk
City hums in a crooked rhythm
Like it learned that walk from me
Hey bass… keep it walking
Yeah like that
Don’t rush it
Every plan I make shows up half dressed
Every promise comes out second best
If I fall behind the beat again
Just leave some space I’ll land it then
This ain’t a straight line it sways and bends
It trips on truth then calls it a friend
If I sound wrong don’t fix it too soon
That’s where the story sneaks through
Yeah this ain’t clean this ain’t controlled
It’s a loose wire looking for a soul
Play it wrong play it loud play it true
That’s all this blues knows how to do
Hold up…
Let the horn say something
Yeah… go on
(long slide in slightly late)
Mmm… listen
Man… that thing’s complaining
Let him talk
I’m almost done… almost
Sorry… not sorry
(rimshot)
There’s a voice in my head clapping off time
Says “You always push you never wait”
I said “If I slow down I might notice
Everything I try to escape”
Barroom light keeps flickering jokes
Like it knows where I’ve been
Every sound wants a turn at the mic
Even the quiet wants in
Yeah… that’s it
Don’t smooth it out
No no
If this night’s a gamble I roll it bent
Lose my balance call it intent
Break the rule then play it twice
Mess it up till it sounds right
This ain’t a straight line it sways and bends
Falls apart then stands again
If my voice cracks just let it through
That’s what it came here to do
Yeah this ain’t neat this ain’t polite
It’s just breath fighting with the night
Play it wrong play it loud play it true
That’s all this blues knows how to do
Alright…
Don’t stop it
Let it ring
Yeah… that’s enough
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Just Like That
Checkmate
Verified Artist
Checkmate
Checkmate formed in London out of restlessness rather than intention. Different neighborhoods, different backgrounds, same impulse: to move, to react, to play music that refuses to stand still. Ska was never a costume for them, it was a language. Fast rhythms, sharp turns, humor used as defiance. They grew up surrounded by noise, contradictions, and crowded streets, and their sound reflects that constant motion.
Their music is playful but not careless, political without slogans, chaotic but precise. Each member brings a different energy, and none of them try to smooth those edges out.
Checkmate thrives on contrast: bright melodies against nervous tension, joy next to disruption. What comes out is loud, physical, and alive. Their releases are heard only on Filodyo and NOT FM, where movement matters more than polish and nothing is forced to sit quietly in the background.
Just Like That
Checkmate
Bus is late but the sun is out
Someone’s laughing way too loud
Corner shop knows my face
Same old song same old place
Shoelace broke still on time
Found a coin lost my mind
Nothing special nothing deep
But today’s been good to me
Radio plays that beat again
Head goes left feet say “amen”
I wasn’t looking for a sign
But the street feels right in time
Life’s doing fine yeah look around
Sticky tables familiar sounds
Not a movie not a plan
Just a good day where I stand
Life’s doing fine no big parade
Just walking slow no rush today
If this is all I’m cool with that
Yeah I like it just like that
Coffee spills laugh it off
Wrong turn but I don’t stop
Shoes too tight shirt’s too thin
Still smiling when I walk in
Someone hums the tune I know
Traffic moves then says hello
Nothing changed still feels new
Guess the trick is how you view
No winning streak no finish line
Just wasting time and feeling fine
If this moment’s all I get
I’m not mad at it yet
Life’s doing fine yeah look around
Bent street signs old beat-up towns
Not a headline not a scam
Just a good day where I stand
Life’s doing fine no big parade
Late night talks cheap lemonade
If this is all I’m cool with that
Yeah I like it just like that
Maybe tomorrow’s loud and rough
But today’s already enough
No promises no advice
Just breathing in a decent life
Life’s doing fine hear that horn
Someone dancing someone bored
Not a dream not a trap
Just a moment and I’ll clap
Life’s doing fine I’ll say it twice
Not perfect but it’s nice
If this is all I’m cool with that
Yeah I love it just like that
Just like that
Yeah just like that
CREDITS
Performer: Checkmate
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Keep Me In That
Adam Lamo
Verified Artist
Adam Lamo
Feeding off the neon pulse of Las Vegas, Adam Lamo has boogie-wired our hearts to irresistible dance beats like no one else. His music is more infectious than a hangover from an all-night disco party, and just as unforgettable.
Picture this: a youthful Adam, prowling the technicolor streets of Vegas, the city's rhythm flowing through his veins like liquid gold. With "Keep Me In That", Lamo masterfully bottled that dazzling, Frank Sinatra meets Calvin Harris vibe. The beats are sunnier than a Vegas summer heatwave and guaranteed to lift any moody blackjack player off their stool and onto the dancefloor.
Mr. Lamo whips up melodies that make choosing to sit out not an option, but a crime against fun itself. His music's joy factor hits harder than a final-round knockout; it's not just dance, it's happiness in audio form. Consider yourselves officially warned: surrender to the irresistible allure of Adam Lamo's beat, or risk a lifetime of being a total party pooper. Our lad from Vegas didn't just show up; he's here to make us dance 'til sunrise and beyond.
Keep Me In That
Adam Lamo
Strangers in the backseat city hum’s a lullaby
Silhouettes in rearview glass fading with the sky
No confessions just the tension
Sipping on a moment we won’t define
And I pull the static closer
Your eyes say more than closure
Burning through the calm again—mmm ahh—yeah
We crash like it's art no frame can hold us
Running on fumes but the night still chose us
Pulse in sync no need for fate
Ooh—yeah keep me in that state
(Hey!) keep me in that—(uh!) state
Tuned to our own channel we’re no one's broadcast
We don't leave trails only moments that last
No compass no plans
Just two outliers with no demands
Every glitch is gold tonight
We’re wired for the fight or flight
Touch like gravity—hmm—aah—pulls me right
We crash like it's art no frame can hold us
Running on fumes but the night still chose us
Pulse in sync no need for fate
Ooh—yeah keep me in that state
(Hey!) keep me in that—(uh!) state
No rewind just loops we bend
Every second a means not the end
Not broken—just bent in rhythm
Hah—mm-mm—hah
Cold air warm static—
No words left just the habit
[Final Chorus]
We crash like it's art no frame can hold us
Running on fumes but the night still chose us
Pulse in sync no need for fate
Ooh—yeah keep me in that state
(Hey!) keep me in that—(uh!) state—woah
CREDITS
Performer: Adam Lamo
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Muoviti Così
Ornella
Verified Artist
Ornella
Ornella grew up in northern Italy, educated in a Catholic girls’ school where silence, discipline, and ritual shaped her early relationship with sound. Choir rehearsals, echoing halls, and the contrast between strict structure and private imagination became part of her musical memory. While others followed the rules, she listened for what existed between them. Her first melodies were written quietly, often late at night, more as reflections than performances.
Her music today carries that same restraint and emotional clarity. Minimal arrangements, warm harmonies, and a voice that never overreaches. Ornella does not chase drama; she lets it arrive on its own. There is a sense of intimacy in her work, as if the listener is allowed into something unfinished and honest. Her releases are available only on Filodyo and NOT FM, where her sound lives without interruption, expectation, or noise.
Muoviti Così
Ornella
La radio sorride piano
La porta gira entra il sole
Tacchi leggeri sul pavimento
Tutto sembra già possibile
Senza dirlo apertamente
Un passo avanti uno indietro
Il ritmo nasce da sé
Non serve fare rumore
Quando il corpo sa perché
Un battito poi due
E tutto parte da qui
Muoviti così
Senza pensarci troppo
Lascia andare
Vieni un po’ più vicino
Muoviti così
Con quel sorriso lì
La giornata cambia
Se la prendi così
Le vetrine fanno l’occhiolino
La città gioca con noi
Ogni sguardo è una promessa
Che non chiede mai di più
La musica entra leggera
Ti prende senza far male
È una danza quotidiana
Che ti viene naturale
Un battito poi due
Il resto viene da sé
Muoviti così
Senza pensarci troppo
Lascia andare
Vieni un po’ più vicino
Muoviti così
Con quel sorriso lì
La giornata cambia
Se la prendi così
Ah
Così va bene
Ah
Non serve altro
Muoviti così
La radio resta accesa
CREDITS
Performer: Ornella
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Liberate
Sofia Lindqvist
Verified Artist
Sofia Lindqvist
Sofia Lindqvist is a unique musical tour de force born to an engineer father in Slovakia. Raised in the heart of Bratislava, she embodies an enviable fusion of technical brilliance and ebullient creativity.
Growing up, Sofia was the kind of kid who hummed symphonies while dismantling radios—much to her father's chagrin, and her mother's delight. From a young age, she fell under the spell of electronic music, a passion fuelled by her father's meticulous engineering and the city's vibrant music scene. Early whispers say that Sofia was so entranced by the metropolis' sounds she would insist to recreate the rhythm of the city traffic during her piano lessons.
However, it wouldn't be until her tenure as a kindergarten teacher that Sofia really began melding the worlds of sound and circuitry. After realizing that her classroom renditions of 'Old MacDonald' paled in comparison to a foot-stomping techno beat, Sofia decided to combine her love of electronics with her obsession for music. Her electrifying rhythms and harmonic melodies soon saw her swapping out nursery rhymes for nightclubs, becoming the city's beloved "Techno Teacher."
Sofia's song "Liberate", a hypnotic blend of thumping base and riveting electronic sounds, has become the most treasured track in her musical repertoire. It tells a captivating story of liberation, evoking the freedom Sofia found when she ditched the training wheels of traditional music and glided into the world of electronica. Whether she's blasting tunes at Bratislava's liveliest venues or tinkering with a sequencer in the back of her classroom, Sofia Lindqvist continues her symphony of life, one pulsating techno beat at a time.
Liberate
Sofia Lindqvist
Feel the ground as it trembles underfoot
Steps are getting faster now I know I never should
See the tide as it pulls me out to sea
Waves are getting higher but it’s where I wanna be
Liberate
Feel the ground as it trembles underfoot
Steps are getting faster now I know I never should
See the tide as it pulls me out to sea
Waves are getting higher but it’s where I wanna be
Liberate
Liberate
Liberate
Liberate
Liberate
Once you leap there's no turning back
Once you leap there's no turning back
Once you leap there's no turning back
Once you leap there's no turning back
Once you leap there's no turning back
Take the dive
Once you leap there's no turning back
Take the dive
Feel the ground as it trembles underfoot
Steps are getting faster now I know I never should
See the tide as it pulls me out to sea
Waves are getting higher but it’s where I wanna be
Liberate
Liberate
Liberate
CREDITS
Performer: Sofia Lindqvist
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
