'''Anneliese Bauer''' is a vibrant independent artist renowned for her distinctive blend of thematic musical narratives. With a style as unique as her personality, she has been fascinating audiences across small town venues with her enchanting tunes and dynamic performances.

Raised in a household where music was a staple item alongside bread and butter, Bauer's affinity to music surfaced as naturally as her ability to provoke a hearty chuckle. Her folksy demeanor - a whimsical mix of unfiltered sarcasm and debonair charm - is flawlessly translated into her tunes that are both catchy and sometimes ambiguously profound. Similar to a good detective novel, Bauer's songs can keep the listeners guessing - and laughing - to the very end.

A native troubadour, her performances are a refreshing experience akin to drinking homemade lemonade on a sultry afternoon. But don't let her humble stages fool you; Bauer's music packs a formidable punch. One that's earned her a dedicated local following and is growing to include everyone who's had the chance to tap their feet to her tuneful narratives. ''In a Bottle'', one of her more notable songs, captures her musical prowess in a bottle, immersing the listener in a melodic journey of poignant storytelling punctuated with harmonies that ring long after the song ends.

Every decade witnesses a new wave of artists and Anneliese Bauer certainly makes her own waves. Bauer's craft is more than just making music; she creates memorable experiences woven into the very fabric of her artistry. She didn't crash the indie scene, she sauntered in, mandolin in hand, and smiled her way to the beat of her own drum. The passion, the zest, the talent: that's Anneliese Bauer!

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Dora Corr is an EDM vocalist and songwriter born and raised in Dublin, Ireland. Before her debut single, she worked at a small, weathered music shop tucked away in Rathmines — a place where synths came in half-broken and left humming again, usually thanks to her.

By day, she tuned old keyboards and restocked trance CDs. By night, she recorded vocal sketches on her cracked laptop, blending soft-spoken Irish melancholy with pulsing beats she never planned to share.

That changed in early 2025, when renowned electronic producer Mark Martian visited Dublin for a creative summit. While killing time between panels, he wandered into Dora’s shop — and found her quietly looping vocal takes in the back room.

Struck by the raw emotion and unusual cadence of her sound, Mark simply asked, “Have you ever thought about making something bigger?” She shrugged. “Not really. But I’d like to.” Energized, Mark immediately called Hakan E., the creative force behind Filodyo.

“I just found someone. We need to get into a studio, fast,” he said. Intrigued, Hakan asked to hear her demos. Mark sent over a few scratch recordings that same night.

Within days, Dora was in a temporary studio above the River Liffey, recording "Paper Moon" — a haunting, minimalist debut that floats somewhere between whispered confession and late-night dance floor, co-produced by Mark Martian for a new Filodyo project.

Dora Corr isn’t chasing pop formulas or peak-hour builds. She’s carving a lane where fragility can still make you move — and where “na na na na” says more than a chorus ever could.

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She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.

Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.

Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.

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Lily Green is a vibrant nu-disco artist with a deep love for cars and the open road.

Hailing from Los Angeles, Lily grew up with the sounds of synth beats and funky basslines, which fueled her passion for creating danceable, feel-good music.

Her fascination with cars started in childhood, spending weekends at car shows with her dad and dreaming of road trips across the country. This love for automobiles often finds its way into her music, with themes of freedom, speed, and adventure.

Known for her infectious energy and groovy tunes, Lily Green’s tracks are the perfect soundtrack for cruising down the highway with the windows down.

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Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

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If sugar, spice, and a foot-tapping bass were a person, they'd invariably shape-shift into Maelith. The indie dance sensation hails from the mythical city of her namesake – a place as enigmatic, vibrant, and pulsating as her music.

Coming from a realm where the sunrise paints the sky in a symphony of techno hues, Maelith's city of origin is as enigmatic and infectious as her tunes and just as impossible to tune out. It only makes sense then, that her celebratory dance beats make even the grumpiest of granddads do a head bob or two.

Her notable track "Butterflies" will make a surprising entrance, landing in your heart with the grace and charm of a thousand of the colourful creatures, evoking smiles usually reserved for sunbeams and unexpected tax refunds. It's like eating candy in a club - tooth-achingly sweet, and deliciously intoxicating.

Maelith's music isn't just happy—it's a spontaneous euphoria packed into dance beats. Each track, a flawless mesh of elevating melodies sure to paint a bright, neon smile on your face. It never rains in Maelith's city. So, grab an umbrella because you're about to get showered with joy bombs!

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Sit back, close your eyes, and let Nadia Petrova's dancy beats stir your soul. Heralding from the land of vodka and chilly winters, this indie dance titan is brewing storms with her ethereal vibes and boogie-powered anthems.

Gymnast by day and club sensation by night, Nadia's life is as rhythmic as her pulsating dance tracks. Originally intending to represent her motherland in a sporting event, the rhythmic allure of the synthesizer provided a detour, and she hasn't looked back since. A sucker for routine, she realized that there is intrinsic beauty in repetition—thus was born the mega-hit "There is Power in Routine."

Her music is a paradox, as comforting as the predictable tick-tock of a clock, and as thrilling as a train ride through strobe-lit tunnels. Nadia brings cheer disco-jumping out of her turntable, crafting happy dance tunes that are as infectious as the common cold.

Nadia Petrova is certainly not your average Russian spy. Injecting the world of dance music with a hearty dose of happiness, her infectious and playful beats revive the spirit of an ancient Russian proverb: "Who does not jump, is not Russian." Dance on, comrades!

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A staple in the riveting New York music scene and an embodiment of the city's ever pulsating rhythm, Tamie Ray is an artist who has imprinted her unique voice and interpretative prowess on the pages of modern jazz history. Born in the heart of Manhattan to a family of musicians, she was raised amid a symphony of sounds that reverberated through the walls of her childhood home, echoing from her parents' rehearsals, her brother's trumpet practice, and the vintage tunes from her grandmother's record player. The melting pot of New York, coupled with her musical lineage, became a cauldron where Tamie's music fervor was stoked, simmered, and metamorphosed into an intense passion for jazz vocals.

Tall, ebony-haired, Tamie Ray, known for her entrancing stage presence and sultry vocals, emerged in the New York jazz scene during the late 1980s. She began her journey as a vocalist in small jazz clubs, with talent that stood in stark contrast to her humble beginnings. Reminiscent of jazz greats like Ella Fitzgerald and Billie Holiday, Tamie's voice was a captivating amalgamation of richness, power, and vulnerability—a voice that bore the uncanny ability to pluck at the chords of one's heart with the gentleness of a seasoned harpist. Her rendition of classic songs garnered her respect within the music community, while her original compositions firmly established her as a dynamic artist with an intuition for imagery and metaphor that transcended through her lyrics.

In the prime of her career, Tamie Ray was revered as one of the eminent jazz vocalists of her time. Still, she kept evolving, never allowing the accolades to lull her into complacency. As the shifting current of music trends started to lean towards modern genres, so did Tamie, artfully redefining her approach while never losing her jazz roots. Today, she continues to reign supreme in her beloved city, sharing her unique musical blend of traditional jazz and contemporary influences while passing on her wisdom to the next generation through her mentorship and teaching.

Despite the passage of time, Tamie's love for New York, both as her muse and her home, has remained unaltered. From the kaleidoscopic whirl of colors, cultures, and sounds within its streets, she continually draws inspiration. Her music—a metaphorical canvas splashed with the hues of her NYC experiences—resonates with both the nostalgia of jazz's golden era and the vibrant beats of today's New York. Regardless of where the winds of change might lead, one can always find Tamie Ray, the emblem of New York jazz, right where she belongs—under the shimmering city lights, swaying to the overwhelming rhythm of the metropolis, and singing tales poured straight from her heart.

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Meet the Heartbeaters, an endearingly nonchalant pair treading the pop-smeared pavements of our music scene. They add a sparkling new spin on that familiar pop fizz you just can't help but sip on.

Hailing from Humorsville, USA, the Heartbeaters are two blokes who serve pop tunes home-cooked with southern charm and laden with joy-generating particles. Their infectious melodies, cheekily described as "heart-pop", will likely enter your circulatory system and induce spontaneous toe-tapping, head-bopping, or whatever physical exercise tickles your fancy. Here's a personal favorite - try saying no to a track titled "Wired" without grinning like a Cheshire cat in a yarn warehouse. See? Impossible.

These chaps have a talent for injecting delight into your audio diet. They've got this 'happy virus' so potent that it makes the Grinch seem like your average party bouncer. The Heartbeaters, remember the name. They're the talented two-piece likely to prescribe you a daily dosage of dulcet euphoria and leave you craving for refills. Trust us, their sound is habit-forming.

Wittier than your average stand-up comedian, with tracks more contagious than your common cold, The Heartbeaters are two lads weaving infectious tunes thereby proving that not all heroes wear capes - some might just sport heart-shaped sunglasses and bass guitars.

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Bruno Galvez was born to a working-class Spanish family in Valencia, where the scent of orange blossoms mixed with the sound of distant flamenco was part of everyday life. Raised in a modest apartment above a small tapas bar, Bruno’s earliest memories include the strum of his grandfather’s old guitar and the rhythm of heels tapping against the tiled floor. Music wasn't just tradition — it was identity.

To support himself through school, Bruno played guitar on the streets and metro stations of Madrid, his case open for coins, his eyes always scanning for inspiration. These years shaped both his sound and his soul. The rawness of performing for strangers taught him to listen deeply to people’s silence — and to fill it with something honest. His fingers spoke when words failed, and soon his name became familiar in the underground corners of the city.

He studied Anthropology at the Universidad Autónoma de Madrid, drawn to human stories, rituals, and rhythms — the same themes that echo in his music. By night he was a student of culture; by day, a transmitter of it, blending traditional flamenco with the urgency of the modern world. His academic lens gave new depth to his compositions, adding layers that resonated beyond melody.

Today, Bruno Galvez is no longer just a street performer. He’s a storyteller, a cultural bridge, and a reminder that music — especially flamenco — is not meant to be caged. It is meant to move, to cry, to celebrate, and most importantly, to survive.

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Violette Stoem doesn’t just sing—she floats. Hailing from Rotterdam’s rainy streets and raised on a mix of French electronic minimalism and UK garage, her music exists in the space between dancefloor euphoria and solitary late-night reflection. With a voice that’s equal parts smoke and sunlight, she crafts tracks that pull you in slowly—then never let go.

Her breakout single “Meant To Be” is a hypnotic blend of deep house rhythms and shimmering pop clarity. Anchored by a driving low-end and crisp four-on-the-floor pulse, the track features syncopated synth stabs, airy pads, and a vocal hook that lands straight in your bloodstream. It’s the kind of track that feels equally at home in Berlin’s underground or a coastal sunset set in Ibiza.

Violette isn’t chasing trends. She’s building a sound world of her own—emotive, minimalist, and endlessly danceable. Her sets are known for their intimacy, her lyrics for their vulnerability, and her production for its razor-sharp elegance. Quiet by nature, loud by design.

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