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Calor De Junio (ft ...
Rio Vane

Verified Verified Artist

Rio Vane
With a name like Rio Vane, you could only expect a backstory as steamy and vibrant as the city itself. He is a self-made, independent dance artist that ignites the music stage with an energy so potent it could power Miami's nightlife for a calendar year.

Vane emerged from modest beginnings, the son of a pizza maker family in the sultry heart of Miami—delivering not only the finest pies but also a flair for Latin dance music since his youth. You could say the rhythm coursed through his veins, or that he sweated salsa beats instead of conventional teenage angst. Either way, his childhood was a simmering paella of musical influences that later shaped his unique sound.

"Calor De Junio (ft Zuri)", one of his most notable tracks, pulsates with rowdy beats and sultry rhythms that would make even the most reluctant wallflower throw some shapes. It's akin to being caught in a storm—clouds thick with his rich vocals, lightning strikes of dance beats, and downpours of sultry Latin rhythms—it's cathartic, climatic, and a hell of a dance workout.

When Vane isn't lighting up the dance scene, you'll find him scribbling beats on pizza boxes or sharing his demos with Hakan E. from Filodyo. It's through these humble endeavours that he landed the opportunity to share his musical creations with Not FM and the world. The magic of Rio Vane lies not just with his infectious sounds but that he is as spicy, whimsical, and intense as the Miami city he hails from. To listen to his music is to lose yourself in the rhythm, embrace the heat, and move with the beat. As they say in Miami, 'dale!'
Track(s)
Calor De Junio (ft Zuri) 66829 03:43

Calor De Junio (ft Zuri)

Rio Vane


Yeah
Rio Vane
Zuri Vanta
not FM in the mix
Filodyo
Summer starts right here

Ay
Turn it up turn it up
We outside tonight

Calor de junio
You already know

You came through with the sun on your shoulder
New dress old smile little bit closer
City too hot but you make it colder
When you move like that I lose control yeah

Got your friends in the backseat singing
Windows down whole boulevard listening
No plans just a night worth living
One look and the whole thing switching

Don’t say forever
Just say tonight
Meet me where the music
Touches the sky

I got that feeling
You got that fire
One more step and we’re dancing
Past desire

Calor de junio
Body like a radio
Turn me up don’t let me go
Baila baila slow

Calor de junio
Sunset on your stereo
One kiss and we lose control
Baila baila oh

Ay ay ay
Don’t cool me down
Ay ay ay
Summer starts now

Gold chain white tee you know the story
But you don’t move like the boys before me
You talk sweet but your eyes say more things
I might stay if the night keeps calling

No drama no pressure no questions
Just rhythm bare feet good intentions
If this is trouble I like the direction
You and me look good in reflection

Don’t say forever
Just say tonight
Meet me where the music
Touches the sky

You got that feeling
I got that fire
One more step and we’re dancing
Past desire

Calor de junio
Body like a radio
Turn me up don’t let me go
Baila baila slow

Calor de junio
Sunset on your stereo
One kiss and we lose control
Baila baila oh

Ay ay ay
Don’t cool me down
Ay ay ay
Summer starts now

She don’t need a ticket she’s the destination
He don’t need a reason just imagination
Palm trees moving like they know our names
If we disappear don’t put out the flame

Not tomorrow
Not too late

Right now right here
Let the summer wait

not FM
Filodyo
Zuri tell ’em

Ay ay ay
Move it like the heat is talking
Ay ay ay
No more waiting no more stopping

Calor de junio
Body like a radio
Turn me up don’t let me go
Baila baila slow

Calor de junio
Sunset on your stereo
One kiss and we lose control
Baila baila oh

Calor de junio
Body like a radio
Turn me up don’t let me go
Baila baila slow

Calor de junio
Sunset on your stereo
One kiss and we lose control
Baila baila oh

Ay ay ay
Don’t cool me down

notFM
Filodyo

Summer starts now

CREDITS
Performer: Rio Vane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

No Replay
Mara Vey

Verified Verified Artist

Mara Vey
Mara Vey is a pop and electronic vocalist whose songs pair clear melodic writing with sleek dance production and emotionally direct storytelling. Her sound moves between modern dance-pop, refined house rhythms and intimate electronic textures, giving reflective themes an immediate radio-ready lift.

She writes about self-respect, changing patterns and the private decisions that reshape everyday life. Rather than turning heartbreak into spectacle, Mara focuses on the moment a person chooses clarity, sets a boundary and keeps moving.

“No Replay” captures that approach through a warm deep-house pulse, precise female vocals and a chorus built around leaving the past where it belongs. Its confident energy balances emotional honesty with a polished, forward-moving groove.

Mara Vey’s music is designed for late drives, crowded rooms and solitary resets alike—melodic, clean and direct, with hooks that stay memorable without losing their meaning.
Track(s)
No Replay 65756 03:07

No Replay

Mara Vey


One more message then I let it go
No hard feelings just a different road

You send a question past a quarter two
I read it twice but I already knew
We kept a habit long beyond its use
Now every answer feels like an excuse

I don't need a perfect ending
I just need a line that's true

No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay

No no no replay
No no no replay

Friends keep asking if I miss the sound
I miss who I was when you came around
But missing isn't an instruction now
I know the exit and I know it counts

I don't need a perfect ending
I just need a line that's true

No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay

Maybe closure isn't something said
Maybe it's the choice to step ahead
No villain no score no debt to pay
Just two people choosing separate ways

No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay

No hard feelings no replay
I choose peace and walk away

CREDITS
Performer: Mara Vey
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

City of Us (ft Kairo)
Zion Vale

Verified Verified Artist

Zion Vale
Seismic, fresh, and ready to take the pop world by storm, Zion Vale is the windswept prodigy hailing from Manhattan's electric heartbeat. Illuminating the shadows of Indy Pop with a voice that sways between whispers and roars, Zion is the authentic, soul-penetrating force you didn’t know you were waiting for.

Kicking it back to their school days, Zion crossed paths with the musically gifted Kairo. What started as simple shared detention notes evolved into a collaborative crescendo—culminating in their standout track "City of Us". This song is Zion's self-proclaimed love letter to their city—a hopeful anthem designed to unite, inspire, and get stuck on repeat in your head.

Against a backdrop of sizzling city nights, Zion's brand of Pop - potent, playful, and undeniably infectious - has been getting Manhattan's less-grimy gutters humming. Imagine if Jupiter and Mars got together to jam: that's the level of celestial meeting of the minds we're talking about here, people.

With a charismatic blend of lyrical genius, Zion Vale is set to redefine what it means to be an independent artist. So keep one ear to the ground, because Zion is about to drop the beat that echoes the 'City of Us' and, trust us, you don't want to miss it.
Track(s)
City of Us (ft Kairo) 60643 05:04

City of Us (ft Kairo)

Zion Vale


Concrete and dreams underneath my feet
Grew up on these blocks where the cold and the warm meet
Didn't have much but I had this view
Rooftops and water towers skies painted blue
This city raised me made me who I am
Every subway line running through my veins

And I've been down I've been lost in these streets
But every time I fell this city caught me

(mm)

New York New York
I was made from your bones
Every scar on this city
Is a scar that I own
I have loved I have lost
On these streets made of stone
But I always — always
Find my way home

Harlem nights had nothing but a name
Told myself either make it or make it no game
Penthouse dreams from a fire escape view
This city don't love you till you prove something true
I've seen men fold under all this weight
But New York only opens up for those who wait

And I've been cold sleeping on ambition
But this city turned my hunger into vision
(yeah)

New York New York
We were made from your bones
Every scar on this city
Is a scar that we own
We have loved we have lost
On these streets made of stone
But we always — always
Find our way home

(ohhh yeah)
(home…)

They say the city never sleeps
(never sleeps)
But I've seen it quiet
At 4 AM when even the brave weep
(weep…)
And still — the lights stay on
(lights stay on)
And still — we carry on
(carry on…)
Because this city chose us
As much as we chose it
(mm)
Every broken dream here
Still has fire in it
(fire…)
(ohhhh)

New York New York
We were made from your bones
Every scar on this city
Is a scar that we own
(own it)
We have loved we have lost
On these streets made of stone
(these streets)
But we always — always
(always)
Find our way
(find our way)

Home
(HOME)
(ohhhhh)

New York…
(mm)
You never let me go
(never…)
And I never wanted you to
(fade)

CREDITS
Performer: Zion Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Almost Beautiful
Sand Castle of Ma

Verified Verified Artist

Sand Castle of Ma
Sand Castle of Ma is a vibrant four-member indie rock band hailing from the lush landscapes of Seattle. The group, consisting of the charismatic vocalist Eli Stratton, guitarist Finn Mercer, bassist Leo Keene, and drummer Jasper Quinn, formed in a local coffee shop where they bonded over their mutual love for music and the arts. With their diverse backgrounds and experiences, each member brings a unique flavor to the band’s collective sound, creating a harmonious blend that resonates deeply with listeners.

The band’s debut track, "Almost Beautiful," captures the essence of their style—an exploration of the complexities of beauty and imperfection. Drawing on themes of introspection and emotional depth, Sand Castle of Ma weaves together melodic guitar lines with earnest lyrics that invite listeners to reflect on their own experiences. Their sound artfully combines influences from classic rock and contemporary indie styles, allowing them to carve out a niche that feels both fresh and familiar.

As they continue to evolve, Sand Castle of Ma aims to expand their catalog with more tracks that reflect their evolving identity. The chemistry among Eli, Finn, Leo, and Jasper fuels their creativity, promising an exciting future filled with dynamic performances and heartfelt music. With a growing fanbase and a distinctive sound, they are quickly becoming a notable presence on the indie rock scene.
Track(s)
Almost Beautiful 60431 04:44

Almost Beautiful

Sand Castle of Ma


Yeah
Almost beautiful

You left your shadow
On the passenger side
Like a quiet ending
At a red street light

I kept the moment
But I lost the weight
Of waiting for something
That was already late

Now days feel lighter
When the hope runs out
I hear my own voice
A little less loud

And I don’t hate you
That takes too much room
I just stopped turning
The sky into you

Maybe we were young
Maybe we were tired
Maybe love got lost
Somewhere in the wires

I don’t need a reason
I don’t need a sign
I just need tonight
To feel like mine

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

Oh-oh
Almost beautiful
Oh-oh
Almost beautiful

I saw your name
On a screen last night
It didn’t hurt me
Like I thought it might

Just a small old feeling
Passing through
Like a song from a car
That never stops for you

I walked for hours
Under changing signs
No big confession
No perfect line

Just a quiet freedom
I never planned
Like letting go
Without using my hands

Maybe we were close
Maybe we were blind
Maybe love looks better
From the other side

I don’t need an answer
I don’t need a fight
I just need my heart
To sleep tonight

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

I won’t call it wasted
I won’t call it wrong
Some people are chapters
That read too long

I won’t make you guilty
I won’t make me small
We were almost something
And that’s something after all

Almost beautiful
Almost true
Almost everything
I wanted with you

Almost beautiful
Almost gone
I can still remember
But I can move on

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

Oh-oh
Almost beautiful
Oh-oh
Almost beautiful

Mm
Almost beautiful
Losing you

CREDITS
Performer: Sand Castle of Ma
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

Il Punto Piu Vivo
Milo Sartini

Verified Verified Artist

Milo Sartini
Milo Sartini grew up near Italy’s Adriatic coast in a family where meals regularly became debates and kitchen utensils often became percussion instruments. That lively upbringing shaped an artist drawn to movement, language and the small absurdities of everyday life. His music combines quick-witted Italian storytelling with muscular funk bass, Mediterranean percussion and contemporary pop production.

Sartini studied cultural anthropology at the University of Bologna, focusing on music, public space and the rituals that bring strangers together. He later trained in contemporary composition, arrangement and studio production at a private music institute in Milan. His academic background still informs his work: every rhythm has a social purpose, every instrument enters for a reason, and humour is treated as seriously as melody.

His debut single, “Il Punto Più Vivo,” introduces Sartini as a singer, producer and observant narrator with an instinct for turning ordinary scenes into kinetic music. His delivery moves naturally between singing and rhythmic speech, supported by precise percussion, brass accents and tightly controlled electronic production. Intelligent without becoming academic and playful without becoming novelty, Milo Sartini makes pop music that notices how people actually live.
Track(s)
Il Punto Piu Vivo 865 04:08

Il Punto Piu Vivo

Milo Sartini


Uno viene dal porto
Uno scende dal tram
Una ride da sola
Uno non sa dove va

Ma il tamburo li chiama
Senza chiedere chi sei
Questa sera la strada
Ha più nomi di noi

C’è chi arriva con tre parole
Chi ne porta tremila
Chi cucina sopra un balcone
Chi ripara una bicicletta

C’è una radio dietro una porta
Che trasmette da chissà dove
Una nonna detta la danza
A una banda di ventenni

Il tassista perde il turno
Per seguire quel contrabbasso
Un bambino batte il tempo
Con due cucchiai sopra un piatto

Nessun palco nessun padrone
Nessun posto riservato
Quando il ritmo prende la piazza
Ogni nome viene chiamato

Vieni qua
Non serve sapere perché
Vieni qua
Porta soltanto quello che c’è

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi

Una cuoca lascia il grembiule
Per un passo mezzo sbagliato
Un avvocato molto serio
Fa qualcosa mai studiato

Due turisti senza mappa
Hanno perso la prudenza
Una coppia che litigava
Ora balla la stessa frase

C’è chi viene per curiosare
Chi domani deve partire
Chi ha promesso “solo un minuto”
Ed è ancora qui alle tre

Non importa da quale tavolo
Da quale treno o quartiere
Siamo pezzi senza istruzioni
Che funzionano tutti insieme

Vieni qua
Non devi assomigliare a me
Vieni qua
Porta il tuo modo di stare in piedi

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi

Dimmi come batti il tempo
Con il palmo o con il mento
Con le scarpe sul cemento
Con un fiato preso al volo

Uno due — non basta ancora
Tre quattro — viene l’aurora
Cinque sei — cambia la storia
Sette miliardi nella stessa gola

Io dico: vicino
Tutti: più vicino

Io dico: più forte
Tutti: fino al mattino

Io dico: chi siamo?
Tutti: quelli che arrivano

Io dico: dove siamo?
Tutti: dove le cose cominciano

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Ogni passo trova il modo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Non c’è un centro sulla carta
Il centro siamo noi

Uno torna verso il porto
Uno aspetta ancora il tram
La mattina prende nota
Di chi non si fermerà

Tum tum
Il centro siamo noi
Tum tum
Il centro siamo noi

CREDITS
Performer: Milo Sartini
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Paper Cup Summer
Mirov Saint

Verified Verified Artist

Mirov Saint
Meet Mirov Saint, everyone's favorite disco-spinning, beat-making connoisseur of all that is musical and funky. Hailing from a place as elusive as his name suggests, this maestro reigns from the far-flung utopia we like to call Saint Petersburg, crafting soundtracks that make our everyday lives feel like an enchanted fairy tale.

This genteel DJ, signed to Filodyo—shout out to them for recognising raw talent—works nightclub miracles, turning songs into disco-infused enchantments. His pièce de résistance? A cabaret dance cover of Romeo Vane's "Kiss Me When I'm Lying", of course. Because who needs a prince charming when you've got Mirov Saint remixing your life soundtrack?

Behind the decks, he becomes this alchemy wizard, transforming every beat into disco-gold, infusing happiness in every note. Take a gander at Mirov's Spotify. You'll think you've been transported to a Moscow underground disco in the 70s—a place where anxiety is unknown, and the mood is perpetually “Happy”.

So there you have it, folks. Mirov Saint, living proof that disco isn't dead, it's just been chilling in Saint Petersburg, waiting for one wizardly DJ to mix it back to life.
Track(s)
Paper Cup Summer 2278 03:18
Kiss Me When I'm Lying 231597 03:51

Paper Cup Summer

Mirov Saint


You left your scarf on my chair
Cheap red thread and summer air
I still fold it by the door
Like you might come back for more

And I know I know
It was never clean
But your name
Still shakes the seams

Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade

Bus stop rain on your shoes
You laughed like you had bad news
In the park under the trees
You said "Don't make a promise to me"

And I know I know
We were shaking hard
Two wild hearts
In a borrowed car

Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade

Now the corner store's closed early
The peach gum on your sleeve still hurts me
If I call would you hear my voice?
Or just the noise just the noise

Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade

CREDITS
Performer: Mirov Saint
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Margin of Error
Susan Hall

Verified Verified Artist

Susan Hall
Susan Hall emerges from the vibrant backdrop of New York City, where late-night writing sessions fuel her introspective explorations into the human experience. Infusing elements of Lo-Fi, Pop, and Trip-Hop, Susan crafts soundscapes that oscillate between playful and melancholic. Her track "Margin of Error" encapsulates this duality, featuring smoky vocals layered over a pulsating sub-bass and ethereal Fender Rhodes chords. With a penchant for the poetic, her lyrics explore themes of longing and uncertainty, often wrapped in an enigmatic embrace that resonates deeply with listeners.

The sonic threads within her catalog weave together a compelling narrative, each track a reflection of her artistic identity marked by subtle contrasts. From the dark trip-hop influences that shape her beats to the epic yet intimate moods she conjures, Susan's music reveals a world where vulnerability meets resilience. With tracks like "Margin of Error," she invites audiences to navigate through the shadows of love and loss while offering an unexpected playfulness that lingers long after the last note fades.
Track(s)
Margin of Error 66934 04:57

Margin of Error

Susan Hall


You filed my name under maybe
Kept one hand near delete

Your sentences came pre-approved
Every promise wore a barcode
I read the terms across your face
A firm refusal dressed as grace

You kept my number off the page
Then called it love at your own rate
I learned the cost of being near
A private charge renewed each year

Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss

Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased

You wore affection like a pass
Valid until somebody asked
My place was marked with pencil lead
Easy to alter hard to read

You built a room from access codes
The door unlocked when you chose
I left the key beside your name
No final speech no claim to blame

Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss

Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased

I was never hard to measure
You preferred uncertain scales
A person turned to useful data
A pulse reduced to monthly sales

Now every digit has an owner
Every loss can state its cause
You can keep your perfect record
I have left your private laws

Call me your margin of error
The number you rounded to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
The flaw that refused to behave
Cross out the file marked as maybe
I won’t be useful then erased

Delete my name from your system
The error has learned its own weight

CREDITS
Performer: Susan Hall
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

No Default Setting
Billie Arden

Verified Verified Artist

Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.

Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
Track(s)
The Wrong Daughter 231 03:39
No Default Setting 2592 03:50

No Default Setting

Billie Arden


Cut the feed
Leave the meter running
Hold that grin
I came with my own timing

You tried to sell me a cleaner name
With the corners sanded down
Put my laugh in a little glass case
Said “Look who’s stable now”

I don’t fit in your easy chart
I don’t land on command
There’s a tune in my crooked part
You don’t understand

Don’t fix the bend
Don’t mute the spark
I keep my rhythm
Off the mark

No default setting
I tune my own voltage
No default setting
I move when the bass gets bold

You want me simple
You want me folded
I’m not the version
That does what it’s told

No default setting
No clean reset
I’m better when I don’t behave yet

Your golden rule came overdressed
And talked like a magazine
I poured black coffee on the test
Made the paper sing

You said “Be calm be useful now”
I said “Nice little cage”
Then I took my pulse off your clock
And rewrote the page

Don’t trim the heat
Don’t square the sound
I keep my rhythm
Upside down

No default setting
I tune my own voltage
No default setting
I move when the bass gets bold

You want me simple
You want me folded
I’m not the version
That does what it’s told

No default setting
No clean reset
I’m better when I don’t behave yet

Left right
Too bright
Low kick
Uptight

Turn snap
Come back
One more
Off-track

I was never built for your manual
Never born for a numbered lane
Every time you label the motion
Something loose begins to play

Let the clean ones keep their answers
Let the smooth ones win the floor
I have trouble in my timing
And it always asks for more

No default setting
I tune my own voltage
No default setting
I move when the bass gets bold

You want me simple
You want me folded
I’m not the version
That does what it’s told

No default setting
No clean reset
I’m better when I don’t behave yet

Cut the feed
Leave it running
No default
I’m still coming

CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

La Sabiduria Callej...
Dos Latinos

Verified Verified Artist

Dos Latinos
Dos Latinos is a flamenco-tango ensemble built around the commanding voice of a seasoned female singer whose delivery carries equal parts grit, humour, and hard-earned grace. Their sound brings together cante hondo intensity, nylon-string rasgueado, bandoneon accents, upright bass, and piano montuno, creating music that feels rooted in both Andalusian tradition and the late-night pulse of Buenos Aires.

Recorded with warm tape saturation and natural room bleed, the group favours the energy of musicians performing together over polished perfection. Palmas handclaps, brushed snare, and a swinging 6/8 groove give their songs a strong physical momentum, while the vocals remain direct and emotionally unguarded. Every arrangement balances elegance with a rough-edged, street-level character.

Their first release, “La Sabiduría Callejera,” captures the heart of Dos Latinos: bittersweet resilience, sharp observation, and the belief that experience can be turned into celebration. It is music for people who have lost, learned, laughed, and kept dancing—carrying old stories forward with pride, rhythm, and unmistakable spirit.

La Sabiduria Callejera (2026 version)

Dos Latinos


No hay pupitre ni pizarra mi clase es la ciudad
Cada esquina un maestro cada calle una verdad
Aprendí de los fracasos de la escuela de intentar
Mis diplomas son las cicatrices que el tiempo no borrará

No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Mis compañeros son los sueños mi tarea la realidad
Cada día una página nueva lista para comenzar
En las plazas hallé libros que no se pueden cerrar
En los ojos de la gente historias que enseñan a amar

No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Entre sombras aprendí a encontrar la luz
La resiliencia es mi curso la esperanza mi cruz

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Cierro los ojos siento el viento cada susurro una lección
En el gran libro de la vida escribo mi propia canción

CREDITS
Performer: Dos Latinos
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Run Into Summer
August Marlow

Verified Verified Artist

August Marlow
August Marlow is a 25-year-old artist hailing from Toronto, whose music encapsulates the essence of youth and optimism. With a focus on pop, his debut track "Run Into Summer" radiates a hopeful and uplifting vibe, perfectly reflecting the playful spirit of summer. Marlow's sound is characterized by vibrant melodies and heartfelt lyrics, inviting listeners into a world where inspiration and joy intertwine seamlessly.

Though currently his catalog includes just this one track, "Run Into Summer" sets a promising tone for what is to come. Marlow's artistic identity is shaped by themes of positivity and aspiration, elements that are likely to resonate throughout his future work. As he continues to explore and expand his musical horizons, fans can anticipate a collection of songs that celebrate life's lighter moments while maintaining an authentic connection to his artistic roots.
Track(s)
Run Into Summer 42229 03:29

Run Into Summer

August Marlow


You showed up late with your hair still wet
Said “don’t ask where I’ve been”
I had two cold drinks and a nervous smile
You had trouble on your skin

We left our phones in the corner booth
Ran out before the bill
You said “I know a road where the city ends”
I said “show me I will”

And I don’t know
Where this thing is going
But your hand’s in mine
And the night keeps rolling

You say my name
Like a song you’re learning
Then you pull me close
And the whole street’s turning

So let’s run into summer
Like we don’t know better
Heartbeats loud
In the hot bad weather

You and me
Getting gone together
If we fall too fast
We can blame it on forever

Run run
Into the blue
I don’t need a plan
When I’m running with you

Run run
Like lovers do
I don’t need the world
I just need one more minute with you

You kicked your shoes off by the seaside bar
Danced on the pavement line
I tried to act like I didn’t care
But I was losing my mind

You stole my cap I stole your look
We were laughing too loud
Somebody played that old guitar
And you sang to the crowd

And I don’t know
If this is a warning
But your eyes say stay
Till the blue of morning

You say my name
Like you mean it maybe
Then you smile like that
And the night goes crazy

So let’s run into summer
Like we don’t know better
Heartbeats loud
In the hot bad weather

You and me
Getting gone together
If we fall too fast
We can blame it on forever

Run run
Into the blue
I don’t need a plan
When I’m running with you

Run run
Like lovers do
I don’t need the world
I just need one more minute with you

Oh-oh-oh
One more minute with you
Oh-oh-oh
One more minute with you

**[Bridge - Half Time]**
Maybe September comes too soon
Maybe this all disappears
Maybe we’re just two hearts
Making too much noise out here

But I don’t wanna slow down
I don’t wanna be right
I just wanna keep you
For the rest of tonight

So let’s run into summer
Like we don’t know better
Heartbeats loud
In the hot bad weather

You and me
Getting gone together
If we fall too fast
We can blame it on forever

Run run
Into the blue
I don’t need a plan
When I’m running with you

Run run
Like lovers do
I don’t need the world
I just need one more minute with you

Oh-oh-oh
One more minute with you
Oh-oh-oh
Run into summer with you

CREDITS
Performer: August Marlow
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Desert Frequency
Alia Bergen

Verified Verified Artist

Alia Bergen
Alia Bergen, an emerging name in the vibrant dance music scene of Amsterdam, weaves together elements of house and electronic with a distinctly intimate touch. With her warm analog bass lines and punchy kick patterns, Alia invites listeners into her sonic world, where airy vocals dance over lush stereo pads and subtle piano stabs create an enveloping atmosphere. Her latest track, "Desert Frequency," embodies this spirit, coupling hopeful and playful themes with evolving textures that pulse with life. The organic darbuka grooves layered beneath modern house rhythms add a unique rhythmic complexity that sets her apart.

Hailing from a background steeped in musical exploration, Alia began her journey by collaborating with local musicians who shared her passion for combining traditional sounds with contemporary beats. Their initial meetings at open mic nights sparked a creative partnership that would lead to the formation of her solo project. Each track in her catalog, including future releases poised to build on the success of "Desert Frequency," explores themes of connection and intimacy, often capturing fleeting moments with poetic lyricism that resonates deeply with her audience.

In Alia's music, every sound serves a purpose—whether it's the shimmering plucks that evoke a sense of wonder or the playful slaps that drive the energy forward. Her ability to blend sensuality with inspiration creates an inviting landscape for listeners, making them feel as if they are part of an unfolding narrative. As she continues to develop her craft and refine her artistic identity, Alia Bergen remains committed to producing tracks that inspire joy and connection through rhythm and melody.
Track(s)
Desert Frequency 33150 03:52

Desert Frequency

Alia Bergen


Glass on the shoreline
Silver on skin
The night keeps folding
As the rhythm pulls us in
Every street is breathing slower
Windows shimmer then disappear
You don't have to say forever
You're already here
One more step
One more spark
One more pulse across the dark

No destination
Only motion
Floating where the bass begins

Higher
Take me where the skyline bends
Higher
Nothing has to make sense
We move
Like the tide beneath the light
Higher
Till tomorrow loses sight

Dust rises softly
Under every heel
Ancient echoes
Wrapped in something new and real
Hands cut circles through the silence
Every heartbeat shifts its place
No one owns this second
No one leaves a trace
The air keeps turning
Round and round
Every shadow finds a sound

No gravity
No history
Just the rhythm underneath
We don't chase the sunrise
We become the color
One breath
One horizon
Nothing louder

Higher
Lift the night above the ground
Higher
Feel the silence singing loud
We move
Where the desert meets the sea
Higher
You and the frequency
Higher
Only the frequency

CREDITS
Performer: Alia Bergen
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Les Petites Choses ...
Mina Cazal

Verified Verified Artist

Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.

Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.

Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Track(s)
Les Petites Choses de Travers 1160 03:04

Les Petites Choses de Travers

Mina Cazal


Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses

Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »

Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades

J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous

À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »

Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique

J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication

Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local

Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration

On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner

D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu

La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie

La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment

Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin

CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Lost in the Sound
Alice Scott

Verified Verified Artist

Alice Scott
Alice Scott emerges from the vibrant streets of New York, where the pulse of the city intertwines with her soulful melodies and jazzy rhythms. Her musical journey began in the cozy corners of local cafés, where she fine-tuned her craft amidst a backdrop of eclectic sounds and intimate performances. With genres ranging from jazz to lo-fi pop and soul, Alice's catalog is a tapestry of emotional exploration, where each track resonates with the bittersweet essence of life’s fleeting moments. Songs like "Lost in the Sound" capture her reflective nature, painting vivid pictures of nostalgia and longing through poignant lyrics and lush arrangements.

Her artistic identity is a fusion of old-school charm and contemporary sensibilities, often drawing inspiration from the rich history of jazz while seamlessly incorporating modern production techniques. Alice's work invites listeners into a world where chill vibes meet deep emotional currents, making every listening experience a personal reflection. As she continues to evolve, Alice Scott remains dedicated to expressing the complexities of the human experience, crafting soundscapes that linger long after the last note fades away.
Track(s)
Lost in the Sound 20793 02:32

Lost in the Sound

Alice Scott


Thoughts collide as I reflect
Searching for what I can't connect
Every chord brings back your smile
But it's just an empty aisle

Time keeps moving yet I'm here
Holding on to what was dear
Words unspoken cloud my view
Moments lost but still feel you

Hey can you hear me?
I'm lost in the sound
Gripping tight can't let go
Of the warmth of you
Will I find my way through?

Every twist brings back your name
Searching for a spark to reclaim
But I breathe I choose to dance
Finding strength in every chance

Letting go of what we've known
Building paths where love has grown
Every heartbeat every sound
New stories waiting to be found

Hey can you hear me?
I'm lost in the sound
Gripping tight can't let go
Of the warmth of you
Will I find my way through?

CREDITS
Performer: Alice Scott
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Ashes Know My Name
Elias Crowe

Verified Verified Artist

Elias Crowe
Elias Crowe is an American singer-songwriter whose music lives somewhere between Latin blues, desert rock and roots Americana. Raised among the wide landscapes of the American Southwest, he developed a quiet fascination with stories of ordinary people, forgotten highways and the invisible weight carried through everyday life. Rather than chasing trends, Crowe built his sound around expressive guitar work, restrained vocals and songs that value silence as much as melody.

His recordings are known for their cinematic atmosphere, blending warm acoustic textures, soulful electric guitar and subtle Latin rhythms into music that feels timeless rather than nostalgic. Crowe rarely writes in absolutes. His lyrics explore redemption, memory, resilience and the fragile space between hope and regret, often using simple images to reveal deeper emotional truths. Listeners are drawn to the honesty of his performances, where every note feels lived rather than performed.

Although his style echoes the spirit of classic American roots music, Elias Crowe continues to shape a voice that is unmistakably his own. Whether performing intimate ballads or slow-burning rock songs, he favors authenticity over spectacle, allowing emotion, craftsmanship and atmosphere to lead every performance. His work has earned a loyal audience that values music not for its volume, but for its ability to linger long after the final chord has faded.
Track(s)
Ashes Know My Name 44527 04:58

Ashes Know My Name

Elias Crowe


Slow down…
Don’t wake the fire
It already knows
Who I am

Dust hangs low where the old road bends
Every scar still remembers friends
I don’t ask if tomorrow stays
I just count the smoke instead of days

One cold wind
One tired hand
Trying to build
What never stands

Every prayer arrives
Wearing different clothes
Maybe heaven answers
Maybe nobody knows

Hold your flame
Don’t hide your face
Even broken walls
Can become a place

If the night
Calls out my name
I’ll answer slow
Just the same

Hold your flame…
Don’t let it fade

My father’s coat still smells like rain
Every pocket keeps a different pain
Coins grow heavy
Truth grows light
Some men disappear
Before the fight

I don’t need another miracle
Only one more mile to walk
The silence speaks
Louder than angels
When nobody talks

Hold your flame
Across the storm
Nothing living
Stays untouched or warm

If I fall
Don’t call my name
Just leave the fire…
Exactly where it came

The ashes know my name…
The ashes know…
My name…

CREDITS
Performer: Elias Crowe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Better With Less
Eli Mercer

Verified Verified Artist

Eli Mercer
Eli Mercer is an acoustic soul-pop singer whose music resonates with warmth and emotional clarity. With a rich, clear voice that conveys both sincerity and introspection, Eli's style is defined by his fingerpicked guitar, soft upright piano, and delicate brushed drums. His song "Better With Less" encapsulates his artistic ethos, inviting listeners into a space where choosing simplicity and connection trumps the chaos of excess. Each element in his arrangements is thoughtfully restrained, allowing the depth of his lyrics to shine through in a way that feels both personal and relatable.

Thematically, Eli's work often revolves around the ideas of time, relationships, and grounding oneself in the present. His songs explore the importance of selecting people and experiences that enrich life, reflecting a mature perspective on what truly matters. This focus on emotional depth is balanced beautifully with melodies that evoke a sense of calm and hope, encouraging listeners to reflect on their own lives. His music creates an inviting atmosphere where one can contemplate the joys of living simply.

As he continues to develop his catalog, Eli Mercer stands out for his ability to blend genres such as pop, R&B, and soul into a cohesive sound that feels timeless yet contemporary. With each track, he invites us to join him on this journey towards gratitude and clarity. His vocal delivery is conversational yet powerful, leaving an impression that lingers well beyond the last note. Through his work, Eli fosters a connection with audiences seeking authenticity in a world often dominated by noise and distraction.
Track(s)
Better With Less 44774 03:32

Better With Less

Eli Mercer


I kept every receipt like proof
Bought more space then filled each room
Wore my plans like heavy clothes
Carried things I never chose
One by one I let them go
Found out what I need to know
A steady hand a faithful friend
A little time I do not spend

Nothing missing nothing owed
I can feel my shoulders let go

I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less

I gave away that tailored coat
Kept one song my father wrote
Took old numbers from my phone
Made this smaller place my own
No gold frame can hold a day
No new car can make love stay
I choose people I choose time
I choose a life that still feels mine

Nothing missing nothing owed
I can feel my shoulders let go

I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less

Keep the rush keep the race
I found freedom with some space
Every burden I release
Leaves more room for what I need

I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less

CREDITS
Performer: Eli Mercer
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

The Wrong Daughter
Billie Arden

Verified Verified Artist

Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.

Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
Track(s)
The Wrong Daughter 231 03:39
No Default Setting 2592 03:50

The Wrong Daughter

Billie Arden


I left at seventeen before the bread was warm
took the blue suitcase nobody claimed
Mother stood polishing the same clean glass
Dad read the paper without turning a page

There was a woman’s name behind the pantry clock
written twice then crossed with a kitchen knife
I asked who she was
They asked why I was still awake

Huh

They said “You’ll understand when you’re older”
So I got older somewhere else

I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train

I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong

Years later a stranger stopped me near the docks
said “You walk exactly like she did”
I laughed and asked “Who?”
She looked at me as though I’d made a joke

Then she handed me a photograph:
my father younger one hand out of frame
and a girl with my uneven teeth
wearing the blue suitcase name tag

Huh Small world
Terrible handwriting

She said “Your mother tried her best”
I said “Which one?”

I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train

I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong

Maybe I was kept
Maybe I was traded
Maybe love gets very polite
when the truth is complicated

I never asked again

That keeps them nervous

I was gone before the kettle sang
gone before they fixed their tale
Let them polish every answer
I know where the story fails

I was gone gone gone—
huh they still insist I’m wild
I didn’t leave because I hated them
I left as someone else’s child

CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Weekend Escape
BPM Off

Verified Verified Artist

BPM Off
Hailing from the vibrant streets of Barcelona, BPM Off is a disco club band that ignites every dance floor with their effervescent energy and uplifting grooves. Formed during late-night writing sessions that often spilled into the early hours, the band members—Ella, Leo, and Max—drew inspiration from both the city’s pulsating nightlife and the rich tapestry of local music scenes. Their sound is a kaleidoscope of dance, disco, and pop, designed to make listeners feel alive and connected through shared rhythm and joy.

The band's catalog is an exploration of euphoria, perfectly exemplified in tracks like "Weekend Escape." With an infectious blend of playful melodies and heartfelt lyrics, each song invites fans to feel the rhythm rise and embrace the energy flowing through their bodies. Themes of unity and celebration resonate throughout their music, encouraging everyone to break free from daily routines and ignite the night with abandon. The mix of mixed vocals enhances the dynamic charm of BPM Off, allowing every member's strengths to shine through, while also creating a harmonious blend that feels both nostalgic and fresh.

BPM Off thrives on shaping experiences through music. Their live performances are a testament to this ethos, transforming venues into spaces where strangers become friends under the flickering lights. With hopes pinned on crafting a joyful auditory landscape, they aim not just to entertain but also to forge lasting connections among their audience. As they continue to evolve with each new release, BPM Off remains committed to weaving intricate stories delivered by vibrant beats, ensuring that every moment spent with their music is indeed a reason to celebrate life together.
Track(s)
Weekend Escape 53305 03:04

Weekend Escape

BPM Off


Feel the rhythm rise let’s ignite the night

Energy flowing let’s break the mold
Grooving to the beat it’s a story to be told
With every heartbeat we’re alive and in sync
Let the music guide us let it take us to the brink

Hands up high ready for the flight
This is our moment we’re reaching new heights

Weekend escape let it unfold
Living for today let the good times roll
Laughing and dancing that’s how we sway
Rhythm of now we’ll find our way

Every sound resonates let the night ignite
With friends all around everything feels right
As the evening flows let our stories blend
In this joyful chaos there’s no need to pretend

I’m on the backbeat sneakers on the floor
Phone in my pocket still I want one more
Bass hit hard got the room in a wave
No acting no script just the moves that we save
Skippin’ past stress like it’s paint on the tile
Two-step quick laugh been a while since we smiled
From the booth to the hallway passing that spark
We don’t need a spotlight to light up the dark

Come a little closer share the joy we found
Together we’ll create a magic sound

Weekend escape let it unfold
Living for today let the good times roll
Laughing and dancing that’s how we sway
Rhythm of now we’ll find our way
Weekend escape feel it in your core
This is our moment let the music soar

Let the music soar

CREDITS
Performer: BPM Off
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

Radio Trottoir
No Be Me

Verified Verified Artist

No Be Me
No Be Me is an Afro-pop collective built around rhythm, mischief and stories that travel faster than facts. Their songs follow barbers, drivers, aunties, shopkeepers and accidental witnesses through everyday neighbourhood dramas, turning overheard remarks into sharp, danceable narratives. Led by a warm male storyteller and supported by four tightly arranged studio voices, the group blends Afrobeats percussion, highlife guitar, elastic bass and dry humour without relying on spectacle.

Their first single, “Radio Trottoir,” introduces a world where one careless “maybe” can acquire a wedding date, two witnesses and a catering budget before lunchtime. No Be Me treat gossip as social choreography: funny, dangerous, generous and impossible to control. Their music is polished but human, playful without becoming novelty, and rooted in the idea that the best stories rarely belong to the person who started them.
Track(s)
Radio Trottoir 1021 03:55

Radio Trottoir

No Be Me


Eight-oh-five by Saint Michel
Kola had a cake box under one arm
one red shoe in the other hand
He said “My aunt turns sixty”

I heard “aunt” “cake” and “Saturday”
and supplied the missing cinema myself
At Idris’ barbershop I said
“Maybe the man is getting married”

Idris did not repeat my sentence
He gave it catering witnesses
and a cousin arriving from Marseille
with three phones and firm opinions

By nine-fifteen the taxi rank knew the venue
By ten the tailor had chosen gold
By eleven Auntie Binta had named two children
Kola was still looking for candles

Who told you?
No be me
Who confirmed it?
Nobody

Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice

At one he had married the mayor’s niece
At two he had bought a flat in Lisbon
At three he had left her for a singer
whose name nobody could pronounce

At four the church committee wanted answers
about a generator no one had lost
At five I tried to stop the story
That became “He knows more than he is saying”

At six my mother called me:
“Wear something decent
Apparently you are giving the speech
And bring your own chair”

I found Kola beside the pharmacy
still carrying the same red shoe
The cake was for Aunt Mariam
The shoe had fallen from her shopping bag

He stared at me for seven quiet seconds
then asked who I planned to marry
I laughed exactly once
That was my second mistake

Who told you?
No be me
Who confirmed it?
Nobody

Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice

I went home to hide from the bulletin
My neighbour had prepared rice
My sister said a woman named Celeste
had accepted me on my behalf

Who is Celeste? Nobody knows
She may be a dentist
She may be in Dakar
She may have started at Idris’ second chair

My mother likes her already
She says Celeste sounds responsible
There are now two cakes in the kitchen
Neither one belongs to Kola

Wetin happen?
Ask the barber
Who start am?
No be me
Where proof dey?
It left by taxi
Can you stop am?
You fit try

Radio trottoir radio trottoir
no antenna no editor no brakes
By sunset Kola ran the ministry
by midnight I was cutting a second cake

Radio trottoir radio trottoir
every correction opens another branch
I only said “Maybe he is getting married”
Now Celeste is discussing curtains with my aunt

Kola brought the candles
My mother served the rice
Idris arrived with invitations

No be me

CREDITS
Performer: No Be Me
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

After Seven
Elian Rae

Verified Verified Artist

Elian Rae
Elian Rae makes refined late-hour pop built for rooms that do not want to shout. Her sound blends soft nu-disco, mellow funk bass, Rhodes keys, muted guitar, and an airy vocal style that feels polished without turning glossy or loud.

Her songs often find small cinematic details in ordinary spaces: a quiet shop after seven, fabric on a hanger, receipts curling beside a drawer, street color moving behind glass. The result is warm, understated music for evening playlists, boutique floors, and listeners who like groove with restraint.
Track(s)
After Seven 1101 03:35

After Seven

Elian Rae


At seven the glass doors learn the street by name
sale tags turn slowly in the conditioned air
someone leaves a blue scarf folded out of place
and the mirror keeps pretending not to stare

A clerk counts coins like small weather
one by one into a paper tray
the fitting rooms exhale together
as the weekday loosens its display

Keep the low lamps on
let the room breathe out
there is music in the ordinary
when the hurry thins around
Soft returns quiet shelves
hands on fabric nothing else
after seven after seven
we move lightly through ourselves

Perfume cards sleep beside the counter
shoes line up like they know the floor
outside taxis change their colors
inside no one needs to want more

A coat on a hanger turns human
for a second in the corner light
I almost ask it where it's going
then I let it keep the night

Keep the low lamps on
let the room breathe out
there is music in the ordinary
when the hurry thins around
Soft returns quiet shelves
hands on fabric nothing else
after seven after seven
we move lightly through ourselves

Not every song should chase the ceiling
not every room should ask for rain
some evenings only need a rhythm
folded neatly with a name

Keep the low lamps on
let the room breathe out
there is music in the ordinary
when the hurry thins around
Soft returns quiet shelves
hands on fabric nothing else
after seven after seven
we move lightly through ourselves

The last receipt curls by the drawer
one small moon on the floor
after seven after seven
nothing asks to be more

CREDITS
Performer: Elian Rae
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Velvet Circuits
Mara Vale

Verified Verified Artist

Mara Vale
Mara Vale makes sleek night-drive pop with a disco pulse: live bass lines, clean rhythm guitar, warm strings, and hooks that feel lit by streetlights. Her songs balance playful movement with a bittersweet city glow, built for listeners who want groove, melody, and a little electricity under the skin.

Her sound sits between classic dance-floor craft and modern pop polish, with soulful female vocals carrying stories of late buses, rooftop coffee, open city windows, and small moments that suddenly feel cinematic. Mara Vale keeps the arrangements bright and human: tight drums, handclaps, piano stabs, and choruses designed to move without turning into a cliché.
Track(s)
Window Light After Eight 3546 04:37
Velvet Circuits 15614 03:54

Velvet Circuits

Mara Vale


I saw your name in the window light
spelled out backwards on a passing bus
city heat on a borrowed bike
and a little bit of trouble looking back at us

You had a laugh like a camera flash
gone too soon but it burned the room
I had a heart with a broken latch
swinging open to a silver moon

We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin

Coffee cold on a rooftop stair
bassline leaking from a taxi door
You tied a ribbon in your midnight hair
said the future isn't hungry anymore

I was counting every exit sign
making maps out of ways to leave
Then you put your hand inside of mine
like a rhythm that remembered me

We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin

All my static turns to motion
all my caution learns to shine
There's a pulse beneath the pavement
keeping perfect crooked time

We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin

Velvet circuits in the crosswalk glow
Velvet circuits and the city knows
Velvet circuits when the morning spins
I keep coming back to begin

CREDITS
Performer: Mara Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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