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Channel Zero
Gutterlux 42

Verified Verified Artist

Gutterlux 42
Gutterlux 42, hailing from the vibrant streets of Bristol, is an artist navigating the delicate intersections of alternative hip-hop, cinematic dub-pop, and psychedelic funk. With a sound that evokes a sense of bittersweet nostalgia, Gutterlux 42 draws listeners into a world where heavy basslines intertwine with mixed vocal stylings, creating a captivating atmosphere that feels both intimate and expansive. Tracks like "Channel Zero" showcase this unique blend, employing rich, layered production that combines elements of lo-fi electronic soul with art-rock vibes, inviting audiences to reflect on their own emotional landscapes.

With roots deeply embedded in club culture and a rich local scene, Gutterlux 42's artistry thrives on the pulse of urban life. The musical narrative often begins with unexpected sounds—a radio scan, echoes of street ambience—setting the stage for explorations of identity, connection, and the human condition. Each release not only builds upon the last but also captures moments of clarity amid chaos, often taking listeners through dark corridors before lifting them into moments of inspiration. This thematic evolution is evident throughout their catalog, allowing their music to resonate on multiple levels.

As a project, Gutterlux 42 is marked by an ever-evolving creative identity that reflects both personal experiences and collective emotions. Their work invites listeners to confront the complexities of existence while wrapped in melodies that linger long after the final note fades. Whether through melancholic introspection or uplifting revelations, Gutterlux 42 continues to carve out a space in the indie landscape that feels distinctly theirs—one where every track serves as a new chapter in an ongoing story.
Track(s)
Channel Zero 85941 04:00

Channel Zero

Gutterlux 42


Good morning citizens
Your mood has been selected
Please remain casually impressed

I bought a smile from a vending machine
It came with batteries polished and clean
The screen said “Buddy you’re doing fine”
Then charged my card for wasting its time

My neighbor’s dog has a podcast now
He sells good habits and teaches you how
I wear dark glasses inside the store
So the cameras think I’ve been here before

Nothing is wrong nothing is real
Spin that message seal the deal
Everybody wants a better view
Nobody wants to change the room

Turn me down to channel zero
No big plan no chosen hero
Keep that smile for the television
I’m off-grid with bad reception

Channel zero moving slowly
Everybody knows me nobody knows me
Cut the signal lose the logo
Meet me down on channel zero

The mayor dances in a cereal ad
Says being watched should make us glad
A plastic moon hangs over the street
While delivery drones argue over the beat

My profile picture went out for a walk
Came back famous and refused to talk
It signed my name to a brand-new life
With better teeth and a rented wife

Nothing is wrong nothing is real
Pick a number turn the wheel
Everybody wants a cleaner truth
Printed fresh in a rented booth

Turn me down to channel zero
No big plan no chosen hero
Keep that smile for the television
I’m off-grid with bad reception

Channel zero moving slowly
Everybody knows me nobody knows me
Cut the signal lose the logo
Meet me down on channel zero

Terms and conditions tattooed on the ceiling
Swipe for approval subscribe to a feeling
Five-star panic in a paper cup
The world went down but the price went up

I got two left shoes and a counterfeit map
A government pigeon asleep in my lap
They said “Stay positive stay on brand”
So I drew a door where they built a wall
And walked straight through with the mic in my hand

No notification
No explanation
No invitation
Just oscillation

No verification
No celebration
Lose your location
Find your vibration

Turn me down to channel zero
No big plan no chosen hero
Keep that smile for the television
I’m off-grid with bad reception

Channel zero moving slowly
Everybody knows me nobody knows me
Cut the signal lose the logo
Meet me down on channel zero

Your session has expired
Good

CREDITS
Performer: Gutterlux 42
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Glass Rain
Liora Venn

Verified Verified Artist

Liora Venn
Liora Venn makes melodic deep house for late rooms, wet windows and the small hours when city lights start to feel personal. Her sound is built around warm analog bass, airy pads and restrained piano motifs, with vocals that move like a memory rather than a spotlight.

Glass Rain captures that world clearly: intimate, nocturnal and quietly hypnotic, balancing club pulse with a melancholy human center. Venn's music avoids oversized drops in favor of atmosphere, motion and emotional detail.
Track(s)
Glass Rain 14849 03:47

Glass Rain

Liora Venn


I saw your face in the glass rain
Sliding down the window line
City lights were losing color
But your shadow still found mine

You said nothing lasts forever
Like forever was a crime
I kept counting every silence
Like it might give back the time

We don't have to call it love
We don't have to name the fire
Just stay close enough tonight
To feel the wire

If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow

I'll be moving through the glass rain
With your heartbeat in the floor
Every street becomes an ocean
Every door becomes your door

We were never made for answers
Only signals in the dark
Two lost satellites turning
Round the same electric spark

We don't have to call it love
We don't have to name the fire
Just stay close enough tonight
To feel the wire

If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow

And if the night forgets us
I will still know
How your voice became the rhythm
Under everything below

If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow

CREDITS
Performer: Liora Venn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

Radio Trottoir
No Be Me

Verified Verified Artist

No Be Me
No Be Me is an Afro-pop collective built around rhythm, mischief and stories that travel faster than facts. Their songs follow barbers, drivers, aunties, shopkeepers and accidental witnesses through everyday neighbourhood dramas, turning overheard remarks into sharp, danceable narratives. Led by a warm male storyteller and supported by four tightly arranged studio voices, the group blends Afrobeats percussion, highlife guitar, elastic bass and dry humour without relying on spectacle.

Their first single, “Radio Trottoir,” introduces a world where one careless “maybe” can acquire a wedding date, two witnesses and a catering budget before lunchtime. No Be Me treat gossip as social choreography: funny, dangerous, generous and impossible to control. Their music is polished but human, playful without becoming novelty, and rooted in the idea that the best stories rarely belong to the person who started them.
Track(s)
Radio Trottoir 1021 03:55

Radio Trottoir

No Be Me


Eight-oh-five by Saint Michel
Kola had a cake box under one arm
one red shoe in the other hand
He said “My aunt turns sixty”

I heard “aunt” “cake” and “Saturday”
and supplied the missing cinema myself
At Idris’ barbershop I said
“Maybe the man is getting married”

Idris did not repeat my sentence
He gave it catering witnesses
and a cousin arriving from Marseille
with three phones and firm opinions

By nine-fifteen the taxi rank knew the venue
By ten the tailor had chosen gold
By eleven Auntie Binta had named two children
Kola was still looking for candles

Who told you?
No be me
Who confirmed it?
Nobody

Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice

At one he had married the mayor’s niece
At two he had bought a flat in Lisbon
At three he had left her for a singer
whose name nobody could pronounce

At four the church committee wanted answers
about a generator no one had lost
At five I tried to stop the story
That became “He knows more than he is saying”

At six my mother called me:
“Wear something decent
Apparently you are giving the speech
And bring your own chair”

I found Kola beside the pharmacy
still carrying the same red shoe
The cake was for Aunt Mariam
The shoe had fallen from her shopping bag

He stared at me for seven quiet seconds
then asked who I planned to marry
I laughed exactly once
That was my second mistake

Who told you?
No be me
Who confirmed it?
Nobody

Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice

I went home to hide from the bulletin
My neighbour had prepared rice
My sister said a woman named Celeste
had accepted me on my behalf

Who is Celeste? Nobody knows
She may be a dentist
She may be in Dakar
She may have started at Idris’ second chair

My mother likes her already
She says Celeste sounds responsible
There are now two cakes in the kitchen
Neither one belongs to Kola

Wetin happen?
Ask the barber
Who start am?
No be me
Where proof dey?
It left by taxi
Can you stop am?
You fit try

Radio trottoir radio trottoir
no antenna no editor no brakes
By sunset Kola ran the ministry
by midnight I was cutting a second cake

Radio trottoir radio trottoir
every correction opens another branch
I only said “Maybe he is getting married”
Now Celeste is discussing curtains with my aunt

Kola brought the candles
My mother served the rice
Idris arrived with invitations

No be me

CREDITS
Performer: No Be Me
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Power Play (ft Dari...
Heather Davis

Verified Verified Artist

Heather Davis
Heather Davis is a London-based artist whose music pulses with the vibrant energy of modern dance and disco. Infused with influences from the city’s club culture, her tracks like "Power Play (ft Darius Vale)" showcase her ability to blend nu-disco rhythms with electro-pop sensibilities. With a strong yet playful vocal delivery that echoes confidence, Heather’s music invites listeners to embrace their own strength and joy. Her songs evolve around themes of self-empowerment and celebration, creating an uplifting atmosphere that resonates in every beat.

Heather's catalog features an array of meticulously crafted tracks that reflect her unique artistic vision. Alongside "Power Play," listeners can explore other energetic anthems that ooze happiness and hopefulness, designed to keep spirits high on the dance floor. The synergy of tight four-on-the-floor drums, funky basslines, and glossy synths not only establishes her signature sound but also makes each track feel like a celebration of life’s joyous moments, capturing the essence of what it means to truly live in the moment.
Track(s)
Power Play (ft Darius Vale) 47969 03:27

Power Play (ft Darius Vale)

Heather Davis


Walking in I feel the shift
Confidence it’s my gift
No more waiting for a sign
I’m my own and I feel fine

Every glance they see the change
A subtle glow I rearrange
Moving through like I own the space
This is my time I’ll set the pace

I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play

No more aftertone of what could be
I’m the story I’m the key
With each beat I redefine
Crafting moments I’m aligned

Every glance they see the change
A subtle glow I rearrange
Moving through like I own the space
This is my time I’ll set the pace

I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play

Yeah I walk in cool no script no stunt
Clean cut low talk I don’t need the front
Hands in the pocket watch the room bend
Every small doubt I had I just left to end
Fresh on my feet let the floorboards talk
No borrowed shine I built my own walk
Look at me now no mask no delay
I move with the groove then I move out the way

Catch the rhythm let it flow
This is where I’ll let it show
No more doubt just clarity
This is my reality

I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play

CREDITS
Performer: Heather Davis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Velvet Circuits
Mara Vale

Verified Verified Artist

Mara Vale
Mara Vale makes sleek night-drive pop with a disco pulse: live bass lines, clean rhythm guitar, warm strings, and hooks that feel lit by streetlights. Her songs balance playful movement with a bittersweet city glow, built for listeners who want groove, melody, and a little electricity under the skin.

Her sound sits between classic dance-floor craft and modern pop polish, with soulful female vocals carrying stories of late buses, rooftop coffee, open city windows, and small moments that suddenly feel cinematic. Mara Vale keeps the arrangements bright and human: tight drums, handclaps, piano stabs, and choruses designed to move without turning into a cliché.
Track(s)
Window Light After Eight 3546 04:37
Velvet Circuits 15614 03:54

Velvet Circuits

Mara Vale


I saw your name in the window light
spelled out backwards on a passing bus
city heat on a borrowed bike
and a little bit of trouble looking back at us

You had a laugh like a camera flash
gone too soon but it burned the room
I had a heart with a broken latch
swinging open to a silver moon

We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin

Coffee cold on a rooftop stair
bassline leaking from a taxi door
You tied a ribbon in your midnight hair
said the future isn't hungry anymore

I was counting every exit sign
making maps out of ways to leave
Then you put your hand inside of mine
like a rhythm that remembered me

We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin

All my static turns to motion
all my caution learns to shine
There's a pulse beneath the pavement
keeping perfect crooked time

We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin

Velvet circuits in the crosswalk glow
Velvet circuits and the city knows
Velvet circuits when the morning spins
I keep coming back to begin

CREDITS
Performer: Mara Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Wake Up, Gary
Wrong Floor Cinema

Verified Verified Artist

Wrong Floor Cinema
Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.

Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.

Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.
Track(s)
Wake Up, Gary 60445 03:28
Never On The Line 32562 02:48
The Man Who Sold the Rain 33618 02:42

Wake Up, Gary

Wrong Floor Cinema


Gary’s got a corkboard on the bedroom wall
Red strings running from the big to the small
Says the moon’s a movie on a giant screen
“NASA hired Stanley back in ‘69” he’s keen

Won’t eat cereal with a barcode line
Reads expiration dates like secret signs
Says the pigeons blink in binary
Then whispers “Buddy… they’re watching me”

Every answer needs another question
Every fact becomes a new obsession

Wake up Gary what did you find?
Another secret hidden in your mind?
Lizard kings and laser skies
Birds with government eyes
Wake up Gary take a day off please
Not everything’s a global mystery
Maybe life is just… okay
But don’t tell Gary anyway

He says Elvis orders food at night
Bigfoot’s blurry on purpose right?
Paul was switched back in ‘64
“Look at the eyebrows!” — he’s got thirty more

Area Fifty-One’s a holiday camp
Atlantis powers every desk lamp
Chemtrails spell my middle name
And squirrels? “Yeah… they’re in the game”

Every headline proves his theory
Coffee makes him documentary

Wake up Gary what did you find?
Another secret hidden in your mind?
Lizard kings and laser skies
Birds with government eyes
Wake up Gary take a day off please
Not everything’s a global mystery
Maybe life is just… okay
But don’t tell Gary anyway

Yesterday he called at half past two
Said “I’ve got something huge for you!”
I held my breath… this must be big…

“They changed the shape… of Pringles lids”



He wasn’t joking

Wake up Gary what did you find?
Another rabbit hole to pass the time?
Flat Earth aliens secret files
He can talk for seventeen miles
Wake up Gary you’re one of a kind
You make conspiracy sound sublime
If the truth comes out one day
We’ll let Gary say “I told you mate!”

CREDITS
Performer: Wrong Floor Cinema
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Small Parts Of A Life
Minor Museum

Verified Verified Artist

Minor Museum
Coming from the city renowned for its artistic heritage and atmospheric canals, Amsterdam's very own dance duo, Minor Museum, is stitching the 'dance' in windswept tulip dances. A peculiar mashup of a coding whizz and an astute accountant, their paths crossed in a city awash with creativity, where they started to craft their celebratory anthems.

These audacious lads prove there's a splash of quirkiness in everyone - even in number-crunching accountants and binary code aficionados. Plug into their latest riff on the dance genre, the vibrant tune 'Small Parts Of A Life', and it can't help but be a day brightener, providing that happy fix faster than a Dutchman can cycle into a headwind.

In the grand tradition of long summer days by the North Sea, their music fosters a joyful dynamism, reminiscent of the old city's vibrancy and hues at twilight. The Minor Museum experience is akin to taking a ride in a rickety Amsterdam canal boat - feel-good bobbing with a dash of exhilaration, minus the water sprays.

Allow the men of Minor Museum to reel you in; after all, what's life without those precious ‘small parts’ tracked through infectious beats? In the end, it's all about adding the grooves between the historical facts and tax returns, isn't it?
Track(s)
Small Parts Of A Life 48880 04:03

Small Parts Of A Life

Minor Museum


Small parts
Small parts
Of a life

I keep them
I lose them
I try

A room
A chair
A photograph there

A train
A face
A wrong suitcase

You said
Be careful
I said
Of what?

The door was open
The clock had stopped

I remember the street
But I don’t remember the name
I remember your coat
But I don’t remember the rain

Little things
Little signs
Little cuts
In the time

I was almost someone
I was almost fine

La-la-life
In small little pieces
La-la-life
It comes and it leaves us

Round and round
I go where the feeling goes
Up and down
Nobody really knows

La-la-life
In small little pieces
I lose myself
Then I repeat it

La-la-life
La-la-life
Small parts
Of a life

Small parts
Small parts
Small parts
Of a life

La-la-life
La-la-life
I repeat it
I repeat it

A call
No sound
A hotel downtown

A shirt
A lie
A very blue sky

You smiled
Too late
I missed my fate

The lift went up
I stayed at eight

I remember the song
But I don’t remember the band
I remember your mouth
But I don’t remember your hand

Little rooms
Little lights
Little debts
Little nights

I was almost happy
I was almost right

La-la-life
In small little pieces
La-la-life
It comes and it leaves us

Round and round
I go where the feeling goes
Up and down
Nobody really knows

La-la-life
In small little pieces
I lose myself
Then I repeat it

La-la-life
La-la-life
Small parts
Of a life

This is not sadness
This is inventory

One ticket
One number
One glass
One morning

This is not memory
This is machinery

I press play
I press stop
I press repeat

La-la-life
La-la-life

Small parts
Small parts

La-la-life
La-la-life

I repeat it
I repeat it

La-la-life
In small little pieces
La-la-life
It comes and it leaves us

Round and round
I go where the feeling goes
Up and down
Nobody really knows

La-la-life
In small little pieces
I lose myself
Then I repeat it

La-la-life
La-la-life
Small parts
Of a life

A room
A chair
A photograph there

Small parts
Small parts
Of a life

CREDITS
Performer: Minor Museum
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

No Me Mires Asi
Mono De Oro

Verified Verified Artist

Mono De Oro
Mono De Oro is a vibrant singer-songwriter with Spanish roots, now making waves in the heart of America. With a voice that carries the warmth of sun-soaked afternoons and the melodic storytelling of her heritage, she embodies a rich cultural blend. Her music serves as an intimate exploration of identity, love, and longing, bridging the gap between her past and present. Each note resonates with the essence of her journey, capturing the listener's attention and drawing them into her world.

Her catalog may currently feature a single track, "No Me Mires Asi," but Mono De Oro’s artistry extends far beyond this initial offering. The song reflects her distinctive lyrical style, characterized by poetic narratives and emotive vocals that leave a lasting impact. As she continues to develop her sound, themes of introspection and romance emerge as central threads, manifesting in a unique way that invites listeners to experience her personal reflections on life and love.

Living in America has undoubtedly influenced her music, allowing her to merge traditional Spanish influences with contemporary sounds. This fusion is evident in her compelling vocal delivery and the emotional depth present in her songwriting. Mono De Oro's passion for crafting relatable stories through her art promises an exciting evolution ahead, captivating audiences with each new release as she carves out her space in the indie music scene.
Track(s)
No Me Mires Asi 41991 03:37

No Me Mires Asi

Mono De Oro


Yeah
Mono De Oro
No me mires así
You know what you do

Llegaste tarde
With that smile
Como si nada
But you changed the vibe

Yo estaba tranquilo
Mind on my plans
Then you said my name
With your drink in hand

No busco problemas
But you look like one
De esos bonitos
Que no say sorry

Te acercas lento
I lose my line
No me preguntes
If I’m fine

Una noche
No promise
Dos miradas
Too honest

Si te vas
I won’t call
Si te quedas
I might fall

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No me mires así
I’m trying to behave
Pero tú tienes algo
I can’t explain

No no no
Don’t move away
No no no
Quédate

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

Tú tienes ritmo
Sin intentar
I got excuses
To stay where you are

Dicen cuidado
Yo digo maybe
Con esa cara
You drive me crazy

No quiero drama
No quiero stress
Solo tu risa
Close to my chest

Si esto es pecado
Make it polite
We keep it clean
But we don’t waste time

Una noche
No promise
Dos miradas
Too honest

Si te vas
I won’t call
Si te quedas
I might fall

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No me mires así
I’m trying to behave
Pero tú tienes algo
I can’t explain

No no no
Don’t move away
No no no
Quédate

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No te prometo
Toda mi vida
Pero esta noche
Se ve distinta

You don’t need words
I don’t need plans
Solo tu mano
Cerca de my hand

Si esto se acaba
Lo acepto bien
Pero por ahora
Ven ven ven

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No me mires así
I’m trying to behave
Pero tú tienes algo
I can’t explain

No no no
Don’t move away
No no no
Quédate

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No me mires así
You know what you do
Quédate
Just me and you

CREDITS
Performer: Mono De Oro
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

New York, I Loved You
Asha Monroex

Verified Verified Artist

Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.

A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.

Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.

Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
Track(s)
Borrowed Cutlery 3021 04:22
New York, I Loved You 57997 04:42

New York, I Loved You

Asha Monroex


Seventh Avenue 2 AM
You had your jacket on I had nowhere to be then
Yellow cabs blurring past the rain
You said my name like it was something you wanted to keep
Rooftop views and corner store wine
You made this city feel like it was only mine
But New York doesn't stop for anyone
And neither did you when you were done

I still hear the subway underground
Every time I'm trying not to think about
The way you laughed when the lights went out

New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline

I still got the rain
But baby loving you was my
Most beautiful pain

Brooklyn bridge on a Saturday
You took my picture like you planned to stay
I framed it hung it on the wall
Took it down in November when the leaves would fall
You were Harlem jazz at midnight
I was trying to be your home
But some men love a city
More than they'll ever love you alone

I still walk the same blocks we used to share
Turn the corner half-expecting you'd be there
(yeah…)
But the city just stares
(just stares…)

New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
(most beautiful…)

This city taught me everything I know
How to hold on
(hold on)

How to let go
(let go)
How to stand in the middle of a million souls
And still feel whole
(feel whole…)
New York didn't break me

He just set the scene
(mm)
And I was never really lost
I just hadn't found me
(found me…)
(ohhhh)

New York I loved you
(loved you)
And I love me now
(now)
Traded in the heartbreak
For my own vow
(yeah)

Still got the skyline
Still got the rain
(the rain…)
And baby — that pain
Made me everything
(everything…)
mmmh…

CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Call Me Expensive
Fonx Prime

Verified Verified Artist

Fonx Prime
Fonx Prime is an emerging artist from London, known for his infectious blend of funk and pop that captures the vibrancy of the city’s music scene. Currently honing his craft as a conservatoire student, Fonx brings a youthful exuberance to his work, drawing inspiration from both classic influences and contemporary trends. His debut track "Call Me Expensive" showcases this dynamic approach, effortlessly merging upbeat rhythms with playful lyrics that resonate with themes of hope and confidence.

With a sound that is both energetic and uplifting, Fonx's music invites listeners into a world where joy is paramount. Each composition reflects his ability to create engaging melodies that linger in the mind long after the last note fades. Beyond the lively grooves of "Call Me Expensive," future releases are expected to expand upon this tapestry, exploring the interplay between funk-driven beats and pop sensibilities while maintaining an overall sense of optimism.

Fonx Prime’s artistic identity is rooted in authenticity, as he embraces his journey with sincerity and passion. His music not only serves as a reflection of his personal experiences but also invites audiences to celebrate life’s moments of happiness and playfulness. As he continues to develop his catalog, Fonx aims to connect with fans through relatable themes and an infectious energy that encourages everyone to embrace their individuality.
Track(s)
Call Me Expensive 49788 03:32

Call Me Expensive

Fonx Prime


Ow
Mm
Don’t act cheap with my heart

You got style
But you talk too much
You got taste
But you rush too much

I don’t need
A golden key
I just need
You next to me

No long speech
No big parade
Just that look
That you can’t fake

You say maybe
I say no
Pick a side
Or let me go

I’m not hard to love
I’m hard to fool
You play so sweet
But I know you

If you want my time
Spend it right
Don’t bring drama
To my Friday night

Call me expensive
Call me too much
Call me whenever
You need real love

Call me electric
Call me your type
Call me before you
Change your mind

You don’t need money
You need attention
I don’t want diamonds
I want intention

Call me expensive
Baby that’s fine
Cheap talk never
Gets my time

You wear cool
Like a second skin
But I see nerves
When I walk in

You try smooth
I try honest
You want games
I want promise

Don’t send flowers
Send the truth
I got better
Things to do

You say maybe
I say please
Don’t waste rhythm
On your knees

I’m not hard to love
I’m hard to fool
You play so sweet
But I know you

If you want my time
Spend it right
Don’t bring drama
To my Friday night

Call me expensive
Call me too much
Call me whenever
You need real love

Call me electric
Call me your type
Call me before you
Change your mind

You don’t need money
You need attention
I don’t want diamonds
I want intention

Call me expensive
Baby that’s fine
Cheap talk never
Gets my time

Less conversation
More dedication
Less explanation
More demonstration

I don’t need perfect
I don’t need rich
I need somebody
Who knows what this is

Say it cleaner
Stand up straighter
Love me now
Or miss me later

Call me expensive
Call me too much
Call me whenever
You need real love

Call me electric
Call me your type
Call me before you
Change your mind

You don’t need money
You need attention
I don’t want diamonds
I want intention

Call me expensive
Baby that’s fine
Cheap talk never
Gets my time

Ow
Don’t act cheap with my heart
Call me expensive
That’s a good start

CREDITS
Performer: Fonx Prime
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

She Owns The Night
Dora The Clone

Verified Verified Artist

Dora The Clone
Imagine a futuristic pop diva hailing from the chromatic labs of Clone City, and you're partway to encapsulating the vibrant phenomenon known as Dora The Clone. This independent artist dances to the beat of her own drum machine, captivating audiences with her disco-dusted, cybernetic symphonies.

Dora's music, a technicolour dream of dance-floor beats and electrifying melodies, is as enigmatic as her origins in the post-apocalyptic streets of Clone City. With a sound that weaves together the energy of club culture and the pulsing heart of electro-pop, her tunes are guaranteed to make neural pathways light up like a Friday night in Blade City.

Every single one of her infectious grooves seems to command, "Beam me up, Scotty!" Of special note is her big hit "She Owns The Night," an anthem for audacious androids and human party-goers alike. The track throbs with vibrant synth and stuttering beats, overlaid with Dora's crystal-clear vocals, making every listener feel like they're cruising through the neon-soaked metropolis under a night sky of silver stars.

With Dora The Clone, expect the unexpected: a tantalizing futuristic world brought to life through pulsing dance heaters and shimmering pop anthems. Underneath the cosmic glitz and glamour, you'll find a heart that beats in binary and a soul that vibrates at gigahertz frequency. Hold onto your hoverboards folks, because Dora The Clone is here to redefine the future of pop – and she's doing it in binary code.
Track(s)
She Owns The Night 70007 03:49

She Owns The Night

Dora The Clone


She walks in slow
But the room moves first
No crown no show
Still they know her worth

She don’t ask for permission
She don’t wait by the door
Got a heart made of rhythm
And a name they can’t ignore

Red lips calm eyes
Turning silence into gold
She’s been through the fire
Now she wears it like a coat

You can’t dim her down
She’s already light
She don’t chase the crowd
She owns the night

She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline

She owns the night
No need to prove it
One look one step
Everybody feels the music

She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night

Oh-oh she owns it
Oh-oh she knows it
Oh-oh she owns it
She owns the night

No tears on the dance floor
She left them in the rain
Put her pain in a black dress
Turned it into champagne

They said “Stay smaller”
She said “Watch me rise”
Now the mirror gets jealous
When she looks inside

You can’t dim her down
She’s already light
She don’t chase the crowd
She owns the night

She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline

She owns the night
No need to prove it
One look one step
Everybody feels the music

She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night

Every heartbreak made her louder
Every goodbye gave her power
Now she dances on the hour
Like the world is hers to devour

No more waiting
No more hiding
She’s the thunder
She’s the lightning

She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline

She owns the night
No need to prove it
One look one step
Everybody feels the music

She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night

Oh-oh she owns it
Oh-oh she knows it
Oh-oh she owns it
She owns the night

CREDITS
Performer: Dora The Clone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Bad At Fractions
Ayvenn

Verified Verified Artist

Ayvenn
Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.
Track(s)
Bad At Fractions 23209 03:41
All for One Y. 364015 04:18

Bad At Fractions

Ayvenn


You walked in counting every step
I lost track somewhere near your hips
You said “Baby keep it logical”
Then moved like logic didn’t exist

My drink was ninety-nine percent
Cool confidence and one percent fear
You leaned in close changed every sum
Now nothing adds up over here

I tried to draw a straight line
You turned it to a curve
I calculated all night
Still got what I deserve

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You got a rhythm like a riddle
Every answer starts a fight
Your waist keeps changing the percentage
Of the chances I act right

I brought a list of good decisions
You divided every plan
Now my balance is suspicious
And my patience left the band

I tried to keep it even
You raised it to a ten
I checked the calculation
Then did it all again

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
You say “Count it”
I lose my place
When that rhythm hits the bass

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
No remainder no return
Let the whole equation burn

Square root round hips
Quick clap slow kiss
I know numbers I know facts
But you make two plus two misbehave like that

Left turn three steps
No sleep no regrets
Every theory that I had
Falls apart when you do that

*(Ay ay—do that)*
*(Otra vez—do that)*

**[Final Chorus]**
I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math

*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*
No remainder no looking back
Take all of me—do the math

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Weekend Escape
BPM Off

Verified Verified Artist

BPM Off
Hailing from the vibrant streets of Barcelona, BPM Off is a disco club band that ignites every dance floor with their effervescent energy and uplifting grooves. Formed during late-night writing sessions that often spilled into the early hours, the band members—Ella, Leo, and Max—drew inspiration from both the city’s pulsating nightlife and the rich tapestry of local music scenes. Their sound is a kaleidoscope of dance, disco, and pop, designed to make listeners feel alive and connected through shared rhythm and joy.

The band's catalog is an exploration of euphoria, perfectly exemplified in tracks like "Weekend Escape." With an infectious blend of playful melodies and heartfelt lyrics, each song invites fans to feel the rhythm rise and embrace the energy flowing through their bodies. Themes of unity and celebration resonate throughout their music, encouraging everyone to break free from daily routines and ignite the night with abandon. The mix of mixed vocals enhances the dynamic charm of BPM Off, allowing every member's strengths to shine through, while also creating a harmonious blend that feels both nostalgic and fresh.

BPM Off thrives on shaping experiences through music. Their live performances are a testament to this ethos, transforming venues into spaces where strangers become friends under the flickering lights. With hopes pinned on crafting a joyful auditory landscape, they aim not just to entertain but also to forge lasting connections among their audience. As they continue to evolve with each new release, BPM Off remains committed to weaving intricate stories delivered by vibrant beats, ensuring that every moment spent with their music is indeed a reason to celebrate life together.
Track(s)
Weekend Escape 53305 03:04

Weekend Escape

BPM Off


Feel the rhythm rise let’s ignite the night

Energy flowing let’s break the mold
Grooving to the beat it’s a story to be told
With every heartbeat we’re alive and in sync
Let the music guide us let it take us to the brink

Hands up high ready for the flight
This is our moment we’re reaching new heights

Weekend escape let it unfold
Living for today let the good times roll
Laughing and dancing that’s how we sway
Rhythm of now we’ll find our way

Every sound resonates let the night ignite
With friends all around everything feels right
As the evening flows let our stories blend
In this joyful chaos there’s no need to pretend

I’m on the backbeat sneakers on the floor
Phone in my pocket still I want one more
Bass hit hard got the room in a wave
No acting no script just the moves that we save
Skippin’ past stress like it’s paint on the tile
Two-step quick laugh been a while since we smiled
From the booth to the hallway passing that spark
We don’t need a spotlight to light up the dark

Come a little closer share the joy we found
Together we’ll create a magic sound

Weekend escape let it unfold
Living for today let the good times roll
Laughing and dancing that’s how we sway
Rhythm of now we’ll find our way
Weekend escape feel it in your core
This is our moment let the music soar

Let the music soar

CREDITS
Performer: BPM Off
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Almost Beautiful
Sand Castle of Ma

Verified Verified Artist

Sand Castle of Ma
Sand Castle of Ma is a vibrant four-member indie rock band hailing from the lush landscapes of Seattle. The group, consisting of the charismatic vocalist Eli Stratton, guitarist Finn Mercer, bassist Leo Keene, and drummer Jasper Quinn, formed in a local coffee shop where they bonded over their mutual love for music and the arts. With their diverse backgrounds and experiences, each member brings a unique flavor to the band’s collective sound, creating a harmonious blend that resonates deeply with listeners.

The band’s debut track, "Almost Beautiful," captures the essence of their style—an exploration of the complexities of beauty and imperfection. Drawing on themes of introspection and emotional depth, Sand Castle of Ma weaves together melodic guitar lines with earnest lyrics that invite listeners to reflect on their own experiences. Their sound artfully combines influences from classic rock and contemporary indie styles, allowing them to carve out a niche that feels both fresh and familiar.

As they continue to evolve, Sand Castle of Ma aims to expand their catalog with more tracks that reflect their evolving identity. The chemistry among Eli, Finn, Leo, and Jasper fuels their creativity, promising an exciting future filled with dynamic performances and heartfelt music. With a growing fanbase and a distinctive sound, they are quickly becoming a notable presence on the indie rock scene.
Track(s)
Almost Beautiful 60431 04:44

Almost Beautiful

Sand Castle of Ma


Yeah
Almost beautiful

You left your shadow
On the passenger side
Like a quiet ending
At a red street light

I kept the moment
But I lost the weight
Of waiting for something
That was already late

Now days feel lighter
When the hope runs out
I hear my own voice
A little less loud

And I don’t hate you
That takes too much room
I just stopped turning
The sky into you

Maybe we were young
Maybe we were tired
Maybe love got lost
Somewhere in the wires

I don’t need a reason
I don’t need a sign
I just need tonight
To feel like mine

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

Oh-oh
Almost beautiful
Oh-oh
Almost beautiful

I saw your name
On a screen last night
It didn’t hurt me
Like I thought it might

Just a small old feeling
Passing through
Like a song from a car
That never stops for you

I walked for hours
Under changing signs
No big confession
No perfect line

Just a quiet freedom
I never planned
Like letting go
Without using my hands

Maybe we were close
Maybe we were blind
Maybe love looks better
From the other side

I don’t need an answer
I don’t need a fight
I just need my heart
To sleep tonight

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

I won’t call it wasted
I won’t call it wrong
Some people are chapters
That read too long

I won’t make you guilty
I won’t make me small
We were almost something
And that’s something after all

Almost beautiful
Almost true
Almost everything
I wanted with you

Almost beautiful
Almost gone
I can still remember
But I can move on

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

Oh-oh
Almost beautiful
Oh-oh
Almost beautiful

Mm
Almost beautiful
Losing you

CREDITS
Performer: Sand Castle of Ma
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Left Me Dancing
Velvet Tax

Verified Verified Artist

Velvet Tax
Velvet Tax is a young female singer hailing from Poland, infusing her music with a vibrant sense of self and personal narrative. With her single "Left Me Dancing," she introduces listeners to her raw, emotive vocal style that draws from her life experiences and the complexities of modern relationships. Her approach to songwriting is deeply personal, often blending introspection with relatable themes, which resonates well with a diverse audience seeking authenticity in music.

Although her catalog currently features only "Left Me Dancing," Velvet Tax's artistry hints at a promising evolution. With the ability to weave intricate melodies and poignant lyrics, she creates a sonic landscape that reflects both melancholy and joy. This duality sets the stage for future projects that are likely to explore various moods and genres, showcasing her versatility as an artist. Each subsequent track is anticipated to build upon the foundation laid by this debut, further enriching her identity as a musician.

As Velvet continues to develop her sound and expand her repertoire, her potential for growth is evident. Whether through collaborations with fellow artists or exploring different musical styles, she is poised to make a significant mark within the independent music scene. With every new release, fans can expect her captivating storytelling and expressive vocals to flourish even more, inviting them along on her artistic journey.
Track(s)
Left Me Dancing 49295 04:28

Left Me Dancing

Velvet Tax


You left me crying
But I came back dancing
Mm
I came back dancing

You took the keys
But not the door
You took your coat
But not the storm

I kept the dress
You never liked
Put on my heels
And killed the lights

You thought I’d call
You thought I’d break
You thought my heart
Would learn your name

But I found myself
At half past two
In a crowded room
Not missing you

I let the mirror see me
With my makeup running
Then I wiped it clean
Like I saw you coming

You were the lesson
I was the flame
You left the woman
But she changed her name

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing

I saw your friends
They looked surprised
Like I should hide
Like I should cry

I smiled so sweet
They looked away
I guess revenge
Can wear a face

No angry texts
No midnight scene
No begging you
To come to me

I changed the song
I changed the room
I changed the girl
Who waited for you

I let the mirror see me
With my heart wide open
Then I sewed it up
With a little gold thread

You were the reason
I hit the ground
But I’m the reason
I’m rising now

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing

I was a house with the windows open
You were the match in a careless hand
I was the girl who kept forgiving
Now I’m the woman you can’t command

I don’t hate you
That’s too easy
I don’t need you
That’s the twist

I don’t want you
To come save me
I just want you
To see this

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

You left me lonely
But I came back shining
You left me broken
But I came back diamond

You left me crying
But I came back dancing

Da-da-da-dancing
I came back dancing

CREDITS
Performer: Velvet Tax
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

No Default Setting
Billie Arden

Verified Verified Artist

Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.

Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
Track(s)
The Wrong Daughter 231 03:39
No Default Setting 2592 03:50

No Default Setting

Billie Arden


Cut the feed
Leave the meter running
Hold that grin
I came with my own timing

You tried to sell me a cleaner name
With the corners sanded down
Put my laugh in a little glass case
Said “Look who’s stable now”

I don’t fit in your easy chart
I don’t land on command
There’s a tune in my crooked part
You don’t understand

Don’t fix the bend
Don’t mute the spark
I keep my rhythm
Off the mark

No default setting
I tune my own voltage
No default setting
I move when the bass gets bold

You want me simple
You want me folded
I’m not the version
That does what it’s told

No default setting
No clean reset
I’m better when I don’t behave yet

Your golden rule came overdressed
And talked like a magazine
I poured black coffee on the test
Made the paper sing

You said “Be calm be useful now”
I said “Nice little cage”
Then I took my pulse off your clock
And rewrote the page

Don’t trim the heat
Don’t square the sound
I keep my rhythm
Upside down

No default setting
I tune my own voltage
No default setting
I move when the bass gets bold

You want me simple
You want me folded
I’m not the version
That does what it’s told

No default setting
No clean reset
I’m better when I don’t behave yet

Left right
Too bright
Low kick
Uptight

Turn snap
Come back
One more
Off-track

I was never built for your manual
Never born for a numbered lane
Every time you label the motion
Something loose begins to play

Let the clean ones keep their answers
Let the smooth ones win the floor
I have trouble in my timing
And it always asks for more

No default setting
I tune my own voltage
No default setting
I move when the bass gets bold

You want me simple
You want me folded
I’m not the version
That does what it’s told

No default setting
No clean reset
I’m better when I don’t behave yet

Cut the feed
Leave it running
No default
I’m still coming

CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Borrowed Cutlery
Asha Monroex

Verified Verified Artist

Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.

A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.

Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.

Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
Track(s)
Borrowed Cutlery 3021 04:22
New York, I Loved You 57997 04:42

Borrowed Cutlery

Asha Monroex


You came in late
With a theory about forks and fate
I kept my coat
You said my silence needed one more note
Your drink went warm
While you described your personal reform
I changed my mind
Halfway through a sentence you redesigned

Too neat
You make good manners sound incomplete
Too sure
You diagnose the waiter and the furniture

Give me the crooked part
The bit that never learned to behave
Skip the polished start
I’d rather hear what you forgot to save
Don’t make it beautiful
Make it useful for a minute or two
Something disputable
Something that could only come from you

The bass moved first
You called it elegant then called it cursed
I missed the beat
You drew a diagram across the receipt
Your mouth said “fine”
Your eyebrows filed an appeal against mine
The plates were cleared
But somehow your complaint just reappeared

One step
Then a paragraph with nothing left
Two sips
And now we’re arguing about eclipse
No script
Just brass behaving badly at the hip

Give me the crooked part
The bit that never learned to behave
Skip the polished start
I’d rather hear what you forgot to save
Don’t make it beautiful
Make it useful for a minute or two
Something disputable
Something that could only come from you

You want a verdict
I brought a question with no proper ending
You want precision
I brought a rhythm that resents explaining

Call it defective
Call it a habit with excellent shoes

Call it selective
I call it knowing what not to refuse

Stay odd
Let all the tidy couples blame the odds
Stay sharp
Keep one good insult hidden after dark

Give me the crooked part
The one you never put on display
No ceremonial heart
No careful phrase rehearsed on the way

Keep it improbable
Keep it a little too clever to prove
Almost impossible
But still with enough nerve left to move

You took the spoon
I took the story
Fair enough
You looked less boring

CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Paper Crown
Sera Knox

Verified Verified Artist

Sera Knox
Sera Knox is an electrifying force in the alternative pop landscape, merging her powerful vocals with a compelling electropop sound. Known for her poised low-register verses that lead into soaring upper-register choruses, Sera’s music features dry punchy drums, rubbery synth bass, and angular guitar lines. Her debut track, "Paper Crown," exemplifies her knack for crafting bold melodic hooks that resonate with listeners while delivering sharp and self-aware lyrics. Each element of her production is layered with artistry, creating a sound that is both modern and timeless.

Thematically, Sera’s work revolves around independence and self-worth, often reflecting a conscious rejection of superficial public approval. In "Paper Crown," she encapsulates this sentiment perfectly, using a vibrant sonic palette to convey her triumph over societal expectations. The energetic mood of her songs invites listeners to embrace their individuality and draw strength from within. Her artistic vision is characterized by a blend of electronic influences and traditional pop sensibilities, allowing her to explore complex emotions through a catchy and engaging framework.

As Sera Knox continues to carve out her niche within the notFM HEAT Music Universe, her catalog promises to grow with more tracks that embody her distinctive style. Fans can expect a consistently uplifting listening experience that motivates them to celebrate their uniqueness, making each release a testament to self-empowerment. With her sharp art-pop details, Sera's music remains an invitation to step away from empty status symbols and embrace genuine self-expression.
Track(s)
Paper Crown 36685 03:02

Paper Crown

Sera Knox


You gave me praise with borrowed words
A polished smile for every turn
A front-row seat a painted name
A perfect pose a hollow game
I learned the rules I played my part
Held every cue against my heart
Then one small crack became a door
I do not need that stage anymore

Keep your medals keep your throne
I can build a life my own

Paper crown let it fall
It was never worth it all
Every cheer became a chain
Every win required my name
Paper crown hit the ground
Hear that honest simple sound
I step out I stand tall
You can keep your paper crown

You sold applause as if it cared
Counted every room I shared
Made my value fit a chart
Turned a person to a part
I know success can still be kind
When I decide what counts as mine
No public score no velvet rope
Can own my nerve or price my hope

Keep your medals keep your throne
I can build a life my own

Paper crown let it fall
It was never worth it all
Every cheer became a chain
Every win required my name
Paper crown hit the ground
Hear that honest simple sound
I step out I stand tall
You can keep your paper crown

I do not need a room to rise
I do not need their measured eyes
My worth survives without a vote
That is the line I choose to hold

Paper crown let it fall
It was never worth it all
Every cheer became a chain
Every win required my name
Paper crown hit the ground
Hear that honest simple sound
I step out I stand tall
You can keep your paper crown

CREDITS
Performer: Sera Knox
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

No Replay
Mara Vey

Verified Verified Artist

Mara Vey
Mara Vey is a pop and electronic vocalist whose songs pair clear melodic writing with sleek dance production and emotionally direct storytelling. Her sound moves between modern dance-pop, refined house rhythms and intimate electronic textures, giving reflective themes an immediate radio-ready lift.

She writes about self-respect, changing patterns and the private decisions that reshape everyday life. Rather than turning heartbreak into spectacle, Mara focuses on the moment a person chooses clarity, sets a boundary and keeps moving.

“No Replay” captures that approach through a warm deep-house pulse, precise female vocals and a chorus built around leaving the past where it belongs. Its confident energy balances emotional honesty with a polished, forward-moving groove.

Mara Vey’s music is designed for late drives, crowded rooms and solitary resets alike—melodic, clean and direct, with hooks that stay memorable without losing their meaning.
Track(s)
No Replay 65756 03:07

No Replay

Mara Vey


One more message then I let it go
No hard feelings just a different road

You send a question past a quarter two
I read it twice but I already knew
We kept a habit long beyond its use
Now every answer feels like an excuse

I don't need a perfect ending
I just need a line that's true

No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay

No no no replay
No no no replay

Friends keep asking if I miss the sound
I miss who I was when you came around
But missing isn't an instruction now
I know the exit and I know it counts

I don't need a perfect ending
I just need a line that's true

No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay

Maybe closure isn't something said
Maybe it's the choice to step ahead
No villain no score no debt to pay
Just two people choosing separate ways

No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay

No hard feelings no replay
I choose peace and walk away

CREDITS
Performer: Mara Vey
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

City of Us (ft Kairo)
Zion Vale

Verified Verified Artist

Zion Vale
Seismic, fresh, and ready to take the pop world by storm, Zion Vale is the windswept prodigy hailing from Manhattan's electric heartbeat. Illuminating the shadows of Indy Pop with a voice that sways between whispers and roars, Zion is the authentic, soul-penetrating force you didn’t know you were waiting for.

Kicking it back to their school days, Zion crossed paths with the musically gifted Kairo. What started as simple shared detention notes evolved into a collaborative crescendo—culminating in their standout track "City of Us". This song is Zion's self-proclaimed love letter to their city—a hopeful anthem designed to unite, inspire, and get stuck on repeat in your head.

Against a backdrop of sizzling city nights, Zion's brand of Pop - potent, playful, and undeniably infectious - has been getting Manhattan's less-grimy gutters humming. Imagine if Jupiter and Mars got together to jam: that's the level of celestial meeting of the minds we're talking about here, people.

With a charismatic blend of lyrical genius, Zion Vale is set to redefine what it means to be an independent artist. So keep one ear to the ground, because Zion is about to drop the beat that echoes the 'City of Us' and, trust us, you don't want to miss it.
Track(s)
City of Us (ft Kairo) 60643 05:04

City of Us (ft Kairo)

Zion Vale


Concrete and dreams underneath my feet
Grew up on these blocks where the cold and the warm meet
Didn't have much but I had this view
Rooftops and water towers skies painted blue
This city raised me made me who I am
Every subway line running through my veins

And I've been down I've been lost in these streets
But every time I fell this city caught me

(mm)

New York New York
I was made from your bones
Every scar on this city
Is a scar that I own
I have loved I have lost
On these streets made of stone
But I always — always
Find my way home

Harlem nights had nothing but a name
Told myself either make it or make it no game
Penthouse dreams from a fire escape view
This city don't love you till you prove something true
I've seen men fold under all this weight
But New York only opens up for those who wait

And I've been cold sleeping on ambition
But this city turned my hunger into vision
(yeah)

New York New York
We were made from your bones
Every scar on this city
Is a scar that we own
We have loved we have lost
On these streets made of stone
But we always — always
Find our way home

(ohhh yeah)
(home…)

They say the city never sleeps
(never sleeps)
But I've seen it quiet
At 4 AM when even the brave weep
(weep…)
And still — the lights stay on
(lights stay on)
And still — we carry on
(carry on…)
Because this city chose us
As much as we chose it
(mm)
Every broken dream here
Still has fire in it
(fire…)
(ohhhh)

New York New York
We were made from your bones
Every scar on this city
Is a scar that we own
(own it)
We have loved we have lost
On these streets made of stone
(these streets)
But we always — always
(always)
Find our way
(find our way)

Home
(HOME)
(ohhhhh)

New York…
(mm)
You never let me go
(never…)
And I never wanted you to
(fade)

CREDITS
Performer: Zion Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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