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Step Into My Rhythm
Dennise
Verified Artist
Dennise
Born in 1996 in Antwerp, Belgium, Dennise began her creative career not as a singer, but as a voice-over artist. With a warm, expressive tone and remarkable control, she became a sought-after voice in commercials, audiobooks, and animated films across Europe. For years, her voice was instantly recognizable, even if her face stayed out of the spotlight.
Music had always been quietly present in her life. Between recording sessions, she would write melodies and lyrics, experimenting with harmonies and vocal textures in her small home studio. Her path into music took a decisive turn when Filodyo producer Hakan E. heard one of her demos and invited her to record an original track.
Since that moment, Dennise has worked exclusively with Filodyo, creating songs that combine her precise vocal technique with a modern pop sensibility shaped by European dance rhythms. Guided by Hakan E.’s production, her tracks carry both the polish of a seasoned professional and the intimacy of a storyteller.
Outside the studio, Dennise is an avid cyclist and urban wanderer, often finding lyrical inspiration on her rides through city streets and coastal paths. For her, music is simply another way to tell a story — but now, her voice takes center stage.
Step Into My Rhythm
Dennise
Got a beat in my chest it’s a runaway train
Every move you make pulls me back again
I’m caught in your tempo can’t break away
But I don’t wanna leave I’m here to stay
Turn it up let it spin
Take my hands pull me in
No rules just the sound
We’ll burn this floor to the ground
Step into my rhythm don’t you slow it down
Oh-oh keep it moving now
We’re a spark in the night we don’t need a crown
Step into my rhythm and we’ll shut it down
Yeah shut it down down down
Your eyes talk loud like a midnight call
Don’t you dare let the moment fall
My heartbeat’s playing in 4/4 time
And you’re the reason for every line
Turn it up let it spin
Take my hands pull me in
No rules just the sound
We’ll burn this floor to the ground
Step into my rhythm don’t you slow it down
Oh-oh keep it moving now
We’re a spark in the night we don’t need a crown
Step into my rhythm and we’ll shut it down
Oh we shut it down down down
One step two step keep the groove tight
We’re gonna make this our favorite night
No going back no turning around
We own the beat we own the sound
Step into my rhythm don’t you slow it down
Oh-oh keep it moving now
We’re a spark in the night we don’t need a crown
Step into my rhythm and we’ll shut it down
Yeah yeah yeah — shut it down
Step into my rhythm… oh-oh-oh
CREDITS
Performer: Dennise
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Between Our Time
Aris Veyton
Verified Artist
Aris Veyton
Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.
Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.
Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.
Between Our Time
Aris Veyton
Streets stay still without a name
Steps align but not the same
Nothing loud nothing planned
Just the timing of your hand
Every move feels almost true
Something shifts when I face you
Stay in place let it run
No finish line no count of one
No signs drawn no straight lines
Just the space between our time
Ahh
Let it turn let it stay
No words left that need a say
Corners bend the hours slide
We don’t need a reason why
Moments land then rearrange
Never still never strange
No control still it fits
Every step makes sense like this
Stay in place let it run
No finish line no count of one
No signs drawn no straight lines
Just the space between our time
If it ends it ends this way
Not a loss not a stay
What we felt remains intact
No return and no retract
CREDITS
Performer: Aris Veyton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Long Distance Line ...
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Long Distance Line from the Bosphorus
Eli Varnish
I’m calling from a room with peeling paint
A radio coughing out the truth
The kettle screams like it knows my name
Coins on the table none of them are you
The line is bad the night is worse
Somewhere a ferry cuts the dark in two
I got your number on a matchbook
And a voice that still remembers you
The operator’s half asleep
She says “Sir you still there?”
I say “Yeah I’m breathing smoke and prayers
Trying to get through anywhere”
This is a long distance line from the Bosphorus
I got one minute maybe less
If the city don’t swallow my words whole
You’ll hear me say I did my best
Yeah it’s a long distance line from the Bosphorus
The signal shakes the past comes through
If this call drops into the water
Just know I was calling you
There’s a man downstairs selling broken watches
Says time owes him money too
Every streetlight flickers like a bad idea
Every bar knows something I won’t tell you
I saw your face in a cracked mirror
Right next to a stain on the wall
I tried to hang up three times already
But this phone just won’t let me fall
This is a long distance line from the Bosphorus
The clock’s got a loaded gun
If I disappear between the numbers
Just say I was almost done
Hello?
Yeah… it’s me
Listen don’t say my name
The walls here got ears
And the night’s taking notes
It’s a long distance line from the Bosphorus
Static dancing in my head
If you hear silence after this
That’s just the things I never said
The operator counts me down
Five… four… the river wins
Click
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Fire on the Floor
Zuriq Stone
Verified Artist
Zuriq Stone
Zuriq Stone is a rising Afrobeat pop artist blending African rhythmic heritage with modern global pop energy. Born into a city shaped by street music, dance, and late-night radio sounds, he developed a style rooted in groove and movement rather than trends. His music balances infectious dance rhythms with a confident vocal presence, carrying a natural African accent that feels raw, warm, and unmistakably authentic.
Drawing inspiration from everyday urban life, Zuriq Stone creates songs built for motion. Whether it is the pulse of a crowded street or the freedom of a packed dance floor, his sound focuses on connection and momentum. English lyrics form the core of his songwriting, often joined by short phrases in African languages that turn his choruses into shared chants rather than just hooks.
Zuriq Stone releases his music on Filodyo, where his tracks are curated as part of a new wave of global pop shaped by African rhythms and contemporary production. Designed for both digital platforms and real-world listening environments, his songs move seamlessly from playlists to dance floors, reflecting Filodyo’s vision of modern, forward-moving music culture.
Fire on the Floor
Zuriq Stone
Yeah yeah
Mm listen now
We don’t slow down tonight
Sun drop low on the city line
Heart beat sync with the bass this time
No map no rules no rewind
We move as one no border signs
I came up from the rhythm street
Barefoot dreams and a hungry beat
Every scar got a story loud
Every move say I’m here right now
When the drums talk I obey
Feel it rise under my skin
No fear when the lights go red
This is where we begin
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Eh eh eh
Move it closer
Eh eh eh
Right here
Gold chain swing with the tempo fast
Every step make the moment last
DJ spin that truth so loud
From Lagos nights to the London crowd
No sleep when the vibe too strong
Whole world sing when the hook come on
If you feel lost follow sound
This beat gonna hold you down
When the drums talk I obey
Feel it rise under my skin
No fear when the lights go red
This is where we begin
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Hands up no delay
From the block to the cabana
Left foot right foot sway
We don’t need no permission
Heat jump crowd reply
Every face got a reason
One night one time
Let the rhythm make the decision
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Yeah
We don’t slow down
Mm
Africa to the world
CREDITS
Performer: Zuriq Stone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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No Tomorrow Needed
Roxelle
Verified Artist
Roxelle
Roxelle is a Romanian-born singer and songwriter currently based in the United Kingdom. Growing up between Eastern European traditions and Western pop culture, she developed an early fascination with rhythm, melody, and visual storytelling. Her background gave her a distinctive sense of contrast, mixing emotional depth with bold self-expression, something that would later become central to her artistic identity.
After relocating to the UK in her early twenties, Roxelle immersed herself in the underground pop and electronic scenes, refining her sound and performance style. Influenced by modern pop, dance, and subtle R&B textures, she crafts songs that balance confidence with vulnerability. Her vocals move effortlessly between smooth, controlled delivery and striking, attitude-driven hooks, creating a sound that feels both intimate and commanding.
Roxelle’s music explores themes of independence, desire, and emotional resilience, often framed through sleek, contemporary production. Known for her strong visual aesthetic and fashion-forward presence, she approaches music as a complete artistic experience rather than just sound. With a growing catalog of releases, Roxelle positions herself as a new-generation pop artist shaped by movement, migration, and self-definition.
No Tomorrow Needed
Roxelle
Heels hit the floor I feel it start
Bass in my chest steady and sharp
No explanations no excuse
I move the room just how I choose
Eyes follow motion not my name
I don’t repeat I don’t stay same
One step closer to the sound
I don’t wait I turn around
I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role
I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cross the line
Disco strings rise
Bass keeps talking
Hands in the air
No words just timing
Mirrors shake when I pass through
Every angle feels brand new
No permission no delay
I decide how long I stay
Heat is building in the crowd
I don’t need to say it loud
Count it in feel it land
Everything is in my hands
I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role
I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cro
Jacket on I leave it open
Streetlight glow my focus broken
Every sound pulls me in
I don’t ask where we’ve been
I don’t read the signs twice
I move once that’s my advice
If it feels right I don’t slow down
I let the night spin me around
No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)
No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)
Every step is calculated
Still it looks so effortless
I don’t wait to be invited
I arrive I don’t impress
Crowd reacts I don’t chase
I just take up space
Hear my name inside the bass
I don’t rush I keep my pace
Yeah
She don’t plan it she appear
Whole room shift when she near
No tomorrow in her mind
Only now perfect time
She don’t promise she decide
Every move amplified
I’m just watching from the side
Tryna keep up with her stride
No delay no rewind
She already crossed the line
When she move place complies
That’s the signal that’s the sign
No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)
No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)
No tomorrow (no tomorrow)
Needed (needed)
No tomorrow (no tomorrow)
I don’t need it (don’t need it)
No tomorrow (no tomorrow)
Needed (needed)
If I want it (if I want it)
I’m in it (I’m in it)
CREDITS
Performer: Roxelle
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Corazón en la Calle
Zaharela B
Verified Artist
Zaharela B
Zaharela B is a vibrant Latin artist whose music radiates the energy of the dancefloor and the streets alike. Born in San Juan, Puerto Rico, and raised between the Caribbean and Miami, she blends the infectious grooves of reggaeton with the warmth of Latin pop and the bold flair of carnival rhythms. Her sound is a celebration of movement, culture, and joy—rooted in tradition yet unapologetically modern.
Her debut single, Corazón en la Calle, bursts with a reggaeton/dembow pulse, playful sound effects, and call-and-response hooks that pull listeners straight into the party. Switching effortlessly between Spanish and English, Zaharela B brings an unmistakable charisma to every lyric, making her performances feel like a shared celebration.
Available exclusively on Filodyo, Zaharela B’s music is more than just a soundtrack for dancing—it’s an invitation to let go, live in the moment, and move with the beat. With her magnetic presence and unstoppable energy, she’s poised to become a defining voice in the next wave of Latin dance music.
Corazón en la Calle
Zaharela B
Beep beep!
Vamos vamos!
Corazón en la calle woo!
Sun on the roof heat on the floor
Boots on the ground crowd wants more
Clap to the beat hips in time
Every little step feels so divine
Turn around bring it close
Hands up high let it show
Dale fuego dale ya
Move your body no se va
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
Drums in the air bass in my veins
Sweat in the night dance in the rain
Spin to the left slide to the right
Every little move feels like flight
Turn around bring it close
Hands up high let it show
Dale fuego dale ya
Move your body no se va
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
Beep beep!
Let’s go!
Clap clap!
Go low!
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
CREDITS
Performer: Zaharela B
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Soft Collision
Arin Paper Crown
Soft Collision
Arin Paper Crown
[Cold Open]
네가 가까워지면
내 하루가 달라져
작은 숨 하나까지
너에게 닿는 것 같아
I don’t know what you did to me
But my heart moves carefully
아무 말 없이 웃어도
이상하게 따뜻해져
너의 눈을 보고 있으면
시간이 조금 느려져
서두르지 않아도 돼
우린 이미 가까워
[Lift]
조용한 이 마음이
너를 향해 번져 가
겁이 나도 괜찮아
너도 같은 눈빛이야
Soft collision
너와 내가 닿는 순간
Soft collision
내 맘이 먼저 알아
Love is coming softly
천천히 내게 와 줘
Soft collision
I fall into you
Soft collision
말보다 깊은 이 순간
Soft collision
숨길 수가 없잖아
Love is moving slowly
조금 더 머물러 줘
Soft collision
I fall into you
하루 끝에 네가 있으면
복잡한 맘이 풀려
작은 농담 하나에도
내 표정이 먼저 웃어
I was used to being alone
Keeping everything inside
그런 나를 흔든 사람
너라는 게 좋아
[Lift 2]
가까워질수록
더 솔직해지고 싶어
내 안에 남겨 둔 말
오늘은 전하고 싶어
Soft collision
너와 내가 닿는 순간
Soft collision
내 맘이 먼저 알아
Love is coming softly
천천히 내게 와 줘
Soft collision
I fall into you
Soft collision
말보다 깊은 이 순간
Soft collision
숨길 수가 없잖아
Love is moving slowly
조금 더 머물러 줘
Soft collision
I fall into you
혹시 너도 나처럼
돌아서기 아쉬웠다면
아무 말 하지 않아도
손을 잡아 줘
이 밤이 끝나기 전에
내 마음을 알아줘
너라면 괜찮아
I can let you in
[Final Chorus]
Soft collision
너와 내가 닿는 순간
Soft collision
내 맘이 먼저 알아
Love is coming softly
천천히 내게 와 줘
Soft collision
I fall into you
Soft collision
말보다 깊은 이 순간
Soft collision
숨길 수가 없잖아
Love is moving slowly
조금 더 머물러 줘
Soft collision
I fall into you
네가 가까워지면
내 하루가 달라져
Soft collision
I fall into you
CREDITS
Performer: Arin Paper Crown
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Everyday Weight
Elara Stone
Verified Artist
Elara Stone
She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.
Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.
Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.
Everyday Weight
Elara Stone
Days stack up without asking
Deadlines talk before we do
Small mistakes grow teeth quickly
When you’re trying to stay true
Plans bend out of their own shape
Words land wrong then multiply
Nothing ends nothing settles
We just learn what to deny
I’m tired of fixing the timing
Tired of reading every sign
We keep choosing what sounds easy
Then we pay for it in time
Life feels heavy in small ways
Not enough to make a sound
Love gets stuck in explanations
That keep going in a round
We don’t break we just tangle
Try to pull without a map
Every day asks something different
And never tells us where to stand
Conversations turn to tactics
Every pause becomes a test
Saying less feels safer lately
Even when we mean our best
We trade honesty for balance
Call it calm but feel the cost
Nothing wrong with wanting steady
Just don’t lose what made us talk
We don’t need another answer
We don’t need to win the night
I just want a moment quiet
Where the pressure drops its bite
Life feels heavy in small ways
It adds up before we know
Love gets lost in fine decisions
We were never meant to solve
We don’t fall we just circle
Looking for a cleaner path
Every day asks something different
And leaves the rest to us
Maybe this is how it happens
Not dramatic not fast
Just the weight of daily choosing
Stacked against the past
Life feels heavy in small ways
But it’s still the one we take
Love is work without instructions
That we learn by what we break
We don’t fix it all tonight
We don’t need to understand
We just stay inside the motion
Doing what we can
Tomorrow’s already forming
Before we get some rest
I don’t need it to be simple
I just need it to be honest
CREDITS
Performer: Elara Stone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Cooler Than My Tears
Miles Rennick
Verified Artist
Miles Rennick
Miles Rennick is an electro-pop singer and songwriter whose music blends playful irony with slick, club-ready production. With a cheeky, half-sung and half-spoken vocal style, he brings a unique personality to the modern indie-pop scene.
His debut track “Cooler Than My Tears” captures this spirit perfectly — a quirky yet infectious anthem built on groovy basslines, crisp synth riffs, and a sarcastic lyrical edge. Both tongue-in-cheek and danceable, the track reflects Rennick’s ability to turn irony into a hook.
Dedicated to staying independent and unconventional, Miles Rennick has chosen to release his music exclusively through Filodyo and NOT FM, highlighting his close collaboration with platforms that value originality and artistic freedom.
Cooler Than My Tears
Miles Rennick
(ha!)
The lock is broken doors swing wide
No more shadows I need to hide
Your perfume fades on an empty shelf
I found a mirror I found myself
Every promise was a borrowed flame
Now I walk and forget your name (uhh)
Chains fall silent on the floor
Wings I never used before
Every breath tastes sharp and new
Every step pulls me through (yeah ha!)
I’m alive I’m alive (woo!)
Burning like the morning rise
Can’t hold me I’m untamed (ha!)
Your love was a painted game
Now the echoes fade from me (na-na)
Every step is victory
I’m alive I’m alive
Cooler than the tears I cried (uhh)
Empty glass on the wooden rail
Stories sink but my ship will sail
Every memory’s a paper boat
Drifting far till it can’t float (yeah)
Chains fall silent on the floor
Wings I never used before
Every breath tastes sharp and new
Every step pulls me through (woo!)
I’m alive I’m alive (say it loud)
Burning like the morning rise
Can’t hold me I’m untamed (ohhh)
Your love was a painted game
Now the silence sings with me (yeah yeah)
Every step is victory
I’m alive I’m alive
Cooler than the tears I cried (hah!)
You thought I’d break…
But I’m stronger than the storm
I’m running past the past
And it will never find me again (mmm)
I’m alive I’m alive (uhh woo!)
Burning like the morning rise
Can’t hold me I’m untamed (ha!)
Your love was a painted game
Now the silence sings with me (na-na-na)
Every step is victory
I’m alive I’m alive
Cooler than the tears I cried (yeah yeah yeah)
(ha!)
Cooler than the tears I cried…
Cooler than the tears I cried
CREDITS
Performer: Miles Rennick
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Turn It Over
Cold Empires
Verified Artist
Cold Empires
Cold Empires is a high-energy trio from London whose music fuses hip-hop bravado with EDM’s explosive power. The group is made up of rapper Jamal Rivers, lyricist/MC Ethan Cole, and powerhouse vocalist Sienna Brooks. Together, they bring an unstoppable mix of raw verses, soaring hooks, and chant-driven crowd anthems designed for the biggest stages.
Jamal grew up in Brixton, raised on a steady diet of UK grime and American hip-hop, perfecting his rapid-fire delivery in underground battles. Ethan, born in Manchester, came from a background in electronic production, cutting his teeth as a DJ before stepping forward as both a writer and performer. Sienna, the daughter of a jazz pianist from Brighton, grew up singing gospel and soul before embracing the adrenaline of modern pop performance.
The trio met during a festival workshop in Ibiza, instantly recognizing their shared obsession with blending rap, electronic drops, and big-room hooks. Their debut single, Turn It Over, is the result: a bold, festival-ready anthem built for dance floors, packed with call-and-response energy, pounding kicks, and chant-style hooks that keep the crowd locked in.
Available exclusively on Filodyo and NOT FM, Cold Empires are carving out their own lane—one that thrives on intensity, collaboration, and the unstoppable spirit of the party.
Turn It Over
Cold Empires
Yeah!
Turn it over turn it over now!
Uh-huh!
Let’s go!
Runnin’ through the blocks got my heartbeat kickin’
Steel on my feet and the wheels keep spinnin’
Bass in my chest like a downtown riot
Hands in the air if you just can’t fight it
Skyscraper bounce in the middle of the lane
Every light flashin’ can’t stay the same
Heat in the air yeah the night’s our stage
Flip it one more time let’s break that cage
Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)
Jump to the left now slide to the right
We don’t wait for the day we ignite the night
Steam on the glass when the crowd gets near
Every move we make yeah the world can hear
We’re wired up loud with the floor still shakin’
No pause button no chance we’re takin’
Hands to the roof keep the vibe on fire
Drop it one more time lift it even higher
Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)
Push it forward!
Push it higher!
Can’t hold back!
Feel that fire!
Break it flip it!
Don’t stop yet!
We’re not done — it’s not over yet!
Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)
CREDITS
Performer: Cold Empires
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
I’m Unstoppable
Giulia Sereni
Verified Artist
Giulia Sereni
Giulia Sereni is an Italian-born pop artist whose name has become synonymous with modern disco-infused anthems and unapologetic confidence. Born in Florence in the mid-90s and raised between Rome and Milan, she grew up surrounded by both classical Italian melodies and the glossy, international sound of late-90s Euro-pop. That duality shaped her musical DNA: bold, cosmopolitan, and undeniably stylish.
Before pursuing music, Giulia studied fashion communication in Milan, a background that still influences her sharp sense of image, choreography, and performance aesthetic. She blends the elegance of Italian couture with the playful freedom of global pop, creating a persona that feels as at home in glossy editorials as she does on streaming playlists.
Her debut singles—produced exclusively for Filodyo and distributed only through NOT FM—instantly caught attention for their mix of shimmering synths, punchy basslines, and Giulia’s powerful yet intimate vocal delivery. Songs like “Undeniable” and “Crown” quickly became listener favorites, praised for their ability to balance disco nostalgia with forward-thinking production.
Giulia Sereni is more than just a singer—she is a storyteller of empowerment. Her lyrics celebrate independence, resilience, and the glamour of living life on your own terms. Critics have noted that her sound carries the sophisticated energy of continental Europe while embracing the universal accessibility of pop.
Despite growing international buzz, Giulia remains intentionally selective about her presence. She has chosen to keep her releases exclusive to Filodyo and NOT FM, building a cult-like following among music lovers who appreciate her refusal to conform to the mainstream industry model. This exclusivity has only amplified her allure: fans know that to hear Giulia, they must enter the Filodyo universe.
With her magnetic voice, fashion-forward style, and anthems designed for both the dancefloor and the headphones, Giulia Sereni stands as one of the most exciting fictional European exports in contemporary pop. For those tuned into Filodyo and NOT FM, she represents not just an artist, but a movement.
I’m Unstoppable
Giulia Sereni
Step aside I’m walking in
Glitter on my skin let the night begin
I built my fire from the ground
Every beat I own it shakes the crowd
No one’s gonna dim my shine
I write the rules the stage is mine
Raise your glass feel the heat
Every heartbeat moves your feet
Can you taste the victory?
It’s the sound of living free
I’m unstoppable unforgettable
Turn the lights up I’m electrical
Every move is loud unbreakable
This is my crown undeniable
(Oh oh oh… dance it dance it)
(Oh oh oh… can’t resist it)
I see reflections in the floor
Every step’s an open door
Breaking chains with every song
You can’t silence what is strong
Raise your glass feel the heat
Every heartbeat moves your feet
Can you taste the victory?
It’s the sound of living free
I’m unstoppable unforgettable
Turn the lights up I’m electrical
Every move is loud unbreakable
This is my crown undeniable
Clap your hands we won’t stop
Feel the rhythm watch it drop
Power surging through my veins
This empire knows my name
I’m unstoppable unforgettable
Turn the lights up I’m electrical
Every move is loud unbreakable
This is my crown undeniable
Let the night remember me
Queen of fire wild and free
Every echo every sound
This is where my heart is crowned
CREDITS
Performer: Giulia Sereni
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Tuesday Night Code
Fever Pilots
Verified Artist
Fever Pilots
Meet the Fever Pilots, a dynamic pop duo with a penchant for the unconventional, a self-styled outfit carving an adventurous path in the frenetic heart of the UK music scene. Their sound, a sonic cocktail soaked in audacious innovation and spice, attracts as much as it defies description.
Forged in the industrial heat and flames of Birmingham, these two troubadours took the raw materials of their working-class background and fashioned them into a sonic boom. They're a hard-edged, heavy beat force, punctuated with lighthearted lyrics echoing the humdrum of everyday life, yet imbuing it with a shimmering musical alchemy. Artists? Yes, but these guys are more like mad scientists toiling away in a pop lab, conjuring up infectious tunes.
Their track "Tuesday Night Code" deserves more than a footnote here. Imagine the most vivid dream you've ever had, now combine that with a chorus catchier than a fisherman's hook and you've got the gist of it. It's a song that fills every corner with a tumbling digital soundscape and hooks a plenty. Bottom line: Fever Pilots aren't just on auto-pilot, they're aiming for the stratosphere and we ought to be strapping in for the ride!
Tuesday Night Code
Fever Pilots
[Intro]
(Ooh)
Yeah yeah
Uh-huh
Look at that
Look at that
You said forever on a Tuesday night
By Thursday you were outta sight
Had your name all over my screen
Now it’s just a memory machine
Funny how the silence got loud
Funny how you’re nowhere around
Used to know the code to my heart
Now you couldn’t find where to start
I was waitin’ by the telephone
Every little buzz had me gone
Now I let it ring all night long
You can’t call me back
Too late for that
I already packed up all the feelings that I had
You can’t call me back
No turnin’ back
Found a better rhythm when you slipped right through my hands
Oh-oh-oh
I’m good like that
Oh-oh-oh
You can’t call me back
Saw your picture through a friend’s friend’s post
Thought I’d feel somethin’ almost
But the room kept spinnin’ just fine
Guess the sun still knows how to shine
Every promise got a price tag now
Every “sorry” sounds the same somehow
You can send another late-night text
But I ain’t the one that’s next
I was waitin’ by the telephone
Every little buzz had me gone
Now I let it ring all night long
You can’t call me back
Too late for that
I already packed up all the feelings that I had
You can’t call me back
No turnin’ back
Found a better rhythm when you slipped right through my hands
Oh-oh-oh
I’m good like that
Oh-oh-oh
You can’t call me back
Na-na-na
Look who’s lonely now
Na-na-na
Tryna figure it out
Ha!
That’s funny somehow
[Final Chorus]
You can’t call me back
Too late for that
I already packed up all the feelings that I had
You can’t call me back
No turnin’ back
Found a better rhythm when you slipped right through my hands
Oh-oh-oh
I’m good like that
Oh-oh-oh
You can’t call me back
Yeah yeah
Too late now
(Ooh)
You can’t call me back… 🎵
CREDITS
Performer: Fever Pilots
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Pages in the Groove
Ted Craft
Verified Artist
Ted Craft
Born in 1992 in Austin, Texas, Ted Craft grew up surrounded by a melting pot of musical influences — from the blues and country his father played on vinyl to the funk and disco his mother kept on repeat in the kitchen. By the age of 10, he was playing guitar and piano, and by 14 he was already performing at local open-mic nights. His natural stage charisma and ear for infectious melodies quickly set him apart from his peers.
After high school, Ted earned a scholarship to the prestigious Berklee College of Music in Boston, where he majored in Contemporary Writing and Production. During his time there, he immersed himself in pop and funk theory, honing his skills in arrangement, songwriting, and live performance. Berklee also gave him the opportunity to collaborate with musicians from all over the world, helping shape the eclectic yet polished sound he’s known for today.
Post-graduation, Ted moved to Los Angeles and began crafting his signature blend of sleek pop hooks, groovy basslines, and bright funk guitar riffs. His debut EP quickly caught the attention of both critics and streaming audiences, with its feel-good energy and polished musicianship.
On stage, Ted Craft is a showman through and through — dynamic, playful, and completely in command of his audience. Whether fronting a full band or delivering an intimate acoustic set, he brings the same infectious energy and precision that has made him one of the most exciting new names in the pop-funk scene.
Pages in the Groove
Ted Craft
I’ve walked into rooms where no one knew my name
Just a stranger with a pocket full of games
Every beat another chapter I could tell
Every move another spell I had to sell
Lights spin I’m reading the crowd
Hear my story as the bass gets loud
Oh-oh I’m not here to hide
I’m just letting my pages slide
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
There’s a bar in Berlin a floor in Madrid
Faces change but the rhythm never did
Bought a round for the table told a joke or two
They don’t know the truth but I gave them the view
Lights spin I’m reading the crowd
Hear my story as the bass gets loud
Oh-oh I’m not here to hide
I’m just letting my pages slide
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
If you read between the beats you’ll know my name
Every chorus is a frame in a bigger game
We all write on the floor tonight
And I’m just signing mine in the neon light [vocal run ad-lib]
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
Pages in the groove…
…and the night goes on
CREDITS
Performer: Ted Craft
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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La Ventana
Alba Serrin
Verified Artist
Alba Serrin
When Alba Serrin first picked up a guitar in her native Colombia, no one guessed she'd soon become the queen of independent Latin Pop. With her infectious feel-good vibes, she transformed her local music scene, one acoustically vibrant and breathy note at a time.
Cut from the colourful streets of Bogota, Alba's bones are steeped in stories, sunshine and a knack for making guitar strings sing like an Andean condor on a summer breeze. Her smash-hit "La Ventana" serves as a cheerful escape hatch, a musical window flung wide open to let the light in. We're talking a ray of sweet sonic sunshine straight outta South America.
You ask about Alba? Don't picture a diva draped in unnecessary glamour. Nah, she's just this quirky señorita in sneakers with an unruly curl crested on her forehead and a smirk that says, "Hey, music doesn’t have to give you the blues." It's her joyful rebellion against the norm that makes Alba, well, Alba.
Undeniably, Alba Serrin's artistry paints a jolly dance of Latin notes across a canvas of global indie music. She croons, she cheers, and sometimes, she's just your happy-go-lucky gal brightening up the world one tune at a time – an upbeat antidote to your toughest days.
La Ventana
Alba Serrin
(La ciudad no duerme)
(And I don’t wait anymore)
ja
Dejé tu chaqueta
colgada en la silla
tu perfume barato
ya no me domina
You sent me a message
at quarter to three
I read it dancing
you lost that key
shh
No me preguntes
si duele todavía
me puse más linda
desde tu despedida
Tú querías fuego
pero sin quemarte
yo cerré la puerta
sin odiarte
Por la ventana
te vi pasar
con esa cara
de querer llamar
No digas nada
no mires atrás
yo ya no bajo
si tú no sabes amar
La-la-la ventana
I don’t go back
La-la-la ventana
I don’t do that
Compré flores rojas
pero no por ti
hoy brindo conmigo
porque sí porque sí
You loved the drama
I changed the scene
now my little black dress
looks better on me
ay
No me preguntes
si duele todavía
me puse más libre
desde tu cobardía
Tú querías luna
sin pasar la noche
yo cambié mi nombre
dentro de tu coche
[Chorus: Bigger Vocal Layering]
Por la ventana
te vi pasar
con esa cara
de querer llamar
No digas nada
no mires atrás
yo ya no bajo
si tú no sabes amar
La-la-la ventana
I don’t go back
La-la-la ventana
I don’t do that
(You thought I’d cry?)
[Mocking Laughter]
ja ja
Mira bien
mira bien
no era suerte
era mi piel
NO VUELVO MÁS
Por la ventana
te vi pasar
con esa cara
de querer llamar
No digas nada
no mires atrás
yo ya no bajo
si tú no sabes amar
La-la-la ventana
I don’t go back
La-la-la ventana
I don’t do that
(La ciudad sigue)
(pero yo no te sigo)
CREDITS
Performer: Alba Serrin
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Split Frequency
Aris Veyton
Verified Artist
Aris Veyton
Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.
Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.
Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.
Split Frequency
Aris Veyton
There’s a pulse that keeps dividing me
Two rhythms fighting underneath
One side wants order keeps the lines so straight
The other sparks fires wants to detonate
I move through the evening with a crowded mind
Trying to decode what I can’t define
I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half
Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again
Thoughts turn metallic when the pressure grows
Patterns fall apart then they recompose
I’m chasing a structure that I can’t commit
Every time I form it something ruins it
I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half
Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again
If there’s a place between the sides
I’ll walk the thin divide
Waiting for the moment
Both frequencies align
CREDITS
Performer: Aris Veyton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Never Barefoot
The Syrphids
Verified Artist
The Syrphids
The Syrphids’ journey began in the vibrant streets of Birmingham, where their distinct sound emerged from a collision of personal influences and bold experimentation.
Each member brings a unique flavor to the band's overall dynamic—blending raw, emotive vocals with intricate guitar riffs, rhythmic basslines, and atmospheric synth layers. Their music strikes a balance between the unpredictability of alternative rock and the infectious melodies of indie pop, creating an eclectic sound that is both challenging and accessible.
What sets The Syrphids apart is their ability to navigate complex emotional themes, delivering lyrics that resonate deeply while still maintaining an undeniably catchy, crowd-pleasing vibe.
Their live performances are a spectacle of energy and emotion, where their chemistry as a band shines brightest. The Syrphids have a knack for turning intimate venues into electrifying spaces, with each song building on the momentum of the last.
Their setlists are carefully curated to take listeners on a journey—whether it's through soulful ballads that tug at heartstrings or high-octane anthems that ignite the crowd. This ability to command the stage has earned them a growing fanbase, not just in Birmingham but across the UK, with audiences captivated by their authenticity and musical craftsmanship.
As The Syrphids look toward the future, their ambitions are clear: to continue evolving their sound while staying true to the experimental roots that first brought them together. With several EPs already under their belt and plans for a full-length album on the horizon, the band is poised to break through to even broader audiences.
Their commitment to innovation, coupled with their undeniable talent, ensures that The Syrphids will continue to be a force in the indie music scene, challenging conventions and capturing the hearts of listeners around the world.
Never Barefoot
The Syrphids
I was barefoot in the silence
dreaming of laces I could never tie
They told me “Leave your shoes behind”
but my feet were burning on holy ground
Back then the glass windows whispered
shops were cathedrals I couldn’t enter
Every sneaker a forbidden scripture
every boot a sermon I couldn’t keep
I walked with shadows on the pavement
carrying blisters instead of crowns
Now every aisle feels like confession
plastic bags my rosaries
boxes stacked like psalms unspoken
I kneel but I never pray
I can’t walk barefoot anymore
the echoes of my hunger follow me
God once said “Take off your shoes”
but He never felt these cracks in me
So I buy another pair I’ll never wear
just to silence the ghost of that child staring
at the glass at the glass at the glass
Leather tongues speak louder than my own
rubber soles drown out my guilt
Every purchase is a broken hymn
every closet a confessional built
I don’t wear them I collect my scars
like trophies of battles I never fought
The past still laces up my ankles
pulling tight with phantom strings
No barefoot freedom in the morning
just a graveyard made of things
I can’t walk barefoot anymore
the echoes of my hunger follow me
God once said “Take off your shoes”
but He never felt these cracks in me
So I buy another pair I’ll never wear
just to silence the ghost of that child staring
at the glass at the glass at the glass
Empty shoes like empty prayers
lining up my hallway shrine
I am both thief and worshipper
stealing time wasting time
I can’t walk barefoot anymore
the pavement bleeds the silence roars
God once said “Take off your shoes”
but He never stood in this hunger before
So I’ll keep on buying keep on binding
never fitting never finding…
and the child in the glass walks with me still
CREDITS
Performer: The Syrphids
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Last Signal
Haeun Department
Last Signal
Haeun Department
Title: 마지막 신호
[Cold Open]
속도를 조금 올려
말없이 웃어 줘
오늘만은 멀리 가자
아무도 모르는 곳
[Hook A]
Drive it slow then faster
너와 나의 작은 fever
손끝보다 먼저 알아
지금 우린 달라
[Verse A]
창문 너머 번지는 길
내 마음도 같이 흔들려
아무 말도 하지 않아도
너는 이미 알고 있어
불안했던 하루 끝에
너의 웃음이 들어와
차갑게 굳은 내 표정도
조금씩 풀리고 있어
[Lift]
너무 빠른 세상 속에
우린 잠깐 멈춰 서
서두르지 않아도 돼
이미 충분히 가까워
[Main Hook]
마지막 신호가 바뀌면
우리 둘은 더 멀리 가
숨이 차도 괜찮아
오늘은 멈추고 싶지 않아
Drive through the city
너와 나 no limit
기분은 더 깊이
이 밤에 새겨지지
마지막 신호가 바뀌면
우리 둘은 더 멀리 가
말하지 못한 마음까지
속도 위에 실어 가
[Verse B]
가끔 나는 너무 조용해
마음 숨기는 법만 배워
괜찮다는 말 뒤에서
혼자 오래 버텼어
근데 너는 이상하게
내가 나를 보게 해
흔들리는 이 순간도
나쁘지 않게 느껴져
[Rap Break]
핸들은 가볍게
생각은 깊게
너의 한마디에
내 하루가 쉽게
풀려 천천히
번져 조용히
멋진 척 안 해도
너는 다 보지
속도는 올라가
심장은 따라가
선은 지켜 but tonight
기분은 날아가
No loud talk
No fake smile
너랑 있으면
I’m alive for a while
[Hook B]
Drive it slow then faster
너와 나의 작은 fever
눈빛보다 먼저 알아
지금 우린 달라
[Middle 8]
이 길 끝에 뭐가 있든
지금은 묻지 않을래
돌아갈 곳이 있어도
조금 더 있고 싶어
너도 같은 생각이면
고개만 끄덕여 줘
그거면 돼
그거면 돼
[Final Hook]
마지막 신호가 바뀌면
우리 둘은 더 멀리 가
숨이 차도 괜찮아
오늘은 멈추고 싶지 않아
Drive through the city
너와 나 no limit
기분은 더 깊이
이 밤에 새겨지지
마지막 신호가 바뀌면
우리 둘은 더 멀리 가
말하지 못한 마음까지
속도 위에 실어 가
속도를 조금 낮춰
이 순간을 남겨 둬
오늘 밤이 지나가도
나는 잊지 않을 거야
CREDITS
Performer: Haeun Department
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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But North Keeps
The Absents
Verified Artist
The Absents
The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.
Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.
In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.
Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.
But North Keeps
The Absents
Rust runs along the rails to nowhere
Morning stations breathe a scent of iron
Words melt in my hands like shards of ice
Even when I speak it’s someone else’s song
Foreign clocks drag their feet
The wind calls me by names I’ve never worn
This city feels like a mirror I’ve never owned
My steps fall on stones that don’t remember me
I drew a map with the length of my shadow
But north keeps pointing somewhere else
Cracked windows hold the faces of other lives
Salted bread is torn with prayers I can’t translate
I keep the roofs of distant houses in my eyes
But the mailbox stays empty — no one arrives
Foreign clocks drag their feet
The wind calls me by names I’ve never worn
This city feels like a mirror I’ve never owned
My steps fall on stones that don’t remember me
I drew a map with the length of my shadow
But north keeps pointing somewhere else
A ticket in my pocket
Its destination still a stranger
Maybe it’s one-way out
Or just another foreign land
Rust runs along the rails to nowhere
And I keep walking without a border to cross
CREDITS
Performer: The Absents
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Waves Don’t Ask Why
Wires and Petals
Verified Artist
Wires and Petals
Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.
Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.
Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.
Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.
Waves Don’t Ask Why
Wires and Petals
I walked too far to start again
But too close to turn away
The sky didn't open —
But I moved anyway
Heartbeat aligned with the sound
Footsteps lost never found
I don’t speak to the wind anymore
It never stayed to listen
But you —
You stayed quiet…
And I heard everything
Time doesn’t fold like a map
We stretch with every turn
The world spins without asking
But we — we learn
And if the tide forgets my name
Let it
I only needed the pull
CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Static on the Line
Ryder James
Verified Artist
Ryder James
Ryder James is a rising pop-soul artist whose warm vocals and timeless style bridge the gap between classic soul storytelling and modern pop production. With a voice that carries both grit and grace, he creates songs that feel instantly familiar yet refreshingly new.
His debut single, Static on the Line, is a captivating blend of heartfelt lyricism and smooth, groove-driven instrumentation. Produced by Filodyo and released exclusively on NOT FM, the track showcases Ryder’s ability to turn everyday moments into powerful musical narratives.
Raised on a steady diet of soul legends and contemporary pop innovators, Ryder brings authenticity and emotional depth to every performance. Static on the Line is more than just a song—it’s an introduction to an artist who is here to connect, move, and inspire listeners worldwide.
Static on the Line
Ryder James
Mmm… yeah
Turn it up
Found your note between the bills folded twice
Three crooked letters never said it nice
Kitchen radio is drifting off-time
Wrong station playing but it suits the night
I dial your number — hear a click then air
Flashing digits on the stove just stare
Every heartbeat in my chest misaligns
Still I’m listening for a sign
There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line
City bus sighs at a midnight stop
Paperback angel at a corner shop
Borrowed coat hangs wide on my frame
Pockets full of change and a half-drawn name
Counting rail ties stepping over goodbyes
Copper on my tongue from unspoken replies
I hold my breath as if it might realign
What keeps crossing in my mind
There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line
Maybe I’m a bent antenna in a storm I knew
Turn me just a single degree — I point back to you
If the signal fades and the bars go blind
Call me by the name you underlined
Line… line… static on the line
(Keep talking)
Line… line… static on the line
There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line
Mmm… tune me in
Static on the line
CREDITS
Performer: Ryder James
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
