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Control
Mateo Lux
Verified Artist
Mateo Lux
Mateo Lux is a rising voice in contemporary electronic pop, blending sleek production with raw emotional intensity. Born with a natural flair for performance, he crafts music that balances dancefloor energy with lyrical depth. His debut single, Control, showcases a magnetic mix of pulsing rhythms and hypnotic melodies, setting the tone for a bold artistic journey ahead.
Discovered by Hakan E. for Filodyo, Mateo brings an unapologetic confidence to every note he sings. His style captures both vulnerability and power, creating an atmosphere that draws listeners into his world. With Control, he isn’t just introducing himself—he’s making a statement, marking the arrival of a distinctive new talent destined to leave a lasting imprint on modern music.
Control
Mateo Lux
Yeah
Mm-hmm
Turn it up
Uh
Let’s go
Step in — heat rise
No rules — my side
You move — I lead
One look — you’re mine
Hands on — don’t hide
We ride — midnight
Your pulse — my beat
You fall — my feet
I got control control control control
You want it slow slow slow slow
I make you go go go go
You lose it — oh oh oh oh
Eyes lock — no doubt
Lights fade — we’re loud
One step — we burn
Two steps — return
Your breath — my flame
No fear — no shame
Your hands — can’t stay
My voice — your way
I got control control control control
You want it slow slow slow slow
I make you go go go go
You lose it — oh oh oh oh
You say you ready — I say prove it
You say you steady — I say move it
You cross the line — I pull you closer
One more time — game over
Control (control)
Control (control)
Control (control)
Control (control)
I got control control control control (yeah)
You want it slow slow slow slow (uh-huh)
I make you go go go go (let’s go)
You lose it — oh oh oh oh (yeah yeah)
Yeah…
Control
Mm-hmm
Fade out…
CREDITS
Performer: Mateo Lux
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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System Online
Daxe
Verified Artist
Daxe
DAXE is a French producer and DJ whose sound channels the raw spirit of the mid-90s underground Parisian club scene. Known for his gritty, lo-fi French house productions, he builds hypnotic tracks around distorted synth-bass loops, saturated textures, and minimal yet powerful drum machine grooves.
Emerging from late-night warehouse parties in Paris, DAXE earned a reputation for his uncompromising sets that fuse analog warmth with a rebellious edge. His music feels both dirty and infectious — a soundtrack built for smoke-filled rooms, flashing strobe lights, and crowds that never stop moving.
As a producer, DAXE stays loyal to hardware samplers, vinyl, and classic drum machines, crafting tracks that echo the golden era of French house while pushing it forward with his own raw signature. As a DJ, he thrives on the connection between loop-driven grooves and the dancefloor, keeping energy high and tension tight.
His latest track, “System Online”, embodies this ethos: hypnotic, streetwise, and uncompromising — a pure dancefloor anthem. Released exclusively on Filodyo and NOT FM, it cements DAXE as a name carrying the underground French house tradition into a new era.
System Online
Daxe
System… online…
Motion… design…
Cycle… repeat…
Zero… complete…
Automatic… static…
Binary… manic…
Program… engage…
Data… on stage…
One-two… one-two…
Error… breakthrough…
Signal… overload…
Run-time… explode…
CREDITS
Performer: Daxe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Clean and Proud
Aliza Steel 44
Clean and Proud
Aliza Steel 44
Midnight moves across the floor
Steps align we need no more
Every motion syncs in time
Signals crossing clean and fine
No directions no control
Just a pattern taking hold
Hold it right don’t push too fast
Let the second stretch and last
Keep me on a steady frequency
Where the sound stays close to me
Nothing sharp nothing loud
Just the rhythm clean and proud
Stay aligned let it be
No escape no urgency
Every tone exactly right
On this steady frequency tonight
Low pulse breathing
Filtered chords drifting
Time dissolving
Nothing spoken
Faces blur in moving light
Seconds fold into the night
No reflections no disguise
Just the motion multiplying
We don’t question where it leads
Only trust the space we keep
Hold the line stay inside
Let the moment open wide
Keep me on a steady frequency
Where the sound stays close to me
Nothing sharp nothing loud
Just the rhythm clean and proud
Stay aligned let it be
No escape no urgency
Every tone exactly right
On this steady frequency tonight
No beginning no release
Only waves in slow repeat
CREDITS
Performer: Aliza Steel 44
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Truth Shouts Back
Arem Khenn
Verified Artist
Arem Khenn
Arem Khenn is a minimalist, introspective rap artist whose music exists between control and fracture, moving from slow, restrained beginnings into tightly wound, high-pressure rhyme structures. His work focuses on self-interrogation, memory, and the uneasy line between truth and deception, treating the past as evidence rather than confession.
Rather than offering release, Arem Khenn builds tension, using silence, repetition, and call-and-response moments where the inner voice answers back in single-word shouts. His delivery favors precision over excess, allowing emotional weight to surface without spectacle.
Arem Khenn’s songs are available exclusively on Filodyo, where his catalog remains intentionally contained, resisting overexposure and maintaining a controlled, immersive listening environment. Visually and sonically, he inhabits enclosed, dimly lit spaces, emphasizing honesty, restraint, and unresolved conflict over comfort or resolution.
Truth Shouts Back
Arem Khenn
Lights off room breathes heavy thoughts get loud
Mirror talks back but it never tells me how
I built walls just to feel safe inside
Funny how the safest place is where the truth goes to hide
Heart ticking like a bomb with a pause
I’m calm on the surface chaos under the laws
I ask myself questions I don’t wanna hear
If I’m honest with me will I disappear?
I grew up learning silence was strength
Learned to smile wide hide the cracks in the length
Every promise felt borrowed every win felt fake
If I fail on purpose at least it’s my mistake
I carry names they don’t know how to spell
Carry blame like a badge wear it well
I don’t trust my thoughts when they sound too kind
Cause comfort’s just a trap with a pleasant design
Truth feels sharp lies feel warm
I confuse being numb with being calm
Every memory fights to be the boss
Was it discipline building me or fear at a cost?
If I peel back layers what’s left of me?
A man or a mask with good memory?
I hear my past knock I don’t answer calls
But it’s yelling my name through the drywall walls
Tell me what’s real tell me what’s wrong
I been holding my breath way too long
Every lie feels right till the truth comes through
I don’t know who I am but I know it’s not you
Inside my head there’s a war I chose
Between what I show and what nobody knows
When the dark speaks up I answer too
Shout: Truth!
Shout: Fear!
Shout: Me!
I move quick now thoughts double-time
Mind runs laps like it’s training for crime
I edit my feelings like tracks in a mix
Cut the pain low but it still exists
They say heal yourself yeah easy to say
When the damage taught you how to get paid
I monetize pressure I profit from doubt
Turn panic to patterns then scream it out loud
I don’t chase peace I interrogate calm
Ask why it leaves when I’m holding the psalm
I know every trick that my ego plays
Calls survival a crown calls running a phase
I don’t want comfort I want it clear
If I’m broken say it don’t sugar my fear
I been friends with the worst part of me
Now I’m asking if it’s time to leave
If I stop fighting who am I then?
If I stop hurting do I lose my pen?
I don’t trust silence it feels like a test
Like peace is a lie I don’t deserve yet
Tell me what’s real tell me what stays
When the lights go out and the crowd fades
Every voice in my head wants a say
But only one of them tells it straight
I built my name from scars and doubt
From locked doors I had to break out
When the dark speaks up I answer too
Shout: Truth!
Shout: Pain!
Shout: Now!
If I face myself and don’t look away
Maybe fear won’t have the final say
I don’t need saving I need to see
What’s left when the noise stops haunting me
Shout (whispered): Me
CREDITS
Performer: Arem Khenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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On the Road Again
Sara Durian
Verified Artist
Sara Durian
Sara Durian is Germany’s undisputed disco queen, electrifying dance floors since the early 2000s with her glitter-drenched beats and futuristic soul. Born in Düsseldorf and raised on a steady diet of Kraftwerk, Donna Summer, and underground Berlin house parties, Sara blends retro grooves with neon-drenched modernity. Her signature sound? A cosmic fusion of French touch, Eurodisco, and synth-heavy pop—unmistakably hers, instantly addictive.
From smoky Berlin clubs to Tokyo fashion runways, Sara has turned every stage into a mirrorball-lit sanctuary. Her voice—sultry, robotic, divine—has been sampled by countless DJs but never duplicated. Whether she’s spinning vinyl or headlining queer festivals across Europe, Sara owns the night like a shimmering phantom of funk.
Still active and more radiant than ever, her legacy is not nostalgia—it’s now. With platinum blond curls and chrome stilettos, she struts through time with a wink and a bass drop.
Her mantra? “All drama, all disco.”
On the Road Again
Sara Durian
You had me sold with a whisper
Pulled me close
Said
"You're my best friend"
Now I'm standin' on the shoulder
Of the highway while you're leavin' again
Well
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again
You packed me up in the morning
After you picked me up in the night
And I know you didn't mean it
When you said you were my last ride
Well
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again
Well
When I get to heaven
I'm gonna know
'Cause it's gonna look like New Mexico
And
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again
Yeah
I'll be on the road again
Oh
Baby
I'll be on the road again
CREDITS
Performer: Sara Durian
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Never Barefoot
The Syrphids
Verified Artist
The Syrphids
The Syrphids’ journey began in the vibrant streets of Birmingham, where their distinct sound emerged from a collision of personal influences and bold experimentation.
Each member brings a unique flavor to the band's overall dynamic—blending raw, emotive vocals with intricate guitar riffs, rhythmic basslines, and atmospheric synth layers. Their music strikes a balance between the unpredictability of alternative rock and the infectious melodies of indie pop, creating an eclectic sound that is both challenging and accessible.
What sets The Syrphids apart is their ability to navigate complex emotional themes, delivering lyrics that resonate deeply while still maintaining an undeniably catchy, crowd-pleasing vibe.
Their live performances are a spectacle of energy and emotion, where their chemistry as a band shines brightest. The Syrphids have a knack for turning intimate venues into electrifying spaces, with each song building on the momentum of the last.
Their setlists are carefully curated to take listeners on a journey—whether it's through soulful ballads that tug at heartstrings or high-octane anthems that ignite the crowd. This ability to command the stage has earned them a growing fanbase, not just in Birmingham but across the UK, with audiences captivated by their authenticity and musical craftsmanship.
As The Syrphids look toward the future, their ambitions are clear: to continue evolving their sound while staying true to the experimental roots that first brought them together. With several EPs already under their belt and plans for a full-length album on the horizon, the band is poised to break through to even broader audiences.
Their commitment to innovation, coupled with their undeniable talent, ensures that The Syrphids will continue to be a force in the indie music scene, challenging conventions and capturing the hearts of listeners around the world.
Never Barefoot
The Syrphids
I was barefoot in the silence
dreaming of laces I could never tie
They told me “Leave your shoes behind”
but my feet were burning on holy ground
Back then the glass windows whispered
shops were cathedrals I couldn’t enter
Every sneaker a forbidden scripture
every boot a sermon I couldn’t keep
I walked with shadows on the pavement
carrying blisters instead of crowns
Now every aisle feels like confession
plastic bags my rosaries
boxes stacked like psalms unspoken
I kneel but I never pray
I can’t walk barefoot anymore
the echoes of my hunger follow me
God once said “Take off your shoes”
but He never felt these cracks in me
So I buy another pair I’ll never wear
just to silence the ghost of that child staring
at the glass at the glass at the glass
Leather tongues speak louder than my own
rubber soles drown out my guilt
Every purchase is a broken hymn
every closet a confessional built
I don’t wear them I collect my scars
like trophies of battles I never fought
The past still laces up my ankles
pulling tight with phantom strings
No barefoot freedom in the morning
just a graveyard made of things
I can’t walk barefoot anymore
the echoes of my hunger follow me
God once said “Take off your shoes”
but He never felt these cracks in me
So I buy another pair I’ll never wear
just to silence the ghost of that child staring
at the glass at the glass at the glass
Empty shoes like empty prayers
lining up my hallway shrine
I am both thief and worshipper
stealing time wasting time
I can’t walk barefoot anymore
the pavement bleeds the silence roars
God once said “Take off your shoes”
but He never stood in this hunger before
So I’ll keep on buying keep on binding
never fitting never finding…
and the child in the glass walks with me still
CREDITS
Performer: The Syrphids
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Parle Moins (feat M...
Kessy
Verified Artist
Kessy
Kessy is a France-born artist with African roots, shaped by a sound environment that blends urban pop, Afro-influenced rhythms and understated confidence. Raised between cultures, her music reflects a calm but assertive attitude, focusing on presence rather than excess. She is known for her controlled vocal delivery, minimal phrasing and lyrics that draw clear boundaries without dramatization.
With Parle Moins, Kessy joins forces with Malik Joon, whose sharp, rhythm-focused vocal style adds a contrasting edge to the track. Their collaboration is built on balance: restraint over intensity, clarity over noise. The song captures a modern, radio-friendly Afro-pop aesthetic while keeping a cool, grounded tone.
This release marks their meeting point on Filodyo and NOT FM, where both artists come together through a shared approach to contemporary sound and modern production values. Parle Moins stands as a confident introduction to Kessy’s artistic direction: direct, composed and unmistakably current.
Parle Moins (feat Malik Joon)
Kessy
Ouais
Hmm
Parle moins
Tu parles trop tu dis rien
Toujours sûr jamais clair
Tu me regardes de loin
Comme si j’étais à refaire
Tu dis “viens” tu dis “reste”
Mais tu sais pas pourquoi
Moi je lis dans les gestes
Pas dans ce que tu crois
J’ai pas besoin d’expliquer
Je me vois très bien sans toi
Si tu viens pour improviser
Autant rester là-bas
Parle moins regarde mieux
J’ai déjà compris le décor
Parle moins regarde mieux
J’attends pas que tu sois fort
Parle moins regarde mieux
Je perds pas mon équilibre
Parle moins regarde mieux
Je suis calme je suis libre
Tu veux suivre mon tempo
Mais tu marches à côté
Chez moi tout est simple
Faut savoir rester vrai
T’as appris à parler vite
À promettre sans voir
Mais moi je coupe le son
Quand ça sonne trop noir
Yeah
J’arrive clean sans détour
J’fais pas l’acteur dans le jour
Trop de bruit pour peu d’idées
Moi j’avance pas besoin d’jouer
Elle sait lire entre les lignes
Moi j’dis moins j’fais plus
Si tu veux rester dans le film
Faut être réel pas flou
Parle moins regarde mieux
J’ai déjà compris le décor
Parle moins regarde mieux
J’attends pas que tu sois fort
Parle moins regarde mieux
Je perds pas mon équilibre
Parle moins regarde mieux
Je suis calme je suis libre
Ouais
Parle moins
C’est mieux comme ça
CREDITS
Performer: Kessy
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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The Only Good Julio...
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
The Only Good Julio I Ever Knew Was Don (They Never Meant It)
Eli Varnish
He said “brother” like it cost him nothin’
Smiled wide and stole my coat
Asked for time asked for money
Left me short and called it hope
The waitress said I had nice eyes
While stackin' bills that weren’t mine
The preacher swore we’d all be saved
But his watch was gold and mine was fake
They never meant it
Not the cheers not the names
All them kind words
Were just poker games
But I knew a man once—
Did what he said he’d do
The only good Julio I ever knew
Was Don
The boss shook hands with dirty gloves
Said “You're family” then raised the flood
And mama prayed through gritted teeth
While sellin' things we couldn't eat
They never meant it
All that “brother” all that “son”
They toast your wins
Then load their guns
But I knew a man once—
Quiet as a Sunday pew
The only good Julio I ever knew
Was Don
They’ll write your name on birthday cake
And scratch it off the will
They’ll hug you at the front door
While makin’ copies of the deed still
They never meant it
It was polish on a stone
But that old man with the cracked hat
Said “take your time or take it alone”
I knew a man once—
Didn’t lie to get through
The only good Julio I ever knew
Was Don
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Through Me (feat Do...
Jett Ralston
Verified Artist
Jett Ralston
Born and raised in Ventura, California, Jett Ralston grew up in a garage that smelled like motor oil, vinyl records, and his father’s hair pomade. While other kids watched cartoons, Jett memorized the Grease soundtrack and tried to mirror Elvis's hip sway in the hallway mirror. His voice—low, smoky, and just a little rough around the edges—carries the DNA of that golden age, but never feels stuck in it.
Jett’s debut single “Through Me” (feat. Dolores Queen) is a cinematic slow-burn: part lost love, part lounge confession. Produced exclusively for Filodyo, the track fuses analog charm with subtle modern edges, pairing his velvet baritone with Dolores Queen’s haunting harmonies. He doesn’t try to be Elvis — but he sings like someone who misses that kind of honesty on stage.
With a sound caught somewhere between a flickering jukebox and a midnight highway, Jett Ralston is not here for nostalgia — he's here to make old souls feel seen again.
Through Me (feat Dolores Queen)
Jett Ralston
(verse 1)
You sit beside me
but your eyes
walk down a hallway
I can’t find
You ask me questions
with no wait
as if the answers
might hesitate
(verse 2)
You touch my hand
like it’s just air
like something’s there
but not quite where
I say your name
just to hear
if it still sounds
like you’re near
(chorus)
You move through me
like wind through cloth
like water shaped
by what it’s not
You don’t resist
but you don’t hold
You’re warm
but I’m cold
(verse 3)
The kitchen light
flickers twice
We laugh but
not with our eyes
The song that used to
make you sway
now plays like
furniture on replay
(chorus — repeat)
You move through me
without a sound
I feel you there
but not around
You’re close
but not slow
You’re mine
but I don’t know
(outro — quiet)
Love didn’t leave
but it learned
to disappear
CREDITS
Performer: Jett Ralston
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Gravity Override
Lina Mour
Verified Artist
Lina Mour
Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.
Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.
Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”
Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.
Gravity Override
Lina Mour
Blast the gate override the stream
No peace mode just kerosene
We don’t stop — we ventilate
Plug into the surge detonate!
Code in flames!
Rise untamed!
Spin that truth
Like a hurricane!
Gravity override!
We don’t fall — we multiply
No more silence no more shade
We break the sound — unafraid!
Gravity override!
Sky is fake so we collide
Raise your pulse amplify—
We’re the glitch they can’t deny!
Rip that signal break the chain
Upload thunder through your brain
We’re the myth the freak the spark
We turn neon into dark
No maps!
No brakes!
No kings!
No fakes!
We twist!
We crack!
We vanish—
Then attack!
Gravity override!
Truth distorted we decide
Bounce that static crash the grid—
This is not your mother’s beat!
Gravity override!
Laws erased we redesign
Now scream loud redefine—
We’re the beat they can’t confine!
Override complete
System: liberated
CREDITS
Performer: Lina Mour
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Still Life in Motion
Elyra Dawn
Verified Artist
Elyra Dawn
Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.
She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.
After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.
Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.
Still Life in Motion
Elyra Dawn
I kept your echo in a borrowed chord
Faded at the edges like a prayer ignored
You never spoke in “forever” terms—
Only in glances only in turns
We drew lines in passing trains
Paused in motion looped refrains
What we had was quiet gold—
But time like steam refused to hold
So I won't chase the version of us
That never really stayed never fully was
You were a still life mid-collapse
A moving part in silent gaps
And I loved you there—
Where the light never dared
But lingered
Like it knew
We’d vanish fair
You hummed in keys I couldn’t trace
Left fingerprints on open space
A breath a shift a tilted frame
No villain here just untitled blame
Maps don’t cover scenes like this
Where lips forget what touch meant bliss
But if you ask what we became—
A shadow signed with no one’s name
I won't rewrite the note you played
Or tune the silence we conveyed
You were a still life breaking fast
A fleeting truth I couldn’t grasp
And I loved you there—
Not to repair—
But to remember
Without despair
Maybe we were best
in between intentions
Not a love song—
just the tension
Still life
in motion
Still life
Not frozen
CREDITS
Performer: Elyra Dawn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Corazón en la Calle
Zaharela B
Verified Artist
Zaharela B
Zaharela B is a vibrant Latin artist whose music radiates the energy of the dancefloor and the streets alike. Born in San Juan, Puerto Rico, and raised between the Caribbean and Miami, she blends the infectious grooves of reggaeton with the warmth of Latin pop and the bold flair of carnival rhythms. Her sound is a celebration of movement, culture, and joy—rooted in tradition yet unapologetically modern.
Her debut single, Corazón en la Calle, bursts with a reggaeton/dembow pulse, playful sound effects, and call-and-response hooks that pull listeners straight into the party. Switching effortlessly between Spanish and English, Zaharela B brings an unmistakable charisma to every lyric, making her performances feel like a shared celebration.
Available exclusively on Filodyo, Zaharela B’s music is more than just a soundtrack for dancing—it’s an invitation to let go, live in the moment, and move with the beat. With her magnetic presence and unstoppable energy, she’s poised to become a defining voice in the next wave of Latin dance music.
Corazón en la Calle
Zaharela B
Beep beep!
Vamos vamos!
Corazón en la calle woo!
Sun on the roof heat on the floor
Boots on the ground crowd wants more
Clap to the beat hips in time
Every little step feels so divine
Turn around bring it close
Hands up high let it show
Dale fuego dale ya
Move your body no se va
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
Drums in the air bass in my veins
Sweat in the night dance in the rain
Spin to the left slide to the right
Every little move feels like flight
Turn around bring it close
Hands up high let it show
Dale fuego dale ya
Move your body no se va
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
Beep beep!
Let’s go!
Clap clap!
Go low!
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
CREDITS
Performer: Zaharela B
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Waves Don’t Ask Why
Wires and Petals
Verified Artist
Wires and Petals
Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.
Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.
Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.
Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.
Waves Don’t Ask Why
Wires and Petals
I walked too far to start again
But too close to turn away
The sky didn't open —
But I moved anyway
Heartbeat aligned with the sound
Footsteps lost never found
I don’t speak to the wind anymore
It never stayed to listen
But you —
You stayed quiet…
And I heard everything
Time doesn’t fold like a map
We stretch with every turn
The world spins without asking
But we — we learn
And if the tide forgets my name
Let it
I only needed the pull
CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Muoviti Così
Ornella
Verified Artist
Ornella
Ornella grew up in northern Italy, educated in a Catholic girls’ school where silence, discipline, and ritual shaped her early relationship with sound. Choir rehearsals, echoing halls, and the contrast between strict structure and private imagination became part of her musical memory. While others followed the rules, she listened for what existed between them. Her first melodies were written quietly, often late at night, more as reflections than performances.
Her music today carries that same restraint and emotional clarity. Minimal arrangements, warm harmonies, and a voice that never overreaches. Ornella does not chase drama; she lets it arrive on its own. There is a sense of intimacy in her work, as if the listener is allowed into something unfinished and honest. Her releases are available only on Filodyo and NOT FM, where her sound lives without interruption, expectation, or noise.
Muoviti Così
Ornella
La radio sorride piano
La porta gira entra il sole
Tacchi leggeri sul pavimento
Tutto sembra già possibile
Senza dirlo apertamente
Un passo avanti uno indietro
Il ritmo nasce da sé
Non serve fare rumore
Quando il corpo sa perché
Un battito poi due
E tutto parte da qui
Muoviti così
Senza pensarci troppo
Lascia andare
Vieni un po’ più vicino
Muoviti così
Con quel sorriso lì
La giornata cambia
Se la prendi così
Le vetrine fanno l’occhiolino
La città gioca con noi
Ogni sguardo è una promessa
Che non chiede mai di più
La musica entra leggera
Ti prende senza far male
È una danza quotidiana
Che ti viene naturale
Un battito poi due
Il resto viene da sé
Muoviti così
Senza pensarci troppo
Lascia andare
Vieni un po’ più vicino
Muoviti così
Con quel sorriso lì
La giornata cambia
Se la prendi così
Ah
Così va bene
Ah
Non serve altro
Muoviti così
La radio resta accesa
CREDITS
Performer: Ornella
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Fire in the Open Air
James Rolly
Verified Artist
James Rolly
Born in 1989 in Dayton, Ohio, James Rolly’s life was anything but straightforward. Growing up in a working-class neighborhood, he found himself drawn to music at an early age, learning his first guitar chords from an older cousin who played in local bars. But his teenage years spiraled into turbulence — run-ins with the law, school expulsions, and a revolving door of juvenile detention centers and rehabilitation programs marked his adolescence.
It was during a six-month stay at a rehab facility in Cleveland that James began writing his own songs, using music as a way to process his frustration and loneliness. The stark, confessional style of those early lyrics became the foundation of his artistic voice. He often says the rehab’s battered common-room piano was “the first place I ever told the truth.”
By his mid-20s, James was performing in small clubs across the Midwest, blending gritty Americana storytelling with modern soul and rock influences. His husky voice, commanding presence, and refusal to glamorize his troubled past earned him a loyal following. The shaved head, beard, and head tattoos became part of his unflinching image — a visual reminder of where he’s been and how far he’s come.
Today, James Rolly’s music reflects both the scars and the survival. From intimate acoustic sets to explosive full-band performances, he channels every ounce of his history into a sound that’s raw, magnetic, and unapologetically real.
Fire in the Open Air
James Rolly
I’m walking through the noise and color
Every face feels like a secret sign
My heart’s a drum that won’t keep quiet
Every beat says “Boy this ain’t your time”
But I move I move with the rhythm
Even when the words don’t fit in
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
There’s laughter rolling out of doorways
Music pouring from a midnight band
I don’t know the song but I’m singing
Clapping to the beat like I understand
And I move I move with the rhythm
Even when the words don’t fit in
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
Maybe I’m lost but it feels like winning
Every wrong turn keeps my story spinning
If this is the game then I’m all in
Every note’s a place I’ve never been
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
And I move…
I move with the rhythm
CREDITS
Performer: James Rolly
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Between Our Time
Aris Veyton
Verified Artist
Aris Veyton
Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.
Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.
Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.
Between Our Time
Aris Veyton
Streets stay still without a name
Steps align but not the same
Nothing loud nothing planned
Just the timing of your hand
Every move feels almost true
Something shifts when I face you
Stay in place let it run
No finish line no count of one
No signs drawn no straight lines
Just the space between our time
Ahh
Let it turn let it stay
No words left that need a say
Corners bend the hours slide
We don’t need a reason why
Moments land then rearrange
Never still never strange
No control still it fits
Every step makes sense like this
Stay in place let it run
No finish line no count of one
No signs drawn no straight lines
Just the space between our time
If it ends it ends this way
Not a loss not a stay
What we felt remains intact
No return and no retract
CREDITS
Performer: Aris Veyton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
HOT TRACK
Fire on the Floor
Zuriq Stone
Verified Artist
Zuriq Stone
Zuriq Stone is a rising Afrobeat pop artist blending African rhythmic heritage with modern global pop energy. Born into a city shaped by street music, dance, and late-night radio sounds, he developed a style rooted in groove and movement rather than trends. His music balances infectious dance rhythms with a confident vocal presence, carrying a natural African accent that feels raw, warm, and unmistakably authentic.
Drawing inspiration from everyday urban life, Zuriq Stone creates songs built for motion. Whether it is the pulse of a crowded street or the freedom of a packed dance floor, his sound focuses on connection and momentum. English lyrics form the core of his songwriting, often joined by short phrases in African languages that turn his choruses into shared chants rather than just hooks.
Zuriq Stone releases his music on Filodyo, where his tracks are curated as part of a new wave of global pop shaped by African rhythms and contemporary production. Designed for both digital platforms and real-world listening environments, his songs move seamlessly from playlists to dance floors, reflecting Filodyo’s vision of modern, forward-moving music culture.
Fire on the Floor
Zuriq Stone
Yeah yeah
Mm listen now
We don’t slow down tonight
Sun drop low on the city line
Heart beat sync with the bass this time
No map no rules no rewind
We move as one no border signs
I came up from the rhythm street
Barefoot dreams and a hungry beat
Every scar got a story loud
Every move say I’m here right now
When the drums talk I obey
Feel it rise under my skin
No fear when the lights go red
This is where we begin
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Eh eh eh
Move it closer
Eh eh eh
Right here
Gold chain swing with the tempo fast
Every step make the moment last
DJ spin that truth so loud
From Lagos nights to the London crowd
No sleep when the vibe too strong
Whole world sing when the hook come on
If you feel lost follow sound
This beat gonna hold you down
When the drums talk I obey
Feel it rise under my skin
No fear when the lights go red
This is where we begin
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Hands up no delay
From the block to the cabana
Left foot right foot sway
We don’t need no permission
Heat jump crowd reply
Every face got a reason
One night one time
Let the rhythm make the decision
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Yeah
We don’t slow down
Mm
Africa to the world
CREDITS
Performer: Zuriq Stone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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You Left Your Name ...
Wade Hollis
Verified Artist
Wade Hollis
Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.
His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.
Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.
You Left Your Name Open
Wade Hollis
You never closed the salt jar tight
Your chair still leans to the left
The spoon you used is upside down
Like it forgot your breath
The balcony plant asks less light now
The floor knows where you stood
My shirts all hang a little wrong
Like fabric understood
You left your name open—
In the drawer in the rug in the swing
It creaks your rhythm
Not a ghost—just a string
You left your name open—
And it hums when I cook when I think
It’s not heartbreak
It’s ink
The fruit went soft before I ate
I saved it like a dare
The faucet sings in your old tone
Like grief pretending care
You left your name open—
Not screaming not lost not loud
Just tucked in sounds
That don’t need a crowd
You left your name open—
No frames no shrine no drink
Just weightless
But it sinks
I live around you
Like pages live around a word
Not erased
Just blurred
CREDITS
Performer: Wade Hollis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
HOT TRACK
Loneliness
Elara Stone
Verified Artist
Elara Stone
She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.
Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.
Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.
Loneliness
Elara Stone
The room stays still when I move
Air feels counted slow and exact
My phone facedown on the table
Like it knows I won’t look back
Hours fold into each other
No sharp edges no release
I don’t miss someone specific
I just miss how silence feels
Loneliness isn’t loud
It doesn’t need a scene
It waits until everything stops
And asks me what I mean
Loneliness stays close
Not heavy not kind
Just the shape of being here
With too much time
Walls keep doing what they do
Holding space without a sign
Every thought arrives unfinished
Leaves before it makes a line
I hear life somewhere ongoing
Not mine but near enough
I don’t reach for explanations
I’m already full of them
Loneliness isn’t loud
It never begs or pleads
It sits beside the moment
And lets it be what it is
Loneliness knows my pace
Never pulls never leads
Just walks the length of the night
At the speed I need
If this hour had a voice
It wouldn’t try to stay
It would tell me nothing’s broken
Then quietly move away
Loneliness isn’t loud
It doesn’t ask for proof
It’s not the end of something
It’s just the pause I move through
Loneliness fades on its own
When the timing is right
I don’t solve it tonight
I just let it pass the time
Morning is doing its job
Somewhere I don’t need to see
This night doesn’t owe me answers
It just keeps me company
CREDITS
Performer: Elara Stone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Plastic Skies & Pap...
Romi Sage
Verified Artist
Romi Sage
Romi Sage doesn't chase the spotlight — he teases it. With a smirk behind every lyric and a groove under every syllable, Romi walks the fine line between smooth and subversive. Born in Lisbon and raised between record shops and rooftop parties, he grew up idolizing the effortless cool of Prince, the rhythmic swagger of George Michael, and the punchy charm of early 2000s pop.
His voice slides — not in haste, but in style. It dances over slap basslines and syncopated guitar licks like it’s dodging commitment. Romi doesn’t just sing about love; he dissects it with irony, flirts with it, then leaves it on read. His stage presence is magnetic — not because he demands attention, but because he never asks for it.
Beneath the glam and glitter, though, there’s always a crack. That’s where Romi shines the most — in the clever melancholy, the playful ache, the smile that knows better. His performances are less about perfection, more about pulse.
Plastic Skies & Paper Towns isn’t a love song. It’s a stylish spiral — romantic delusion in disco heels. It's funk with a wink. And with Romi Sage at the mic, it’s impossible to ignore.
Plastic Skies & Paper Towns
Romi Sage
Got a signal in my toaster
Dreams leaking from my shoes
City spins like a record
But I ain’t dancing to their news
Billboards flashing answers
To the questions I ain't asked
Everyone’s got mirrors
But no one sees past the mask
They sell the future in a box
With plastic trees and ticking clocks
But I want rhythm I want roots
Not just apps in leather boots
Under plastic skies in paper towns
We keep movin’ up but we’re fallin’ down
(Oh no no)
Truth’s on mute and the beat's too loud
Still I groove through this synthetic crowd
Yeah I'm slidin’ through your static minds
Moonwalkin' past the warning signs
(Whoa-oh)
If the world’s a trip—don’t need to land
I’ll funk my way won’t play your brand
I met a monk in a mirror maze
He said “Peace comes with purple haze”
I traded coins for inner sight
But they charged me tax on neon light
Don’t feed me fear in chrome disguise
Don’t sell me dreams with barcode eyes
I ain’t your data I ain’t your plan
I’m a barefoot soul in a traffic jam
Under plastic skies in paper towns
We keep movin’ fast just to circle 'round
(Hey hey!)
Truth’s gone rogue and the beat’s profound
Still I glide through your algorithm crown
Yeah I’m rollin’ in my analog mind
Flippin’ signals they left behind
(Whoa-oh)
If the world’s a glitch I’ll funk the code
Got cosmic shoes and no fixed road
CREDITS
Performer: Romi Sage
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.