Rosa Medina was born in 2001 in Porto, Portugal, to a family that carried both Iberian and Brazilian heritage. Her father, a fisherman from Aveiro, filled the house with fado records, while her Brazilian mother played MPB classics and samba on lazy Sunday mornings. Rosa grew up between two shores of the Portuguese-speaking world — absorbing the saudade of Amália Rodrigues and the sunny, syncopated joy of Gal Costa in equal measure.

At fourteen, she began performing small sets in riverside cafés, her voice effortlessly gliding between soft whispers and soaring notes. The intimacy of fado was her foundation, but Rosa was restless — she wanted her songs to dance. By blending Portuguese folk melodies with bossa nova chords, urban beats, and lush pop arrangements, she began to shape a style that felt both nostalgic and forward-looking.

In 2025, Rosa released her debut single "Fica no Quase" in collaboration with Filodyo, the independent music producer known for shaping fresh, original sounds for global audiences. The track — a bittersweet, mid-tempo anthem about love suspended in uncertainty — gained instant traction on streaming platforms. Its hypnotic chorus, sung entirely in Portuguese, became a signature moment in her live performances.

Today, Rosa Medina is part of a new generation redefining Lusophone pop, performing sold-out shows from Lisbon to São Paulo. Despite her growing fame, she keeps her songwriting process deeply personal — scribbling lyrics on napkins in Lisbon cafés, recording demos on her phone while walking along the Douro River. For Rosa, every performance is a bridge connecting continents, carrying the language and emotion of Portuguese music to the world stage.

---

There’s a certain stillness in Celeste Raye’s voice — the kind that turns crowded rooms quiet and late-night drives cinematic. Born and raised in South London, she grew up mimicking the elegance of old soul singers and the cool detachment of ‘90s club divas. On stage, Celeste doesn’t reach for the spotlight — it finds her.

Her latest release, Velvet Switch, is a slow-burning club anthem soaked in longing. Produced by NOT FM and available exclusively on Filodyo, the track pulses with quiet intensity — as if it’s remembering something you forgot you missed. Celeste’s voice doesn’t cry out. It hovers, suspended above the beat, tracing the shape of absence with each note.

People don’t come to her sets just to dance. They come to feel understood — in dim lights, with their eyes closed, mouthing words they’ve never said out loud. Velvet Switch captures that moment between stillness and surrender, when the music takes over and you stop pretending you’re fine.

Celeste Raye isn’t trying to be timeless. She already is — not because she sounds like someone else, but because she sounds like a feeling you’ve had before, but never named.

---

Minerva Sound is a five-piece from Bristol, UK, blending glossy disco-pop, neo-soul harmonies, and tight live grooves. The lineup: Malik Rhodes (lead vocal), Tyrone Ellis (vocal/MC), Owen Calder (guitar/bass), Emily Price (vocal/keys), and producer Felix Dunn (drum machines, synths, arrangements). Born out of late-night jam sessions and warehouse sets, they forged a sound that marries hook-heavy choruses with rhythmic precision and rich vocal stacks.

Their debut single, “Flip That City,” captures the group’s signature pulse: rubbery bass, syncopated organ stabs, hand-clap drive, and call-and-response vocals that snap into a euphoric refrain. Lyrically, it zooms in on urban momentum—small choices, quick turns, and the thrill of switching lanes—delivered with swagger and a live-band spark.

Available exclusively on Filodyo, Minerva Sound is poised to turn venues into dance floors across the UK and beyond—one chorus, one groove, one flipped skyline at a time.

---

Romi Sage doesn't chase the spotlight — he teases it. With a smirk behind every lyric and a groove under every syllable, Romi walks the fine line between smooth and subversive. Born in Lisbon and raised between record shops and rooftop parties, he grew up idolizing the effortless cool of Prince, the rhythmic swagger of George Michael, and the punchy charm of early 2000s pop.

His voice slides — not in haste, but in style. It dances over slap basslines and syncopated guitar licks like it’s dodging commitment. Romi doesn’t just sing about love; he dissects it with irony, flirts with it, then leaves it on read. His stage presence is magnetic — not because he demands attention, but because he never asks for it.

Beneath the glam and glitter, though, there’s always a crack. That’s where Romi shines the most — in the clever melancholy, the playful ache, the smile that knows better. His performances are less about perfection, more about pulse.

Plastic Skies & Paper Towns isn’t a love song. It’s a stylish spiral — romantic delusion in disco heels. It's funk with a wink. And with Romi Sage at the mic, it’s impossible to ignore.

---

Yuna Lee is a rising K-Pop solo artist whose magnetic voice and vibrant style are capturing hearts across the globe. Born and raised in Seoul, she grew up surrounded by music, blending traditional Korean influences with the modern pop and R&B sounds she discovered online. Her artistry reflects both her cultural roots and her forward-looking vision, creating songs that are as emotionally resonant as they are irresistibly catchy.

Her debut single, Golden Run, is a high-energy anthem that fuses shimmering synths, punchy beats, and uplifting melodies. The track captures Yuna’s fearless spirit—celebrating ambition, self-belief, and the unstoppable momentum of chasing one’s goals.

Available exclusively on Filodyo, Golden Run introduces Yuna Lee as a fresh and dynamic voice in the K-Pop scene. With her powerful performances and captivating stage presence, she is set to become one of the most exciting new names to watch.

---

The Syrphids’ journey began in the vibrant streets of Birmingham, where their distinct sound emerged from a collision of personal influences and bold experimentation.

Each member brings a unique flavor to the band's overall dynamic—blending raw, emotive vocals with intricate guitar riffs, rhythmic basslines, and atmospheric synth layers. Their music strikes a balance between the unpredictability of alternative rock and the infectious melodies of indie pop, creating an eclectic sound that is both challenging and accessible.

What sets The Syrphids apart is their ability to navigate complex emotional themes, delivering lyrics that resonate deeply while still maintaining an undeniably catchy, crowd-pleasing vibe.

Their live performances are a spectacle of energy and emotion, where their chemistry as a band shines brightest. The Syrphids have a knack for turning intimate venues into electrifying spaces, with each song building on the momentum of the last.

Their setlists are carefully curated to take listeners on a journey—whether it's through soulful ballads that tug at heartstrings or high-octane anthems that ignite the crowd. This ability to command the stage has earned them a growing fanbase, not just in Birmingham but across the UK, with audiences captivated by their authenticity and musical craftsmanship.

As The Syrphids look toward the future, their ambitions are clear: to continue evolving their sound while staying true to the experimental roots that first brought them together. With several EPs already under their belt and plans for a full-length album on the horizon, the band is poised to break through to even broader audiences.

Their commitment to innovation, coupled with their undeniable talent, ensures that The Syrphids will continue to be a force in the indie music scene, challenging conventions and capturing the hearts of listeners around the world.

---

Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

---

Lucía doesn’t raise her voice — she lets silence lean toward her.

Born in Ciudad Juárez, where the wind carries both prayers and warnings, Lucía learned early that strength doesn’t shout — it stands still. Her music wasn’t born in studios. It was carved in alleyways, border bars, long walks home. She didn’t grow up dreaming of stages. She grew up walking away from things that didn’t serve her.

Her voice carries the weight of absence — low, textured, unhurried. With influences rooted in ranchera, flamenco, and tango, she weaves stories that don’t plead, but remember. Every note she sings is a scar that glows.

In recent years, Lucía has emerged as one of Filodyo’s most enigmatic voices — fierce, private, unforgettable. On her latest collaboration with Wade Hollis, the gravel-toned American guitarist, Lucía sings over strings like rusted fences in the sun. The song doesn’t comfort. It confronts — just like her.

The connection began far from stages. While Wade Hollis was recording new material with Filodyo, he mentioned a woman he had once heard playing in a dim-lit cantina near the border. “She sings like she’s been through three lifetimes,” he said. It was during a late-night Zoom call with Hakan E., the creative engine behind Filodyo, that Lucía’s name resurfaced.

By chance — or something heavier — Hakan had just expressed his search for a voice that wasn’t sweet, wasn’t polished — but true. “I need someone who sounds like she doesn’t need anyone,” he had said. A few weeks later, their first conversation took place across a flickering Zoom screen. Lucía, seated on a balcony in Mexico, cigarette in hand. No makeup. No pretenses. Just presence.

That was enough.

Now, her voice travels far from the cantinas — but it never left the dust behind.

You don’t listen to Lucía to feel better.
You listen to feel seen.

---

Checkmate formed in London out of restlessness rather than intention. Different neighborhoods, different backgrounds, same impulse: to move, to react, to play music that refuses to stand still. Ska was never a costume for them, it was a language. Fast rhythms, sharp turns, humor used as defiance. They grew up surrounded by noise, contradictions, and crowded streets, and their sound reflects that constant motion.

Their music is playful but not careless, political without slogans, chaotic but precise. Each member brings a different energy, and none of them try to smooth those edges out.

Checkmate thrives on contrast: bright melodies against nervous tension, joy next to disruption. What comes out is loud, physical, and alive. Their releases are heard only on Filodyo and NOT FM, where movement matters more than polish and nothing is forced to sit quietly in the background.

---

Fallen Radio Kings is a three–piece rock band from Austin, Texas, born out of late–night jam sessions in a suburban garage. Frontman Ethan Cole (vocals, guitar), bassist Marcus Rivera, and drummer Daniel Hayes first crossed paths during their college years, sharing a love for raw guitars, driving rhythms, and the restless energy of American alternative rock. What began as casual weekend rehearsals soon grew into a band with a sound rooted in grit, melody, and the working–class reality of their lives.

Each member still balances music with day jobs — Ethan works as a theater sound technician, Marcus runs a coffee bar and record stand, and Daniel repairs cars at his family’s garage, the very place where the band practices. That mix of everyday grind and creative fire defines their character: ordinary guys chasing extraordinary noise. Their lyrics echo that duality, blending stories of heartbreak, resilience, and fleeting moments of joy with the raw punch of garage–born rock.

Their name, inspired by a broken flea–market radio, reflects their vision: even when the signal fades, the voice remains. With unpolished energy and heartfelt songwriting, Fallen Radio Kings carry the spirit of garage rock revival into a new generation. They’re not chasing polish or perfection — they’re chasing connection, turning the sound of their suburban nights into anthems for anyone who has ever felt like an outsider with a story to tell.

---

Cold Empires is a high-energy trio from London whose music fuses hip-hop bravado with EDM’s explosive power. The group is made up of rapper Jamal Rivers, lyricist/MC Ethan Cole, and powerhouse vocalist Sienna Brooks. Together, they bring an unstoppable mix of raw verses, soaring hooks, and chant-driven crowd anthems designed for the biggest stages.

Jamal grew up in Brixton, raised on a steady diet of UK grime and American hip-hop, perfecting his rapid-fire delivery in underground battles. Ethan, born in Manchester, came from a background in electronic production, cutting his teeth as a DJ before stepping forward as both a writer and performer. Sienna, the daughter of a jazz pianist from Brighton, grew up singing gospel and soul before embracing the adrenaline of modern pop performance.

The trio met during a festival workshop in Ibiza, instantly recognizing their shared obsession with blending rap, electronic drops, and big-room hooks. Their debut single, Turn It Over, is the result: a bold, festival-ready anthem built for dance floors, packed with call-and-response energy, pounding kicks, and chant-style hooks that keep the crowd locked in.

Available exclusively on Filodyo and NOT FM, Cold Empires are carving out their own lane—one that thrives on intensity, collaboration, and the unstoppable spirit of the party.

---

Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.

She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.

After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.

Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.

---

Amara Vale is a European pop and R&B vocalist whose sultry tone and fearless style have made her one of the most exciting new voices on the scene. Born in Lisbon, Portugal, to a Portuguese father and a French mother, she grew up surrounded by a rich mix of cultural influences. From French chanson to soulful 90s R&B, the music playing in her family home shaped her distinctive sound and artistic vision.

After moving to Barcelona at the age of 12, Amara began performing in small cafés and local festivals, quickly building a reputation for her captivating stage presence. Her ability to blend emotional storytelling with infectious, modern production caught the attention of international producers and audiences alike.

Now based in Berlin, Amara Vale is ready to share her artistry with the world. Her music is available exclusively on Filodyo and NOT FM, offering listeners a unique blend of atmospheric pop, seductive R&B, and club-ready energy. With each release, she continues to prove that her voice, her style, and her story are unlike anything else in the European music landscape.

---

Bruno Galvez was born to a working-class Spanish family in Valencia, where the scent of orange blossoms mixed with the sound of distant flamenco was part of everyday life. Raised in a modest apartment above a small tapas bar, Bruno’s earliest memories include the strum of his grandfather’s old guitar and the rhythm of heels tapping against the tiled floor. Music wasn't just tradition — it was identity.

To support himself through school, Bruno played guitar on the streets and metro stations of Madrid, his case open for coins, his eyes always scanning for inspiration. These years shaped both his sound and his soul. The rawness of performing for strangers taught him to listen deeply to people’s silence — and to fill it with something honest. His fingers spoke when words failed, and soon his name became familiar in the underground corners of the city.

He studied Anthropology at the Universidad Autónoma de Madrid, drawn to human stories, rituals, and rhythms — the same themes that echo in his music. By night he was a student of culture; by day, a transmitter of it, blending traditional flamenco with the urgency of the modern world. His academic lens gave new depth to his compositions, adding layers that resonated beyond melody.

Today, Bruno Galvez is no longer just a street performer. He’s a storyteller, a cultural bridge, and a reminder that music — especially flamenco — is not meant to be caged. It is meant to move, to cry, to celebrate, and most importantly, to survive.

---

Ryder James is a rising pop-soul artist whose warm vocals and timeless style bridge the gap between classic soul storytelling and modern pop production. With a voice that carries both grit and grace, he creates songs that feel instantly familiar yet refreshingly new.

His debut single, Static on the Line, is a captivating blend of heartfelt lyricism and smooth, groove-driven instrumentation. Produced by Filodyo and released exclusively on NOT FM, the track showcases Ryder’s ability to turn everyday moments into powerful musical narratives.

Raised on a steady diet of soul legends and contemporary pop innovators, Ryder brings authenticity and emotional depth to every performance. Static on the Line is more than just a song—it’s an introduction to an artist who is here to connect, move, and inspire listeners worldwide.

---

Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.

His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.

Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.

---

The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.

Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.

In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.

Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.

---

Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.

Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.

Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.

---

Born in 1996 in Antwerp, Belgium, Dennise began her creative career not as a singer, but as a voice-over artist. With a warm, expressive tone and remarkable control, she became a sought-after voice in commercials, audiobooks, and animated films across Europe. For years, her voice was instantly recognizable, even if her face stayed out of the spotlight.

Music had always been quietly present in her life. Between recording sessions, she would write melodies and lyrics, experimenting with harmonies and vocal textures in her small home studio. Her path into music took a decisive turn when Filodyo producer Hakan E. heard one of her demos and invited her to record an original track.

Since that moment, Dennise has worked exclusively with Filodyo, creating songs that combine her precise vocal technique with a modern pop sensibility shaped by European dance rhythms. Guided by Hakan E.’s production, her tracks carry both the polish of a seasoned professional and the intimacy of a storyteller.

Outside the studio, Dennise is an avid cyclist and urban wanderer, often finding lyrical inspiration on her rides through city streets and coastal paths. For her, music is simply another way to tell a story — but now, her voice takes center stage.

---

Ornella grew up in northern Italy, educated in a Catholic girls’ school where silence, discipline, and ritual shaped her early relationship with sound. Choir rehearsals, echoing halls, and the contrast between strict structure and private imagination became part of her musical memory. While others followed the rules, she listened for what existed between them. Her first melodies were written quietly, often late at night, more as reflections than performances.

Her music today carries that same restraint and emotional clarity. Minimal arrangements, warm harmonies, and a voice that never overreaches. Ornella does not chase drama; she lets it arrive on its own. There is a sense of intimacy in her work, as if the listener is allowed into something unfinished and honest. Her releases are available only on Filodyo and NOT FM, where her sound lives without interruption, expectation, or noise.

---