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Bad At Fractions
Ayvenn

Verified Verified Artist

Ayvenn
Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.
Track(s)
Bad At Fractions 23209 03:41
All for One Y. 364015 04:18

Bad At Fractions

Ayvenn


You walked in counting every step
I lost track somewhere near your hips
You said “Baby keep it logical”
Then moved like logic didn’t exist

My drink was ninety-nine percent
Cool confidence and one percent fear
You leaned in close changed every sum
Now nothing adds up over here

I tried to draw a straight line
You turned it to a curve
I calculated all night
Still got what I deserve

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You got a rhythm like a riddle
Every answer starts a fight
Your waist keeps changing the percentage
Of the chances I act right

I brought a list of good decisions
You divided every plan
Now my balance is suspicious
And my patience left the band

I tried to keep it even
You raised it to a ten
I checked the calculation
Then did it all again

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
You say “Count it”
I lose my place
When that rhythm hits the bass

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
No remainder no return
Let the whole equation burn

Square root round hips
Quick clap slow kiss
I know numbers I know facts
But you make two plus two misbehave like that

Left turn three steps
No sleep no regrets
Every theory that I had
Falls apart when you do that

*(Ay ay—do that)*
*(Otra vez—do that)*

**[Final Chorus]**
I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math

*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*
No remainder no looking back
Take all of me—do the math

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK

Keep the Receipt, S...
Dust Motel

Verified Verified Artist

Dust Motel
Dust Motel Static began with **Marisol “Mari” Vela**, a sharp-tongued singer and baritone guitarist raised between Tucson and a small border town where her mother ran a late-night diner. **Evan Rusk**, a quiet multi-instrumentalist and obsessive arranger from Bakersfield, had spent years repairing amplifiers, collecting discarded tape machines and writing instrumental cues for films that were never made. Mari became the face and voice of the project; Evan became the person who could turn one crooked guitar phrase into an entire record.

They met after Evan’s pickup broke down outside the diner during a summer dust storm. Mari noticed the long-scale guitar case in the truck bed, borrowed the instrument before offering any help and played the same four notes until Evan began tapping a rhythm against the counter. They spent the rest of the night recording into a battered portable machine beside the diner’s ice freezer. The resulting demo carried traffic noise, a loose refrigerator panel and an argument from the kitchen, but neither of them wanted to recreate it in a cleaner studio.

Their debut single, **“Keep the Receipt, Sweetheart,”** introduces their sound through Mari’s dry, teasing delivery, Evan’s tightly controlled rhythm section and a low melodic guitar that moves somewhere between desert noir and border-town rock. The song treats a dishonest apology like a badly fitted purchase, turning an uncomfortable conversation into a compact, playful hook. It is currently their only released track, but the duo have already made their intentions clear: Dust Motel Static prefer small details, crooked humour and memorable guitar lines over polished mythology.
Track(s)
Keep the Receipt, Sweetheart 433 03:54

Keep the Receipt, Sweetheart

Dust Motel


You parked across the hydrant
Like the law had gone to lunch
Brought six supermarket daisies
Held together with a rubber band

Said “I’ve been doing lots of thinking”
With the posture of a judge
Then set one careful “sorry”
On my counter still unopened

You pressed your palm against your chest
Like cameras filled the hall
I asked for one clean answer
You gave the director’s cut

Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else

Keep the receipt sweetheart
Take the whole display with you
You brought me something called “I’m sorry”
But the tag says “almost true”

Almost true almost true
Look at you improving

You said your phone had lost its manners
Your watch was running scared
Your friends had formed a committee
And voted you unprepared

Your mother took the witness stand
Your therapist was quoted
I asked “Did you sleep with her?”
You said “The wording feels loaded”

You lowered your voice an octave
That trick you save for court
I asked where you were Tuesday
You gave the weather report

Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else

Keep the receipt sweetheart
Take the whole display with you
You brought me something called “I’m sorry”
But the tag says “almost true”

No don’t kneel; the floor is clean
Don’t swear on anybody’s grave
Skip the trembling lower lip
You practiced beside the valet

I’m just taking inventory:
One key two names three hotel pens
You may keep the supermarket daisies
They’ve heard the whole defense

Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else

Keep the receipt sweetheart
Take your grand performance too
You brought me something called “I’m sorry”
But the tag says “almost true”

Almost true almost true
Look at you improving

“Need a bag?”
“No he came with one”

CREDITS
Performer: Dust Motel
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Les Petites Choses ...
Mina Cazal

Verified Verified Artist

Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.

Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.

Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Track(s)
Les Petites Choses de Travers 1160 03:04

Les Petites Choses de Travers

Mina Cazal


Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses

Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »

Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades

J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous

À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »

Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique

J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication

Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local

Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration

On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner

D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu

La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie

La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment

Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin

CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Halfway Honest
Rowan Grey

Verified Verified Artist

Rowan Grey
Rowan Grey is an alternative R&B pop singer whose work resonates with emotional authenticity and sonic warmth. Known for his close-miked vocal style, Rowan's agile phrasing and subtle falsetto add layers of complexity to his music. His track "Halfway Honest" exemplifies his unique ability to weave together minimal Rhodes chords, rounded bass lines, and delicate nylon guitar details while incorporating subtle electronic textures that create a rich listening experience.

The themes of trust and honesty run deeply through Rowan's songwriting. He explores the bittersweet nature of relationships, balancing moments of vulnerability with hints of hopefulness amid sadness. Each track he releases invites listeners into an intimate space where they can reflect on their own experiences, making his music relatable and profound. The emotionally charged lyrics paired with minimalist production allow Rowan's voice to shine, creating a connection that lingers long after the music fades.

Collaborating with producer Hakan E., Rowan has carved out a distinctive sound marked by its lush instrumentation and poignant storytelling. His catalog, though still blossoming, reflects a commitment to crafting songs that speak to the human experience, engaging with feelings that are often left unspoken. As he continues to develop his artistry, Rowan Grey aims to leave an indelible mark on the independent music scene, inviting audiences to join him on this heartfelt exploration of life and love.
Track(s)
Halfway Honest 41235 02:57

Halfway Honest

Rowan Grey


I told you enough to calm your doubt
Left every harder detail out
Called it mercy called it care
But truth with holes is still unfair
You read my face before my words
Knew every answer had been curved
I kept the facts at arm's length
Then watched that distance take our strength

I cannot ask for trust again
Without admitting where I bent

I was halfway honest
That means halfway gone
I gave you selected pieces
Then asked you to hold on
I was halfway honest
You deserved the whole
No more careful versions
No more edited soul

I made excuses sound so clean
Kept my fault behind a screen
Said I wanted us to heal
While I hid what you could feel
You never asked for perfect proof
Only one complete hard truth
So here it is without defense
I broke our bond with half events

I cannot ask for trust again
Without admitting where I bent

I was halfway honest
That means halfway gone
I gave you selected pieces
Then asked you to hold on
I was halfway honest
You deserved the whole
No more careful versions
No more edited soul

If you leave I understand
If you stay I change my stand
Either way this much is true
I will not hide myself from you

I was halfway honest
That means halfway gone
I gave you selected pieces
Then asked you to hold on
I was halfway honest
You deserved the whole
Now you get the full truth
No more edited soul

CREDITS
Performer: Rowan Grey
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

The Wrong Daughter
Billie Arden

Verified Verified Artist

Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.

Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
Track(s)
The Wrong Daughter 231 03:39
No Default Setting 2592 03:50

The Wrong Daughter

Billie Arden


I left at seventeen before the bread was warm
took the blue suitcase nobody claimed
Mother stood polishing the same clean glass
Dad read the paper without turning a page

There was a woman’s name behind the pantry clock
written twice then crossed with a kitchen knife
I asked who she was
They asked why I was still awake

Huh

They said “You’ll understand when you’re older”
So I got older somewhere else

I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train

I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong

Years later a stranger stopped me near the docks
said “You walk exactly like she did”
I laughed and asked “Who?”
She looked at me as though I’d made a joke

Then she handed me a photograph:
my father younger one hand out of frame
and a girl with my uneven teeth
wearing the blue suitcase name tag

Huh Small world
Terrible handwriting

She said “Your mother tried her best”
I said “Which one?”

I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train

I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong

Maybe I was kept
Maybe I was traded
Maybe love gets very polite
when the truth is complicated

I never asked again

That keeps them nervous

I was gone before the kettle sang
gone before they fixed their tale
Let them polish every answer
I know where the story fails

I was gone gone gone—
huh they still insist I’m wild
I didn’t leave because I hated them
I left as someone else’s child

CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Secondhand Alibi
Romeo Vane

Verified Verified Artist

Romeo Vane
"Romeo Vane: at the ripe age of 25, this American pop-rock comet is shooting across the Alternative universe, spreading hope with doses of edgy authenticity. Born and bred in the sonic heartland of the Windy City, he’s a Chicagoan with an unapologetic knack for compelling narratives and an obsession for truth.

Whether it's life's sharp corners or the soft bruises of love, Romeo Vane's got a knack for rolling them into tunes that blend breezy alt-rock melodies with the raw, gritty flavor of pop. His stage name isn't for show; Romeo comes with a romantic bravado that'd make Shakespeare blush, and the barbed tongue of a true Windy City native. Just tune into "Kiss Me When I'm Lying" - it's less of a song, more a rollercoaster ride through hope, heartbreak, and hilariously serious self-deprecation.

Despite his youth, he's seen more than enough of life's ups and downs, packaging the human experience into easily digestible nuggets of melodic wisdom. Romeo Vane’s music is the kind that makes you call your ex at 2 a.m., cry a little, laugh a lot, and still believe in the dream of a better dawn. Now, how's that for a self-made, alternative songwriter from the city that never sleeps?"
Track(s)
Secondhand Alibi 10277 04:41
Your Side of the City 157452 03:54
Glass Heart Radio 177483 04:19
The Rest of My Life 197704 04:49
Stay Like This 160566 03:56
Sugar on the Blade 138067 03:18
Slow Fire 132057 03:06
Bad Timing 156090 03:56
Don’t Make Me Wonder 163586 04:01
Kiss Me When I’m Lying (Symphonic Ballad Version) 148873 03:38
Kitchen Light 121027 02:52
All the Ways We Fall 228437 05:46
Kiss Me When I'm Lying 181827 03:15

Secondhand Alibi

Romeo Vane


I found it in a Sunday ad
Between a sofa and a wedding band
“Barely used no questions asked”
The seller wore a borrowed name

He said it worked on jealous hearts
On hotel clerks and parking guards
I paid in cash he wished me luck
Then vanished before the light changed

I practiced every detail
The hour the street the rain
But truth has lousy manners
It keeps interrupting names

I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me twice
Now every version sounds like mine

I bought a secondhand alibi
With someone else’s reasons inside
The story held the timing died
Now every version sounds like mine

I said the train was running late
You knew that line from ’98
I blamed a man I’d never met
You said “At least invent him well”

I moved the evening half an hour
Changed the bar replaced the car
By then the lie had better shoes
And more ambition than the truth

I gave it dates and weather
A witness and a scar
You watched me build the ceiling
Then asked where the foundations are

I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me twice
Now every version sounds like mine

I bought a secondhand alibi
With someone else’s reasons inside
The story held the timing died
Now every version sounds like mine

Mine on Monday
Mine by five
Mine when I need
Someone else to survive

The seller called at 2:13
Said “That excuse belongs to me”
I told him he could have it back
He laughed and said “You made it yours”

You poured your drink into the sink
Not angry almost entertained
You said “The worst part isn’t this
It’s how rehearsed you look in pain”

So here’s the part I didn’t buy
No clever date no useful guy
I stayed because I liked the risk
I left because you noticed it

No missing train no broken phone
No nameless friend to take the blame
I wanted two incompatible things
And called confusion by your name

I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me why
Now every version sounds like mine

I bought a secondhand alibi
But guilt was never in the price
Keep the story keep the night
Every version sounds like mine

The truth was sitting in the car
Patient as an unpaid fare
I opened up the passenger door
It said “You took your time”

CREDITS
Performer: Romeo Vane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Velvet Circuits
Mara Vale

Verified Verified Artist

Mara Vale
Mara Vale makes sleek night-drive pop with a disco pulse: live bass lines, clean rhythm guitar, warm strings, and hooks that feel lit by streetlights. Her songs balance playful movement with a bittersweet city glow, built for listeners who want groove, melody, and a little electricity under the skin.

Her sound sits between classic dance-floor craft and modern pop polish, with soulful female vocals carrying stories of late buses, rooftop coffee, open city windows, and small moments that suddenly feel cinematic. Mara Vale keeps the arrangements bright and human: tight drums, handclaps, piano stabs, and choruses designed to move without turning into a cliché.
Track(s)
Window Light After Eight 3546 04:37
Velvet Circuits 15614 03:54

Velvet Circuits

Mara Vale


I saw your name in the window light
spelled out backwards on a passing bus
city heat on a borrowed bike
and a little bit of trouble looking back at us

You had a laugh like a camera flash
gone too soon but it burned the room
I had a heart with a broken latch
swinging open to a silver moon

We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin

Coffee cold on a rooftop stair
bassline leaking from a taxi door
You tied a ribbon in your midnight hair
said the future isn't hungry anymore

I was counting every exit sign
making maps out of ways to leave
Then you put your hand inside of mine
like a rhythm that remembered me

We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin

All my static turns to motion
all my caution learns to shine
There's a pulse beneath the pavement
keeping perfect crooked time

We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin

Velvet circuits in the crosswalk glow
Velvet circuits and the city knows
Velvet circuits when the morning spins
I keep coming back to begin

CREDITS
Performer: Mara Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

La Sabiduria Callej...
Dos Latinos

Verified Verified Artist

Dos Latinos
Dos Latinos is a flamenco-tango ensemble built around the commanding voice of a seasoned female singer whose delivery carries equal parts grit, humour, and hard-earned grace. Their sound brings together cante hondo intensity, nylon-string rasgueado, bandoneon accents, upright bass, and piano montuno, creating music that feels rooted in both Andalusian tradition and the late-night pulse of Buenos Aires.

Recorded with warm tape saturation and natural room bleed, the group favours the energy of musicians performing together over polished perfection. Palmas handclaps, brushed snare, and a swinging 6/8 groove give their songs a strong physical momentum, while the vocals remain direct and emotionally unguarded. Every arrangement balances elegance with a rough-edged, street-level character.

Their first release, “La Sabiduría Callejera,” captures the heart of Dos Latinos: bittersweet resilience, sharp observation, and the belief that experience can be turned into celebration. It is music for people who have lost, learned, laughed, and kept dancing—carrying old stories forward with pride, rhythm, and unmistakable spirit.

La Sabiduria Callejera (2026 version)

Dos Latinos


No hay pupitre ni pizarra mi clase es la ciudad
Cada esquina un maestro cada calle una verdad
Aprendí de los fracasos de la escuela de intentar
Mis diplomas son las cicatrices que el tiempo no borrará

No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Mis compañeros son los sueños mi tarea la realidad
Cada día una página nueva lista para comenzar
En las plazas hallé libros que no se pueden cerrar
En los ojos de la gente historias que enseñan a amar

No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Entre sombras aprendí a encontrar la luz
La resiliencia es mi curso la esperanza mi cruz

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Cierro los ojos siento el viento cada susurro una lección
En el gran libro de la vida escribo mi propia canción

CREDITS
Performer: Dos Latinos
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Wake Up, Gary
Wrong Floor Cinema

Verified Verified Artist

Wrong Floor Cinema
Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.

Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.

Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.
Track(s)
Wake Up, Gary 60445 03:28
Never On The Line 32562 02:48
The Man Who Sold the Rain 33618 02:42

Wake Up, Gary

Wrong Floor Cinema


Gary’s got a corkboard on the bedroom wall
Red strings running from the big to the small
Says the moon’s a movie on a giant screen
“NASA hired Stanley back in ‘69” he’s keen

Won’t eat cereal with a barcode line
Reads expiration dates like secret signs
Says the pigeons blink in binary
Then whispers “Buddy… they’re watching me”

Every answer needs another question
Every fact becomes a new obsession

Wake up Gary what did you find?
Another secret hidden in your mind?
Lizard kings and laser skies
Birds with government eyes
Wake up Gary take a day off please
Not everything’s a global mystery
Maybe life is just… okay
But don’t tell Gary anyway

He says Elvis orders food at night
Bigfoot’s blurry on purpose right?
Paul was switched back in ‘64
“Look at the eyebrows!” — he’s got thirty more

Area Fifty-One’s a holiday camp
Atlantis powers every desk lamp
Chemtrails spell my middle name
And squirrels? “Yeah… they’re in the game”

Every headline proves his theory
Coffee makes him documentary

Wake up Gary what did you find?
Another secret hidden in your mind?
Lizard kings and laser skies
Birds with government eyes
Wake up Gary take a day off please
Not everything’s a global mystery
Maybe life is just… okay
But don’t tell Gary anyway

Yesterday he called at half past two
Said “I’ve got something huge for you!”
I held my breath… this must be big…

“They changed the shape… of Pringles lids”



He wasn’t joking

Wake up Gary what did you find?
Another rabbit hole to pass the time?
Flat Earth aliens secret files
He can talk for seventeen miles
Wake up Gary you’re one of a kind
You make conspiracy sound sublime
If the truth comes out one day
We’ll let Gary say “I told you mate!”

CREDITS
Performer: Wrong Floor Cinema
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

New Beginnings
Sheela West

Verified Verified Artist

Sheela West
Sheela West, hailing from the sun-baked landscapes of Arizona, embodies the invigorating spirit of contemporary country music, blending playful pop elements with rock undertones. With each note she sings, like in her vibrant track "New Beginnings," Sheela captures the essence of youthful exploration and heartfelt empowerment. Her sound is characterized by polished production, featuring catchy melodies and acoustic guitar that invite listeners to embrace joyous moments and new adventures. Late-night writing sessions beneath the stars have fueled her creativity, allowing her to craft narratives that resonate deeply while also providing a soundtrack for carefree nights.

As part of a local scene that thrives on collaboration and spontaneity, Sheela draws inspiration from the pulsating energy of clubs where diverse genres intersect. Her catalog reflects this rich tapestry, with tracks that evoke a spectrum of emotions—from the hopeful anthem "Chasing Stars" to the playful vibes of "Summer Skies." Each song showcases her ability to connect with an audience through relatable themes of love, freedom, and self-discovery. With a youthful vocal character and an uplifting aura, Sheela West stands ready to make an indelible mark on the hearts of country music fans everywhere.
Track(s)
New Beginnings 28405 01:49

New Beginnings

Sheela West



Packed my bags heading out tonight
City sights yeah they feel so bright
Got a feeling it's time to run
Leaving the past I'm ready for fun

Every step feels like a brand new start
Finding freedom that's where I'll find my heart

Hey I'm alive feel the rhythm rise
Dancing through the streets watch the good times fly
Letting go of what held me back
Now I'm on my way never looking back

Met some faces shared a laugh or two
Every moment feels like something new
With the music I can finally breathe
This is my time got so much to achieve

And when the night falls I won’t be alone
With the stars shining I've found my home

[Final Chorus]
Hey I'm alive feel the rhythm rise
Dancing through the streets watch the good times fly
Letting go of what held me back
Now I'm on my way never looking back

CREDITS
Performer: Sheela West
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

Il Punto Piu Vivo
Milo Sartini

Verified Verified Artist

Milo Sartini
Milo Sartini grew up near Italy’s Adriatic coast in a family where meals regularly became debates and kitchen utensils often became percussion instruments. That lively upbringing shaped an artist drawn to movement, language and the small absurdities of everyday life. His music combines quick-witted Italian storytelling with muscular funk bass, Mediterranean percussion and contemporary pop production.

Sartini studied cultural anthropology at the University of Bologna, focusing on music, public space and the rituals that bring strangers together. He later trained in contemporary composition, arrangement and studio production at a private music institute in Milan. His academic background still informs his work: every rhythm has a social purpose, every instrument enters for a reason, and humour is treated as seriously as melody.

His debut single, “Il Punto Più Vivo,” introduces Sartini as a singer, producer and observant narrator with an instinct for turning ordinary scenes into kinetic music. His delivery moves naturally between singing and rhythmic speech, supported by precise percussion, brass accents and tightly controlled electronic production. Intelligent without becoming academic and playful without becoming novelty, Milo Sartini makes pop music that notices how people actually live.
Track(s)
Il Punto Piu Vivo 865 04:08

Il Punto Piu Vivo

Milo Sartini


Uno viene dal porto
Uno scende dal tram
Una ride da sola
Uno non sa dove va

Ma il tamburo li chiama
Senza chiedere chi sei
Questa sera la strada
Ha più nomi di noi

C’è chi arriva con tre parole
Chi ne porta tremila
Chi cucina sopra un balcone
Chi ripara una bicicletta

C’è una radio dietro una porta
Che trasmette da chissà dove
Una nonna detta la danza
A una banda di ventenni

Il tassista perde il turno
Per seguire quel contrabbasso
Un bambino batte il tempo
Con due cucchiai sopra un piatto

Nessun palco nessun padrone
Nessun posto riservato
Quando il ritmo prende la piazza
Ogni nome viene chiamato

Vieni qua
Non serve sapere perché
Vieni qua
Porta soltanto quello che c’è

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi

Una cuoca lascia il grembiule
Per un passo mezzo sbagliato
Un avvocato molto serio
Fa qualcosa mai studiato

Due turisti senza mappa
Hanno perso la prudenza
Una coppia che litigava
Ora balla la stessa frase

C’è chi viene per curiosare
Chi domani deve partire
Chi ha promesso “solo un minuto”
Ed è ancora qui alle tre

Non importa da quale tavolo
Da quale treno o quartiere
Siamo pezzi senza istruzioni
Che funzionano tutti insieme

Vieni qua
Non devi assomigliare a me
Vieni qua
Porta il tuo modo di stare in piedi

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi

Dimmi come batti il tempo
Con il palmo o con il mento
Con le scarpe sul cemento
Con un fiato preso al volo

Uno due — non basta ancora
Tre quattro — viene l’aurora
Cinque sei — cambia la storia
Sette miliardi nella stessa gola

Io dico: vicino
Tutti: più vicino

Io dico: più forte
Tutti: fino al mattino

Io dico: chi siamo?
Tutti: quelli che arrivano

Io dico: dove siamo?
Tutti: dove le cose cominciano

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Ogni passo trova il modo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Non c’è un centro sulla carta
Il centro siamo noi

Uno torna verso il porto
Uno aspetta ancora il tram
La mattina prende nota
Di chi non si fermerà

Tum tum
Il centro siamo noi
Tum tum
Il centro siamo noi

CREDITS
Performer: Milo Sartini
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Left Me Dancing
Velvet Tax

Verified Verified Artist

Velvet Tax
Velvet Tax is a young female singer hailing from Poland, infusing her music with a vibrant sense of self and personal narrative. With her single "Left Me Dancing," she introduces listeners to her raw, emotive vocal style that draws from her life experiences and the complexities of modern relationships. Her approach to songwriting is deeply personal, often blending introspection with relatable themes, which resonates well with a diverse audience seeking authenticity in music.

Although her catalog currently features only "Left Me Dancing," Velvet Tax's artistry hints at a promising evolution. With the ability to weave intricate melodies and poignant lyrics, she creates a sonic landscape that reflects both melancholy and joy. This duality sets the stage for future projects that are likely to explore various moods and genres, showcasing her versatility as an artist. Each subsequent track is anticipated to build upon the foundation laid by this debut, further enriching her identity as a musician.

As Velvet continues to develop her sound and expand her repertoire, her potential for growth is evident. Whether through collaborations with fellow artists or exploring different musical styles, she is poised to make a significant mark within the independent music scene. With every new release, fans can expect her captivating storytelling and expressive vocals to flourish even more, inviting them along on her artistic journey.
Track(s)
Left Me Dancing 49295 04:28

Left Me Dancing

Velvet Tax


You left me crying
But I came back dancing
Mm
I came back dancing

You took the keys
But not the door
You took your coat
But not the storm

I kept the dress
You never liked
Put on my heels
And killed the lights

You thought I’d call
You thought I’d break
You thought my heart
Would learn your name

But I found myself
At half past two
In a crowded room
Not missing you

I let the mirror see me
With my makeup running
Then I wiped it clean
Like I saw you coming

You were the lesson
I was the flame
You left the woman
But she changed her name

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing

I saw your friends
They looked surprised
Like I should hide
Like I should cry

I smiled so sweet
They looked away
I guess revenge
Can wear a face

No angry texts
No midnight scene
No begging you
To come to me

I changed the song
I changed the room
I changed the girl
Who waited for you

I let the mirror see me
With my heart wide open
Then I sewed it up
With a little gold thread

You were the reason
I hit the ground
But I’m the reason
I’m rising now

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing

I was a house with the windows open
You were the match in a careless hand
I was the girl who kept forgiving
Now I’m the woman you can’t command

I don’t hate you
That’s too easy
I don’t need you
That’s the twist

I don’t want you
To come save me
I just want you
To see this

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

You left me lonely
But I came back shining
You left me broken
But I came back diamond

You left me crying
But I came back dancing

Da-da-da-dancing
I came back dancing

CREDITS
Performer: Velvet Tax
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Waves of Laughter
Common Holiday

Verified Verified Artist

Common Holiday
Common Holiday is an independent music project crafted by Berlin-based artist Sam Turner, whose vibrant soundscape blends folk, indie, pop, and rock into an energetic tapestry. With a passion for storytelling through music, Sam wields his acoustic guitar to create playful melodies that invite listeners to embrace the joy of life’s little moments. His catalog showcases a compelling blend of bright major keys and lively rhythms, encapsulated in tracks like "Waves of Laughter," where the warmth of analog tape meets playful instrumentation, from strummed guitars to the buoyant tones of trombone and violin.

Growing up surrounded by diverse musical influences in the heart of Berlin, Sam found inspiration in the city’s rich cultural scene. He began writing songs as a means to express his experiences and emotions while fostering connections with others. The collaborative spirit of Berlin brought together like-minded musicians who shared his vision, leading to a creative partnership that would eventually shape Common Holiday. Together, they craft songs that resonate with an uplifting energy, encouraging listeners to dance away their worries and celebrate life’s joys.

"Waves of Laughter" perfectly embodies the essence of Common Holiday's ethos—spreading optimism and connection through music. The track's playful singalong quality draws audiences in, providing a sense of community and shared experience. As Sam continues to develop his artistic identity, expect more tracks that fuse heartfelt lyrics with high-energy production, inviting everyone to join in the uplifting journey he offers through his music.
Track(s)
Waves of Laughter 32801 02:30

Waves of Laughter

Common Holiday


Got my feet up sun on my face
Life is a ride let’s pick up the pace
With a strum of the guitar the world feels right
Let’s dance on the clouds from morning till night

LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!

Running through fields with laughter in tow
A violin sings as we steal the show
Time is a game we play it so bright
With every note played we’re taking flight

LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!

LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!

CREDITS
Performer: Common Holiday
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

City of Us (ft Kairo)
Zion Vale

Verified Verified Artist

Zion Vale
Seismic, fresh, and ready to take the pop world by storm, Zion Vale is the windswept prodigy hailing from Manhattan's electric heartbeat. Illuminating the shadows of Indy Pop with a voice that sways between whispers and roars, Zion is the authentic, soul-penetrating force you didn’t know you were waiting for.

Kicking it back to their school days, Zion crossed paths with the musically gifted Kairo. What started as simple shared detention notes evolved into a collaborative crescendo—culminating in their standout track "City of Us". This song is Zion's self-proclaimed love letter to their city—a hopeful anthem designed to unite, inspire, and get stuck on repeat in your head.

Against a backdrop of sizzling city nights, Zion's brand of Pop - potent, playful, and undeniably infectious - has been getting Manhattan's less-grimy gutters humming. Imagine if Jupiter and Mars got together to jam: that's the level of celestial meeting of the minds we're talking about here, people.

With a charismatic blend of lyrical genius, Zion Vale is set to redefine what it means to be an independent artist. So keep one ear to the ground, because Zion is about to drop the beat that echoes the 'City of Us' and, trust us, you don't want to miss it.
Track(s)
City of Us (ft Kairo) 60643 05:04

City of Us (ft Kairo)

Zion Vale


Concrete and dreams underneath my feet
Grew up on these blocks where the cold and the warm meet
Didn't have much but I had this view
Rooftops and water towers skies painted blue
This city raised me made me who I am
Every subway line running through my veins

And I've been down I've been lost in these streets
But every time I fell this city caught me

(mm)

New York New York
I was made from your bones
Every scar on this city
Is a scar that I own
I have loved I have lost
On these streets made of stone
But I always — always
Find my way home

Harlem nights had nothing but a name
Told myself either make it or make it no game
Penthouse dreams from a fire escape view
This city don't love you till you prove something true
I've seen men fold under all this weight
But New York only opens up for those who wait

And I've been cold sleeping on ambition
But this city turned my hunger into vision
(yeah)

New York New York
We were made from your bones
Every scar on this city
Is a scar that we own
We have loved we have lost
On these streets made of stone
But we always — always
Find our way home

(ohhh yeah)
(home…)

They say the city never sleeps
(never sleeps)
But I've seen it quiet
At 4 AM when even the brave weep
(weep…)
And still — the lights stay on
(lights stay on)
And still — we carry on
(carry on…)
Because this city chose us
As much as we chose it
(mm)
Every broken dream here
Still has fire in it
(fire…)
(ohhhh)

New York New York
We were made from your bones
Every scar on this city
Is a scar that we own
(own it)
We have loved we have lost
On these streets made of stone
(these streets)
But we always — always
(always)
Find our way
(find our way)

Home
(HOME)
(ohhhhh)

New York…
(mm)
You never let me go
(never…)
And I never wanted you to
(fade)

CREDITS
Performer: Zion Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

Radio Trottoir
No Be Me

Verified Verified Artist

No Be Me
No Be Me is an Afro-pop collective built around rhythm, mischief and stories that travel faster than facts. Their songs follow barbers, drivers, aunties, shopkeepers and accidental witnesses through everyday neighbourhood dramas, turning overheard remarks into sharp, danceable narratives. Led by a warm male storyteller and supported by four tightly arranged studio voices, the group blends Afrobeats percussion, highlife guitar, elastic bass and dry humour without relying on spectacle.

Their first single, “Radio Trottoir,” introduces a world where one careless “maybe” can acquire a wedding date, two witnesses and a catering budget before lunchtime. No Be Me treat gossip as social choreography: funny, dangerous, generous and impossible to control. Their music is polished but human, playful without becoming novelty, and rooted in the idea that the best stories rarely belong to the person who started them.
Track(s)
Radio Trottoir 1021 03:55

Radio Trottoir

No Be Me


Eight-oh-five by Saint Michel
Kola had a cake box under one arm
one red shoe in the other hand
He said “My aunt turns sixty”

I heard “aunt” “cake” and “Saturday”
and supplied the missing cinema myself
At Idris’ barbershop I said
“Maybe the man is getting married”

Idris did not repeat my sentence
He gave it catering witnesses
and a cousin arriving from Marseille
with three phones and firm opinions

By nine-fifteen the taxi rank knew the venue
By ten the tailor had chosen gold
By eleven Auntie Binta had named two children
Kola was still looking for candles

Who told you?
No be me
Who confirmed it?
Nobody

Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice

At one he had married the mayor’s niece
At two he had bought a flat in Lisbon
At three he had left her for a singer
whose name nobody could pronounce

At four the church committee wanted answers
about a generator no one had lost
At five I tried to stop the story
That became “He knows more than he is saying”

At six my mother called me:
“Wear something decent
Apparently you are giving the speech
And bring your own chair”

I found Kola beside the pharmacy
still carrying the same red shoe
The cake was for Aunt Mariam
The shoe had fallen from her shopping bag

He stared at me for seven quiet seconds
then asked who I planned to marry
I laughed exactly once
That was my second mistake

Who told you?
No be me
Who confirmed it?
Nobody

Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice

I went home to hide from the bulletin
My neighbour had prepared rice
My sister said a woman named Celeste
had accepted me on my behalf

Who is Celeste? Nobody knows
She may be a dentist
She may be in Dakar
She may have started at Idris’ second chair

My mother likes her already
She says Celeste sounds responsible
There are now two cakes in the kitchen
Neither one belongs to Kola

Wetin happen?
Ask the barber
Who start am?
No be me
Where proof dey?
It left by taxi
Can you stop am?
You fit try

Radio trottoir radio trottoir
no antenna no editor no brakes
By sunset Kola ran the ministry
by midnight I was cutting a second cake

Radio trottoir radio trottoir
every correction opens another branch
I only said “Maybe he is getting married”
Now Celeste is discussing curtains with my aunt

Kola brought the candles
My mother served the rice
Idris arrived with invitations

No be me

CREDITS
Performer: No Be Me
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Open Circuit
Mira Cade

Open Circuit

Mira Cade


I kept each feeling under glass
A private rule from years gone past
You saw the lock you did not push
You gave me room to choose enough

Now every reason feels too old
I want a life I do not hold
One honest move one steady start
A simple route from heart to heart

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

You kept your plans behind a grin
Afraid that I would not step near
But caution only served the past
We have a chance to make this last

Now every reason feels too old
We want a life we do not hold
One honest move one steady start
A simple route from heart to heart

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

No locked reply no coded test
We say the need and give our best
If fear returns we name it fast
Then choose what matters choose what lasts

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

CREDITS
Performer: Mira Cade
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

After Seven
Elian Rae

Verified Verified Artist

Elian Rae
Elian Rae makes refined late-hour pop built for rooms that do not want to shout. Her sound blends soft nu-disco, mellow funk bass, Rhodes keys, muted guitar, and an airy vocal style that feels polished without turning glossy or loud.

Her songs often find small cinematic details in ordinary spaces: a quiet shop after seven, fabric on a hanger, receipts curling beside a drawer, street color moving behind glass. The result is warm, understated music for evening playlists, boutique floors, and listeners who like groove with restraint.
Track(s)
After Seven 1101 03:35

After Seven

Elian Rae


At seven the glass doors learn the street by name
sale tags turn slowly in the conditioned air
someone leaves a blue scarf folded out of place
and the mirror keeps pretending not to stare

A clerk counts coins like small weather
one by one into a paper tray
the fitting rooms exhale together
as the weekday loosens its display

Keep the low lamps on
let the room breathe out
there is music in the ordinary
when the hurry thins around
Soft returns quiet shelves
hands on fabric nothing else
after seven after seven
we move lightly through ourselves

Perfume cards sleep beside the counter
shoes line up like they know the floor
outside taxis change their colors
inside no one needs to want more

A coat on a hanger turns human
for a second in the corner light
I almost ask it where it's going
then I let it keep the night

Keep the low lamps on
let the room breathe out
there is music in the ordinary
when the hurry thins around
Soft returns quiet shelves
hands on fabric nothing else
after seven after seven
we move lightly through ourselves

Not every song should chase the ceiling
not every room should ask for rain
some evenings only need a rhythm
folded neatly with a name

Keep the low lamps on
let the room breathe out
there is music in the ordinary
when the hurry thins around
Soft returns quiet shelves
hands on fabric nothing else
after seven after seven
we move lightly through ourselves

The last receipt curls by the drawer
one small moon on the floor
after seven after seven
nothing asks to be more

CREDITS
Performer: Elian Rae
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Paper Crown
Sera Knox

Verified Verified Artist

Sera Knox
Sera Knox is an electrifying force in the alternative pop landscape, merging her powerful vocals with a compelling electropop sound. Known for her poised low-register verses that lead into soaring upper-register choruses, Sera’s music features dry punchy drums, rubbery synth bass, and angular guitar lines. Her debut track, "Paper Crown," exemplifies her knack for crafting bold melodic hooks that resonate with listeners while delivering sharp and self-aware lyrics. Each element of her production is layered with artistry, creating a sound that is both modern and timeless.

Thematically, Sera’s work revolves around independence and self-worth, often reflecting a conscious rejection of superficial public approval. In "Paper Crown," she encapsulates this sentiment perfectly, using a vibrant sonic palette to convey her triumph over societal expectations. The energetic mood of her songs invites listeners to embrace their individuality and draw strength from within. Her artistic vision is characterized by a blend of electronic influences and traditional pop sensibilities, allowing her to explore complex emotions through a catchy and engaging framework.

As Sera Knox continues to carve out her niche within the notFM HEAT Music Universe, her catalog promises to grow with more tracks that embody her distinctive style. Fans can expect a consistently uplifting listening experience that motivates them to celebrate their uniqueness, making each release a testament to self-empowerment. With her sharp art-pop details, Sera's music remains an invitation to step away from empty status symbols and embrace genuine self-expression.
Track(s)
Paper Crown 36685 03:02

Paper Crown

Sera Knox


You gave me praise with borrowed words
A polished smile for every turn
A front-row seat a painted name
A perfect pose a hollow game
I learned the rules I played my part
Held every cue against my heart
Then one small crack became a door
I do not need that stage anymore

Keep your medals keep your throne
I can build a life my own

Paper crown let it fall
It was never worth it all
Every cheer became a chain
Every win required my name
Paper crown hit the ground
Hear that honest simple sound
I step out I stand tall
You can keep your paper crown

You sold applause as if it cared
Counted every room I shared
Made my value fit a chart
Turned a person to a part
I know success can still be kind
When I decide what counts as mine
No public score no velvet rope
Can own my nerve or price my hope

Keep your medals keep your throne
I can build a life my own

Paper crown let it fall
It was never worth it all
Every cheer became a chain
Every win required my name
Paper crown hit the ground
Hear that honest simple sound
I step out I stand tall
You can keep your paper crown

I do not need a room to rise
I do not need their measured eyes
My worth survives without a vote
That is the line I choose to hold

Paper crown let it fall
It was never worth it all
Every cheer became a chain
Every win required my name
Paper crown hit the ground
Hear that honest simple sound
I step out I stand tall
You can keep your paper crown

CREDITS
Performer: Sera Knox
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Calor De Junio (ft ...
Rio Vane

Verified Verified Artist

Rio Vane
With a name like Rio Vane, you could only expect a backstory as steamy and vibrant as the city itself. He is a self-made, independent dance artist that ignites the music stage with an energy so potent it could power Miami's nightlife for a calendar year.

Vane emerged from modest beginnings, the son of a pizza maker family in the sultry heart of Miami—delivering not only the finest pies but also a flair for Latin dance music since his youth. You could say the rhythm coursed through his veins, or that he sweated salsa beats instead of conventional teenage angst. Either way, his childhood was a simmering paella of musical influences that later shaped his unique sound.

"Calor De Junio (ft Zuri)", one of his most notable tracks, pulsates with rowdy beats and sultry rhythms that would make even the most reluctant wallflower throw some shapes. It's akin to being caught in a storm—clouds thick with his rich vocals, lightning strikes of dance beats, and downpours of sultry Latin rhythms—it's cathartic, climatic, and a hell of a dance workout.

When Vane isn't lighting up the dance scene, you'll find him scribbling beats on pizza boxes or sharing his demos with Hakan E. from Filodyo. It's through these humble endeavours that he landed the opportunity to share his musical creations with Not FM and the world. The magic of Rio Vane lies not just with his infectious sounds but that he is as spicy, whimsical, and intense as the Miami city he hails from. To listen to his music is to lose yourself in the rhythm, embrace the heat, and move with the beat. As they say in Miami, 'dale!'
Track(s)
Calor De Junio (ft Zuri) 66829 03:43

Calor De Junio (ft Zuri)

Rio Vane


Yeah
Rio Vane
Zuri Vanta
not FM in the mix
Filodyo
Summer starts right here

Ay
Turn it up turn it up
We outside tonight

Calor de junio
You already know

You came through with the sun on your shoulder
New dress old smile little bit closer
City too hot but you make it colder
When you move like that I lose control yeah

Got your friends in the backseat singing
Windows down whole boulevard listening
No plans just a night worth living
One look and the whole thing switching

Don’t say forever
Just say tonight
Meet me where the music
Touches the sky

I got that feeling
You got that fire
One more step and we’re dancing
Past desire

Calor de junio
Body like a radio
Turn me up don’t let me go
Baila baila slow

Calor de junio
Sunset on your stereo
One kiss and we lose control
Baila baila oh

Ay ay ay
Don’t cool me down
Ay ay ay
Summer starts now

Gold chain white tee you know the story
But you don’t move like the boys before me
You talk sweet but your eyes say more things
I might stay if the night keeps calling

No drama no pressure no questions
Just rhythm bare feet good intentions
If this is trouble I like the direction
You and me look good in reflection

Don’t say forever
Just say tonight
Meet me where the music
Touches the sky

You got that feeling
I got that fire
One more step and we’re dancing
Past desire

Calor de junio
Body like a radio
Turn me up don’t let me go
Baila baila slow

Calor de junio
Sunset on your stereo
One kiss and we lose control
Baila baila oh

Ay ay ay
Don’t cool me down
Ay ay ay
Summer starts now

She don’t need a ticket she’s the destination
He don’t need a reason just imagination
Palm trees moving like they know our names
If we disappear don’t put out the flame

Not tomorrow
Not too late

Right now right here
Let the summer wait

not FM
Filodyo
Zuri tell ’em

Ay ay ay
Move it like the heat is talking
Ay ay ay
No more waiting no more stopping

Calor de junio
Body like a radio
Turn me up don’t let me go
Baila baila slow

Calor de junio
Sunset on your stereo
One kiss and we lose control
Baila baila oh

Calor de junio
Body like a radio
Turn me up don’t let me go
Baila baila slow

Calor de junio
Sunset on your stereo
One kiss and we lose control
Baila baila oh

Ay ay ay
Don’t cool me down

notFM
Filodyo

Summer starts now

CREDITS
Performer: Rio Vane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

No Me Mires Asi
Mono De Oro

Verified Verified Artist

Mono De Oro
Mono De Oro is a vibrant singer-songwriter with Spanish roots, now making waves in the heart of America. With a voice that carries the warmth of sun-soaked afternoons and the melodic storytelling of her heritage, she embodies a rich cultural blend. Her music serves as an intimate exploration of identity, love, and longing, bridging the gap between her past and present. Each note resonates with the essence of her journey, capturing the listener's attention and drawing them into her world.

Her catalog may currently feature a single track, "No Me Mires Asi," but Mono De Oro’s artistry extends far beyond this initial offering. The song reflects her distinctive lyrical style, characterized by poetic narratives and emotive vocals that leave a lasting impact. As she continues to develop her sound, themes of introspection and romance emerge as central threads, manifesting in a unique way that invites listeners to experience her personal reflections on life and love.

Living in America has undoubtedly influenced her music, allowing her to merge traditional Spanish influences with contemporary sounds. This fusion is evident in her compelling vocal delivery and the emotional depth present in her songwriting. Mono De Oro's passion for crafting relatable stories through her art promises an exciting evolution ahead, captivating audiences with each new release as she carves out her space in the indie music scene.
Track(s)
No Me Mires Asi 41991 03:37

No Me Mires Asi

Mono De Oro


Yeah
Mono De Oro
No me mires así
You know what you do

Llegaste tarde
With that smile
Como si nada
But you changed the vibe

Yo estaba tranquilo
Mind on my plans
Then you said my name
With your drink in hand

No busco problemas
But you look like one
De esos bonitos
Que no say sorry

Te acercas lento
I lose my line
No me preguntes
If I’m fine

Una noche
No promise
Dos miradas
Too honest

Si te vas
I won’t call
Si te quedas
I might fall

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No me mires así
I’m trying to behave
Pero tú tienes algo
I can’t explain

No no no
Don’t move away
No no no
Quédate

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

Tú tienes ritmo
Sin intentar
I got excuses
To stay where you are

Dicen cuidado
Yo digo maybe
Con esa cara
You drive me crazy

No quiero drama
No quiero stress
Solo tu risa
Close to my chest

Si esto es pecado
Make it polite
We keep it clean
But we don’t waste time

Una noche
No promise
Dos miradas
Too honest

Si te vas
I won’t call
Si te quedas
I might fall

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No me mires así
I’m trying to behave
Pero tú tienes algo
I can’t explain

No no no
Don’t move away
No no no
Quédate

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No te prometo
Toda mi vida
Pero esta noche
Se ve distinta

You don’t need words
I don’t need plans
Solo tu mano
Cerca de my hand

Si esto se acaba
Lo acepto bien
Pero por ahora
Ven ven ven

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No me mires así
I’m trying to behave
Pero tú tienes algo
I can’t explain

No no no
Don’t move away
No no no
Quédate

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No me mires así
You know what you do
Quédate
Just me and you

CREDITS
Performer: Mono De Oro
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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