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Static on the Line
Ryder James
Verified Artist
Ryder James
Ryder James is a rising pop-soul artist whose warm vocals and timeless style bridge the gap between classic soul storytelling and modern pop production. With a voice that carries both grit and grace, he creates songs that feel instantly familiar yet refreshingly new.
His debut single, Static on the Line, is a captivating blend of heartfelt lyricism and smooth, groove-driven instrumentation. Produced by Filodyo and released exclusively on NOT FM, the track showcases Ryder’s ability to turn everyday moments into powerful musical narratives.
Raised on a steady diet of soul legends and contemporary pop innovators, Ryder brings authenticity and emotional depth to every performance. Static on the Line is more than just a song—it’s an introduction to an artist who is here to connect, move, and inspire listeners worldwide.
Static on the Line
Ryder James
Mmm… yeah
Turn it up
Found your note between the bills folded twice
Three crooked letters never said it nice
Kitchen radio is drifting off-time
Wrong station playing but it suits the night
I dial your number — hear a click then air
Flashing digits on the stove just stare
Every heartbeat in my chest misaligns
Still I’m listening for a sign
There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line
City bus sighs at a midnight stop
Paperback angel at a corner shop
Borrowed coat hangs wide on my frame
Pockets full of change and a half-drawn name
Counting rail ties stepping over goodbyes
Copper on my tongue from unspoken replies
I hold my breath as if it might realign
What keeps crossing in my mind
There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line
Maybe I’m a bent antenna in a storm I knew
Turn me just a single degree — I point back to you
If the signal fades and the bars go blind
Call me by the name you underlined
Line… line… static on the line
(Keep talking)
Line… line… static on the line
There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line
Mmm… tune me in
Static on the line
CREDITS
Performer: Ryder James
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Gravity Override
Lina Mour
Verified Artist
Lina Mour
Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.
Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.
Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”
Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.
Gravity Override
Lina Mour
Blast the gate override the stream
No peace mode just kerosene
We don’t stop — we ventilate
Plug into the surge detonate!
Code in flames!
Rise untamed!
Spin that truth
Like a hurricane!
Gravity override!
We don’t fall — we multiply
No more silence no more shade
We break the sound — unafraid!
Gravity override!
Sky is fake so we collide
Raise your pulse amplify—
We’re the glitch they can’t deny!
Rip that signal break the chain
Upload thunder through your brain
We’re the myth the freak the spark
We turn neon into dark
No maps!
No brakes!
No kings!
No fakes!
We twist!
We crack!
We vanish—
Then attack!
Gravity override!
Truth distorted we decide
Bounce that static crash the grid—
This is not your mother’s beat!
Gravity override!
Laws erased we redesign
Now scream loud redefine—
We’re the beat they can’t confine!
Override complete
System: liberated
CREDITS
Performer: Lina Mour
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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System Online
Daxe
Verified Artist
Daxe
DAXE is a French producer and DJ whose sound channels the raw spirit of the mid-90s underground Parisian club scene. Known for his gritty, lo-fi French house productions, he builds hypnotic tracks around distorted synth-bass loops, saturated textures, and minimal yet powerful drum machine grooves.
Emerging from late-night warehouse parties in Paris, DAXE earned a reputation for his uncompromising sets that fuse analog warmth with a rebellious edge. His music feels both dirty and infectious — a soundtrack built for smoke-filled rooms, flashing strobe lights, and crowds that never stop moving.
As a producer, DAXE stays loyal to hardware samplers, vinyl, and classic drum machines, crafting tracks that echo the golden era of French house while pushing it forward with his own raw signature. As a DJ, he thrives on the connection between loop-driven grooves and the dancefloor, keeping energy high and tension tight.
His latest track, “System Online”, embodies this ethos: hypnotic, streetwise, and uncompromising — a pure dancefloor anthem. Released exclusively on Filodyo and NOT FM, it cements DAXE as a name carrying the underground French house tradition into a new era.
System Online
Daxe
System… online…
Motion… design…
Cycle… repeat…
Zero… complete…
Automatic… static…
Binary… manic…
Program… engage…
Data… on stage…
One-two… one-two…
Error… breakthrough…
Signal… overload…
Run-time… explode…
CREDITS
Performer: Daxe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Still Holding On
6 Brokens
Verified Artist
6 Brokens
6 Broken came together in New York through chance encounters, shared apartments, and long conversations that stretched past midnight. None of them arrived with a plan to form a band. They met through friends, studios, and half-finished ideas, slowly realizing they were circling the same emotional territory. New York shaped them not as a backdrop, but as a pressure. The noise, the distance, the constant sense of movement seeped into how they wrote and how they listened.
Their music leans into restraint rather than release. Clean arrangements, patient melodies, and lyrics that leave space for interpretation. 6 Broken avoids obvious drama, letting tension live quietly inside the songs. There is an awareness of vulnerability without turning it into spectacle. Each member carries a different perspective, and those differences remain audible rather than polished away.
What defines 6 Broken is their refusal to rush. Songs unfold at their own pace, shaped by late-night demos, unfinished thoughts, and the feeling of standing still while a city moves around you. Their work is available exclusively on Filodyo and NOT FM, where subtlety has room to exist and music does not need to announce itself to be heard.
Still Holding On
6 Brokens
Morning hits the window late
Coffee’s cold but I feel awake
Your name’s still on my playlist
Didn’t mute it didn’t break it
I learned how silence sounds
When you’re not around
But it’s lighter than I thought
Guess I figured something out
I don’t need a sign tonight
No big speech no rewrite
Just walking straight ahead
With the things you never said
I don’t need a brand new heart
Mine still works just different parts
Some are louder some are calm
Still beating still holding on
I don’t need a clean restart
Just a little open space to start
I’m okay where I am
Yeah I’m better than I planned
City moves at normal speed
People laughing next to me
Nothing feels dramatic now
And that’s what I like about it somehow
Your jacket’s gone I kept the time
Not the fights not the lines
I don’t miss the way we broke
Just the jokes we never wrote
No more circling the same streets
No reruns in my head this week
I’m not running I’m not late
Just finally on my way
I don’t need a brand new heart
Mine still works just different parts
Some are louder some are calm
Still beating still holding on
I don’t need a clean restart
Just a little open space to start
I’m okay where I am
Yeah I’m better than I planned
If you ever wonder how I’ve been
I sleep fine I breathe fine
I learned how to let things end
Without losing who’s inside
I don’t need a brand new heart
No repair kit no fresh start
It’s been tested it’s been tried
Still alive on the inside
I don’t need to change the past
Just move forward slow and fast
I’m okay where I stand
Yeah I’m better than I planned
Better than I planned
Still here still me
Yeah I’m better than I planned
CREDITS
Performer: 6 Brokens
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Dance Without You
Lucía
Verified Artist
Lucía
Lucía doesn’t raise her voice — she lets silence lean toward her.
Born in Ciudad Juárez, where the wind carries both prayers and warnings, Lucía learned early that strength doesn’t shout — it stands still. Her music wasn’t born in studios. It was carved in alleyways, border bars, long walks home. She didn’t grow up dreaming of stages. She grew up walking away from things that didn’t serve her.
Her voice carries the weight of absence — low, textured, unhurried. With influences rooted in ranchera, flamenco, and tango, she weaves stories that don’t plead, but remember. Every note she sings is a scar that glows.
In recent years, Lucía has emerged as one of Filodyo’s most enigmatic voices — fierce, private, unforgettable. On her latest collaboration with Wade Hollis, the gravel-toned American guitarist, Lucía sings over strings like rusted fences in the sun. The song doesn’t comfort. It confronts — just like her.
The connection began far from stages. While Wade Hollis was recording new material with Filodyo, he mentioned a woman he had once heard playing in a dim-lit cantina near the border. “She sings like she’s been through three lifetimes,” he said. It was during a late-night Zoom call with Hakan E., the creative engine behind Filodyo, that Lucía’s name resurfaced.
By chance — or something heavier — Hakan had just expressed his search for a voice that wasn’t sweet, wasn’t polished — but true. “I need someone who sounds like she doesn’t need anyone,” he had said. A few weeks later, their first conversation took place across a flickering Zoom screen. Lucía, seated on a balcony in Mexico, cigarette in hand. No makeup. No pretenses. Just presence.
That was enough.
Now, her voice travels far from the cantinas — but it never left the dust behind.
You don’t listen to Lucía to feel better.
You listen to feel seen.
Dance Without You
Lucía
No more tears in my mirror frame
No more whispering your name
Got a new dress and a different fire
Tonight I dance through the wire
I gave too much forgot my flame
You left but I reclaimed my name
Now I’m glowing in my golden shoes
And this beat don’t play the blues
I dance without you — I don’t break I burn! (burn!)
Watch me spinning as the tables turn (turn!)
I got the rhythm don’t need your tune
I own this night I own this room!
I dance without you — I don’t beg I fly! (fly!)
You were a storm but I’m the sky
I let go with every move
Freedom fits me better than you
Champagne sparks in the flashing light
New perfume and my steps feel right
I lost your voice but found my sound
And baby I’m not slowing down
You thought I'd fade…
But I bloom in bass
You took your shot…
And missed my grace
I dance without you — I don’t break I burn!
No more silence I return
Every beat rewrites my truth
And this floor don’t cry for you
Dance…
without you
Shine…
without you
Live…
without you
CREDITS
Performer: Lucía
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Call Me Tonight
Amara Vale
Verified Artist
Amara Vale
Amara Vale is a European pop and R&B vocalist whose sultry tone and fearless style have made her one of the most exciting new voices on the scene. Born in Lisbon, Portugal, to a Portuguese father and a French mother, she grew up surrounded by a rich mix of cultural influences. From French chanson to soulful 90s R&B, the music playing in her family home shaped her distinctive sound and artistic vision.
After moving to Barcelona at the age of 12, Amara began performing in small cafés and local festivals, quickly building a reputation for her captivating stage presence. Her ability to blend emotional storytelling with infectious, modern production caught the attention of international producers and audiences alike.
Now based in Berlin, Amara Vale is ready to share her artistry with the world. Her music is available exclusively on Filodyo and NOT FM, offering listeners a unique blend of atmospheric pop, seductive R&B, and club-ready energy. With each release, she continues to prove that her voice, her style, and her story are unlike anything else in the European music landscape.
Call Me Tonight
Amara Vale
Oh oh yeah…
Mmm… listen…
Every day I see your face in my mind
Every night I’m hoping you’ll give me a sign
The way you left it’s tearing me apart
But one word from you could restart my heart
I can’t hide this feeling inside
Boy you know I tried
Tell me why we’re playing this game
Call my name call my name
Call me tonight I’m losing my mind
Say you’re still mine don’t leave me behind
One more time I’ll make it all right
Call me tonight call me tonight
I remember every touch every smile
The way you made my world feel so worthwhile
I hear your voice in every song I play
It’s like you’re here but still so far away
I can’t hide this feeling inside
Boy you know I tried
Tell me why we’re playing this game
Call my name call my name
Call me tonight I’m losing my mind
Say you’re still mine don’t leave me behind
One more time I’ll make it all right
Call me tonight call me tonight
Baby I can’t sleep I’m wide awake
Every beat of my heart’s a mistake
Without you I’m not the same
So just call my name call my name
Call me…
Tonight…
One more time…
Call me tonight I’m losing my mind (yeah)
Say you’re still mine don’t leave me behind (oh no)
One more time I’ll make it all right (make it right)
Call me tonight call me tonight
Oh… call me tonight…
CREDITS
Performer: Amara Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Everyday Weight
Elara Stone
Verified Artist
Elara Stone
She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.
Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.
Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.
Everyday Weight
Elara Stone
Days stack up without asking
Deadlines talk before we do
Small mistakes grow teeth quickly
When you’re trying to stay true
Plans bend out of their own shape
Words land wrong then multiply
Nothing ends nothing settles
We just learn what to deny
I’m tired of fixing the timing
Tired of reading every sign
We keep choosing what sounds easy
Then we pay for it in time
Life feels heavy in small ways
Not enough to make a sound
Love gets stuck in explanations
That keep going in a round
We don’t break we just tangle
Try to pull without a map
Every day asks something different
And never tells us where to stand
Conversations turn to tactics
Every pause becomes a test
Saying less feels safer lately
Even when we mean our best
We trade honesty for balance
Call it calm but feel the cost
Nothing wrong with wanting steady
Just don’t lose what made us talk
We don’t need another answer
We don’t need to win the night
I just want a moment quiet
Where the pressure drops its bite
Life feels heavy in small ways
It adds up before we know
Love gets lost in fine decisions
We were never meant to solve
We don’t fall we just circle
Looking for a cleaner path
Every day asks something different
And leaves the rest to us
Maybe this is how it happens
Not dramatic not fast
Just the weight of daily choosing
Stacked against the past
Life feels heavy in small ways
But it’s still the one we take
Love is work without instructions
That we learn by what we break
We don’t fix it all tonight
We don’t need to understand
We just stay inside the motion
Doing what we can
Tomorrow’s already forming
Before we get some rest
I don’t need it to be simple
I just need it to be honest
CREDITS
Performer: Elara Stone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Fica no Quase
Rosa Medina
Verified Artist
Rosa Medina
Rosa Medina was born in 2001 in Porto, Portugal, to a family that carried both Iberian and Brazilian heritage. Her father, a fisherman from Aveiro, filled the house with fado records, while her Brazilian mother played MPB classics and samba on lazy Sunday mornings. Rosa grew up between two shores of the Portuguese-speaking world — absorbing the saudade of Amália Rodrigues and the sunny, syncopated joy of Gal Costa in equal measure.
At fourteen, she began performing small sets in riverside cafés, her voice effortlessly gliding between soft whispers and soaring notes. The intimacy of fado was her foundation, but Rosa was restless — she wanted her songs to dance. By blending Portuguese folk melodies with bossa nova chords, urban beats, and lush pop arrangements, she began to shape a style that felt both nostalgic and forward-looking.
In 2025, Rosa released her debut single "Fica no Quase" in collaboration with Filodyo, the independent music producer known for shaping fresh, original sounds for global audiences. The track — a bittersweet, mid-tempo anthem about love suspended in uncertainty — gained instant traction on streaming platforms. Its hypnotic chorus, sung entirely in Portuguese, became a signature moment in her live performances.
Today, Rosa Medina is part of a new generation redefining Lusophone pop, performing sold-out shows from Lisbon to São Paulo. Despite her growing fame, she keeps her songwriting process deeply personal — scribbling lyrics on napkins in Lisbon cafés, recording demos on her phone while walking along the Douro River. For Rosa, every performance is a bridge connecting continents, carrying the language and emotion of Portuguese music to the world stage.
Fica no Quase
Rosa Medina
Você fala devagar
Como quem quer ir embora
Mas deixa a porta entreaberta
E o perfume na demora
Se fosse pra ser já era
Mas ainda tem coisa no olhar
Fica no quase no meio
Nem céu nem chão inteiro
Fica no toque que não vem
Na saudade que não tem nome também
O silêncio entre a gente
É mais forte que um não
Você sorri com os lábios
Mas seus olhos dizem não
E eu finjo que entendo
Mas espero você ficar
Fica no quase no canto
Sem promessa sem pranto
Fica no gesto que não se dá
No abraço que não quer se fechar
Se um dia for tudo ou nada
Talvez eu escolha o nada
Mas até lá…
Fica no quase no meio
No tempo que é só receio
Fica no quase comigo
Mesmo que seja só perigo
CREDITS
Performer: Rosa Medina
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Plastic Skies & Pap...
Romi Sage
Verified Artist
Romi Sage
Romi Sage doesn't chase the spotlight — he teases it. With a smirk behind every lyric and a groove under every syllable, Romi walks the fine line between smooth and subversive. Born in Lisbon and raised between record shops and rooftop parties, he grew up idolizing the effortless cool of Prince, the rhythmic swagger of George Michael, and the punchy charm of early 2000s pop.
His voice slides — not in haste, but in style. It dances over slap basslines and syncopated guitar licks like it’s dodging commitment. Romi doesn’t just sing about love; he dissects it with irony, flirts with it, then leaves it on read. His stage presence is magnetic — not because he demands attention, but because he never asks for it.
Beneath the glam and glitter, though, there’s always a crack. That’s where Romi shines the most — in the clever melancholy, the playful ache, the smile that knows better. His performances are less about perfection, more about pulse.
Plastic Skies & Paper Towns isn’t a love song. It’s a stylish spiral — romantic delusion in disco heels. It's funk with a wink. And with Romi Sage at the mic, it’s impossible to ignore.
Plastic Skies & Paper Towns
Romi Sage
Got a signal in my toaster
Dreams leaking from my shoes
City spins like a record
But I ain’t dancing to their news
Billboards flashing answers
To the questions I ain't asked
Everyone’s got mirrors
But no one sees past the mask
They sell the future in a box
With plastic trees and ticking clocks
But I want rhythm I want roots
Not just apps in leather boots
Under plastic skies in paper towns
We keep movin’ up but we’re fallin’ down
(Oh no no)
Truth’s on mute and the beat's too loud
Still I groove through this synthetic crowd
Yeah I'm slidin’ through your static minds
Moonwalkin' past the warning signs
(Whoa-oh)
If the world’s a trip—don’t need to land
I’ll funk my way won’t play your brand
I met a monk in a mirror maze
He said “Peace comes with purple haze”
I traded coins for inner sight
But they charged me tax on neon light
Don’t feed me fear in chrome disguise
Don’t sell me dreams with barcode eyes
I ain’t your data I ain’t your plan
I’m a barefoot soul in a traffic jam
Under plastic skies in paper towns
We keep movin’ fast just to circle 'round
(Hey hey!)
Truth’s gone rogue and the beat’s profound
Still I glide through your algorithm crown
Yeah I’m rollin’ in my analog mind
Flippin’ signals they left behind
(Whoa-oh)
If the world’s a glitch I’ll funk the code
Got cosmic shoes and no fixed road
CREDITS
Performer: Romi Sage
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Long Distance Line ...
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Long Distance Line from the Bosphorus
Eli Varnish
I’m calling from a room with peeling paint
A radio coughing out the truth
The kettle screams like it knows my name
Coins on the table none of them are you
The line is bad the night is worse
Somewhere a ferry cuts the dark in two
I got your number on a matchbook
And a voice that still remembers you
The operator’s half asleep
She says “Sir you still there?”
I say “Yeah I’m breathing smoke and prayers
Trying to get through anywhere”
This is a long distance line from the Bosphorus
I got one minute maybe less
If the city don’t swallow my words whole
You’ll hear me say I did my best
Yeah it’s a long distance line from the Bosphorus
The signal shakes the past comes through
If this call drops into the water
Just know I was calling you
There’s a man downstairs selling broken watches
Says time owes him money too
Every streetlight flickers like a bad idea
Every bar knows something I won’t tell you
I saw your face in a cracked mirror
Right next to a stain on the wall
I tried to hang up three times already
But this phone just won’t let me fall
This is a long distance line from the Bosphorus
The clock’s got a loaded gun
If I disappear between the numbers
Just say I was almost done
Hello?
Yeah… it’s me
Listen don’t say my name
The walls here got ears
And the night’s taking notes
It’s a long distance line from the Bosphorus
Static dancing in my head
If you hear silence after this
That’s just the things I never said
The operator counts me down
Five… four… the river wins
Click
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Things I Never Said
Bruno Galvez
Verified Artist
Bruno Galvez
Bruno Galvez was born to a working-class Spanish family in Valencia, where the scent of orange blossoms mixed with the sound of distant flamenco was part of everyday life. Raised in a modest apartment above a small tapas bar, Bruno’s earliest memories include the strum of his grandfather’s old guitar and the rhythm of heels tapping against the tiled floor. Music wasn't just tradition — it was identity.
To support himself through school, Bruno played guitar on the streets and metro stations of Madrid, his case open for coins, his eyes always scanning for inspiration. These years shaped both his sound and his soul. The rawness of performing for strangers taught him to listen deeply to people’s silence — and to fill it with something honest. His fingers spoke when words failed, and soon his name became familiar in the underground corners of the city.
He studied Anthropology at the Universidad Autónoma de Madrid, drawn to human stories, rituals, and rhythms — the same themes that echo in his music. By night he was a student of culture; by day, a transmitter of it, blending traditional flamenco with the urgency of the modern world. His academic lens gave new depth to his compositions, adding layers that resonated beyond melody.
Today, Bruno Galvez is no longer just a street performer. He’s a storyteller, a cultural bridge, and a reminder that music — especially flamenco — is not meant to be caged. It is meant to move, to cry, to celebrate, and most importantly, to survive.
Things I Never Said
Bruno Galvez
I kept your name in a quiet drawer
Where I hide the things I can't restore
Every word I wrote I burned unread
I'm still haunted by the things I never said
I didn't scream I didn't cry
I let you leave without asking why
But in my bones I broke and bled
From all the things I never said
[Guitar Break]
I smiled like silence was my friend
But silence never helps in the end
You touched my back I turned instead
And buried deep the things I never said
I didn't scream I didn't cry
I let you leave without asking why
But in my bones I broke and bled
From all the things I never said
[Instrumental Break]
There were nights I danced just to forget
Lips on mine but no regret
Still I feel you in my breath—
A ghost that never left
[Final Chorus]
I didn't scream I let you go
But now the quiet hurts me more
I should’ve loved I should’ve pled
Instead I kept the things I never said
CREDITS
Performer: Bruno Galvez
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Still Life in Motion
Elyra Dawn
Verified Artist
Elyra Dawn
Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.
She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.
After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.
Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.
Still Life in Motion
Elyra Dawn
I kept your echo in a borrowed chord
Faded at the edges like a prayer ignored
You never spoke in “forever” terms—
Only in glances only in turns
We drew lines in passing trains
Paused in motion looped refrains
What we had was quiet gold—
But time like steam refused to hold
So I won't chase the version of us
That never really stayed never fully was
You were a still life mid-collapse
A moving part in silent gaps
And I loved you there—
Where the light never dared
But lingered
Like it knew
We’d vanish fair
You hummed in keys I couldn’t trace
Left fingerprints on open space
A breath a shift a tilted frame
No villain here just untitled blame
Maps don’t cover scenes like this
Where lips forget what touch meant bliss
But if you ask what we became—
A shadow signed with no one’s name
I won't rewrite the note you played
Or tune the silence we conveyed
You were a still life breaking fast
A fleeting truth I couldn’t grasp
And I loved you there—
Not to repair—
But to remember
Without despair
Maybe we were best
in between intentions
Not a love song—
just the tension
Still life
in motion
Still life
Not frozen
CREDITS
Performer: Elyra Dawn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Ya No Me Duele
Camila Reyes
Verified Artist
Camila Reyes
Camila Reyes was born in Seville, Spain, in 1992, and has spent most of her life surrounded by the vibrant rhythms and colors of Andalusia. By profession, she is a skilled ceramic artist, known for her intricate hand-painted tiles inspired by Moorish patterns and flamenco motifs. Her work has been exhibited in boutique galleries across Spain, yet music has always been her truest form of self-expression.
Raised in a family where boleros and rancheras echoed through the kitchen, Camila began singing at small local gatherings, blending traditional Latin folk with her own soulful touch. Over the years, her voice became a bridge between the streets of Seville and the broader Latin diaspora, carrying both joy and melancholy in every note.
Today, Camila records all of her music exclusively for Filodyo, preserving an intimate connection with her listeners. Her latest release, Ya No Me Duele, is a testament to resilience and emotional rebirth, capturing the strength of moving on without bitterness.
Ya No Me Duele
Camila Reyes
Ya no me tiembla la taza del té
cuando tu nombre se cruza en mi piel
La casa cruje igual que ayer
pero mi sombra ya no te ve
Dejé tus cartas en el alfeizar
el viento sabrá si las quiere llevar
Mis manos no piden no quieren cerrar
lo que no abraza… no vuelve a entrar
Ya no me duele
ni tu voz ni tu eco
El silencio en mi mesa
es mejor que tu juego
Ya no me duele
ni la flor ni el invierno
Yo me quedo de pie
y tú te vas con el viento
Me dolió
pero no me rompió
Ya no me duele
ni el reloj ni el destino
Mis pasos no buscan
ya tienen su camino
CREDITS
Performer: Camila Reyes
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Parle Moins (feat M...
Kessy
Verified Artist
Kessy
Kessy is a France-born artist with African roots, shaped by a sound environment that blends urban pop, Afro-influenced rhythms and understated confidence. Raised between cultures, her music reflects a calm but assertive attitude, focusing on presence rather than excess. She is known for her controlled vocal delivery, minimal phrasing and lyrics that draw clear boundaries without dramatization.
With Parle Moins, Kessy joins forces with Malik Joon, whose sharp, rhythm-focused vocal style adds a contrasting edge to the track. Their collaboration is built on balance: restraint over intensity, clarity over noise. The song captures a modern, radio-friendly Afro-pop aesthetic while keeping a cool, grounded tone.
This release marks their meeting point on Filodyo and NOT FM, where both artists come together through a shared approach to contemporary sound and modern production values. Parle Moins stands as a confident introduction to Kessy’s artistic direction: direct, composed and unmistakably current.
Parle Moins (feat Malik Joon)
Kessy
Ouais
Hmm
Parle moins
Tu parles trop tu dis rien
Toujours sûr jamais clair
Tu me regardes de loin
Comme si j’étais à refaire
Tu dis “viens” tu dis “reste”
Mais tu sais pas pourquoi
Moi je lis dans les gestes
Pas dans ce que tu crois
J’ai pas besoin d’expliquer
Je me vois très bien sans toi
Si tu viens pour improviser
Autant rester là-bas
Parle moins regarde mieux
J’ai déjà compris le décor
Parle moins regarde mieux
J’attends pas que tu sois fort
Parle moins regarde mieux
Je perds pas mon équilibre
Parle moins regarde mieux
Je suis calme je suis libre
Tu veux suivre mon tempo
Mais tu marches à côté
Chez moi tout est simple
Faut savoir rester vrai
T’as appris à parler vite
À promettre sans voir
Mais moi je coupe le son
Quand ça sonne trop noir
Yeah
J’arrive clean sans détour
J’fais pas l’acteur dans le jour
Trop de bruit pour peu d’idées
Moi j’avance pas besoin d’jouer
Elle sait lire entre les lignes
Moi j’dis moins j’fais plus
Si tu veux rester dans le film
Faut être réel pas flou
Parle moins regarde mieux
J’ai déjà compris le décor
Parle moins regarde mieux
J’attends pas que tu sois fort
Parle moins regarde mieux
Je perds pas mon équilibre
Parle moins regarde mieux
Je suis calme je suis libre
Ouais
Parle moins
C’est mieux comme ça
CREDITS
Performer: Kessy
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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No Tomorrow Needed
Roxelle
Verified Artist
Roxelle
Roxelle is a Romanian-born singer and songwriter currently based in the United Kingdom. Growing up between Eastern European traditions and Western pop culture, she developed an early fascination with rhythm, melody, and visual storytelling. Her background gave her a distinctive sense of contrast, mixing emotional depth with bold self-expression, something that would later become central to her artistic identity.
After relocating to the UK in her early twenties, Roxelle immersed herself in the underground pop and electronic scenes, refining her sound and performance style. Influenced by modern pop, dance, and subtle R&B textures, she crafts songs that balance confidence with vulnerability. Her vocals move effortlessly between smooth, controlled delivery and striking, attitude-driven hooks, creating a sound that feels both intimate and commanding.
Roxelle’s music explores themes of independence, desire, and emotional resilience, often framed through sleek, contemporary production. Known for her strong visual aesthetic and fashion-forward presence, she approaches music as a complete artistic experience rather than just sound. With a growing catalog of releases, Roxelle positions herself as a new-generation pop artist shaped by movement, migration, and self-definition.
No Tomorrow Needed
Roxelle
Heels hit the floor I feel it start
Bass in my chest steady and sharp
No explanations no excuse
I move the room just how I choose
Eyes follow motion not my name
I don’t repeat I don’t stay same
One step closer to the sound
I don’t wait I turn around
I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role
I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cross the line
Disco strings rise
Bass keeps talking
Hands in the air
No words just timing
Mirrors shake when I pass through
Every angle feels brand new
No permission no delay
I decide how long I stay
Heat is building in the crowd
I don’t need to say it loud
Count it in feel it land
Everything is in my hands
I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role
I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cro
Jacket on I leave it open
Streetlight glow my focus broken
Every sound pulls me in
I don’t ask where we’ve been
I don’t read the signs twice
I move once that’s my advice
If it feels right I don’t slow down
I let the night spin me around
No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)
No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)
Every step is calculated
Still it looks so effortless
I don’t wait to be invited
I arrive I don’t impress
Crowd reacts I don’t chase
I just take up space
Hear my name inside the bass
I don’t rush I keep my pace
Yeah
She don’t plan it she appear
Whole room shift when she near
No tomorrow in her mind
Only now perfect time
She don’t promise she decide
Every move amplified
I’m just watching from the side
Tryna keep up with her stride
No delay no rewind
She already crossed the line
When she move place complies
That’s the signal that’s the sign
No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)
No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)
No tomorrow (no tomorrow)
Needed (needed)
No tomorrow (no tomorrow)
I don’t need it (don’t need it)
No tomorrow (no tomorrow)
Needed (needed)
If I want it (if I want it)
I’m in it (I’m in it)
CREDITS
Performer: Roxelle
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Talk With Your Hands
Mateo Lux
Verified Artist
Mateo Lux
Mateo Lux is a rising voice in contemporary electronic pop, blending sleek production with raw emotional intensity. Born with a natural flair for performance, he crafts music that balances dancefloor energy with lyrical depth. His debut single, Control, showcases a magnetic mix of pulsing rhythms and hypnotic melodies, setting the tone for a bold artistic journey ahead.
Discovered by Hakan E. for Filodyo, Mateo brings an unapologetic confidence to every note he sings. His style captures both vulnerability and power, creating an atmosphere that draws listeners into his world. With Control, he isn’t just introducing himself—he’s making a statement, marking the arrival of a distinctive new talent destined to leave a lasting imprint on modern music.
Talk With Your Hands
Mateo Lux
[Intro]
Yeah
Uh
Listen
You say nothing still I hear it
Every move got its own meaning
Eyes talk first lips stay quiet
Room reacts when you get near it
No small talk no explanation
Body language translation
Don’t slow down don’t overthink
I read you faster than you blink
Don’t talk talk
Just move like that (like that)
Say less less
I’m cool with that (with that)
Don’t talk talk
Your hands do facts (do facts)
I see it all
When you move like that (yeah)
[Post-Chorus]
Left right
Pause rewind
One look
I’m already aligned
Every step feels intentional
Like you planned it accidental
No directions still you lead
I just follow what you mean
Crowd fades out when you step in
Whole place locked on your rhythm
No need words to complicate
I already got the message
Don’t talk talk
Just move like that (like that)
Say less less
I’m cool with that (with that)
Don’t talk talk
Your hands do facts (do facts)
I see it all
When you move like that (yeah)
[Bridge – Male Vocal / Spoken-Rap]
Hold up
She don’t speak she demonstrate
Every move communicate
No delay she regulate
Whole room shift when she rotate
I don’t guess I calculate
Every sign she generate
She don’t need to elevate
She arrive she dominate
Clap it
Stomp it
Freeze
Go
[Final Chorus]
Don’t talk talk (don’t talk)
Just move like that (move like that)
Say less less (say less)
I’m cool with that (yeah)
Don’t talk talk (don’t talk)
Your hands do facts (do facts)
I see it all
When you move like that (move like that)
No words
Still clear
You said it all
Right here
CREDITS
Performer: Mateo Lux
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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After the Signal
Apollo Frequency
Verified Artist
Apollo Frequency
Apollo Frequency is a dynamic UK-based vocal trio bringing infectious grooves and bold stage energy to the modern disco-pop scene. The group consists of vocalists Marcus King and Devon Cole—both London-born with roots in gospel, soul, and street performance—and Brighton native Chloe Hart, whose bright, powerful voice adds a radiant pop edge to the group’s sound.
Formed in Manchester, Apollo Frequency quickly built a reputation for their electrifying live shows, blending tight harmonies with high-energy beats reminiscent of classic funk and disco, yet reimagined for today’s dancefloors. Their music celebrates unity, rhythm, and the thrill of collective movement, turning every performance into a celebration.
Their debut single, After the Signal, is available exclusively on Filodyo, showcasing the trio’s signature mix of soulful hooks, driving basslines, and euphoric choruses. With undeniable chemistry both on and off stage, Apollo Frequency is poised to become one of the UK’s most exciting live acts—proving that when the signal hits, the dancefloor answers.
After the Signal
Apollo Frequency
Yeah… signal’s live
Mmm… ah-ah-ah
Let it roll
Oh-oh-oh…
Frequency’s pulling us through the crowd
Pulse in the air it’s beating loud
Every turn you make cuts through the noise
Drawn to the tone in your voice
Step in closer rhythm on my side
Closer closer nothing left to hide
Can’t slow down we’re on this ride
This is the signal locked inside
After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
After the signal (oh)
We keep it in motion (no no)
Time’s in a circle (mmm)
Under devotion
Lines keep crossing code runs deep
Every beat we share’s a vow we keep
Gravity shifts when you’re in the frame
Nothing tonight will be the same
Step in closer rhythm on my side
Closer closer nothing left to hide
Can’t slow down we’re on this ride
This is the signal locked inside
After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
After the signal (oh)
We keep it in motion (no no)
Time’s in a circle (mmm)
Under devotion
Transmission’s clear — stay on the line
Stay on the line stay on the line
Turn it around — keep it aligned
Keep it aligned keep it aligned
After the signal
We don’t let go
After the signal
We take control
After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
CREDITS
Performer: Apollo Frequency
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Waves Don’t Ask Why
Wires and Petals
Verified Artist
Wires and Petals
Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.
Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.
Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.
Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.
Waves Don’t Ask Why
Wires and Petals
I walked too far to start again
But too close to turn away
The sky didn't open —
But I moved anyway
Heartbeat aligned with the sound
Footsteps lost never found
I don’t speak to the wind anymore
It never stayed to listen
But you —
You stayed quiet…
And I heard everything
Time doesn’t fold like a map
We stretch with every turn
The world spins without asking
But we — we learn
And if the tide forgets my name
Let it
I only needed the pull
CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Kiss Me When I'm Lying
Romeo Vane
Kiss Me When I'm Lying
Romeo Vane
You taste like trouble and cheap red wine
Black boots kicking off the dashboard side
Your hair messed up and your friends outside
Small town talk but we move too fast
Everybody staring when we walk past
You laugh loud when the speakers break
Steal my jacket like a little game
Hands cold wrapped around my neck
You say “relax” then make a mess
Oh-oh
Don’t stop now
Oh-oh
Spin me around
Kiss me when I’m lying
Tell me I’m your type
We can fake forever for a Friday night
(Yeah yeah)
Your lipstick on my cigarette
Your number in my head again
One look and I lose control
Like whoa-oh-oh
Taxi doors and buzzing amps
Cheap hotel and tangled hands
Your dance moves cutting through the room
Everybody watching you
Low lights flicker on your rings
You move sharp to the kick drum beat
Every word got attitude
God you make bad ideas look cool
No sleep
Heartbeat
Fast lane
On repeat
Kiss me when I’m lying
Tell me I’m your type
We can fake forever for a Friday night
(Hey hey)
Your perfume on my leather coat
You pull away then pull me close
One touch and I lose control
Like whoa-oh-oh
Bad habits look good on you
Too much smoke in the dressing room
Red lights blur when you bite your lip
Whole damn room start losing it
Kiss me when I’m lying
Dance into the light
Young hearts burning through the after-midnight
(Yeah yeah)
Your name stuck like a melody
Wild eyes full of energy
One kiss and the whole world spins
Again and again
Black boots
Backseat
Your laugh
Still on me
CREDITS
Performer: Romeo Vane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Corazón en la Calle
Zaharela B
Verified Artist
Zaharela B
Zaharela B is a vibrant Latin artist whose music radiates the energy of the dancefloor and the streets alike. Born in San Juan, Puerto Rico, and raised between the Caribbean and Miami, she blends the infectious grooves of reggaeton with the warmth of Latin pop and the bold flair of carnival rhythms. Her sound is a celebration of movement, culture, and joy—rooted in tradition yet unapologetically modern.
Her debut single, Corazón en la Calle, bursts with a reggaeton/dembow pulse, playful sound effects, and call-and-response hooks that pull listeners straight into the party. Switching effortlessly between Spanish and English, Zaharela B brings an unmistakable charisma to every lyric, making her performances feel like a shared celebration.
Available exclusively on Filodyo, Zaharela B’s music is more than just a soundtrack for dancing—it’s an invitation to let go, live in the moment, and move with the beat. With her magnetic presence and unstoppable energy, she’s poised to become a defining voice in the next wave of Latin dance music.
Corazón en la Calle
Zaharela B
Beep beep!
Vamos vamos!
Corazón en la calle woo!
Sun on the roof heat on the floor
Boots on the ground crowd wants more
Clap to the beat hips in time
Every little step feels so divine
Turn around bring it close
Hands up high let it show
Dale fuego dale ya
Move your body no se va
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
Drums in the air bass in my veins
Sweat in the night dance in the rain
Spin to the left slide to the right
Every little move feels like flight
Turn around bring it close
Hands up high let it show
Dale fuego dale ya
Move your body no se va
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
Beep beep!
Let’s go!
Clap clap!
Go low!
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
CREDITS
Performer: Zaharela B
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
