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The Fridge Is Takin...
Funny Harry

Verified Verified Artist

Funny Harry
Hailing from the vibrant streets of Copenhagen, Funny Harry has carved out a distinctive niche in the alternative pop scene, effortlessly blending whimsical narratives with thought-provoking themes. With a catalog that includes tracks like "The Fridge Is Taking Her Side," Harry's music embodies an eclectic mix of calmness and playful mystery. The lyrics often dance around the mundane, transforming everyday objects and interactions into poignant reflections on loneliness and connection. This creative alchemy was born in the city's cozy cafes, where Harry first collaborated with friends from art school, merging their diverse influences to create a sound that feels both fresh and deeply familiar.

As Harry continues to evolve, each track reveals layers of emotional resonance and sonic experimentation. The interplay of light and shadow is masterfully executed, inviting listeners into a world where the ordinary becomes extraordinary. With an approach characterized by introspective storytelling and innovative arrangements, Funny Harry captures fleeting moments of life through a kaleidoscope of calm melodies and vibrant rhythms. Whether exploring themes of melancholy or stitching together playful anecdotes, the artist leaves an indelible mark on the listener, inviting them to embrace the mystery hidden within everyday experiences.
Track(s)
The Fridge Is Taking Her Side 20264 02:52

The Fridge Is Taking Her Side

Funny Harry


At 2:17 the refrigerator cleared its throat
I said “Don’t start”
It started

The kettle only sings for one
The toaster burns my alibis
Your coffee cup is upside down
Like it has closed its little eyes

I bought a cactus for morale
It quit on Tuesday night
The landlord says the pipes are fine
The fridge is taking your side

Every appliance has an opinion
Every opinion sounds like you
The freezer hums through cross-examination
I plead the fifth and eat for two

The washer handed back one sock
As proof I can’t be trusted
The vacuum found your silver hoop
Then parked itself disgusted

I tried to cook that thing you liked
The smoke alarm performed the lead
I took a bow it took the battery
A fair review I must concede

“Did you call her?”
No

“Will you call her?”
No

“Are you lying?”
Next question

“Who are you talking to?”
The refrigerator

Every appliance has an opinion
Even the clock has joined in too
The freezer hums for the prosecution
And I still cook enough for two

Your note is folded under pears
I read it only when they spoil
The final line says “Please be well”
As if well came wrapped in foil

At dawn the motor settles down
The whole flat loses its nerve
I almost miss our little war
Then hear the ice tray say one word:

“Call”

Mind your own business

At 2:18 it cleared its throat again
I moved it three inches from the wall
We are no longer speaking

CREDITS
Performer: Funny Harry
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Margin of Error
Susan Hall

Verified Verified Artist

Susan Hall
Susan Hall emerges from the vibrant backdrop of New York City, where late-night writing sessions fuel her introspective explorations into the human experience. Infusing elements of Lo-Fi, Pop, and Trip-Hop, Susan crafts soundscapes that oscillate between playful and melancholic. Her track "Margin of Error" encapsulates this duality, featuring smoky vocals layered over a pulsating sub-bass and ethereal Fender Rhodes chords. With a penchant for the poetic, her lyrics explore themes of longing and uncertainty, often wrapped in an enigmatic embrace that resonates deeply with listeners.

The sonic threads within her catalog weave together a compelling narrative, each track a reflection of her artistic identity marked by subtle contrasts. From the dark trip-hop influences that shape her beats to the epic yet intimate moods she conjures, Susan's music reveals a world where vulnerability meets resilience. With tracks like "Margin of Error," she invites audiences to navigate through the shadows of love and loss while offering an unexpected playfulness that lingers long after the last note fades.
Track(s)
Margin of Error 58843 04:57

Margin of Error

Susan Hall


You filed my name under maybe
Kept one hand near delete

Your sentences came pre-approved
Every promise wore a barcode
I read the terms across your face
A firm refusal dressed as grace

You kept my number off the page
Then called it love at your own rate
I learned the cost of being near
A private charge renewed each year

Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss

Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased

You wore affection like a pass
Valid until somebody asked
My place was marked with pencil lead
Easy to alter hard to read

You built a room from access codes
The door unlocked when you chose
I left the key beside your name
No final speech no claim to blame

Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss

Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased

I was never hard to measure
You preferred uncertain scales
A person turned to useful data
A pulse reduced to monthly sales

Now every digit has an owner
Every loss can state its cause
You can keep your perfect record
I have left your private laws

Call me your margin of error
The number you rounded to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
The flaw that refused to behave
Cross out the file marked as maybe
I won’t be useful then erased

Delete my name from your system
The error has learned its own weight

CREDITS
Performer: Susan Hall
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

No Replay
Mara Vey

Verified Verified Artist

Mara Vey
Mara Vey is a pop and electronic vocalist whose songs pair clear melodic writing with sleek dance production and emotionally direct storytelling. Her sound moves between modern dance-pop, refined house rhythms and intimate electronic textures, giving reflective themes an immediate radio-ready lift.

She writes about self-respect, changing patterns and the private decisions that reshape everyday life. Rather than turning heartbreak into spectacle, Mara focuses on the moment a person chooses clarity, sets a boundary and keeps moving.

“No Replay” captures that approach through a warm deep-house pulse, precise female vocals and a chorus built around leaving the past where it belongs. Its confident energy balances emotional honesty with a polished, forward-moving groove.

Mara Vey’s music is designed for late drives, crowded rooms and solitary resets alike—melodic, clean and direct, with hooks that stay memorable without losing their meaning.
Track(s)
No Replay 64759 03:07

No Replay

Mara Vey


One more message then I let it go
No hard feelings just a different road

You send a question past a quarter two
I read it twice but I already knew
We kept a habit long beyond its use
Now every answer feels like an excuse

I don't need a perfect ending
I just need a line that's true

No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay

No no no replay
No no no replay

Friends keep asking if I miss the sound
I miss who I was when you came around
But missing isn't an instruction now
I know the exit and I know it counts

I don't need a perfect ending
I just need a line that's true

No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay

Maybe closure isn't something said
Maybe it's the choice to step ahead
No villain no score no debt to pay
Just two people choosing separate ways

No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay

No hard feelings no replay
I choose peace and walk away

CREDITS
Performer: Mara Vey
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Weekend Escape
BPM Off

Verified Verified Artist

BPM Off
Hailing from the vibrant streets of Barcelona, BPM Off is a disco club band that ignites every dance floor with their effervescent energy and uplifting grooves. Formed during late-night writing sessions that often spilled into the early hours, the band members—Ella, Leo, and Max—drew inspiration from both the city’s pulsating nightlife and the rich tapestry of local music scenes. Their sound is a kaleidoscope of dance, disco, and pop, designed to make listeners feel alive and connected through shared rhythm and joy.

The band's catalog is an exploration of euphoria, perfectly exemplified in tracks like "Weekend Escape." With an infectious blend of playful melodies and heartfelt lyrics, each song invites fans to feel the rhythm rise and embrace the energy flowing through their bodies. Themes of unity and celebration resonate throughout their music, encouraging everyone to break free from daily routines and ignite the night with abandon. The mix of mixed vocals enhances the dynamic charm of BPM Off, allowing every member's strengths to shine through, while also creating a harmonious blend that feels both nostalgic and fresh.

BPM Off thrives on shaping experiences through music. Their live performances are a testament to this ethos, transforming venues into spaces where strangers become friends under the flickering lights. With hopes pinned on crafting a joyful auditory landscape, they aim not just to entertain but also to forge lasting connections among their audience. As they continue to evolve with each new release, BPM Off remains committed to weaving intricate stories delivered by vibrant beats, ensuring that every moment spent with their music is indeed a reason to celebrate life together.
Track(s)
Weekend Escape 45054 03:04

Weekend Escape

BPM Off


Feel the rhythm rise let’s ignite the night

Energy flowing let’s break the mold
Grooving to the beat it’s a story to be told
With every heartbeat we’re alive and in sync
Let the music guide us let it take us to the brink

Hands up high ready for the flight
This is our moment we’re reaching new heights

Weekend escape let it unfold
Living for today let the good times roll
Laughing and dancing that’s how we sway
Rhythm of now we’ll find our way

Every sound resonates let the night ignite
With friends all around everything feels right
As the evening flows let our stories blend
In this joyful chaos there’s no need to pretend

I’m on the backbeat sneakers on the floor
Phone in my pocket still I want one more
Bass hit hard got the room in a wave
No acting no script just the moves that we save
Skippin’ past stress like it’s paint on the tile
Two-step quick laugh been a while since we smiled
From the booth to the hallway passing that spark
We don’t need a spotlight to light up the dark

Come a little closer share the joy we found
Together we’ll create a magic sound

Weekend escape let it unfold
Living for today let the good times roll
Laughing and dancing that’s how we sway
Rhythm of now we’ll find our way
Weekend escape feel it in your core
This is our moment let the music soar

Let the music soar

CREDITS
Performer: BPM Off
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Feelings
Sarah X

Verified Verified Artist

Sarah X
Sarah X is an indie pop artist whose vibrant soundscape draws influences from the disco era while weaving in contemporary pop elements. With her single "Feelings," Sarah encapsulates the essence of joy, hope, and romantic longing, creating an uplifting atmosphere that resonates deeply with listeners. Her vocal delivery is characterized by warmth and sincerity, which elevates the spirited instrumentation that defines her style.

While "Feelings" serves as a standout track, it also reflects a broader narrative in Sarah's catalog, where happiness and optimism are recurring themes. The blend of disco beats and catchy melodies creates a nostalgic yet fresh listening experience, inviting audiences to dance along to her music. She effortlessly connects with her audience through relatable lyrics that speak to love and infatuation, making each song feel personal and engaging.

Emerging from a creative space where she found her voice amid the eclectic Berlin indie music scene, Sarah X has cultivated a sound that feels both timeless and modern. Her music not only pays homage to genre pioneers but also carves out its own identity, with a focus on feel-good vibes that uplift and inspire. As she continues to develop her catalog, Sarah X remains dedicated to crafting songs that celebrate life's joyful moments while connecting deeply with her audience.
Track(s)
Feelings 43896 03:01

Feelings

Sarah X


Feelings
Now we're out of touch
And it feels strange
If I'm being honest
I don't think I've ever been in love
I was young
And you were the closest thing to it
So it felt close enough
Now I'm here
Feeling so dumb

Aren't we over this by now?
I thought I'd finally figured it out

My friends tell me
That it was a real relationship
'Cause that's what I said it was
But how could it have been?
We were just kids
Trying to play pretend
At least you were
And I thought I could keep up
I thought it would be fun
But now I'm here
Feeling so dumb

Now I'm here
Having flashbacks to the days
That I'd make you smile
And you'd run and hide your face
That was the closest thing to love
I've ever known
And now I'm here
And now it's gone
I guess I'm just waiting
For it to come back along

Aren't we over this by now?
I thought I'd finally figured it out

My friends tell me
That it was a real relationship
'Cause that's what I said it was
But how could it have been?
We were just kids
Trying to play pretend
At least you were
And I thought I could keep up
I thought it would be fun
But now I'm here
Feeling so dumb

CREDITS
Performer: Sarah X
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Paper Crown
Sera Knox

Verified Verified Artist

Sera Knox
Sera Knox is an electrifying force in the alternative pop landscape, merging her powerful vocals with a compelling electropop sound. Known for her poised low-register verses that lead into soaring upper-register choruses, Sera’s music features dry punchy drums, rubbery synth bass, and angular guitar lines. Her debut track, "Paper Crown," exemplifies her knack for crafting bold melodic hooks that resonate with listeners while delivering sharp and self-aware lyrics. Each element of her production is layered with artistry, creating a sound that is both modern and timeless.

Thematically, Sera’s work revolves around independence and self-worth, often reflecting a conscious rejection of superficial public approval. In "Paper Crown," she encapsulates this sentiment perfectly, using a vibrant sonic palette to convey her triumph over societal expectations. The energetic mood of her songs invites listeners to embrace their individuality and draw strength from within. Her artistic vision is characterized by a blend of electronic influences and traditional pop sensibilities, allowing her to explore complex emotions through a catchy and engaging framework.

As Sera Knox continues to carve out her niche within the notFM HEAT Music Universe, her catalog promises to grow with more tracks that embody her distinctive style. Fans can expect a consistently uplifting listening experience that motivates them to celebrate their uniqueness, making each release a testament to self-empowerment. With her sharp art-pop details, Sera's music remains an invitation to step away from empty status symbols and embrace genuine self-expression.
Track(s)
Paper Crown 36132 03:02

Paper Crown

Sera Knox


You gave me praise with borrowed words
A polished smile for every turn
A front-row seat a painted name
A perfect pose a hollow game
I learned the rules I played my part
Held every cue against my heart
Then one small crack became a door
I do not need that stage anymore

Keep your medals keep your throne
I can build a life my own

Paper crown let it fall
It was never worth it all
Every cheer became a chain
Every win required my name
Paper crown hit the ground
Hear that honest simple sound
I step out I stand tall
You can keep your paper crown

You sold applause as if it cared
Counted every room I shared
Made my value fit a chart
Turned a person to a part
I know success can still be kind
When I decide what counts as mine
No public score no velvet rope
Can own my nerve or price my hope

Keep your medals keep your throne
I can build a life my own

Paper crown let it fall
It was never worth it all
Every cheer became a chain
Every win required my name
Paper crown hit the ground
Hear that honest simple sound
I step out I stand tall
You can keep your paper crown

I do not need a room to rise
I do not need their measured eyes
My worth survives without a vote
That is the line I choose to hold

Paper crown let it fall
It was never worth it all
Every cheer became a chain
Every win required my name
Paper crown hit the ground
Hear that honest simple sound
I step out I stand tall
You can keep your paper crown

CREDITS
Performer: Sera Knox
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

New York, I Loved You
Asha Monroex

Verified Verified Artist

Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.

A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.

Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.

Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
Track(s)
Borrowed Cutlery 2796 04:22
New York, I Loved You 55074 04:42

New York, I Loved You

Asha Monroex


Seventh Avenue 2 AM
You had your jacket on I had nowhere to be then
Yellow cabs blurring past the rain
You said my name like it was something you wanted to keep
Rooftop views and corner store wine
You made this city feel like it was only mine
But New York doesn't stop for anyone
And neither did you when you were done

I still hear the subway underground
Every time I'm trying not to think about
The way you laughed when the lights went out

New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline

I still got the rain
But baby loving you was my
Most beautiful pain

Brooklyn bridge on a Saturday
You took my picture like you planned to stay
I framed it hung it on the wall
Took it down in November when the leaves would fall
You were Harlem jazz at midnight
I was trying to be your home
But some men love a city
More than they'll ever love you alone

I still walk the same blocks we used to share
Turn the corner half-expecting you'd be there
(yeah…)
But the city just stares
(just stares…)

New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
(most beautiful…)

This city taught me everything I know
How to hold on
(hold on)

How to let go
(let go)
How to stand in the middle of a million souls
And still feel whole
(feel whole…)
New York didn't break me

He just set the scene
(mm)
And I was never really lost
I just hadn't found me
(found me…)
(ohhhh)

New York I loved you
(loved you)
And I love me now
(now)
Traded in the heartbreak
For my own vow
(yeah)

Still got the skyline
Still got the rain
(the rain…)
And baby — that pain
Made me everything
(everything…)
mmmh…

CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

La Sabiduria Callej...
Dos Latinos

Verified Verified Artist

Dos Latinos
Dos Latinos is a flamenco-tango ensemble built around the commanding voice of a seasoned female singer whose delivery carries equal parts grit, humour, and hard-earned grace. Their sound brings together cante hondo intensity, nylon-string rasgueado, bandoneon accents, upright bass, and piano montuno, creating music that feels rooted in both Andalusian tradition and the late-night pulse of Buenos Aires.

Recorded with warm tape saturation and natural room bleed, the group favours the energy of musicians performing together over polished perfection. Palmas handclaps, brushed snare, and a swinging 6/8 groove give their songs a strong physical momentum, while the vocals remain direct and emotionally unguarded. Every arrangement balances elegance with a rough-edged, street-level character.

Their first release, “La Sabiduría Callejera,” captures the heart of Dos Latinos: bittersweet resilience, sharp observation, and the belief that experience can be turned into celebration. It is music for people who have lost, learned, laughed, and kept dancing—carrying old stories forward with pride, rhythm, and unmistakable spirit.

La Sabiduria Callejera (2026 version)

Dos Latinos


No hay pupitre ni pizarra mi clase es la ciudad
Cada esquina un maestro cada calle una verdad
Aprendí de los fracasos de la escuela de intentar
Mis diplomas son las cicatrices que el tiempo no borrará

No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Mis compañeros son los sueños mi tarea la realidad
Cada día una página nueva lista para comenzar
En las plazas hallé libros que no se pueden cerrar
En los ojos de la gente historias que enseñan a amar

No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Entre sombras aprendí a encontrar la luz
La resiliencia es mi curso la esperanza mi cruz

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Cierro los ojos siento el viento cada susurro una lección
En el gran libro de la vida escribo mi propia canción

CREDITS
Performer: Dos Latinos
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Desert Frequency
Alia Bergen

Verified Verified Artist

Alia Bergen
Alia Bergen, an emerging name in the vibrant dance music scene of Amsterdam, weaves together elements of house and electronic with a distinctly intimate touch. With her warm analog bass lines and punchy kick patterns, Alia invites listeners into her sonic world, where airy vocals dance over lush stereo pads and subtle piano stabs create an enveloping atmosphere. Her latest track, "Desert Frequency," embodies this spirit, coupling hopeful and playful themes with evolving textures that pulse with life. The organic darbuka grooves layered beneath modern house rhythms add a unique rhythmic complexity that sets her apart.

Hailing from a background steeped in musical exploration, Alia began her journey by collaborating with local musicians who shared her passion for combining traditional sounds with contemporary beats. Their initial meetings at open mic nights sparked a creative partnership that would lead to the formation of her solo project. Each track in her catalog, including future releases poised to build on the success of "Desert Frequency," explores themes of connection and intimacy, often capturing fleeting moments with poetic lyricism that resonates deeply with her audience.

In Alia's music, every sound serves a purpose—whether it's the shimmering plucks that evoke a sense of wonder or the playful slaps that drive the energy forward. Her ability to blend sensuality with inspiration creates an inviting landscape for listeners, making them feel as if they are part of an unfolding narrative. As she continues to develop her craft and refine her artistic identity, Alia Bergen remains committed to producing tracks that inspire joy and connection through rhythm and melody.
Track(s)
Desert Frequency 11599 03:52

Desert Frequency

Alia Bergen


Glass on the shoreline
Silver on skin
The night keeps folding
As the rhythm pulls us in
Every street is breathing slower
Windows shimmer then disappear
You don't have to say forever
You're already here
One more step
One more spark
One more pulse across the dark

No destination
Only motion
Floating where the bass begins

Higher
Take me where the skyline bends
Higher
Nothing has to make sense
We move
Like the tide beneath the light
Higher
Till tomorrow loses sight

Dust rises softly
Under every heel
Ancient echoes
Wrapped in something new and real
Hands cut circles through the silence
Every heartbeat shifts its place
No one owns this second
No one leaves a trace
The air keeps turning
Round and round
Every shadow finds a sound

No gravity
No history
Just the rhythm underneath
We don't chase the sunrise
We become the color
One breath
One horizon
Nothing louder

Higher
Lift the night above the ground
Higher
Feel the silence singing loud
We move
Where the desert meets the sea
Higher
You and the frequency
Higher
Only the frequency

CREDITS
Performer: Alia Bergen
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Pieces Of Tomorrow
Glass Orchard

Verified Verified Artist

Glass Orchard
Glass Orchard: underdogs from Iceland's burgeoning musical arena, who've taken indie beats and songwriting to a whole new Frosty level. Headed by a commanding male lead supported by a dynamic duo of keyboardists, they're melting all sorts of icy musical conventions.

Born under the northern lights of Reykjavik, they're often joked as the "fruity version" of Sigur Rós. Our main man pulls emotional threads like a seasoned weaver, belting out raw, hearty verses that contrast blissfully against the soft twinkling of the keyboards, played by our male-female dynamic duo. And boy, do they peel back the layers!

Their most noteworthy track, "Pieces of Tomorrow", tantalizingly teeters between radio-friendly pop and their native avant-garde sound. It’s like biting into an enchanted apple; filled with textured layers of auditory delight. Get ready to chomp down to get a taste of the future through their fresh, clairvoyant tunes.

Once you've had a bite of Glass Orchard, you'll understand why Iceland's not just famous for their geysers and quirky mayor. Much like their namesake, they reflect a myriad of perspectives under one musical roof. Sweet, tangy, and reliably crisp, Glass Orchard’s music serves us delicious pieces of tomorrow, today.
Track(s)
Pieces Of Tomorrow 52496 04:43

Pieces Of Tomorrow

Glass Orchard


I remember
Little pieces
Little pieces
Of tomorrow

I woke up in a moving city
With your message on my phone
Saying nothing lasts forever
But I hate the word alone

There were faces in the window
There were names I couldn’t place
I was dancing through the morning
Trying not to see your face

I don’t wanna fall back
I don’t wanna fade out
I don’t wanna stand still
Waiting for the same sound

If the night is broken
Let the beat repair it
If my heart is open
I’m not scared to wear it

Piece by piece
I come alive
Little lights
Inside my mind

Beat by beat
I feel the fire
You were gone
But I got higher

Piece by piece
I’m not the same
I lost you once
But found my name

Oh-oh-oh
I come alive
Piece by piece
I come alive

Come alive
Come alive
Piece by piece
I come alive

Come alive
Come alive
Little pieces
Of tomorrow

I kept walking through the static
With my shadow next to me
Every heartbreak has a rhythm
If you let the body breathe

I was more than what you left with
More than tears on bathroom tiles
Now the bassline pulls me forward
And I’m learning how to smile

I don’t wanna fall back
I don’t wanna fade out
I don’t wanna stand still
Waiting for the same sound

If the night is broken
Let the beat repair it
If my heart is open
I’m not scared to wear it

Piece by piece
I come alive
Little lights
Inside my mind

Beat by beat
I feel the fire
You were gone
But I got higher

Piece by piece
I’m not the same
I lost you once
But found my name

Oh-oh-oh
I come alive
Piece by piece
I come alive

Maybe love is not a place
Maybe home can change its shape
Maybe all the things we lose
Turn into another way

I don’t need the past to call
I don’t need the door unlocked
I can be the one who breaks
And still becomes the song

Piece by piece
I come alive
Little lights
Inside my mind

Beat by beat
I feel the fire
You were gone
But I got higher

Piece by piece
I’m not the same
I lost you once
But found my name

Oh-oh-oh
I come alive
Piece by piece
I come alive

I remember
Little pieces
Little pieces
Of tomorrow

Piece by piece
I come alive

CREDITS
Performer: Glass Orchard
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

City of Us (ft Kairo)
Zion Vale

Verified Verified Artist

Zion Vale
Seismic, fresh, and ready to take the pop world by storm, Zion Vale is the windswept prodigy hailing from Manhattan's electric heartbeat. Illuminating the shadows of Indy Pop with a voice that sways between whispers and roars, Zion is the authentic, soul-penetrating force you didn’t know you were waiting for.

Kicking it back to their school days, Zion crossed paths with the musically gifted Kairo. What started as simple shared detention notes evolved into a collaborative crescendo—culminating in their standout track "City of Us". This song is Zion's self-proclaimed love letter to their city—a hopeful anthem designed to unite, inspire, and get stuck on repeat in your head.

Against a backdrop of sizzling city nights, Zion's brand of Pop - potent, playful, and undeniably infectious - has been getting Manhattan's less-grimy gutters humming. Imagine if Jupiter and Mars got together to jam: that's the level of celestial meeting of the minds we're talking about here, people.

With a charismatic blend of lyrical genius, Zion Vale is set to redefine what it means to be an independent artist. So keep one ear to the ground, because Zion is about to drop the beat that echoes the 'City of Us' and, trust us, you don't want to miss it.
Track(s)
City of Us (ft Kairo) 58741 05:04

City of Us (ft Kairo)

Zion Vale


Concrete and dreams underneath my feet
Grew up on these blocks where the cold and the warm meet
Didn't have much but I had this view
Rooftops and water towers skies painted blue
This city raised me made me who I am
Every subway line running through my veins

And I've been down I've been lost in these streets
But every time I fell this city caught me

(mm)

New York New York
I was made from your bones
Every scar on this city
Is a scar that I own
I have loved I have lost
On these streets made of stone
But I always — always
Find my way home

Harlem nights had nothing but a name
Told myself either make it or make it no game
Penthouse dreams from a fire escape view
This city don't love you till you prove something true
I've seen men fold under all this weight
But New York only opens up for those who wait

And I've been cold sleeping on ambition
But this city turned my hunger into vision
(yeah)

New York New York
We were made from your bones
Every scar on this city
Is a scar that we own
We have loved we have lost
On these streets made of stone
But we always — always
Find our way home

(ohhh yeah)
(home…)

They say the city never sleeps
(never sleeps)
But I've seen it quiet
At 4 AM when even the brave weep
(weep…)
And still — the lights stay on
(lights stay on)
And still — we carry on
(carry on…)
Because this city chose us
As much as we chose it
(mm)
Every broken dream here
Still has fire in it
(fire…)
(ohhhh)

New York New York
We were made from your bones
Every scar on this city
Is a scar that we own
(own it)
We have loved we have lost
On these streets made of stone
(these streets)
But we always — always
(always)
Find our way
(find our way)

Home
(HOME)
(ohhhhh)

New York…
(mm)
You never let me go
(never…)
And I never wanted you to
(fade)

CREDITS
Performer: Zion Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Channel Zero
Gutterlux 42

Verified Verified Artist

Gutterlux 42
Gutterlux 42, hailing from the vibrant streets of Bristol, is an artist navigating the delicate intersections of alternative hip-hop, cinematic dub-pop, and psychedelic funk. With a sound that evokes a sense of bittersweet nostalgia, Gutterlux 42 draws listeners into a world where heavy basslines intertwine with mixed vocal stylings, creating a captivating atmosphere that feels both intimate and expansive. Tracks like "Channel Zero" showcase this unique blend, employing rich, layered production that combines elements of lo-fi electronic soul with art-rock vibes, inviting audiences to reflect on their own emotional landscapes.

With roots deeply embedded in club culture and a rich local scene, Gutterlux 42's artistry thrives on the pulse of urban life. The musical narrative often begins with unexpected sounds—a radio scan, echoes of street ambience—setting the stage for explorations of identity, connection, and the human condition. Each release not only builds upon the last but also captures moments of clarity amid chaos, often taking listeners through dark corridors before lifting them into moments of inspiration. This thematic evolution is evident throughout their catalog, allowing their music to resonate on multiple levels.

As a project, Gutterlux 42 is marked by an ever-evolving creative identity that reflects both personal experiences and collective emotions. Their work invites listeners to confront the complexities of existence while wrapped in melodies that linger long after the final note fades. Whether through melancholic introspection or uplifting revelations, Gutterlux 42 continues to carve out a space in the indie landscape that feels distinctly theirs—one where every track serves as a new chapter in an ongoing story.
Track(s)
Channel Zero 84014 04:00

Channel Zero

Gutterlux 42


Good morning citizens
Your mood has been selected
Please remain casually impressed

I bought a smile from a vending machine
It came with batteries polished and clean
The screen said “Buddy you’re doing fine”
Then charged my card for wasting its time

My neighbor’s dog has a podcast now
He sells good habits and teaches you how
I wear dark glasses inside the store
So the cameras think I’ve been here before

Nothing is wrong nothing is real
Spin that message seal the deal
Everybody wants a better view
Nobody wants to change the room

Turn me down to channel zero
No big plan no chosen hero
Keep that smile for the television
I’m off-grid with bad reception

Channel zero moving slowly
Everybody knows me nobody knows me
Cut the signal lose the logo
Meet me down on channel zero

The mayor dances in a cereal ad
Says being watched should make us glad
A plastic moon hangs over the street
While delivery drones argue over the beat

My profile picture went out for a walk
Came back famous and refused to talk
It signed my name to a brand-new life
With better teeth and a rented wife

Nothing is wrong nothing is real
Pick a number turn the wheel
Everybody wants a cleaner truth
Printed fresh in a rented booth

Turn me down to channel zero
No big plan no chosen hero
Keep that smile for the television
I’m off-grid with bad reception

Channel zero moving slowly
Everybody knows me nobody knows me
Cut the signal lose the logo
Meet me down on channel zero

Terms and conditions tattooed on the ceiling
Swipe for approval subscribe to a feeling
Five-star panic in a paper cup
The world went down but the price went up

I got two left shoes and a counterfeit map
A government pigeon asleep in my lap
They said “Stay positive stay on brand”
So I drew a door where they built a wall
And walked straight through with the mic in my hand

No notification
No explanation
No invitation
Just oscillation

No verification
No celebration
Lose your location
Find your vibration

Turn me down to channel zero
No big plan no chosen hero
Keep that smile for the television
I’m off-grid with bad reception

Channel zero moving slowly
Everybody knows me nobody knows me
Cut the signal lose the logo
Meet me down on channel zero

Your session has expired
Good

CREDITS
Performer: Gutterlux 42
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Left Me Dancing
Velvet Tax

Verified Verified Artist

Velvet Tax
Velvet Tax is a young female singer hailing from Poland, infusing her music with a vibrant sense of self and personal narrative. With her single "Left Me Dancing," she introduces listeners to her raw, emotive vocal style that draws from her life experiences and the complexities of modern relationships. Her approach to songwriting is deeply personal, often blending introspection with relatable themes, which resonates well with a diverse audience seeking authenticity in music.

Although her catalog currently features only "Left Me Dancing," Velvet Tax's artistry hints at a promising evolution. With the ability to weave intricate melodies and poignant lyrics, she creates a sonic landscape that reflects both melancholy and joy. This duality sets the stage for future projects that are likely to explore various moods and genres, showcasing her versatility as an artist. Each subsequent track is anticipated to build upon the foundation laid by this debut, further enriching her identity as a musician.

As Velvet continues to develop her sound and expand her repertoire, her potential for growth is evident. Whether through collaborations with fellow artists or exploring different musical styles, she is poised to make a significant mark within the independent music scene. With every new release, fans can expect her captivating storytelling and expressive vocals to flourish even more, inviting them along on her artistic journey.
Track(s)
Left Me Dancing 48753 04:28

Left Me Dancing

Velvet Tax


You left me crying
But I came back dancing
Mm
I came back dancing

You took the keys
But not the door
You took your coat
But not the storm

I kept the dress
You never liked
Put on my heels
And killed the lights

You thought I’d call
You thought I’d break
You thought my heart
Would learn your name

But I found myself
At half past two
In a crowded room
Not missing you

I let the mirror see me
With my makeup running
Then I wiped it clean
Like I saw you coming

You were the lesson
I was the flame
You left the woman
But she changed her name

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing

I saw your friends
They looked surprised
Like I should hide
Like I should cry

I smiled so sweet
They looked away
I guess revenge
Can wear a face

No angry texts
No midnight scene
No begging you
To come to me

I changed the song
I changed the room
I changed the girl
Who waited for you

I let the mirror see me
With my heart wide open
Then I sewed it up
With a little gold thread

You were the reason
I hit the ground
But I’m the reason
I’m rising now

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing

I was a house with the windows open
You were the match in a careless hand
I was the girl who kept forgiving
Now I’m the woman you can’t command

I don’t hate you
That’s too easy
I don’t need you
That’s the twist

I don’t want you
To come save me
I just want you
To see this

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

You left me lonely
But I came back shining
You left me broken
But I came back diamond

You left me crying
But I came back dancing

Da-da-da-dancing
I came back dancing

CREDITS
Performer: Velvet Tax
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Glass Rain
Liora Venn

Verified Verified Artist

Liora Venn
Liora Venn makes melodic deep house for late rooms, wet windows and the small hours when city lights start to feel personal. Her sound is built around warm analog bass, airy pads and restrained piano motifs, with vocals that move like a memory rather than a spotlight.

Glass Rain captures that world clearly: intimate, nocturnal and quietly hypnotic, balancing club pulse with a melancholy human center. Venn's music avoids oversized drops in favor of atmosphere, motion and emotional detail.
Track(s)
Glass Rain 10574 03:47

Glass Rain

Liora Venn


I saw your face in the glass rain
Sliding down the window line
City lights were losing color
But your shadow still found mine

You said nothing lasts forever
Like forever was a crime
I kept counting every silence
Like it might give back the time

We don't have to call it love
We don't have to name the fire
Just stay close enough tonight
To feel the wire

If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow

I'll be moving through the glass rain
With your heartbeat in the floor
Every street becomes an ocean
Every door becomes your door

We were never made for answers
Only signals in the dark
Two lost satellites turning
Round the same electric spark

We don't have to call it love
We don't have to name the fire
Just stay close enough tonight
To feel the wire

If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow

And if the night forgets us
I will still know
How your voice became the rhythm
Under everything below

If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow

CREDITS
Performer: Liora Venn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Les Petites Choses ...
Mina Cazal

Verified Verified Artist

Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.

Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.

Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Track(s)
Les Petites Choses de Travers 771 03:04

Les Petites Choses de Travers

Mina Cazal


Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses

Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »

Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades

J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous

À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »

Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique

J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication

Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local

Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration

On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner

D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu

La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie

La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment

Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin

CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Open Circuit
Mira Cade

Open Circuit

Mira Cade


I kept each feeling under glass
A private rule from years gone past
You saw the lock you did not push
You gave me room to choose enough

Now every reason feels too old
I want a life I do not hold
One honest move one steady start
A simple route from heart to heart

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

You kept your plans behind a grin
Afraid that I would not step near
But caution only served the past
We have a chance to make this last

Now every reason feels too old
We want a life we do not hold
One honest move one steady start
A simple route from heart to heart

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

No locked reply no coded test
We say the need and give our best
If fear returns we name it fast
Then choose what matters choose what lasts

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

CREDITS
Performer: Mira Cade
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Better Without Proof
Bitter Palm

Verified Verified Artist

Bitter Palm
Bitter Palm is an enchanting duo formed by two American vocalists, Maya Lark and Jenna Kaye, who met during their studies at a prestigious conservatory. Their shared passion for music blossomed into a partnership that effortlessly blends their voices into a harmonious tapestry of sound. With backgrounds in both indie and pop, they have cultivated a distinctive style that showcases both their individual talents and their chemistry as a duo.

Their catalog, though still budding with the standout track "Better Without Proof," carries an aura of playful optimism that resonates with listeners. The song reflects their infectious energy, characterized by upbeat melodies and hopeful lyrics that invite a sense of joy into everyday life. Each performance radiates their bubbly personalities, and their live shows often leave audiences feeling uplifted and inspired. They explore themes such as empowerment and self-acceptance, making their music relatable to a wide range of fans.

Maya and Jenna aim to develop their sound further, promising more tracks that delve into the complexities of modern life while maintaining their core essence of happiness and hope. As they continue to write and produce new material, Bitter Palm seeks to carve out a unique space in the indie-pop landscape, inviting fans to experience the uplifting world they create together. With each release, they look forward to connecting deeper with their audience through heartfelt storytelling and vibrant melodies.
Track(s)
Better Without Proof 41195 03:26

Better Without Proof

Bitter Palm


You sent a message
Then took it back
I saw enough there
Between each gap

No big confession
No perfect scene
Just two people
Out of routine

I kept my answer
Short and kind
Left all the reasons
Out of my mind

You wanted closure
Clean and small
I gave you nothing
You could call

I used to replay
Every little word
Now I let it pass
Unrehearsed

I used to bend
Just to make us fit
Now I stand straight
And live with it

I’m better without proof
Better without blame
Better without you
Saying my name

I don’t need the last word
I don’t need the truth
I got myself back
Better without proof

Better better
Better without proof
Better better
Better without you

You still look polished
From far away
Like all the damage
Had a clean face

I don’t feel bitter
I don’t feel small
I just feel ready
To want more

Some days are easy
Some days are not
But I don’t bargain
With what I lost

You had your version
I had mine too
Both can be real
And still be through

I used to replay
Every little word
Now I let it pass
Unrehearsed

I used to bend
Just to make us fit
Now I stand straight
And live with it

I’m better without proof
Better without blame
Better without you
Saying my name

I don’t need the last word
I don’t need the truth
I got myself back
Better without proof

Better better
Better without proof
Better better
Better without you

No more checking
If you regret it
No more waiting
For some clean edit

I don’t carry
What we ruined
I just keep moving
Like I’m used to it

You can keep
Your side of pain
I can keep
My new last name

I’m better without proof
Better without blame
Better without you
Saying my name

I don’t need the last word
I don’t need the truth
I got myself back
Better without proof

Better better
Better without proof
Better better
Better without you

I’m better without proof
Better without blame
Better without you
Saying my name

Mm
I don’t need proof now
I just know

CREDITS
Performer: Bitter Palm
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Old Good Days
Calvin Ray Monroe

Verified Verified Artist

Calvin Ray Monroe
Say hello to Calvin Ray Monroe, Manhattan's disco dynamo and independent music's best kept secret. He's a man turning his flat into a vibrant vortex of vinyl, vintage beats and vivacious zest.

Calvin's music is a love letter to brighter, cheerier and simpler times. Tucked away in his cosy, compact Manhattan studio, he's crafting sparkling dance tunes that taste like sunshine straight from an 8-track. Layers of lush, lighthearted beats laid with a playful, witty flair that gives his music a delightful "Happy Hour" allure all day long.

"Old Good Days", his juggernaut track, is the kind of song that'll huff, puff, and blow your cobwebs away. It tiptoes the line between nostalgic and novel - a dance-off with the past, in the present. Monroe's sound will make you groove, throw your hands up, and boogie - loving life even in your living room.

So, ladies and gentlemen, bring out your disco shoes and shine up your bright moods—the dance-floor awaits you with Calvin Ray Monroe's tunes. Whisked up on a whirlwind of happiness, we guarantee you'll forget all about yesterday and probably tomorrow too. Such is the magic of Calvin—the kind that's rare, real, and quite remarkably his own.
Track(s)
Old Good Days 43547 03:13

Old Good Days

Calvin Ray Monroe


I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

They want that old me back
Now that version in the past
When I was a young kid
I just wanted me a bag

On the corner with my people
In the middle of the night
Everybody moving careful
Just trying to make it right

Man I been hot
I been on my own thing
Riding with a Taurus
I was on some horoscope thing

All my people winning
Man we don't ever forfeit
Me and my people never moving on no weak stuff

I'm in this place with my woadies
I'm in this place with my homies
I'm in this place with the people
That really been down
And the ones that really been knowing me

I'm in this place with the people
That said they would ride for me
And the ones that would've stood with me

I'm in this place with the people
That told me I couldn't do it
But now I be doing me

I'm on a different type time
Girl you know I been on my grind
Tryna move all of my people up out the hood
Get 'em out of the bind

I know that all of my people got demons
But that's why I keep all my angels around
I told all my people
"If you hold me down
Then I'ma hold you down"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"

I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"

CREDITS
Performer: Calvin Ray Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Bad At Fractions
Ayvenn

Verified Verified Artist

Ayvenn
Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.
Track(s)
Bad At Fractions 5600 03:41
All for One Y. 364001 04:18

Bad At Fractions

Ayvenn


You walked in counting every step
I lost track somewhere near your hips
You said “Baby keep it logical”
Then moved like logic didn’t exist

My drink was ninety-nine percent
Cool confidence and one percent fear
You leaned in close changed every sum
Now nothing adds up over here

I tried to draw a straight line
You turned it to a curve
I calculated all night
Still got what I deserve

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You got a rhythm like a riddle
Every answer starts a fight
Your waist keeps changing the percentage
Of the chances I act right

I brought a list of good decisions
You divided every plan
Now my balance is suspicious
And my patience left the band

I tried to keep it even
You raised it to a ten
I checked the calculation
Then did it all again

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
You say “Count it”
I lose my place
When that rhythm hits the bass

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
No remainder no return
Let the whole equation burn

Square root round hips
Quick clap slow kiss
I know numbers I know facts
But you make two plus two misbehave like that

Left turn three steps
No sleep no regrets
Every theory that I had
Falls apart when you do that

*(Ay ay—do that)*
*(Otra vez—do that)*

**[Final Chorus]**
I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math

*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*
No remainder no looking back
Take all of me—do the math

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Secondhand Alibi
Romeo Vane

Verified Verified Artist

Romeo Vane
"Romeo Vane: at the ripe age of 25, this American pop-rock comet is shooting across the Alternative universe, spreading hope with doses of edgy authenticity. Born and bred in the sonic heartland of the Windy City, he’s a Chicagoan with an unapologetic knack for compelling narratives and an obsession for truth.

Whether it's life's sharp corners or the soft bruises of love, Romeo Vane's got a knack for rolling them into tunes that blend breezy alt-rock melodies with the raw, gritty flavor of pop. His stage name isn't for show; Romeo comes with a romantic bravado that'd make Shakespeare blush, and the barbed tongue of a true Windy City native. Just tune into "Kiss Me When I'm Lying" - it's less of a song, more a rollercoaster ride through hope, heartbreak, and hilariously serious self-deprecation.

Despite his youth, he's seen more than enough of life's ups and downs, packaging the human experience into easily digestible nuggets of melodic wisdom. Romeo Vane’s music is the kind that makes you call your ex at 2 a.m., cry a little, laugh a lot, and still believe in the dream of a better dawn. Now, how's that for a self-made, alternative songwriter from the city that never sleeps?"
Track(s)
Secondhand Alibi 1474 04:41
Your Side of the City 157450 03:54
Glass Heart Radio 177478 04:19
The Rest of My Life 197699 04:49
Stay Like This 160562 03:56
Sugar on the Blade 138067 03:18
Slow Fire 132057 03:06
Bad Timing 156087 03:56
Don’t Make Me Wonder 163480 04:01
Kiss Me When I’m Lying (Symphonic Ballad Version) 148872 03:38
Kitchen Light 121027 02:52
All the Ways We Fall 228433 05:46
Kiss Me When I'm Lying 181812 03:15

Secondhand Alibi

Romeo Vane


I found it in a Sunday ad
Between a sofa and a wedding band
“Barely used no questions asked”
The seller wore a borrowed name

He said it worked on jealous hearts
On hotel clerks and parking guards
I paid in cash he wished me luck
Then vanished before the light changed

I practiced every detail
The hour the street the rain
But truth has lousy manners
It keeps interrupting names

I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me twice
Now every version sounds like mine

I bought a secondhand alibi
With someone else’s reasons inside
The story held the timing died
Now every version sounds like mine

I said the train was running late
You knew that line from ’98
I blamed a man I’d never met
You said “At least invent him well”

I moved the evening half an hour
Changed the bar replaced the car
By then the lie had better shoes
And more ambition than the truth

I gave it dates and weather
A witness and a scar
You watched me build the ceiling
Then asked where the foundations are

I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me twice
Now every version sounds like mine

I bought a secondhand alibi
With someone else’s reasons inside
The story held the timing died
Now every version sounds like mine

Mine on Monday
Mine by five
Mine when I need
Someone else to survive

The seller called at 2:13
Said “That excuse belongs to me”
I told him he could have it back
He laughed and said “You made it yours”

You poured your drink into the sink
Not angry almost entertained
You said “The worst part isn’t this
It’s how rehearsed you look in pain”

So here’s the part I didn’t buy
No clever date no useful guy
I stayed because I liked the risk
I left because you noticed it

No missing train no broken phone
No nameless friend to take the blame
I wanted two incompatible things
And called confusion by your name

I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me why
Now every version sounds like mine

I bought a secondhand alibi
But guilt was never in the price
Keep the story keep the night
Every version sounds like mine

The truth was sitting in the car
Patient as an unpaid fare
I opened up the passenger door
It said “You took your time”

CREDITS
Performer: Romeo Vane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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