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HOT TRACK
The Wrong Daughter
Billie Arden
Verified Artist
Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.
Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
The Wrong Daughter
Billie Arden
I left at seventeen before the bread was warm
took the blue suitcase nobody claimed
Mother stood polishing the same clean glass
Dad read the paper without turning a page
There was a woman’s name behind the pantry clock
written twice then crossed with a kitchen knife
I asked who she was
They asked why I was still awake
Huh
They said “You’ll understand when you’re older”
So I got older somewhere else
I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train
I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong
Years later a stranger stopped me near the docks
said “You walk exactly like she did”
I laughed and asked “Who?”
She looked at me as though I’d made a joke
Then she handed me a photograph:
my father younger one hand out of frame
and a girl with my uneven teeth
wearing the blue suitcase name tag
Huh Small world
Terrible handwriting
She said “Your mother tried her best”
I said “Which one?”
I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train
I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong
Maybe I was kept
Maybe I was traded
Maybe love gets very polite
when the truth is complicated
I never asked again
That keeps them nervous
I was gone before the kettle sang
gone before they fixed their tale
Let them polish every answer
I know where the story fails
I was gone gone gone—
huh they still insist I’m wild
I didn’t leave because I hated them
I left as someone else’s child
CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Still Standing (ft ...
Elijah Cross
Verified Artist
Elijah Cross
Fall in love with Toronto's resident heartbreaker, Elijah Cross. This unstoppable force in the dance music scene is as dangerously addictive as she is undeniably talented.
Born and raised in Toronto's pulsating cityscape, Cross is a savvy economics graduate inexplicably drawn to pounding beats and mind-bending synths. More likely to be found penning lyrics in a dance club than crunching numbers in a boardroom, she swiftly swapped graphs for grooves with an irresistible grin.
"Still Standing (ft. Nadia)" is not just a notable Elijah Cross track—it's an anthem, an assertion of undying resilience, wrapped in electrifying rhythm. With this song, Cross invites her listeners into the throbbing heart of the dance floor—showing us that, in the face of adversity, we can still let our bodies go wild to a beat.
Infusing her dance tracks with a healthy dose of romance, Elijah Cross’s music will make your heart race and your feet tap uncontrollably. Lovers of the dance genre, beware: one listen and you'll find yourself Cross'd for life.
Still Standing (ft Nadia)
Elijah Cross
I used to leave the light on by the door
Kept your coffee warm like I had before
But you were always somewhere else in your mind
Left me talking to a ghost wasting my time
Folded all your lies like they were clean clothes
Put 'em in a drawer that's how this thing goes
I cried in the shower so you wouldn't hear
Now I don't even need to — baby I'm clear
I gave you rivers you gave me drought
Spent so long wondering what love's about
But the woman in the mirror finally spoke
Said "baby you're the fire — he was just smoke"
I'm not broken I'm just done
(yeah yeah)
I was the moon you were blocking my sun
(mmh)
You thought leaving me would make me fall apart
(uh uh)
Boy you left — but you didn't take my heart
No you didn't take my heart
(ohhh)
I see you now when you walk through the room
Different energy like you shed the gloom
I won't pretend that I don't feel the weight
Of every choice I made a little too late
(background whisper: "too late… too late…")
You were patient like a Sunday in June
I was reckless chased a different tune
And now I'm standing here on the outside damn
Watching you become everything you planned
She gave me rivers I gave her drought
Now I'm the one standing here in doubt
And the man in the mirror finally broke
Said "she was the fire — you were just smoke"
I'm not broken I'm just done
(let it go let it go)
I was the moon you were blocking my sun
(mmh yeah)
You thought leaving me would make me fall apart
(never that)
Boy you left — but you didn't take my heart
You didn't take my heart
(no no no…)
There were nights I almost called
(almost…)
Fingers on your name then I'd stall
(stall…)
But every time I stopped myself I grew
(grew…)
Into someone I love more than I loved you
(bass begins to swell)
More than I loved you
(mmh)
More — than — I — loved — you
(yeah)
I'm not broken I'm just new
(just new just new)
Everything I lost was just a clue
(clue ohhh)
You thought leaving me would dim my light
(can't dim this)
Boy you left —
(he left)
And baby I ignite
(I ignite I ignite)
I ig-nite
(ohhhh)
Mmmmh…
(still standing…)
Still standing
CREDITS
Performer: Elijah Cross
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Il Punto Piu Vivo
Milo Sartini
Verified Artist
Milo Sartini
Milo Sartini grew up near Italy’s Adriatic coast in a family where meals regularly became debates and kitchen utensils often became percussion instruments. That lively upbringing shaped an artist drawn to movement, language and the small absurdities of everyday life. His music combines quick-witted Italian storytelling with muscular funk bass, Mediterranean percussion and contemporary pop production.
Sartini studied cultural anthropology at the University of Bologna, focusing on music, public space and the rituals that bring strangers together. He later trained in contemporary composition, arrangement and studio production at a private music institute in Milan. His academic background still informs his work: every rhythm has a social purpose, every instrument enters for a reason, and humour is treated as seriously as melody.
His debut single, “Il Punto Più Vivo,” introduces Sartini as a singer, producer and observant narrator with an instinct for turning ordinary scenes into kinetic music. His delivery moves naturally between singing and rhythmic speech, supported by precise percussion, brass accents and tightly controlled electronic production. Intelligent without becoming academic and playful without becoming novelty, Milo Sartini makes pop music that notices how people actually live.
Il Punto Piu Vivo
Milo Sartini
Uno viene dal porto
Uno scende dal tram
Una ride da sola
Uno non sa dove va
Ma il tamburo li chiama
Senza chiedere chi sei
Questa sera la strada
Ha più nomi di noi
C’è chi arriva con tre parole
Chi ne porta tremila
Chi cucina sopra un balcone
Chi ripara una bicicletta
C’è una radio dietro una porta
Che trasmette da chissà dove
Una nonna detta la danza
A una banda di ventenni
Il tassista perde il turno
Per seguire quel contrabbasso
Un bambino batte il tempo
Con due cucchiai sopra un piatto
Nessun palco nessun padrone
Nessun posto riservato
Quando il ritmo prende la piazza
Ogni nome viene chiamato
Vieni qua
Non serve sapere perché
Vieni qua
Porta soltanto quello che c’è
Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più
Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi
Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi
Una cuoca lascia il grembiule
Per un passo mezzo sbagliato
Un avvocato molto serio
Fa qualcosa mai studiato
Due turisti senza mappa
Hanno perso la prudenza
Una coppia che litigava
Ora balla la stessa frase
C’è chi viene per curiosare
Chi domani deve partire
Chi ha promesso “solo un minuto”
Ed è ancora qui alle tre
Non importa da quale tavolo
Da quale treno o quartiere
Siamo pezzi senza istruzioni
Che funzionano tutti insieme
Vieni qua
Non devi assomigliare a me
Vieni qua
Porta il tuo modo di stare in piedi
Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più
Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi
Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi
Dimmi come batti il tempo
Con il palmo o con il mento
Con le scarpe sul cemento
Con un fiato preso al volo
Uno due — non basta ancora
Tre quattro — viene l’aurora
Cinque sei — cambia la storia
Sette miliardi nella stessa gola
Io dico: vicino
Tutti: più vicino
Io dico: più forte
Tutti: fino al mattino
Io dico: chi siamo?
Tutti: quelli che arrivano
Io dico: dove siamo?
Tutti: dove le cose cominciano
Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più
Questo è il punto più vivo
Ogni passo trova il modo
Se la terra gira ancora
Questa notte gira con noi
Tum tum gira con noi
Tum tum gira con noi
Non c’è un centro sulla carta
Il centro siamo noi
Uno torna verso il porto
Uno aspetta ancora il tram
La mattina prende nota
Di chi non si fermerà
Tum tum
Il centro siamo noi
Tum tum
Il centro siamo noi
CREDITS
Performer: Milo Sartini
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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She Owns The Night
Dora The Clone
Verified Artist
Dora The Clone
Imagine a futuristic pop diva hailing from the chromatic labs of Clone City, and you're partway to encapsulating the vibrant phenomenon known as Dora The Clone. This independent artist dances to the beat of her own drum machine, captivating audiences with her disco-dusted, cybernetic symphonies.
Dora's music, a technicolour dream of dance-floor beats and electrifying melodies, is as enigmatic as her origins in the post-apocalyptic streets of Clone City. With a sound that weaves together the energy of club culture and the pulsing heart of electro-pop, her tunes are guaranteed to make neural pathways light up like a Friday night in Blade City.
Every single one of her infectious grooves seems to command, "Beam me up, Scotty!" Of special note is her big hit "She Owns The Night," an anthem for audacious androids and human party-goers alike. The track throbs with vibrant synth and stuttering beats, overlaid with Dora's crystal-clear vocals, making every listener feel like they're cruising through the neon-soaked metropolis under a night sky of silver stars.
With Dora The Clone, expect the unexpected: a tantalizing futuristic world brought to life through pulsing dance heaters and shimmering pop anthems. Underneath the cosmic glitz and glamour, you'll find a heart that beats in binary and a soul that vibrates at gigahertz frequency. Hold onto your hoverboards folks, because Dora The Clone is here to redefine the future of pop – and she's doing it in binary code.
She Owns The Night
Dora The Clone
She walks in slow
But the room moves first
No crown no show
Still they know her worth
She don’t ask for permission
She don’t wait by the door
Got a heart made of rhythm
And a name they can’t ignore
Red lips calm eyes
Turning silence into gold
She’s been through the fire
Now she wears it like a coat
You can’t dim her down
She’s already light
She don’t chase the crowd
She owns the night
She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline
She owns the night
No need to prove it
One look one step
Everybody feels the music
She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night
Oh-oh she owns it
Oh-oh she knows it
Oh-oh she owns it
She owns the night
No tears on the dance floor
She left them in the rain
Put her pain in a black dress
Turned it into champagne
They said “Stay smaller”
She said “Watch me rise”
Now the mirror gets jealous
When she looks inside
You can’t dim her down
She’s already light
She don’t chase the crowd
She owns the night
She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline
She owns the night
No need to prove it
One look one step
Everybody feels the music
She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night
Every heartbreak made her louder
Every goodbye gave her power
Now she dances on the hour
Like the world is hers to devour
No more waiting
No more hiding
She’s the thunder
She’s the lightning
She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline
She owns the night
No need to prove it
One look one step
Everybody feels the music
She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night
Oh-oh she owns it
Oh-oh she knows it
Oh-oh she owns it
She owns the night
CREDITS
Performer: Dora The Clone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Better With Less
Eli Mercer
Verified Artist
Eli Mercer
Eli Mercer is an acoustic soul-pop singer whose music resonates with warmth and emotional clarity. With a rich, clear voice that conveys both sincerity and introspection, Eli's style is defined by his fingerpicked guitar, soft upright piano, and delicate brushed drums. His song "Better With Less" encapsulates his artistic ethos, inviting listeners into a space where choosing simplicity and connection trumps the chaos of excess. Each element in his arrangements is thoughtfully restrained, allowing the depth of his lyrics to shine through in a way that feels both personal and relatable.
Thematically, Eli's work often revolves around the ideas of time, relationships, and grounding oneself in the present. His songs explore the importance of selecting people and experiences that enrich life, reflecting a mature perspective on what truly matters. This focus on emotional depth is balanced beautifully with melodies that evoke a sense of calm and hope, encouraging listeners to reflect on their own lives. His music creates an inviting atmosphere where one can contemplate the joys of living simply.
As he continues to develop his catalog, Eli Mercer stands out for his ability to blend genres such as pop, R&B, and soul into a cohesive sound that feels timeless yet contemporary. With each track, he invites us to join him on this journey towards gratitude and clarity. His vocal delivery is conversational yet powerful, leaving an impression that lingers well beyond the last note. Through his work, Eli fosters a connection with audiences seeking authenticity in a world often dominated by noise and distraction.
Better With Less
Eli Mercer
I kept every receipt like proof
Bought more space then filled each room
Wore my plans like heavy clothes
Carried things I never chose
One by one I let them go
Found out what I need to know
A steady hand a faithful friend
A little time I do not spend
Nothing missing nothing owed
I can feel my shoulders let go
I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less
I gave away that tailored coat
Kept one song my father wrote
Took old numbers from my phone
Made this smaller place my own
No gold frame can hold a day
No new car can make love stay
I choose people I choose time
I choose a life that still feels mine
Nothing missing nothing owed
I can feel my shoulders let go
I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less
Keep the rush keep the race
I found freedom with some space
Every burden I release
Leaves more room for what I need
I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less
CREDITS
Performer: Eli Mercer
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Old Good Days
Calvin Ray Monroe
Verified Artist
Calvin Ray Monroe
Say hello to Calvin Ray Monroe, Manhattan's disco dynamo and independent music's best kept secret. He's a man turning his flat into a vibrant vortex of vinyl, vintage beats and vivacious zest.
Calvin's music is a love letter to brighter, cheerier and simpler times. Tucked away in his cosy, compact Manhattan studio, he's crafting sparkling dance tunes that taste like sunshine straight from an 8-track. Layers of lush, lighthearted beats laid with a playful, witty flair that gives his music a delightful "Happy Hour" allure all day long.
"Old Good Days", his juggernaut track, is the kind of song that'll huff, puff, and blow your cobwebs away. It tiptoes the line between nostalgic and novel - a dance-off with the past, in the present. Monroe's sound will make you groove, throw your hands up, and boogie - loving life even in your living room.
So, ladies and gentlemen, bring out your disco shoes and shine up your bright moods—the dance-floor awaits you with Calvin Ray Monroe's tunes. Whisked up on a whirlwind of happiness, we guarantee you'll forget all about yesterday and probably tomorrow too. Such is the magic of Calvin—the kind that's rare, real, and quite remarkably his own.
Old Good Days
Calvin Ray Monroe
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
They want that old me back
Now that version in the past
When I was a young kid
I just wanted me a bag
On the corner with my people
In the middle of the night
Everybody moving careful
Just trying to make it right
Man I been hot
I been on my own thing
Riding with a Taurus
I was on some horoscope thing
All my people winning
Man we don't ever forfeit
Me and my people never moving on no weak stuff
I'm in this place with my woadies
I'm in this place with my homies
I'm in this place with the people
That really been down
And the ones that really been knowing me
I'm in this place with the people
That said they would ride for me
And the ones that would've stood with me
I'm in this place with the people
That told me I couldn't do it
But now I be doing me
I'm on a different type time
Girl you know I been on my grind
Tryna move all of my people up out the hood
Get 'em out of the bind
I know that all of my people got demons
But that's why I keep all my angels around
I told all my people
"If you hold me down
Then I'ma hold you down"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"
CREDITS
Performer: Calvin Ray Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Weekend Escape
BPM Off
Verified Artist
BPM Off
Hailing from the vibrant streets of Barcelona, BPM Off is a disco club band that ignites every dance floor with their effervescent energy and uplifting grooves. Formed during late-night writing sessions that often spilled into the early hours, the band members—Ella, Leo, and Max—drew inspiration from both the city’s pulsating nightlife and the rich tapestry of local music scenes. Their sound is a kaleidoscope of dance, disco, and pop, designed to make listeners feel alive and connected through shared rhythm and joy.
The band's catalog is an exploration of euphoria, perfectly exemplified in tracks like "Weekend Escape." With an infectious blend of playful melodies and heartfelt lyrics, each song invites fans to feel the rhythm rise and embrace the energy flowing through their bodies. Themes of unity and celebration resonate throughout their music, encouraging everyone to break free from daily routines and ignite the night with abandon. The mix of mixed vocals enhances the dynamic charm of BPM Off, allowing every member's strengths to shine through, while also creating a harmonious blend that feels both nostalgic and fresh.
BPM Off thrives on shaping experiences through music. Their live performances are a testament to this ethos, transforming venues into spaces where strangers become friends under the flickering lights. With hopes pinned on crafting a joyful auditory landscape, they aim not just to entertain but also to forge lasting connections among their audience. As they continue to evolve with each new release, BPM Off remains committed to weaving intricate stories delivered by vibrant beats, ensuring that every moment spent with their music is indeed a reason to celebrate life together.
Weekend Escape
BPM Off
Feel the rhythm rise let’s ignite the night
Energy flowing let’s break the mold
Grooving to the beat it’s a story to be told
With every heartbeat we’re alive and in sync
Let the music guide us let it take us to the brink
Hands up high ready for the flight
This is our moment we’re reaching new heights
Weekend escape let it unfold
Living for today let the good times roll
Laughing and dancing that’s how we sway
Rhythm of now we’ll find our way
Every sound resonates let the night ignite
With friends all around everything feels right
As the evening flows let our stories blend
In this joyful chaos there’s no need to pretend
I’m on the backbeat sneakers on the floor
Phone in my pocket still I want one more
Bass hit hard got the room in a wave
No acting no script just the moves that we save
Skippin’ past stress like it’s paint on the tile
Two-step quick laugh been a while since we smiled
From the booth to the hallway passing that spark
We don’t need a spotlight to light up the dark
Come a little closer share the joy we found
Together we’ll create a magic sound
Weekend escape let it unfold
Living for today let the good times roll
Laughing and dancing that’s how we sway
Rhythm of now we’ll find our way
Weekend escape feel it in your core
This is our moment let the music soar
Let the music soar
CREDITS
Performer: BPM Off
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Left Me Dancing
Velvet Tax
Verified Artist
Velvet Tax
Velvet Tax is a young female singer hailing from Poland, infusing her music with a vibrant sense of self and personal narrative. With her single "Left Me Dancing," she introduces listeners to her raw, emotive vocal style that draws from her life experiences and the complexities of modern relationships. Her approach to songwriting is deeply personal, often blending introspection with relatable themes, which resonates well with a diverse audience seeking authenticity in music.
Although her catalog currently features only "Left Me Dancing," Velvet Tax's artistry hints at a promising evolution. With the ability to weave intricate melodies and poignant lyrics, she creates a sonic landscape that reflects both melancholy and joy. This duality sets the stage for future projects that are likely to explore various moods and genres, showcasing her versatility as an artist. Each subsequent track is anticipated to build upon the foundation laid by this debut, further enriching her identity as a musician.
As Velvet continues to develop her sound and expand her repertoire, her potential for growth is evident. Whether through collaborations with fellow artists or exploring different musical styles, she is poised to make a significant mark within the independent music scene. With every new release, fans can expect her captivating storytelling and expressive vocals to flourish even more, inviting them along on her artistic journey.
Left Me Dancing
Velvet Tax
You left me crying
But I came back dancing
Mm
I came back dancing
You took the keys
But not the door
You took your coat
But not the storm
I kept the dress
You never liked
Put on my heels
And killed the lights
You thought I’d call
You thought I’d break
You thought my heart
Would learn your name
But I found myself
At half past two
In a crowded room
Not missing you
I let the mirror see me
With my makeup running
Then I wiped it clean
Like I saw you coming
You were the lesson
I was the flame
You left the woman
But she changed her name
You left me lonely
Left me hurting
Left me standing in the rain
Now I’m moving
Now I’m burning
Now I’m dancing through the pain
You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me
You left me crying
But I came back dancing
You left me dying
But I came back dancing
Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing
I saw your friends
They looked surprised
Like I should hide
Like I should cry
I smiled so sweet
They looked away
I guess revenge
Can wear a face
No angry texts
No midnight scene
No begging you
To come to me
I changed the song
I changed the room
I changed the girl
Who waited for you
I let the mirror see me
With my heart wide open
Then I sewed it up
With a little gold thread
You were the reason
I hit the ground
But I’m the reason
I’m rising now
You left me lonely
Left me hurting
Left me standing in the rain
Now I’m moving
Now I’m burning
Now I’m dancing through the pain
You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me
You left me crying
But I came back dancing
You left me dying
But I came back dancing
Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing
I was a house with the windows open
You were the match in a careless hand
I was the girl who kept forgiving
Now I’m the woman you can’t command
I don’t hate you
That’s too easy
I don’t need you
That’s the twist
I don’t want you
To come save me
I just want you
To see this
You left me lonely
Left me hurting
Left me standing in the rain
Now I’m moving
Now I’m burning
Now I’m dancing through the pain
You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me
You left me crying
But I came back dancing
You left me dying
But I came back dancing
You left me lonely
But I came back shining
You left me broken
But I came back diamond
You left me crying
But I came back dancing
Da-da-da-dancing
I came back dancing
CREDITS
Performer: Velvet Tax
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
Desert Frequency
Alia Bergen
Verified Artist
Alia Bergen
Alia Bergen, an emerging name in the vibrant dance music scene of Amsterdam, weaves together elements of house and electronic with a distinctly intimate touch. With her warm analog bass lines and punchy kick patterns, Alia invites listeners into her sonic world, where airy vocals dance over lush stereo pads and subtle piano stabs create an enveloping atmosphere. Her latest track, "Desert Frequency," embodies this spirit, coupling hopeful and playful themes with evolving textures that pulse with life. The organic darbuka grooves layered beneath modern house rhythms add a unique rhythmic complexity that sets her apart.
Hailing from a background steeped in musical exploration, Alia began her journey by collaborating with local musicians who shared her passion for combining traditional sounds with contemporary beats. Their initial meetings at open mic nights sparked a creative partnership that would lead to the formation of her solo project. Each track in her catalog, including future releases poised to build on the success of "Desert Frequency," explores themes of connection and intimacy, often capturing fleeting moments with poetic lyricism that resonates deeply with her audience.
In Alia's music, every sound serves a purpose—whether it's the shimmering plucks that evoke a sense of wonder or the playful slaps that drive the energy forward. Her ability to blend sensuality with inspiration creates an inviting landscape for listeners, making them feel as if they are part of an unfolding narrative. As she continues to develop her craft and refine her artistic identity, Alia Bergen remains committed to producing tracks that inspire joy and connection through rhythm and melody.
Desert Frequency
Alia Bergen
Glass on the shoreline
Silver on skin
The night keeps folding
As the rhythm pulls us in
Every street is breathing slower
Windows shimmer then disappear
You don't have to say forever
You're already here
One more step
One more spark
One more pulse across the dark
No destination
Only motion
Floating where the bass begins
Higher
Take me where the skyline bends
Higher
Nothing has to make sense
We move
Like the tide beneath the light
Higher
Till tomorrow loses sight
Dust rises softly
Under every heel
Ancient echoes
Wrapped in something new and real
Hands cut circles through the silence
Every heartbeat shifts its place
No one owns this second
No one leaves a trace
The air keeps turning
Round and round
Every shadow finds a sound
No gravity
No history
Just the rhythm underneath
We don't chase the sunrise
We become the color
One breath
One horizon
Nothing louder
Higher
Lift the night above the ground
Higher
Feel the silence singing loud
We move
Where the desert meets the sea
Higher
You and the frequency
Higher
Only the frequency
CREDITS
Performer: Alia Bergen
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Glass Rain
Liora Venn
Verified Artist
Liora Venn
Liora Venn makes melodic deep house for late rooms, wet windows and the small hours when city lights start to feel personal. Her sound is built around warm analog bass, airy pads and restrained piano motifs, with vocals that move like a memory rather than a spotlight.
Glass Rain captures that world clearly: intimate, nocturnal and quietly hypnotic, balancing club pulse with a melancholy human center. Venn's music avoids oversized drops in favor of atmosphere, motion and emotional detail.
Glass Rain
Liora Venn
I saw your face in the glass rain
Sliding down the window line
City lights were losing color
But your shadow still found mine
You said nothing lasts forever
Like forever was a crime
I kept counting every silence
Like it might give back the time
We don't have to call it love
We don't have to name the fire
Just stay close enough tonight
To feel the wire
If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow
I'll be moving through the glass rain
With your heartbeat in the floor
Every street becomes an ocean
Every door becomes your door
We were never made for answers
Only signals in the dark
Two lost satellites turning
Round the same electric spark
We don't have to call it love
We don't have to name the fire
Just stay close enough tonight
To feel the wire
If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow
And if the night forgets us
I will still know
How your voice became the rhythm
Under everything below
If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow
CREDITS
Performer: Liora Venn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
Velvet Circuits
Mara Vale
Verified Artist
Mara Vale
Mara Vale makes sleek night-drive pop with a disco pulse: live bass lines, clean rhythm guitar, warm strings, and hooks that feel lit by streetlights. Her songs balance playful movement with a bittersweet city glow, built for listeners who want groove, melody, and a little electricity under the skin.
Her sound sits between classic dance-floor craft and modern pop polish, with soulful female vocals carrying stories of late buses, rooftop coffee, open city windows, and small moments that suddenly feel cinematic. Mara Vale keeps the arrangements bright and human: tight drums, handclaps, piano stabs, and choruses designed to move without turning into a cliché.
Velvet Circuits
Mara Vale
I saw your name in the window light
spelled out backwards on a passing bus
city heat on a borrowed bike
and a little bit of trouble looking back at us
You had a laugh like a camera flash
gone too soon but it burned the room
I had a heart with a broken latch
swinging open to a silver moon
We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin
Coffee cold on a rooftop stair
bassline leaking from a taxi door
You tied a ribbon in your midnight hair
said the future isn't hungry anymore
I was counting every exit sign
making maps out of ways to leave
Then you put your hand inside of mine
like a rhythm that remembered me
We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin
All my static turns to motion
all my caution learns to shine
There's a pulse beneath the pavement
keeping perfect crooked time
We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin
Velvet circuits in the crosswalk glow
Velvet circuits and the city knows
Velvet circuits when the morning spins
I keep coming back to begin
CREDITS
Performer: Mara Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Almost Beautiful
Sand Castle of Ma
Verified Artist
Sand Castle of Ma
Sand Castle of Ma is a vibrant four-member indie rock band hailing from the lush landscapes of Seattle. The group, consisting of the charismatic vocalist Eli Stratton, guitarist Finn Mercer, bassist Leo Keene, and drummer Jasper Quinn, formed in a local coffee shop where they bonded over their mutual love for music and the arts. With their diverse backgrounds and experiences, each member brings a unique flavor to the band’s collective sound, creating a harmonious blend that resonates deeply with listeners.
The band’s debut track, "Almost Beautiful," captures the essence of their style—an exploration of the complexities of beauty and imperfection. Drawing on themes of introspection and emotional depth, Sand Castle of Ma weaves together melodic guitar lines with earnest lyrics that invite listeners to reflect on their own experiences. Their sound artfully combines influences from classic rock and contemporary indie styles, allowing them to carve out a niche that feels both fresh and familiar.
As they continue to evolve, Sand Castle of Ma aims to expand their catalog with more tracks that reflect their evolving identity. The chemistry among Eli, Finn, Leo, and Jasper fuels their creativity, promising an exciting future filled with dynamic performances and heartfelt music. With a growing fanbase and a distinctive sound, they are quickly becoming a notable presence on the indie rock scene.
Almost Beautiful
Sand Castle of Ma
Yeah
Almost beautiful
You left your shadow
On the passenger side
Like a quiet ending
At a red street light
I kept the moment
But I lost the weight
Of waiting for something
That was already late
Now days feel lighter
When the hope runs out
I hear my own voice
A little less loud
And I don’t hate you
That takes too much room
I just stopped turning
The sky into you
Maybe we were young
Maybe we were tired
Maybe love got lost
Somewhere in the wires
I don’t need a reason
I don’t need a sign
I just need tonight
To feel like mine
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
Oh-oh
Almost beautiful
Oh-oh
Almost beautiful
I saw your name
On a screen last night
It didn’t hurt me
Like I thought it might
Just a small old feeling
Passing through
Like a song from a car
That never stops for you
I walked for hours
Under changing signs
No big confession
No perfect line
Just a quiet freedom
I never planned
Like letting go
Without using my hands
Maybe we were close
Maybe we were blind
Maybe love looks better
From the other side
I don’t need an answer
I don’t need a fight
I just need my heart
To sleep tonight
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
I won’t call it wasted
I won’t call it wrong
Some people are chapters
That read too long
I won’t make you guilty
I won’t make me small
We were almost something
And that’s something after all
Almost beautiful
Almost true
Almost everything
I wanted with you
Almost beautiful
Almost gone
I can still remember
But I can move on
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
Oh-oh
Almost beautiful
Oh-oh
Almost beautiful
Mm
Almost beautiful
Losing you
CREDITS
Performer: Sand Castle of Ma
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Les Petites Choses ...
Mina Cazal
Verified Artist
Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.
Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.
Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Les Petites Choses de Travers
Mina Cazal
Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses
Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »
Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades
J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre
La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite
La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout
À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous
À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »
Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique
J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille
La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite
La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout
Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication
Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local
Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration
On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner
D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu
La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie
La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment
Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin
CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Kaiser Tempo
Herr Casino
Verified Artist
Herr Casino
Herr Casino, the enigmatic artist from Vienna, effortlessly blends the vibrant worlds of dance, disco, and electronic pop. With an uplifting energy that resonates through tracks like "Kaiser Tempo" and "Disco Machiavelli," his music invites listeners to revel in moments of joy and hope. Each song showcases his playful vocal identity, characterized by a male voice that carries a sense of infectious enthusiasm, making his work perfect for both lively dance floors and introspective evenings.
Across his catalog, Herr Casino's tracks are united by their energetic beats and evocative themes. Songs like "Kaiser Tempo" radiate happiness and inspiration, while "Disco Machiavelli" explores deeper emotional landscapes, balancing loneliness with uplifting melodies. This duality reflects his artistic vision, where joyous dance music meets introspective storytelling, creating a rich tapestry of sound that captivates and engages listeners. Whether you're looking to dance or reflect, Herr Casino's music provides the perfect backdrop for a variety of moods and moments.
Kaiser Tempo
Herr Casino
Achtung
Herr Casino
Kaiser Tempo
No love story
No apology
Nur Rhythmus
He came in sharp
Black coat white face
Gold ring no name
One step two guards
Red wine fast cars
Cold smile big talk
Slow hands hard walk
Everybody said
Who is this man?
Nobody moved
Nobody ran
He smiled like a banker
Danced like a thief
Talked like a prince
With a knife in his sleeve
Kaiser Tempo
King of the room
Too much money
Not enough truth
Clickclick
Camera flash
Ticktick
Count the cash
Big talk
Small town
Lights up
Hands down
He don’t sing
He declares
He don’t love
He compares
Kaiser Tempo
Kaiser Tempo
He says yes
When the world says no
Kaiser Tempo
Kaiser Tempo
Velvet shoes
And a radio soul
Ohoh
Zu spät mein Freund
Ohoh
He never goes home
Kaiser Tempo
Kaiser Tempo
Everybody knows
But nobody knows
Hotel lobby
Three am
Same old story
New problem
Silver lighter
Foreign smoke
He tells the truth
Like it’s a joke
Listen darling
Life is a game
Change the rules
Then change your name
He signs the bill
With a fountain pen
Leaves no number
Comes back again
One hand waving
One hand cold
Too young to stop
Too rich to grow old
Clickclick
Camera flash
Ticktick
Count the cash
Big talk
Small town
Lights up
Hands down
He don’t run
He arrives
He don’t sleep
He survives
Kaiser Tempo
Kaiser Tempo
He says yes
When the world says no
Kaiser Tempo
Kaiser Tempo
Velvet shoes
And a radio soul
Ohoh
Zu spät mein Freund
Ohoh
He never goes home
Kaiser Tempo
Kaiser Tempo
Everybody knows
But nobody knows
In Vienna
They called him trouble
In Paris
They called him style
In Milan
They called him expensive
In Berlin
They just smiled
He said
Gentlemen
You can buy the ticket
But you cannot buy the entrance
Then the bass came in
Tempo
Kaiser
Tempo
Kaiser
No crown
No throne
Just a telephone
No heart
No fear
Just a mirror near
Tempo
Kaiser
Tempo
Kaiser
Talk fast
Walk slow
Never let the people know
Kaiser Tempo
Kaiser Tempo
He says yes
When the world says no
Kaiser Tempo
Kaiser Tempo
Velvet shoes
And a radio soul
Ohoh
Zu spät mein Freund
Ohoh
He never goes home
Kaiser Tempo
Kaiser Tempo
Everybody knows
But nobody knows
Achtung
The bill is paid
The room is empty
Kaiser Tempo
Has left the building
CREDITS
Performer: Herr Casino
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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The Fridge Is Takin...
Funny Harry
Verified Artist
Funny Harry
Hailing from the vibrant streets of Copenhagen, Funny Harry has carved out a distinctive niche in the alternative pop scene, effortlessly blending whimsical narratives with thought-provoking themes. With a catalog that includes tracks like "The Fridge Is Taking Her Side," Harry's music embodies an eclectic mix of calmness and playful mystery. The lyrics often dance around the mundane, transforming everyday objects and interactions into poignant reflections on loneliness and connection. This creative alchemy was born in the city's cozy cafes, where Harry first collaborated with friends from art school, merging their diverse influences to create a sound that feels both fresh and deeply familiar.
As Harry continues to evolve, each track reveals layers of emotional resonance and sonic experimentation. The interplay of light and shadow is masterfully executed, inviting listeners into a world where the ordinary becomes extraordinary. With an approach characterized by introspective storytelling and innovative arrangements, Funny Harry captures fleeting moments of life through a kaleidoscope of calm melodies and vibrant rhythms. Whether exploring themes of melancholy or stitching together playful anecdotes, the artist leaves an indelible mark on the listener, inviting them to embrace the mystery hidden within everyday experiences.
The Fridge Is Taking Her Side
Funny Harry
At 2:17 the refrigerator cleared its throat
I said “Don’t start”
It started
The kettle only sings for one
The toaster burns my alibis
Your coffee cup is upside down
Like it has closed its little eyes
I bought a cactus for morale
It quit on Tuesday night
The landlord says the pipes are fine
The fridge is taking your side
Every appliance has an opinion
Every opinion sounds like you
The freezer hums through cross-examination
I plead the fifth and eat for two
The washer handed back one sock
As proof I can’t be trusted
The vacuum found your silver hoop
Then parked itself disgusted
I tried to cook that thing you liked
The smoke alarm performed the lead
I took a bow it took the battery
A fair review I must concede
“Did you call her?”
No
“Will you call her?”
No
“Are you lying?”
Next question
“Who are you talking to?”
The refrigerator
Every appliance has an opinion
Even the clock has joined in too
The freezer hums for the prosecution
And I still cook enough for two
Your note is folded under pears
I read it only when they spoil
The final line says “Please be well”
As if well came wrapped in foil
At dawn the motor settles down
The whole flat loses its nerve
I almost miss our little war
Then hear the ice tray say one word:
“Call”
Mind your own business
At 2:18 it cleared its throat again
I moved it three inches from the wall
We are no longer speaking
CREDITS
Performer: Funny Harry
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Borrowed Cutlery
Asha Monroex
Verified Artist
Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.
A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.
Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.
Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
Borrowed Cutlery
Asha Monroex
You came in late
With a theory about forks and fate
I kept my coat
You said my silence needed one more note
Your drink went warm
While you described your personal reform
I changed my mind
Halfway through a sentence you redesigned
Too neat
You make good manners sound incomplete
Too sure
You diagnose the waiter and the furniture
Give me the crooked part
The bit that never learned to behave
Skip the polished start
I’d rather hear what you forgot to save
Don’t make it beautiful
Make it useful for a minute or two
Something disputable
Something that could only come from you
The bass moved first
You called it elegant then called it cursed
I missed the beat
You drew a diagram across the receipt
Your mouth said “fine”
Your eyebrows filed an appeal against mine
The plates were cleared
But somehow your complaint just reappeared
One step
Then a paragraph with nothing left
Two sips
And now we’re arguing about eclipse
No script
Just brass behaving badly at the hip
Give me the crooked part
The bit that never learned to behave
Skip the polished start
I’d rather hear what you forgot to save
Don’t make it beautiful
Make it useful for a minute or two
Something disputable
Something that could only come from you
You want a verdict
I brought a question with no proper ending
You want precision
I brought a rhythm that resents explaining
Call it defective
Call it a habit with excellent shoes
Call it selective
I call it knowing what not to refuse
Stay odd
Let all the tidy couples blame the odds
Stay sharp
Keep one good insult hidden after dark
Give me the crooked part
The one you never put on display
No ceremonial heart
No careful phrase rehearsed on the way
Keep it improbable
Keep it a little too clever to prove
Almost impossible
But still with enough nerve left to move
You took the spoon
I took the story
Fair enough
You looked less boring
CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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New Beginnings
Sheela West
Verified Artist
Sheela West
Sheela West, hailing from the sun-baked landscapes of Arizona, embodies the invigorating spirit of contemporary country music, blending playful pop elements with rock undertones. With each note she sings, like in her vibrant track "New Beginnings," Sheela captures the essence of youthful exploration and heartfelt empowerment. Her sound is characterized by polished production, featuring catchy melodies and acoustic guitar that invite listeners to embrace joyous moments and new adventures. Late-night writing sessions beneath the stars have fueled her creativity, allowing her to craft narratives that resonate deeply while also providing a soundtrack for carefree nights.
As part of a local scene that thrives on collaboration and spontaneity, Sheela draws inspiration from the pulsating energy of clubs where diverse genres intersect. Her catalog reflects this rich tapestry, with tracks that evoke a spectrum of emotions—from the hopeful anthem "Chasing Stars" to the playful vibes of "Summer Skies." Each song showcases her ability to connect with an audience through relatable themes of love, freedom, and self-discovery. With a youthful vocal character and an uplifting aura, Sheela West stands ready to make an indelible mark on the hearts of country music fans everywhere.
New Beginnings
Sheela West
Packed my bags heading out tonight
City sights yeah they feel so bright
Got a feeling it's time to run
Leaving the past I'm ready for fun
Every step feels like a brand new start
Finding freedom that's where I'll find my heart
Hey I'm alive feel the rhythm rise
Dancing through the streets watch the good times fly
Letting go of what held me back
Now I'm on my way never looking back
Met some faces shared a laugh or two
Every moment feels like something new
With the music I can finally breathe
This is my time got so much to achieve
And when the night falls I won’t be alone
With the stars shining I've found my home
[Final Chorus]
Hey I'm alive feel the rhythm rise
Dancing through the streets watch the good times fly
Letting go of what held me back
Now I'm on my way never looking back
CREDITS
Performer: Sheela West
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Power Play (ft Dari...
Heather Davis
Verified Artist
Heather Davis
Heather Davis is a London-based artist whose music pulses with the vibrant energy of modern dance and disco. Infused with influences from the city’s club culture, her tracks like "Power Play (ft Darius Vale)" showcase her ability to blend nu-disco rhythms with electro-pop sensibilities. With a strong yet playful vocal delivery that echoes confidence, Heather’s music invites listeners to embrace their own strength and joy. Her songs evolve around themes of self-empowerment and celebration, creating an uplifting atmosphere that resonates in every beat.
Heather's catalog features an array of meticulously crafted tracks that reflect her unique artistic vision. Alongside "Power Play," listeners can explore other energetic anthems that ooze happiness and hopefulness, designed to keep spirits high on the dance floor. The synergy of tight four-on-the-floor drums, funky basslines, and glossy synths not only establishes her signature sound but also makes each track feel like a celebration of life’s joyous moments, capturing the essence of what it means to truly live in the moment.
Power Play (ft Darius Vale)
Heather Davis
Walking in I feel the shift
Confidence it’s my gift
No more waiting for a sign
I’m my own and I feel fine
Every glance they see the change
A subtle glow I rearrange
Moving through like I own the space
This is my time I’ll set the pace
I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play
No more aftertone of what could be
I’m the story I’m the key
With each beat I redefine
Crafting moments I’m aligned
Every glance they see the change
A subtle glow I rearrange
Moving through like I own the space
This is my time I’ll set the pace
I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play
Yeah I walk in cool no script no stunt
Clean cut low talk I don’t need the front
Hands in the pocket watch the room bend
Every small doubt I had I just left to end
Fresh on my feet let the floorboards talk
No borrowed shine I built my own walk
Look at me now no mask no delay
I move with the groove then I move out the way
Catch the rhythm let it flow
This is where I’ll let it show
No more doubt just clarity
This is my reality
I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play
CREDITS
Performer: Heather Davis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Margin of Error
Susan Hall
Verified Artist
Susan Hall
Susan Hall emerges from the vibrant backdrop of New York City, where late-night writing sessions fuel her introspective explorations into the human experience. Infusing elements of Lo-Fi, Pop, and Trip-Hop, Susan crafts soundscapes that oscillate between playful and melancholic. Her track "Margin of Error" encapsulates this duality, featuring smoky vocals layered over a pulsating sub-bass and ethereal Fender Rhodes chords. With a penchant for the poetic, her lyrics explore themes of longing and uncertainty, often wrapped in an enigmatic embrace that resonates deeply with listeners.
The sonic threads within her catalog weave together a compelling narrative, each track a reflection of her artistic identity marked by subtle contrasts. From the dark trip-hop influences that shape her beats to the epic yet intimate moods she conjures, Susan's music reveals a world where vulnerability meets resilience. With tracks like "Margin of Error," she invites audiences to navigate through the shadows of love and loss while offering an unexpected playfulness that lingers long after the last note fades.
Margin of Error
Susan Hall
You filed my name under maybe
Kept one hand near delete
Your sentences came pre-approved
Every promise wore a barcode
I read the terms across your face
A firm refusal dressed as grace
You kept my number off the page
Then called it love at your own rate
I learned the cost of being near
A private charge renewed each year
Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss
Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total
Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased
You wore affection like a pass
Valid until somebody asked
My place was marked with pencil lead
Easy to alter hard to read
You built a room from access codes
The door unlocked when you chose
I left the key beside your name
No final speech no claim to blame
Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss
Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total
Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased
I was never hard to measure
You preferred uncertain scales
A person turned to useful data
A pulse reduced to monthly sales
Now every digit has an owner
Every loss can state its cause
You can keep your perfect record
I have left your private laws
Call me your margin of error
The number you rounded to zero
You kept me close to the ledger
But never part of the total
Call me your margin of error
The flaw that refused to behave
Cross out the file marked as maybe
I won’t be useful then erased
Delete my name from your system
The error has learned its own weight
CREDITS
Performer: Susan Hall
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Paper Cup Summer
Mirov Saint
Verified Artist
Mirov Saint
Meet Mirov Saint, everyone's favorite disco-spinning, beat-making connoisseur of all that is musical and funky. Hailing from a place as elusive as his name suggests, this maestro reigns from the far-flung utopia we like to call Saint Petersburg, crafting soundtracks that make our everyday lives feel like an enchanted fairy tale.
This genteel DJ, signed to Filodyo—shout out to them for recognising raw talent—works nightclub miracles, turning songs into disco-infused enchantments. His pièce de résistance? A cabaret dance cover of Romeo Vane's "Kiss Me When I'm Lying", of course. Because who needs a prince charming when you've got Mirov Saint remixing your life soundtrack?
Behind the decks, he becomes this alchemy wizard, transforming every beat into disco-gold, infusing happiness in every note. Take a gander at Mirov's Spotify. You'll think you've been transported to a Moscow underground disco in the 70s—a place where anxiety is unknown, and the mood is perpetually “Happy”.
So there you have it, folks. Mirov Saint, living proof that disco isn't dead, it's just been chilling in Saint Petersburg, waiting for one wizardly DJ to mix it back to life.
Paper Cup Summer
Mirov Saint
You left your scarf on my chair
Cheap red thread and summer air
I still fold it by the door
Like you might come back for more
And I know I know
It was never clean
But your name
Still shakes the seams
Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade
Bus stop rain on your shoes
You laughed like you had bad news
In the park under the trees
You said "Don't make a promise to me"
And I know I know
We were shaking hard
Two wild hearts
In a borrowed car
Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade
Now the corner store's closed early
The peach gum on your sleeve still hurts me
If I call would you hear my voice?
Or just the noise just the noise
Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade
CREDITS
Performer: Mirov Saint
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.