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But North Keeps
The Absents
Verified Artist
The Absents
The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.
Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.
In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.
Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.
But North Keeps
The Absents
Rust runs along the rails to nowhere
Morning stations breathe a scent of iron
Words melt in my hands like shards of ice
Even when I speak it’s someone else’s song
Foreign clocks drag their feet
The wind calls me by names I’ve never worn
This city feels like a mirror I’ve never owned
My steps fall on stones that don’t remember me
I drew a map with the length of my shadow
But north keeps pointing somewhere else
Cracked windows hold the faces of other lives
Salted bread is torn with prayers I can’t translate
I keep the roofs of distant houses in my eyes
But the mailbox stays empty — no one arrives
Foreign clocks drag their feet
The wind calls me by names I’ve never worn
This city feels like a mirror I’ve never owned
My steps fall on stones that don’t remember me
I drew a map with the length of my shadow
But north keeps pointing somewhere else
A ticket in my pocket
Its destination still a stranger
Maybe it’s one-way out
Or just another foreign land
Rust runs along the rails to nowhere
And I keep walking without a border to cross
CREDITS
Performer: The Absents
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Velvet Switch
Celeste Raye
Verified Artist
Celeste Raye
There’s a certain stillness in Celeste Raye’s voice — the kind that turns crowded rooms quiet and late-night drives cinematic. Born and raised in South London, she grew up mimicking the elegance of old soul singers and the cool detachment of ‘90s club divas. On stage, Celeste doesn’t reach for the spotlight — it finds her.
Her latest release, Velvet Switch, is a slow-burning club anthem soaked in longing. Produced by NOT FM and available exclusively on Filodyo, the track pulses with quiet intensity — as if it’s remembering something you forgot you missed. Celeste’s voice doesn’t cry out. It hovers, suspended above the beat, tracing the shape of absence with each note.
People don’t come to her sets just to dance. They come to feel understood — in dim lights, with their eyes closed, mouthing words they’ve never said out loud. Velvet Switch captures that moment between stillness and surrender, when the music takes over and you stop pretending you’re fine.
Celeste Raye isn’t trying to be timeless. She already is — not because she sounds like someone else, but because she sounds like a feeling you’ve had before, but never named.
Velvet Switch
Celeste Raye
You touched my name with a fingertip lie
Then vanished like sugar in red wine
I didn’t chase I didn’t speak
But I rewrote you in every beat
You blink I break
You breathe I ache
You move I wait
(I wait I wait)
Come turn me on like a velvet switch
No promises just static twitch
Don’t love me—just circle back
One more loop then fade to black
(Ahh…)
Circle back
(Ahh…)
Fade to black
Your silence talks in Morse to me
I hum it back unconsciously
No need for vows no names to curse
We orbit pain—but in reverse
You blink I float
You breathe I choke
You move I glow
(You know you know)
Come turn me on like a velvet switch
Forget the rules forget the glitch
Don’t stay long—just mark the track
One more loop then no way back
(Hmm…)
Mark the track…
(Hmm…)
No way back…
It’s not love—
Just beautiful damage
A signal you sent
But never managed
(And I… tuned in anyway)
Come turn me on like a velvet switch
Whisper sweet in a foreign pitch
Don’t need truth—just feedback hum
One more loop—then I’ll come undone
(Undone…)
(Undone…)
CREDITS
Performer: Celeste Raye
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Corazón en la Calle
Zaharela B
Verified Artist
Zaharela B
Zaharela B is a vibrant Latin artist whose music radiates the energy of the dancefloor and the streets alike. Born in San Juan, Puerto Rico, and raised between the Caribbean and Miami, she blends the infectious grooves of reggaeton with the warmth of Latin pop and the bold flair of carnival rhythms. Her sound is a celebration of movement, culture, and joy—rooted in tradition yet unapologetically modern.
Her debut single, Corazón en la Calle, bursts with a reggaeton/dembow pulse, playful sound effects, and call-and-response hooks that pull listeners straight into the party. Switching effortlessly between Spanish and English, Zaharela B brings an unmistakable charisma to every lyric, making her performances feel like a shared celebration.
Available exclusively on Filodyo, Zaharela B’s music is more than just a soundtrack for dancing—it’s an invitation to let go, live in the moment, and move with the beat. With her magnetic presence and unstoppable energy, she’s poised to become a defining voice in the next wave of Latin dance music.
Corazón en la Calle
Zaharela B
Beep beep!
Vamos vamos!
Corazón en la calle woo!
Sun on the roof heat on the floor
Boots on the ground crowd wants more
Clap to the beat hips in time
Every little step feels so divine
Turn around bring it close
Hands up high let it show
Dale fuego dale ya
Move your body no se va
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
Drums in the air bass in my veins
Sweat in the night dance in the rain
Spin to the left slide to the right
Every little move feels like flight
Turn around bring it close
Hands up high let it show
Dale fuego dale ya
Move your body no se va
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
Beep beep!
Let’s go!
Clap clap!
Go low!
Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval
CREDITS
Performer: Zaharela B
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Long Distance Line ...
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Long Distance Line from the Bosphorus
Eli Varnish
I’m calling from a room with peeling paint
A radio coughing out the truth
The kettle screams like it knows my name
Coins on the table none of them are you
The line is bad the night is worse
Somewhere a ferry cuts the dark in two
I got your number on a matchbook
And a voice that still remembers you
The operator’s half asleep
She says “Sir you still there?”
I say “Yeah I’m breathing smoke and prayers
Trying to get through anywhere”
This is a long distance line from the Bosphorus
I got one minute maybe less
If the city don’t swallow my words whole
You’ll hear me say I did my best
Yeah it’s a long distance line from the Bosphorus
The signal shakes the past comes through
If this call drops into the water
Just know I was calling you
There’s a man downstairs selling broken watches
Says time owes him money too
Every streetlight flickers like a bad idea
Every bar knows something I won’t tell you
I saw your face in a cracked mirror
Right next to a stain on the wall
I tried to hang up three times already
But this phone just won’t let me fall
This is a long distance line from the Bosphorus
The clock’s got a loaded gun
If I disappear between the numbers
Just say I was almost done
Hello?
Yeah… it’s me
Listen don’t say my name
The walls here got ears
And the night’s taking notes
It’s a long distance line from the Bosphorus
Static dancing in my head
If you hear silence after this
That’s just the things I never said
The operator counts me down
Five… four… the river wins
Click
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Static on the Line
Ryder James
Verified Artist
Ryder James
Ryder James is a rising pop-soul artist whose warm vocals and timeless style bridge the gap between classic soul storytelling and modern pop production. With a voice that carries both grit and grace, he creates songs that feel instantly familiar yet refreshingly new.
His debut single, Static on the Line, is a captivating blend of heartfelt lyricism and smooth, groove-driven instrumentation. Produced by Filodyo and released exclusively on NOT FM, the track showcases Ryder’s ability to turn everyday moments into powerful musical narratives.
Raised on a steady diet of soul legends and contemporary pop innovators, Ryder brings authenticity and emotional depth to every performance. Static on the Line is more than just a song—it’s an introduction to an artist who is here to connect, move, and inspire listeners worldwide.
Static on the Line
Ryder James
Mmm… yeah
Turn it up
Found your note between the bills folded twice
Three crooked letters never said it nice
Kitchen radio is drifting off-time
Wrong station playing but it suits the night
I dial your number — hear a click then air
Flashing digits on the stove just stare
Every heartbeat in my chest misaligns
Still I’m listening for a sign
There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line
City bus sighs at a midnight stop
Paperback angel at a corner shop
Borrowed coat hangs wide on my frame
Pockets full of change and a half-drawn name
Counting rail ties stepping over goodbyes
Copper on my tongue from unspoken replies
I hold my breath as if it might realign
What keeps crossing in my mind
There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line
Maybe I’m a bent antenna in a storm I knew
Turn me just a single degree — I point back to you
If the signal fades and the bars go blind
Call me by the name you underlined
Line… line… static on the line
(Keep talking)
Line… line… static on the line
There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line
Mmm… tune me in
Static on the line
CREDITS
Performer: Ryder James
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Truth Shouts Back
Arem Khenn
Verified Artist
Arem Khenn
Arem Khenn is a minimalist, introspective rap artist whose music exists between control and fracture, moving from slow, restrained beginnings into tightly wound, high-pressure rhyme structures. His work focuses on self-interrogation, memory, and the uneasy line between truth and deception, treating the past as evidence rather than confession.
Rather than offering release, Arem Khenn builds tension, using silence, repetition, and call-and-response moments where the inner voice answers back in single-word shouts. His delivery favors precision over excess, allowing emotional weight to surface without spectacle.
Arem Khenn’s songs are available exclusively on Filodyo, where his catalog remains intentionally contained, resisting overexposure and maintaining a controlled, immersive listening environment. Visually and sonically, he inhabits enclosed, dimly lit spaces, emphasizing honesty, restraint, and unresolved conflict over comfort or resolution.
Truth Shouts Back
Arem Khenn
Lights off room breathes heavy thoughts get loud
Mirror talks back but it never tells me how
I built walls just to feel safe inside
Funny how the safest place is where the truth goes to hide
Heart ticking like a bomb with a pause
I’m calm on the surface chaos under the laws
I ask myself questions I don’t wanna hear
If I’m honest with me will I disappear?
I grew up learning silence was strength
Learned to smile wide hide the cracks in the length
Every promise felt borrowed every win felt fake
If I fail on purpose at least it’s my mistake
I carry names they don’t know how to spell
Carry blame like a badge wear it well
I don’t trust my thoughts when they sound too kind
Cause comfort’s just a trap with a pleasant design
Truth feels sharp lies feel warm
I confuse being numb with being calm
Every memory fights to be the boss
Was it discipline building me or fear at a cost?
If I peel back layers what’s left of me?
A man or a mask with good memory?
I hear my past knock I don’t answer calls
But it’s yelling my name through the drywall walls
Tell me what’s real tell me what’s wrong
I been holding my breath way too long
Every lie feels right till the truth comes through
I don’t know who I am but I know it’s not you
Inside my head there’s a war I chose
Between what I show and what nobody knows
When the dark speaks up I answer too
Shout: Truth!
Shout: Fear!
Shout: Me!
I move quick now thoughts double-time
Mind runs laps like it’s training for crime
I edit my feelings like tracks in a mix
Cut the pain low but it still exists
They say heal yourself yeah easy to say
When the damage taught you how to get paid
I monetize pressure I profit from doubt
Turn panic to patterns then scream it out loud
I don’t chase peace I interrogate calm
Ask why it leaves when I’m holding the psalm
I know every trick that my ego plays
Calls survival a crown calls running a phase
I don’t want comfort I want it clear
If I’m broken say it don’t sugar my fear
I been friends with the worst part of me
Now I’m asking if it’s time to leave
If I stop fighting who am I then?
If I stop hurting do I lose my pen?
I don’t trust silence it feels like a test
Like peace is a lie I don’t deserve yet
Tell me what’s real tell me what stays
When the lights go out and the crowd fades
Every voice in my head wants a say
But only one of them tells it straight
I built my name from scars and doubt
From locked doors I had to break out
When the dark speaks up I answer too
Shout: Truth!
Shout: Pain!
Shout: Now!
If I face myself and don’t look away
Maybe fear won’t have the final say
I don’t need saving I need to see
What’s left when the noise stops haunting me
Shout (whispered): Me
CREDITS
Performer: Arem Khenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Gravity Override
Lina Mour
Verified Artist
Lina Mour
Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.
Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.
Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”
Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.
Gravity Override
Lina Mour
Blast the gate override the stream
No peace mode just kerosene
We don’t stop — we ventilate
Plug into the surge detonate!
Code in flames!
Rise untamed!
Spin that truth
Like a hurricane!
Gravity override!
We don’t fall — we multiply
No more silence no more shade
We break the sound — unafraid!
Gravity override!
Sky is fake so we collide
Raise your pulse amplify—
We’re the glitch they can’t deny!
Rip that signal break the chain
Upload thunder through your brain
We’re the myth the freak the spark
We turn neon into dark
No maps!
No brakes!
No kings!
No fakes!
We twist!
We crack!
We vanish—
Then attack!
Gravity override!
Truth distorted we decide
Bounce that static crash the grid—
This is not your mother’s beat!
Gravity override!
Laws erased we redesign
Now scream loud redefine—
We’re the beat they can’t confine!
Override complete
System: liberated
CREDITS
Performer: Lina Mour
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Fire in the Open Air
James Rolly
Verified Artist
James Rolly
Born in 1989 in Dayton, Ohio, James Rolly’s life was anything but straightforward. Growing up in a working-class neighborhood, he found himself drawn to music at an early age, learning his first guitar chords from an older cousin who played in local bars. But his teenage years spiraled into turbulence — run-ins with the law, school expulsions, and a revolving door of juvenile detention centers and rehabilitation programs marked his adolescence.
It was during a six-month stay at a rehab facility in Cleveland that James began writing his own songs, using music as a way to process his frustration and loneliness. The stark, confessional style of those early lyrics became the foundation of his artistic voice. He often says the rehab’s battered common-room piano was “the first place I ever told the truth.”
By his mid-20s, James was performing in small clubs across the Midwest, blending gritty Americana storytelling with modern soul and rock influences. His husky voice, commanding presence, and refusal to glamorize his troubled past earned him a loyal following. The shaved head, beard, and head tattoos became part of his unflinching image — a visual reminder of where he’s been and how far he’s come.
Today, James Rolly’s music reflects both the scars and the survival. From intimate acoustic sets to explosive full-band performances, he channels every ounce of his history into a sound that’s raw, magnetic, and unapologetically real.
Fire in the Open Air
James Rolly
I’m walking through the noise and color
Every face feels like a secret sign
My heart’s a drum that won’t keep quiet
Every beat says “Boy this ain’t your time”
But I move I move with the rhythm
Even when the words don’t fit in
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
There’s laughter rolling out of doorways
Music pouring from a midnight band
I don’t know the song but I’m singing
Clapping to the beat like I understand
And I move I move with the rhythm
Even when the words don’t fit in
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
Maybe I’m lost but it feels like winning
Every wrong turn keeps my story spinning
If this is the game then I’m all in
Every note’s a place I’ve never been
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
And I move…
I move with the rhythm
CREDITS
Performer: James Rolly
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Split Frequency
Aris Veyton
Verified Artist
Aris Veyton
Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.
Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.
Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.
Split Frequency
Aris Veyton
There’s a pulse that keeps dividing me
Two rhythms fighting underneath
One side wants order keeps the lines so straight
The other sparks fires wants to detonate
I move through the evening with a crowded mind
Trying to decode what I can’t define
I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half
Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again
Thoughts turn metallic when the pressure grows
Patterns fall apart then they recompose
I’m chasing a structure that I can’t commit
Every time I form it something ruins it
I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half
Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again
If there’s a place between the sides
I’ll walk the thin divide
Waiting for the moment
Both frequencies align
CREDITS
Performer: Aris Veyton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Waves Don’t Ask Why
Wires and Petals
Verified Artist
Wires and Petals
Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.
Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.
Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.
Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.
Waves Don’t Ask Why
Wires and Petals
I walked too far to start again
But too close to turn away
The sky didn't open —
But I moved anyway
Heartbeat aligned with the sound
Footsteps lost never found
I don’t speak to the wind anymore
It never stayed to listen
But you —
You stayed quiet…
And I heard everything
Time doesn’t fold like a map
We stretch with every turn
The world spins without asking
But we — we learn
And if the tide forgets my name
Let it
I only needed the pull
CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Through Me (feat Do...
Jett Ralston
Verified Artist
Jett Ralston
Born and raised in Ventura, California, Jett Ralston grew up in a garage that smelled like motor oil, vinyl records, and his father’s hair pomade. While other kids watched cartoons, Jett memorized the Grease soundtrack and tried to mirror Elvis's hip sway in the hallway mirror. His voice—low, smoky, and just a little rough around the edges—carries the DNA of that golden age, but never feels stuck in it.
Jett’s debut single “Through Me” (feat. Dolores Queen) is a cinematic slow-burn: part lost love, part lounge confession. Produced exclusively for Filodyo, the track fuses analog charm with subtle modern edges, pairing his velvet baritone with Dolores Queen’s haunting harmonies. He doesn’t try to be Elvis — but he sings like someone who misses that kind of honesty on stage.
With a sound caught somewhere between a flickering jukebox and a midnight highway, Jett Ralston is not here for nostalgia — he's here to make old souls feel seen again.
Through Me (feat Dolores Queen)
Jett Ralston
(verse 1)
You sit beside me
but your eyes
walk down a hallway
I can’t find
You ask me questions
with no wait
as if the answers
might hesitate
(verse 2)
You touch my hand
like it’s just air
like something’s there
but not quite where
I say your name
just to hear
if it still sounds
like you’re near
(chorus)
You move through me
like wind through cloth
like water shaped
by what it’s not
You don’t resist
but you don’t hold
You’re warm
but I’m cold
(verse 3)
The kitchen light
flickers twice
We laugh but
not with our eyes
The song that used to
make you sway
now plays like
furniture on replay
(chorus — repeat)
You move through me
without a sound
I feel you there
but not around
You’re close
but not slow
You’re mine
but I don’t know
(outro — quiet)
Love didn’t leave
but it learned
to disappear
CREDITS
Performer: Jett Ralston
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
HOT TRACK
Kiss Me When I'm Lying
Romeo Vane
Kiss Me When I'm Lying
Romeo Vane
You taste like trouble and cheap red wine
Black boots kicking off the dashboard side
Your hair messed up and your friends outside
Small town talk but we move too fast
Everybody staring when we walk past
You laugh loud when the speakers break
Steal my jacket like a little game
Hands cold wrapped around my neck
You say “relax” then make a mess
Oh-oh
Don’t stop now
Oh-oh
Spin me around
Kiss me when I’m lying
Tell me I’m your type
We can fake forever for a Friday night
(Yeah yeah)
Your lipstick on my cigarette
Your number in my head again
One look and I lose control
Like whoa-oh-oh
Taxi doors and buzzing amps
Cheap hotel and tangled hands
Your dance moves cutting through the room
Everybody watching you
Low lights flicker on your rings
You move sharp to the kick drum beat
Every word got attitude
God you make bad ideas look cool
No sleep
Heartbeat
Fast lane
On repeat
Kiss me when I’m lying
Tell me I’m your type
We can fake forever for a Friday night
(Hey hey)
Your perfume on my leather coat
You pull away then pull me close
One touch and I lose control
Like whoa-oh-oh
Bad habits look good on you
Too much smoke in the dressing room
Red lights blur when you bite your lip
Whole damn room start losing it
Kiss me when I’m lying
Dance into the light
Young hearts burning through the after-midnight
(Yeah yeah)
Your name stuck like a melody
Wild eyes full of energy
One kiss and the whole world spins
Again and again
Black boots
Backseat
Your laugh
Still on me
CREDITS
Performer: Romeo Vane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
HOT TRACK
Just Like That
Checkmate
Verified Artist
Checkmate
Checkmate formed in London out of restlessness rather than intention. Different neighborhoods, different backgrounds, same impulse: to move, to react, to play music that refuses to stand still. Ska was never a costume for them, it was a language. Fast rhythms, sharp turns, humor used as defiance. They grew up surrounded by noise, contradictions, and crowded streets, and their sound reflects that constant motion.
Their music is playful but not careless, political without slogans, chaotic but precise. Each member brings a different energy, and none of them try to smooth those edges out.
Checkmate thrives on contrast: bright melodies against nervous tension, joy next to disruption. What comes out is loud, physical, and alive. Their releases are heard only on Filodyo and NOT FM, where movement matters more than polish and nothing is forced to sit quietly in the background.
Just Like That
Checkmate
Bus is late but the sun is out
Someone’s laughing way too loud
Corner shop knows my face
Same old song same old place
Shoelace broke still on time
Found a coin lost my mind
Nothing special nothing deep
But today’s been good to me
Radio plays that beat again
Head goes left feet say “amen”
I wasn’t looking for a sign
But the street feels right in time
Life’s doing fine yeah look around
Sticky tables familiar sounds
Not a movie not a plan
Just a good day where I stand
Life’s doing fine no big parade
Just walking slow no rush today
If this is all I’m cool with that
Yeah I like it just like that
Coffee spills laugh it off
Wrong turn but I don’t stop
Shoes too tight shirt’s too thin
Still smiling when I walk in
Someone hums the tune I know
Traffic moves then says hello
Nothing changed still feels new
Guess the trick is how you view
No winning streak no finish line
Just wasting time and feeling fine
If this moment’s all I get
I’m not mad at it yet
Life’s doing fine yeah look around
Bent street signs old beat-up towns
Not a headline not a scam
Just a good day where I stand
Life’s doing fine no big parade
Late night talks cheap lemonade
If this is all I’m cool with that
Yeah I like it just like that
Maybe tomorrow’s loud and rough
But today’s already enough
No promises no advice
Just breathing in a decent life
Life’s doing fine hear that horn
Someone dancing someone bored
Not a dream not a trap
Just a moment and I’ll clap
Life’s doing fine I’ll say it twice
Not perfect but it’s nice
If this is all I’m cool with that
Yeah I love it just like that
Just like that
Yeah just like that
CREDITS
Performer: Checkmate
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
When the Noise Fades
The Absents
Verified Artist
The Absents
The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.
Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.
In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.
Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.
When the Noise Fades
The Absents
You said it all without a sound
Eyes like rivers underground
No stage no sign no grand display
But still you took my breath away
When the noise fades
I see you clear
No masks remain
No need to steer
In that still shade
You draw me near
Curtains closed the world stands still
No rush no race no sudden thrill
Just quiet steps upon the floor
No less no more I ask for
When the noise fades
I see you clear
No masks remain
No need to steer
In that still shade
You draw me near
I don’t believe in grand goodbyes
Just simple truths behind the eyes
Not every tale begins with fire
Some just flicker then inspire
When the noise fades
I see you clear
No masks remain
No need to steer
In that still shade
You draw me near
CREDITS
Performer: The Absents
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
Things I Never Said
Bruno Galvez
Verified Artist
Bruno Galvez
Bruno Galvez was born to a working-class Spanish family in Valencia, where the scent of orange blossoms mixed with the sound of distant flamenco was part of everyday life. Raised in a modest apartment above a small tapas bar, Bruno’s earliest memories include the strum of his grandfather’s old guitar and the rhythm of heels tapping against the tiled floor. Music wasn't just tradition — it was identity.
To support himself through school, Bruno played guitar on the streets and metro stations of Madrid, his case open for coins, his eyes always scanning for inspiration. These years shaped both his sound and his soul. The rawness of performing for strangers taught him to listen deeply to people’s silence — and to fill it with something honest. His fingers spoke when words failed, and soon his name became familiar in the underground corners of the city.
He studied Anthropology at the Universidad Autónoma de Madrid, drawn to human stories, rituals, and rhythms — the same themes that echo in his music. By night he was a student of culture; by day, a transmitter of it, blending traditional flamenco with the urgency of the modern world. His academic lens gave new depth to his compositions, adding layers that resonated beyond melody.
Today, Bruno Galvez is no longer just a street performer. He’s a storyteller, a cultural bridge, and a reminder that music — especially flamenco — is not meant to be caged. It is meant to move, to cry, to celebrate, and most importantly, to survive.
Things I Never Said
Bruno Galvez
I kept your name in a quiet drawer
Where I hide the things I can't restore
Every word I wrote I burned unread
I'm still haunted by the things I never said
I didn't scream I didn't cry
I let you leave without asking why
But in my bones I broke and bled
From all the things I never said
[Guitar Break]
I smiled like silence was my friend
But silence never helps in the end
You touched my back I turned instead
And buried deep the things I never said
I didn't scream I didn't cry
I let you leave without asking why
But in my bones I broke and bled
From all the things I never said
[Instrumental Break]
There were nights I danced just to forget
Lips on mine but no regret
Still I feel you in my breath—
A ghost that never left
[Final Chorus]
I didn't scream I let you go
But now the quiet hurts me more
I should’ve loved I should’ve pled
Instead I kept the things I never said
CREDITS
Performer: Bruno Galvez
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
HOT TRACK
Fire on the Floor
Zuriq Stone
Verified Artist
Zuriq Stone
Zuriq Stone is a rising Afrobeat pop artist blending African rhythmic heritage with modern global pop energy. Born into a city shaped by street music, dance, and late-night radio sounds, he developed a style rooted in groove and movement rather than trends. His music balances infectious dance rhythms with a confident vocal presence, carrying a natural African accent that feels raw, warm, and unmistakably authentic.
Drawing inspiration from everyday urban life, Zuriq Stone creates songs built for motion. Whether it is the pulse of a crowded street or the freedom of a packed dance floor, his sound focuses on connection and momentum. English lyrics form the core of his songwriting, often joined by short phrases in African languages that turn his choruses into shared chants rather than just hooks.
Zuriq Stone releases his music on Filodyo, where his tracks are curated as part of a new wave of global pop shaped by African rhythms and contemporary production. Designed for both digital platforms and real-world listening environments, his songs move seamlessly from playlists to dance floors, reflecting Filodyo’s vision of modern, forward-moving music culture.
Fire on the Floor
Zuriq Stone
Yeah yeah
Mm listen now
We don’t slow down tonight
Sun drop low on the city line
Heart beat sync with the bass this time
No map no rules no rewind
We move as one no border signs
I came up from the rhythm street
Barefoot dreams and a hungry beat
Every scar got a story loud
Every move say I’m here right now
When the drums talk I obey
Feel it rise under my skin
No fear when the lights go red
This is where we begin
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Eh eh eh
Move it closer
Eh eh eh
Right here
Gold chain swing with the tempo fast
Every step make the moment last
DJ spin that truth so loud
From Lagos nights to the London crowd
No sleep when the vibe too strong
Whole world sing when the hook come on
If you feel lost follow sound
This beat gonna hold you down
When the drums talk I obey
Feel it rise under my skin
No fear when the lights go red
This is where we begin
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Hands up no delay
From the block to the cabana
Left foot right foot sway
We don’t need no permission
Heat jump crowd reply
Every face got a reason
One night one time
Let the rhythm make the decision
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Yeah
We don’t slow down
Mm
Africa to the world
CREDITS
Performer: Zuriq Stone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Still Life in Motion
Elyra Dawn
Verified Artist
Elyra Dawn
Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.
She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.
After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.
Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.
Still Life in Motion
Elyra Dawn
I kept your echo in a borrowed chord
Faded at the edges like a prayer ignored
You never spoke in “forever” terms—
Only in glances only in turns
We drew lines in passing trains
Paused in motion looped refrains
What we had was quiet gold—
But time like steam refused to hold
So I won't chase the version of us
That never really stayed never fully was
You were a still life mid-collapse
A moving part in silent gaps
And I loved you there—
Where the light never dared
But lingered
Like it knew
We’d vanish fair
You hummed in keys I couldn’t trace
Left fingerprints on open space
A breath a shift a tilted frame
No villain here just untitled blame
Maps don’t cover scenes like this
Where lips forget what touch meant bliss
But if you ask what we became—
A shadow signed with no one’s name
I won't rewrite the note you played
Or tune the silence we conveyed
You were a still life breaking fast
A fleeting truth I couldn’t grasp
And I loved you there—
Not to repair—
But to remember
Without despair
Maybe we were best
in between intentions
Not a love song—
just the tension
Still life
in motion
Still life
Not frozen
CREDITS
Performer: Elyra Dawn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Turn It Over
Cold Empires
Verified Artist
Cold Empires
Cold Empires is a high-energy trio from London whose music fuses hip-hop bravado with EDM’s explosive power. The group is made up of rapper Jamal Rivers, lyricist/MC Ethan Cole, and powerhouse vocalist Sienna Brooks. Together, they bring an unstoppable mix of raw verses, soaring hooks, and chant-driven crowd anthems designed for the biggest stages.
Jamal grew up in Brixton, raised on a steady diet of UK grime and American hip-hop, perfecting his rapid-fire delivery in underground battles. Ethan, born in Manchester, came from a background in electronic production, cutting his teeth as a DJ before stepping forward as both a writer and performer. Sienna, the daughter of a jazz pianist from Brighton, grew up singing gospel and soul before embracing the adrenaline of modern pop performance.
The trio met during a festival workshop in Ibiza, instantly recognizing their shared obsession with blending rap, electronic drops, and big-room hooks. Their debut single, Turn It Over, is the result: a bold, festival-ready anthem built for dance floors, packed with call-and-response energy, pounding kicks, and chant-style hooks that keep the crowd locked in.
Available exclusively on Filodyo and NOT FM, Cold Empires are carving out their own lane—one that thrives on intensity, collaboration, and the unstoppable spirit of the party.
Turn It Over
Cold Empires
Yeah!
Turn it over turn it over now!
Uh-huh!
Let’s go!
Runnin’ through the blocks got my heartbeat kickin’
Steel on my feet and the wheels keep spinnin’
Bass in my chest like a downtown riot
Hands in the air if you just can’t fight it
Skyscraper bounce in the middle of the lane
Every light flashin’ can’t stay the same
Heat in the air yeah the night’s our stage
Flip it one more time let’s break that cage
Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)
Jump to the left now slide to the right
We don’t wait for the day we ignite the night
Steam on the glass when the crowd gets near
Every move we make yeah the world can hear
We’re wired up loud with the floor still shakin’
No pause button no chance we’re takin’
Hands to the roof keep the vibe on fire
Drop it one more time lift it even higher
Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)
Push it forward!
Push it higher!
Can’t hold back!
Feel that fire!
Break it flip it!
Don’t stop yet!
We’re not done — it’s not over yet!
Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)
CREDITS
Performer: Cold Empires
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
HOT TRACK
Still Holding On
6 Brokens
Verified Artist
6 Brokens
6 Broken came together in New York through chance encounters, shared apartments, and long conversations that stretched past midnight. None of them arrived with a plan to form a band. They met through friends, studios, and half-finished ideas, slowly realizing they were circling the same emotional territory. New York shaped them not as a backdrop, but as a pressure. The noise, the distance, the constant sense of movement seeped into how they wrote and how they listened.
Their music leans into restraint rather than release. Clean arrangements, patient melodies, and lyrics that leave space for interpretation. 6 Broken avoids obvious drama, letting tension live quietly inside the songs. There is an awareness of vulnerability without turning it into spectacle. Each member carries a different perspective, and those differences remain audible rather than polished away.
What defines 6 Broken is their refusal to rush. Songs unfold at their own pace, shaped by late-night demos, unfinished thoughts, and the feeling of standing still while a city moves around you. Their work is available exclusively on Filodyo and NOT FM, where subtlety has room to exist and music does not need to announce itself to be heard.
Still Holding On
6 Brokens
Morning hits the window late
Coffee’s cold but I feel awake
Your name’s still on my playlist
Didn’t mute it didn’t break it
I learned how silence sounds
When you’re not around
But it’s lighter than I thought
Guess I figured something out
I don’t need a sign tonight
No big speech no rewrite
Just walking straight ahead
With the things you never said
I don’t need a brand new heart
Mine still works just different parts
Some are louder some are calm
Still beating still holding on
I don’t need a clean restart
Just a little open space to start
I’m okay where I am
Yeah I’m better than I planned
City moves at normal speed
People laughing next to me
Nothing feels dramatic now
And that’s what I like about it somehow
Your jacket’s gone I kept the time
Not the fights not the lines
I don’t miss the way we broke
Just the jokes we never wrote
No more circling the same streets
No reruns in my head this week
I’m not running I’m not late
Just finally on my way
I don’t need a brand new heart
Mine still works just different parts
Some are louder some are calm
Still beating still holding on
I don’t need a clean restart
Just a little open space to start
I’m okay where I am
Yeah I’m better than I planned
If you ever wonder how I’ve been
I sleep fine I breathe fine
I learned how to let things end
Without losing who’s inside
I don’t need a brand new heart
No repair kit no fresh start
It’s been tested it’s been tried
Still alive on the inside
I don’t need to change the past
Just move forward slow and fast
I’m okay where I stand
Yeah I’m better than I planned
Better than I planned
Still here still me
Yeah I’m better than I planned
CREDITS
Performer: 6 Brokens
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
System Online
Daxe
Verified Artist
Daxe
DAXE is a French producer and DJ whose sound channels the raw spirit of the mid-90s underground Parisian club scene. Known for his gritty, lo-fi French house productions, he builds hypnotic tracks around distorted synth-bass loops, saturated textures, and minimal yet powerful drum machine grooves.
Emerging from late-night warehouse parties in Paris, DAXE earned a reputation for his uncompromising sets that fuse analog warmth with a rebellious edge. His music feels both dirty and infectious — a soundtrack built for smoke-filled rooms, flashing strobe lights, and crowds that never stop moving.
As a producer, DAXE stays loyal to hardware samplers, vinyl, and classic drum machines, crafting tracks that echo the golden era of French house while pushing it forward with his own raw signature. As a DJ, he thrives on the connection between loop-driven grooves and the dancefloor, keeping energy high and tension tight.
His latest track, “System Online”, embodies this ethos: hypnotic, streetwise, and uncompromising — a pure dancefloor anthem. Released exclusively on Filodyo and NOT FM, it cements DAXE as a name carrying the underground French house tradition into a new era.
System Online
Daxe
System… online…
Motion… design…
Cycle… repeat…
Zero… complete…
Automatic… static…
Binary… manic…
Program… engage…
Data… on stage…
One-two… one-two…
Error… breakthrough…
Signal… overload…
Run-time… explode…
CREDITS
Performer: Daxe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
