Mateo Lux is a rising voice in contemporary electronic pop, blending sleek production with raw emotional intensity. Born with a natural flair for performance, he crafts music that balances dancefloor energy with lyrical depth. His debut single, Control, showcases a magnetic mix of pulsing rhythms and hypnotic melodies, setting the tone for a bold artistic journey ahead.

Discovered by Hakan E. for Filodyo, Mateo brings an unapologetic confidence to every note he sings. His style captures both vulnerability and power, creating an atmosphere that draws listeners into his world. With Control, he isn’t just introducing himself—he’s making a statement, marking the arrival of a distinctive new talent destined to leave a lasting imprint on modern music.

---

Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

---

Yuna Lee is a rising K-Pop solo artist whose magnetic voice and vibrant style are capturing hearts across the globe. Born and raised in Seoul, she grew up surrounded by music, blending traditional Korean influences with the modern pop and R&B sounds she discovered online. Her artistry reflects both her cultural roots and her forward-looking vision, creating songs that are as emotionally resonant as they are irresistibly catchy.

Her debut single, Golden Run, is a high-energy anthem that fuses shimmering synths, punchy beats, and uplifting melodies. The track captures Yuna’s fearless spirit—celebrating ambition, self-belief, and the unstoppable momentum of chasing one’s goals.

Available exclusively on Filodyo, Golden Run introduces Yuna Lee as a fresh and dynamic voice in the K-Pop scene. With her powerful performances and captivating stage presence, she is set to become one of the most exciting new names to watch.

---

She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.

Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.

Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.

---

Bruno Galvez was born to a working-class Spanish family in Valencia, where the scent of orange blossoms mixed with the sound of distant flamenco was part of everyday life. Raised in a modest apartment above a small tapas bar, Bruno’s earliest memories include the strum of his grandfather’s old guitar and the rhythm of heels tapping against the tiled floor. Music wasn't just tradition — it was identity.

To support himself through school, Bruno played guitar on the streets and metro stations of Madrid, his case open for coins, his eyes always scanning for inspiration. These years shaped both his sound and his soul. The rawness of performing for strangers taught him to listen deeply to people’s silence — and to fill it with something honest. His fingers spoke when words failed, and soon his name became familiar in the underground corners of the city.

He studied Anthropology at the Universidad Autónoma de Madrid, drawn to human stories, rituals, and rhythms — the same themes that echo in his music. By night he was a student of culture; by day, a transmitter of it, blending traditional flamenco with the urgency of the modern world. His academic lens gave new depth to his compositions, adding layers that resonated beyond melody.

Today, Bruno Galvez is no longer just a street performer. He’s a storyteller, a cultural bridge, and a reminder that music — especially flamenco — is not meant to be caged. It is meant to move, to cry, to celebrate, and most importantly, to survive.

---

Zuriq Stone is a rising Afrobeat pop artist blending African rhythmic heritage with modern global pop energy. Born into a city shaped by street music, dance, and late-night radio sounds, he developed a style rooted in groove and movement rather than trends. His music balances infectious dance rhythms with a confident vocal presence, carrying a natural African accent that feels raw, warm, and unmistakably authentic.

Drawing inspiration from everyday urban life, Zuriq Stone creates songs built for motion. Whether it is the pulse of a crowded street or the freedom of a packed dance floor, his sound focuses on connection and momentum. English lyrics form the core of his songwriting, often joined by short phrases in African languages that turn his choruses into shared chants rather than just hooks.

Zuriq Stone releases his music on Filodyo, where his tracks are curated as part of a new wave of global pop shaped by African rhythms and contemporary production. Designed for both digital platforms and real-world listening environments, his songs move seamlessly from playlists to dance floors, reflecting Filodyo’s vision of modern, forward-moving music culture.

---

Apollo Frequency is a dynamic UK-based vocal trio bringing infectious grooves and bold stage energy to the modern disco-pop scene. The group consists of vocalists Marcus King and Devon Cole—both London-born with roots in gospel, soul, and street performance—and Brighton native Chloe Hart, whose bright, powerful voice adds a radiant pop edge to the group’s sound.

Formed in Manchester, Apollo Frequency quickly built a reputation for their electrifying live shows, blending tight harmonies with high-energy beats reminiscent of classic funk and disco, yet reimagined for today’s dancefloors. Their music celebrates unity, rhythm, and the thrill of collective movement, turning every performance into a celebration.

Their debut single, After the Signal, is available exclusively on Filodyo, showcasing the trio’s signature mix of soulful hooks, driving basslines, and euphoric choruses. With undeniable chemistry both on and off stage, Apollo Frequency is poised to become one of the UK’s most exciting live acts—proving that when the signal hits, the dancefloor answers.

---

Sofia Cruzado is a captivating Latin pop artist whose powerful voice and magnetic stage presence draw listeners in from the very first note. With a style reminiscent of modern Latin icons, she blends infectious rhythms with heartfelt storytelling, creating songs that ignite both emotion and movement.

Her debut single, Feel The Fire, captures her fiery spirit and undeniable charisma. Available exclusively on Filodyo and NOT FM, the track marks the beginning of a promising career that’s set to light up the Latin music scene. Sofia Cruzado doesn’t just perform—she commands attention, leaving an unforgettable impression on everyone who hears her.

---

Zaharela B is a vibrant Latin artist whose music radiates the energy of the dancefloor and the streets alike. Born in San Juan, Puerto Rico, and raised between the Caribbean and Miami, she blends the infectious grooves of reggaeton with the warmth of Latin pop and the bold flair of carnival rhythms. Her sound is a celebration of movement, culture, and joy—rooted in tradition yet unapologetically modern.

Her debut single, Corazón en la Calle, bursts with a reggaeton/dembow pulse, playful sound effects, and call-and-response hooks that pull listeners straight into the party. Switching effortlessly between Spanish and English, Zaharela B brings an unmistakable charisma to every lyric, making her performances feel like a shared celebration.

Available exclusively on Filodyo, Zaharela B’s music is more than just a soundtrack for dancing—it’s an invitation to let go, live in the moment, and move with the beat. With her magnetic presence and unstoppable energy, she’s poised to become a defining voice in the next wave of Latin dance music.

---

Born in 1996 in Antwerp, Belgium, Dennise began her creative career not as a singer, but as a voice-over artist. With a warm, expressive tone and remarkable control, she became a sought-after voice in commercials, audiobooks, and animated films across Europe. For years, her voice was instantly recognizable, even if her face stayed out of the spotlight.

Music had always been quietly present in her life. Between recording sessions, she would write melodies and lyrics, experimenting with harmonies and vocal textures in her small home studio. Her path into music took a decisive turn when Filodyo producer Hakan E. heard one of her demos and invited her to record an original track.

Since that moment, Dennise has worked exclusively with Filodyo, creating songs that combine her precise vocal technique with a modern pop sensibility shaped by European dance rhythms. Guided by Hakan E.’s production, her tracks carry both the polish of a seasoned professional and the intimacy of a storyteller.

Outside the studio, Dennise is an avid cyclist and urban wanderer, often finding lyrical inspiration on her rides through city streets and coastal paths. For her, music is simply another way to tell a story — but now, her voice takes center stage.

---

The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.

Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.

In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.

Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.

---

Romi Sage doesn't chase the spotlight — he teases it. With a smirk behind every lyric and a groove under every syllable, Romi walks the fine line between smooth and subversive. Born in Lisbon and raised between record shops and rooftop parties, he grew up idolizing the effortless cool of Prince, the rhythmic swagger of George Michael, and the punchy charm of early 2000s pop.

His voice slides — not in haste, but in style. It dances over slap basslines and syncopated guitar licks like it’s dodging commitment. Romi doesn’t just sing about love; he dissects it with irony, flirts with it, then leaves it on read. His stage presence is magnetic — not because he demands attention, but because he never asks for it.

Beneath the glam and glitter, though, there’s always a crack. That’s where Romi shines the most — in the clever melancholy, the playful ache, the smile that knows better. His performances are less about perfection, more about pulse.

Plastic Skies & Paper Towns isn’t a love song. It’s a stylish spiral — romantic delusion in disco heels. It's funk with a wink. And with Romi Sage at the mic, it’s impossible to ignore.

---

Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.

Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.

Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”

Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.

---

Amara Vale is a European pop and R&B vocalist whose sultry tone and fearless style have made her one of the most exciting new voices on the scene. Born in Lisbon, Portugal, to a Portuguese father and a French mother, she grew up surrounded by a rich mix of cultural influences. From French chanson to soulful 90s R&B, the music playing in her family home shaped her distinctive sound and artistic vision.

After moving to Barcelona at the age of 12, Amara began performing in small cafés and local festivals, quickly building a reputation for her captivating stage presence. Her ability to blend emotional storytelling with infectious, modern production caught the attention of international producers and audiences alike.

Now based in Berlin, Amara Vale is ready to share her artistry with the world. Her music is available exclusively on Filodyo and NOT FM, offering listeners a unique blend of atmospheric pop, seductive R&B, and club-ready energy. With each release, she continues to prove that her voice, her style, and her story are unlike anything else in the European music landscape.

---

Cold Empires is a high-energy trio from London whose music fuses hip-hop bravado with EDM’s explosive power. The group is made up of rapper Jamal Rivers, lyricist/MC Ethan Cole, and powerhouse vocalist Sienna Brooks. Together, they bring an unstoppable mix of raw verses, soaring hooks, and chant-driven crowd anthems designed for the biggest stages.

Jamal grew up in Brixton, raised on a steady diet of UK grime and American hip-hop, perfecting his rapid-fire delivery in underground battles. Ethan, born in Manchester, came from a background in electronic production, cutting his teeth as a DJ before stepping forward as both a writer and performer. Sienna, the daughter of a jazz pianist from Brighton, grew up singing gospel and soul before embracing the adrenaline of modern pop performance.

The trio met during a festival workshop in Ibiza, instantly recognizing their shared obsession with blending rap, electronic drops, and big-room hooks. Their debut single, Turn It Over, is the result: a bold, festival-ready anthem built for dance floors, packed with call-and-response energy, pounding kicks, and chant-style hooks that keep the crowd locked in.

Available exclusively on Filodyo and NOT FM, Cold Empires are carving out their own lane—one that thrives on intensity, collaboration, and the unstoppable spirit of the party.

---

The Syrphids’ journey began in the vibrant streets of Birmingham, where their distinct sound emerged from a collision of personal influences and bold experimentation.

Each member brings a unique flavor to the band's overall dynamic—blending raw, emotive vocals with intricate guitar riffs, rhythmic basslines, and atmospheric synth layers. Their music strikes a balance between the unpredictability of alternative rock and the infectious melodies of indie pop, creating an eclectic sound that is both challenging and accessible.

What sets The Syrphids apart is their ability to navigate complex emotional themes, delivering lyrics that resonate deeply while still maintaining an undeniably catchy, crowd-pleasing vibe.

Their live performances are a spectacle of energy and emotion, where their chemistry as a band shines brightest. The Syrphids have a knack for turning intimate venues into electrifying spaces, with each song building on the momentum of the last.

Their setlists are carefully curated to take listeners on a journey—whether it's through soulful ballads that tug at heartstrings or high-octane anthems that ignite the crowd. This ability to command the stage has earned them a growing fanbase, not just in Birmingham but across the UK, with audiences captivated by their authenticity and musical craftsmanship.

As The Syrphids look toward the future, their ambitions are clear: to continue evolving their sound while staying true to the experimental roots that first brought them together. With several EPs already under their belt and plans for a full-length album on the horizon, the band is poised to break through to even broader audiences.

Their commitment to innovation, coupled with their undeniable talent, ensures that The Syrphids will continue to be a force in the indie music scene, challenging conventions and capturing the hearts of listeners around the world.

---

Giulia Sereni is an Italian-born pop artist whose name has become synonymous with modern disco-infused anthems and unapologetic confidence. Born in Florence in the mid-90s and raised between Rome and Milan, she grew up surrounded by both classical Italian melodies and the glossy, international sound of late-90s Euro-pop. That duality shaped her musical DNA: bold, cosmopolitan, and undeniably stylish.

Before pursuing music, Giulia studied fashion communication in Milan, a background that still influences her sharp sense of image, choreography, and performance aesthetic. She blends the elegance of Italian couture with the playful freedom of global pop, creating a persona that feels as at home in glossy editorials as she does on streaming playlists.

Her debut singles—produced exclusively for Filodyo and distributed only through NOT FM—instantly caught attention for their mix of shimmering synths, punchy basslines, and Giulia’s powerful yet intimate vocal delivery. Songs like “Undeniable” and “Crown” quickly became listener favorites, praised for their ability to balance disco nostalgia with forward-thinking production.

Giulia Sereni is more than just a singer—she is a storyteller of empowerment. Her lyrics celebrate independence, resilience, and the glamour of living life on your own terms. Critics have noted that her sound carries the sophisticated energy of continental Europe while embracing the universal accessibility of pop.

Despite growing international buzz, Giulia remains intentionally selective about her presence. She has chosen to keep her releases exclusive to Filodyo and NOT FM, building a cult-like following among music lovers who appreciate her refusal to conform to the mainstream industry model. This exclusivity has only amplified her allure: fans know that to hear Giulia, they must enter the Filodyo universe.

With her magnetic voice, fashion-forward style, and anthems designed for both the dancefloor and the headphones, Giulia Sereni stands as one of the most exciting fictional European exports in contemporary pop. For those tuned into Filodyo and NOT FM, she represents not just an artist, but a movement.

---

Born and raised in Ventura, California, Jett Ralston grew up in a garage that smelled like motor oil, vinyl records, and his father’s hair pomade. While other kids watched cartoons, Jett memorized the Grease soundtrack and tried to mirror Elvis's hip sway in the hallway mirror. His voice—low, smoky, and just a little rough around the edges—carries the DNA of that golden age, but never feels stuck in it.

Jett’s debut single “Through Me” (feat. Dolores Queen) is a cinematic slow-burn: part lost love, part lounge confession. Produced exclusively for Filodyo, the track fuses analog charm with subtle modern edges, pairing his velvet baritone with Dolores Queen’s haunting harmonies. He doesn’t try to be Elvis — but he sings like someone who misses that kind of honesty on stage.

With a sound caught somewhere between a flickering jukebox and a midnight highway, Jett Ralston is not here for nostalgia — he's here to make old souls feel seen again.

---

Born in 1989 in Dayton, Ohio, James Rolly’s life was anything but straightforward. Growing up in a working-class neighborhood, he found himself drawn to music at an early age, learning his first guitar chords from an older cousin who played in local bars. But his teenage years spiraled into turbulence — run-ins with the law, school expulsions, and a revolving door of juvenile detention centers and rehabilitation programs marked his adolescence.

It was during a six-month stay at a rehab facility in Cleveland that James began writing his own songs, using music as a way to process his frustration and loneliness. The stark, confessional style of those early lyrics became the foundation of his artistic voice. He often says the rehab’s battered common-room piano was “the first place I ever told the truth.”

By his mid-20s, James was performing in small clubs across the Midwest, blending gritty Americana storytelling with modern soul and rock influences. His husky voice, commanding presence, and refusal to glamorize his troubled past earned him a loyal following. The shaved head, beard, and head tattoos became part of his unflinching image — a visual reminder of where he’s been and how far he’s come.

Today, James Rolly’s music reflects both the scars and the survival. From intimate acoustic sets to explosive full-band performances, he channels every ounce of his history into a sound that’s raw, magnetic, and unapologetically real.

---

Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

---